Alexander Mitchell, grazier and citizen soldier of Thoona, Victoria. Enlisted as a trooper in Victorian Mounted Rifles in September 1893. Commissioned second Lieutenant July 1908. Appointed Captain 13th Light Horse AIF 21July 1915. Seconded to 28th Infantry Battalion in France, May - October 1918, Awarded DSO. Following the War rejoined CMF as Commanding Officer 8th Light Horse and later 2nd Light Horse Brigade.Complements collection of medals and memorabilia listed as item 4244.Typewritten letter on Australian Imperial Force 130 Horseferry Road Westminister Road SW1 letterhead and signed by General W. Birdwood. The letter is dated 9 June 1919 and congratulates Major Alexander Mitchell on being awarded the Distinguished Service Order ( DSO )

Launch of "Pioneers and Painters: One Hundred years of Eltham and its Shire" by Alan Marshall. The history was commissioned by the Shire of Eltham and published as part of the Shire of Eltham centenary celebrations. Mary Stansfield, wife of Peter Stansfield (ex Chief Librarian Heidelberg Regional Library and Miss Jean Truebridge, (Deputy Librarian, Heidelberg Regional Library). In November Miss Truebridge was appointed Chief Librarian at the City of Heidelberg municipal library. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, shire of eltham, shire of eltham centenary, pioneers and painters, book launch, peter stansfield, heidelberg regional library, jean truebridge, mary stansfield

The Forests Commission developed the use of helicopters for aerial ignition from the mid 1960s. Bryant and May at Richmond worked with the Commission to develop a Delayed Action Incendiary Device. DAIDs as the were known, had an overall length of 180 mm, striker end length - 10 mm. Ignition end length - 80 mm, then a layer of high melting point wax (to prevent accidental ignition when rubbing together in transit). Both ends coated with a modified match head compound with safety fuse exposed length between coated match ends. There was a 17-second delay from when the small end was struck to an intense flaming of the large end, which lasted for 40 seconds. DAIDs were dangerous so were stored in a metal box outside the helicopter along with a disposable striker patch attached with a quick release pin to a special half-door. The first test was with a Bell 47G on 4 October 1967 and the first use, anywhere in the world, of DAIDs to backburn a large bushfire was undertaken in north eastern Victoria in February 1968. There was a crash of an FCV helicopter conducting aerial ignition near Wandiligong on 19 April 1978 with the tragic death of two forest officers and their pilot. The crash led to the immediate end of the use of DAIDs and the adoption of the safer Premo ping-pong ball incendiary machine which originally came from Canada but was modified at the Altona workshops. Overall, the development of aerial ignition techniques by the Forests Commission from the mid-1960s resulted in a steady climb in the area burnt each year…. peaking at 477,000 ha in 1980-81 and with an impressive 10-year rolling average of 220,000 ha around the time of 1983 Ash Wednesday Bushfires.Developed in Victoria for aerial ignitionLarge double ended match used for aerial ignition and back burning by dropping from a helicopterbushfire, forests commission victoria (fcv)

The Snowy Water Inquiry was commissioned in 1998 with a brief to recommend environmental water release options to the Commonwealth, Victorian, and NSW Governments so that corporatisation of the Snowy Mountains Scheme could proceed. These release options related to the Snowy River below Jindabyne, the Murray River and other rivers associated with the Scheme. The Inquiry objectives were that the recommendations would not adversely impact on water supplies to existing irrigators or the viability of the Snowy Mountains Scheme. (ref snowyhydro.com.au)This report contains information about water allocation and uses of the Snowy River.A book of 160 pp - Snowy River Inquiry Final report 23rd October 1998. Submitted to the Governments of New South Wales and Victoria / Commissioner: The Hon. Robert Webster. On the front cover are three aerial photographs of the Snowy River and Snowy Hydro Scheme. The book contains maps and photographs. snowy-river snowy-hydro snowy-mountains government-inquiry

The Kiewa Hydro Electric Scheme (KHES) produced electricity for the people living in the Kiewa Valley and beyond to many parts of Victoria. The people and their families working on the Kiewa Hydro Electric Scheme were encouraged by their employer the State Electricity Commission of Victoria to purchase and use electrical appliances. The iron was popular as it was quick and easy compared to those used previously. This iron belonged to Ron White who was a senior member of staff during the construction and operation of the KHES.This iron was owned by Ron White. Ron was appointed Area Operations Engineer at Kiewa in June 1956. He was later appointed as General Superintendent and then in 1974 appointed to principal Hydro Engineer of the recently titled Hydro Division.Electric iron with long cord attached at the side toward the back. Iron shape is of an oblong with pointy front. When laid down, the black handle is at the top with a red button centre front (to choose between steam and dry). Under the handle is the 'turntable' (used to select type of material/heat). At the front of the black is an outlet for the steam. Beneath the black section is the metal shiny cover and solid base.Dial (turntable) - centre red with 'Hoover' and red section on outside with 'steam'. To the left of 'steam' is 'High, Linen, Cotton, Wool'. To the right of 'steam' is 'silk, rayon, nylon'. On the handle at the front "Hoover" in gold.electric appliances; steam iron; electric iron; laundry; ron white; kiewa hydro electric scheme; hoover industries.

This is the 1st minute book for the Mount Beauty Progress Association Ladies Auxilary. The first meeting was held on 25th February 1960. At this time the construction of the Kiewa Hydro Electric Scheme was coming to a close and the town of Mount Beauty and its infrastructure was being handed over by the State Electricity Commission of Victoria (SECV) to the Bright Shire. Homes and businesses were sold and residents were having to 'fill in the gaps' for services that had been provided by the SECV.The Mount Beauty Progress Association was formed by community members to improve and enrich the lives of people in the early days of independence from the State Electricity Commission of Victoria as construction of the Kiewa Hydro Electric Scheme was coming to a close and the town and its infrastructure was being handed over to the Bright Shire.Foolscap Ritewell No. 246 Minute Book with red cloth spine and thick brownish cardboard cover. Label on front cover - Cream with "Ritewell (in green over logo) / No 246 Minute Book (printed in green)kiewa hydro electric scheme; bright shire; mount beauty progress association; fund raising.

