This Unit was donated to us by the Falla Family of Donald, and picked up from the farm on 22 February 2007.The unit being in reasonable condition would almost lend itself to reconditioning for use.This Gas Producer Unit is in reasonable condition, with apparently all doors and fittings intact. The central oval shaped hopper is flanged by round and regular containers, interconnected with a series of pipes. Obviously a professionally made item, with signs of the original paintwork still visible. A brass nameplate states the make as Electrolux

In conversation with Mr Tibbett we found out that he obtained this particular unit at an auction in Sydney and brought it home with the intention of one day getting it going again. 'One day' never seemed to come, so he decided to let us have it for our display, rather than jjust collecting dust in his shed.This unit is again of a different manufacturer and construction, highlighting the versatile nature of charcoal producer gas and its applications. A commercially made cast iron unit with a solid round hopper/boiler on a steelframe base. It has a pressure-cooker lid and a car type radiator. Solid built, but rust affected in partsMake: Tysons Cross Draught Model: Official 30hp Heavy Duty Serial: 1368

Jack for changing wheels on light horse-drawn wagons. Contoured Lever Handle with holding Ratchet

Logging Chain Dog. Lever type latch for tightening large chains. It has two hooks and two links

Heavy duty Trevalli type Ratchet Jack. Used in the Rural / Timber Industry for felling trees and handling large logs. Steel operating handle has 2.5cm square socket

Rectangular Wooden Box made from 3plywood with reinforced corners and wire banding. Open at the topForest Comm. Victoria / Forest Officer T Wescott / Kallista / via / FernTree Gully / Rly Station

Two 80cm sections of heavy 12 link steel chain joined in a heavy 15cm dia ring. Each link is 10cm long and 7cm wide, made from 2.2cm dia steel.

Flat Belt Pulley, with 5cm bore, key slot and locating screw. 4 spokes to wheel, 1cm hole in rim of pulley and balancing weight inside of rim

Steel Rope Winch with Ratchet wheel. Cable Drum contains ~6m of 10mm dia wire rope.Lettering on Gear Wheel - DAWN MFG CO - 2 TON AUSTRALIA

Special shape bracket,made from 100cm x 50cm x 6mm channel steel 59cm long, bent at 80* in middle and welded crossplate sections. 4 x 25mm holes one arm.

Heavy Duty Rope Pulley with a Ring Connection at the Top. Inscription: TREVOR 14" BULLY

Winch Tool to pull tree stumps. Steel frame, two steel wheels, a cable drum and a large steel handle. Handle fits on square shaft of drum and ratchet arrangement

Hand operated Water Pump on a wooden base. The pressure vessel is painted red. Handle is missing. This type of constant flow pump was known as a Billabong Pump

Section of Narrow Gauge Railway Track. Two standard spaced section joining holes at one end of the Rail

Heavy Cast Steel Fitting for earth moving equipment. V shaped with sharpened edges, 2cm square holes for attachment to Machine. Red paint finish

In the early 1970s, Arthur Boyd bought and restored a large, two-storey traditional farmhouse called Il Paretaio. Situated on the crest of a hill and surrounded by fields and olive groves, it is five kilometres from the village of Palaia in the province of Pisa, Tuscany. Boyd established this farmhouse as a residency programme, (which was later managed by the Australia Council). The residency program ended in 1990. Anthony Pryor undertook an Australia Council residency at Paretaio in 1984. This work is one in a series made during his time there. This work was entered into the Shire of Eltham Art Award in 1985.Pryor is an artist of national significance. This work is an example of his series of 'boxes' made principally for his own pleasure and often swapped with artists and other friends as soon as they were finished. The 'box' series was part inspired by Japanese techniques of wooden construction. Pryor first visited Japan in 1975 and was immediately drawn to Japanese methods of working with stone and wood. Many of these boxes are based upon the principles of the Japanese Zen Buddhist monk Sengai Gibon (1750-1838). This work relates to Sengai's famous hanging scroll Circle, Triangle and Square in which the circle can be read to stand for the cosmos, the square for the individual, and the triangle for aspiration. A heavy, box-like (cube) structure created from huon pine, with bronze, brass and stone elements. Within the cube is an eastern inspired, rear lattice wall in combination with bronze domestic fittings, and symbols (cube, pyramid and circle). Metal lightning, clouds and wooden rainbow hover over an asymmetrical bronze bed floating within the cube. A chair leans and a tilting ladder reaches towards the sky. Stamped into wood: lower right 'ANTHONY PRYOR PARETAIO'huon pine, pryor, brass, bronze, stone, cube, paretaio, italy, eastern, japan, sengai gibon, symbols, zen buddhism, sculpture, personal

Reinis Zusters OAM was born 15 October 1918 in Odessa, Ukraine, of Latvian parents. Zusters’ father died before he was two years old and he was raised in an orphanage from an early age. He had one sister. He studied Art at the Riga Technical College, Latvia, from 1935 to 1940. He married Aldija Kapteinis, and they had a daughter, Rudite (born 1942 in Riga). After World War II the Zusters family were refugees. They reached Western Australia in 1950, where they stayed for 6 months before moving to Canberra, ACT. In 1952, Zusters moved from Canberra to Pennant Hills in Sydney with his second wife, Arija Biks. Their daughter Laura was born in Sydney in 1956. In 1966, Zusters met his future third wife, Venita Salnajs. In 1969, Zusters bought a house in Greenwich, Sydney. He married Venita on September 17, 1976, and they moved to Wentworth Falls in the Blue Mountains. Zusters died on 8 October, 1999 at Wentworth Falls, and was cremated at Rookwood Crematorium, Sydney. His ashes are buried in the Latvian section of Rookwood Cemetery. Zusters studied at the Technical College of Riga (Latvia), and at East Sydney Technical College, Australia. He was influenced by his Latvian cultural heritage, and admired the artist Voldemars Tone (1892-1958). Shortly after arrival in Australia, Zusters became a draughtsman with the Department of Works and Housing in Canberra. Later he was appointed chief designer with the Australian-American architectural firm Austin-Anderson, at St. Leonards, Sydney. Zusters practised as a full-time professional artist from 1968. Zusters was a prolific painter, predominantly in oils. He produced many large landscapes, including triptychs of the Blue Mountains. His landscapes were mountain scenes prepared in the manner of Jackson Pollock and completed with washes and pale glazes of colour. His cityscapes featured a rich paint surface and sharp-edged thickness of paint applied with a palette knife, layer upon layer. He painted urban scenes of Sydney, inland Australian scenes, and several major portraits including Sir Winston Churchill’s gardener (purchased by Art Gallery of NSW). He made many small informal portrait-drawings of friends. His usual signature was “Zusters”. His work is represented in numerous public and private collections in Australia and abroad. He won numerous prestigious awards in Australia, Japan and USA and was honoured with the Order of Australia Medal in 1994.

On Sunday 19 December 1954 at 3.30 pm, 52 people attended the inaugural general meeting, which was held in the Catholic church hall at Theodore Street, St Albans. Slovenians at the meeting were enthused at the prospect of developing closer ties and a committee was formed to organise the next dance. This humble beginning laid the groundwork for the establishment of the first Slovenian organisation in Melbourne, Victoria.On 5 December 1954 the first meeting of the club’s preparatory committee was held at 36 Prentice Street, East St Kilda with 26 people in attendance. The group prepared a list of regulations and decided on the name Slovenski klub Melbourne – Slovenian Club Melbourne (SCM). The first Minutes of the Meeting announced the club’s statement of purpose: • to assist migrants of Slovenian origin; • to assist assimilation to the Australian way of life; • to help Slovenian migrants in every possible way, especially financially; • to help Slovenian refugees in Europe, especially those who wanted to find a a new and free life in Australia; • to offer members and their friends healthy intellectual and physical activities in the cultural, social and sports arenas; and • to cultivate a Slovenian cultural heritage while also making contributions to their Australian community.A sepia photo of the Slovenians attending the first meeting in St. Albans, 1954 Some in attendance included: Ljubo Pirnat, Paule Postarenko, Ivan Gerbec, Tinka Verbic, Zladko Verbic, Viktor Ferfolia, Tusek, Joze Pekolj, Mrs Potocnik, Joze Potocnik, Janezic, Fanc Novina, Joze Golenko.first slovenian club, slovenians in melbourne, slovenian club, regulations of first slovenian club

Gathering at Baraga HouseFriends at Baraga House relaxing in company of Fr. Basil and the cooks - Mrs Kregar and Anica (Cinc) KregarBlack and white photo

Baraga HouseGathering of friends at Baraga HouseBlack and white photo

The Torquay Life Saving Club was formed in 1922. Members operated from a large bathing box on the Torquay front beach. Eventually at a meeting at the Palace Hotel in January 1946, it was resolved to form the Torquay Surf Club but the name was changed to Torquay Surf Lifesaving Club on 20 February 1946. Building of the first clubhouse was completed in 1946. The first 50 years of the Club are chronicled in a book by Ken Pollard held by the TDHS and which is catalogued under Item 00012 in this catalogue.The formation of the Torquay Surf Lifesaving Club in 1946 and the establishment of a permanent clubhouse was the culmination of the efforts of members and friends of the Torquay Lifesaving Club over the previous quarter of a century. Printed text

The Torquay Life Saving Club was formed in 1922. Members operated from a large bathing box on the Torquay front beach. Eventually at a meeting at the Palace Hotel in January 1946, it was resolved to form the Torquay Surf Club but the name was changed to Torquay Surf Lifesaving Club on 20 February 1946. Building of first clubhouse was completed in 1946. The first 50 years of the Club are chronicled in a book held by the TDHS and which is catalogued under Item 00012 in this catalogue.The formation of the Torquay Surf Lifesaving Club in 1946 and the establishment of a permanent clubhouse was the culmination of the efforts of members and friends of the Torquay Lifesaving Club over the previous quarter of a century.Black and white photographstorquay surf lifesaving club