These photographs of a presentation to a charity organisation were taken in the grounds of Fortuna Villa, Army Survey Regiment in c1982. SPR Gae (Robinson) Amato was the unit’s first Miss Golden North entrant in the Miss Australia Quest. LTCOL Peter Eddy and SPR Amato presented a fundraising cheque to the unidentified representative from the Spastic Society. In later years SPR Amato took the opportunity of a new career as a commissioned officer in another Corps of the Australian Army.This is a set of four photographs of a presentation to a charity organisation at the Army Survey Regiment, Bendigo in c1982. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographic prints were scanned at 300 dpi, however better clarity was achieve scanning 35mm negatives at 96 dpi. .1) to .4) - Photo, black & white, c1982, L to R: unidentified charity organisation representative, LTCOL Peter Eddy, SPR Gae (Robinson) Amato..1P to .2P – No personnel identified .3P to .4P – ‘Gae Robertson MISS AUST 1980s’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting a man in raincoat and wide-brimmed rain hat at a ship's wheel. Behind him are flying birds and in front of him is the tail of a seal diving into waves on the left and the front of a seal on the right.

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting two horses pulling a plow, which a man is walking behind and guiding. Three birds are flying close to the ground in the foreground, and there is a stylized sunburst (a partial circular form with radiating lines) depicted in the background. More abbreviated bird forms are depicted against the sun and sky.sculpture, bas-relief, copper

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting of port with 14 large silos and a large domed shed in background. On horizon line is a wharf with a ship berthed. In foreground left is a pier stump with wood nailed to it, and leaning on it is a large anchor with a rope tied to it. In foreground left is a beach area, diminishing rapidly toward port in background.Front: (no inscriptions) Back: (unknown)sculpture, bas-relief, copper, port of portland, portland harbour

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper relief work. View of a man from behind sawing a tree. He is flanked by two tree trunks, and is leaning to his right while pulling a band saw through the tree on the left. Leaning against tree on right is a large axe. Houses are rudimentarily designated by lines in the background visible between the trees.sculpture, bas-relief, copper, industry, forestry, forest

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting a man bent over to shear a sheep. His shirt sleeves are rolled up and he is bent toward the viewer.sculpture, industry, rural, copper, bas-relief, shearing, sheep, shearer

This photograph is a "snap shot" in time circa 1950s detailing the rural environmental change and the progressive effects of the Kiewa Valley Hydro Scheme on the basic rural setting of the valley (note the sparsity of rural infrastructure). This photograph shows the beginning of the accommodation and administration buildings for use by the construction workers and auxiliary administration employees of the Victorian State Electricity Commission. It also provides a view of the landscape before extensive development of Pondage and other non rural buildings.This photograph details a dramatic period in time which saw an enormous change to the exclusively rural area of the Kiewa Valley region in the mid 1900s (see sparse rural buildings/houses). This change presented both physical and mental challenges to the existing quiet rural inhabitants of the valley. The State of Victoria had to make adjustments to the changing demands imposed by population and industrial expansions. The development of cleaner energy supplies to a growing population has its downside ,which ever way the intrusion into the "natural" landscape is made. The construction of the large Pondage at the centre of the photograph is a good example.This black and white photograph of a panoramic view of the Kiewa Valley (Mount Beauty SEC construction workers village) shows the newly completed transmission line towers delivering electrical power(66KVA) from the Clover Power Station. The photo is on 200gms paper and not on special photographic paper.mount beauty 1940 to 1950s, development of sec kiewa hydro scheme, sec victoria

This photograph was taken in August, 1938 at the time of road making in the area and some eight years prior to the establishment of Mt. Beauty township. The area was still being used for grazing, and the land was eventually acquired from the local land owners by the State Electricity Commission. The construction of the road, from Tawonga to the High Plains, was commenced in April of this year. This allowed men and heavy equipment to be transported to the work sites for the construction of the Kiewa Hydro Electric Scheme. An important photograph as it shows the upper Kiewa Valley as it was before the establishment of the town of Mt. Beauty. The land had been cleared of natural growth and has been used for grazing cattle. By 1946 housing construction had commenced for the new town of Mt. Beauty and by 1948 street construction in the southern part of the town was completed as far as Hill Street.A black and white photograph taken in the upper Kiewa Valley showing farmland with a group of three unidentified people sitting on the grass.Handwritten in black ink is the inscription 'Kiewa 25/8/1938'. In the right corner of the photograph has been stamped the number 6. On the back in a circle, some 14mm across, are the words 'Kodak Print'. The word Velox is also printed on the back.kiewa, mt. beauty, construction, grazing, secv

Twice rejected in Melbourne for active service, Rudduck booked a passage to London and joined the King's Own Royal Lancaster Regiment, gaining his commission shortly thereafter. Lieutenant Rudduck lost his left arm in action in France, but following repeated requests was susequently permitted to return to the trenches, where he later died from further wounds on 5th June 1918. Ruddock's brother, Ernest, served with 57th Battalion in France.Four letters sent from Europe by Rudduck - while on active service - during April and May 1918 to his family in Dromana (Vic).joseph john rudduck, ernest rudduck, ww1, western front

The story behind the coat is that it was created in the early 1920s by F.J.Ellimor,Brunswick furriers, at the request of Mr Walter Tepper. Walter Tepper lived on a property, "Woodlands" at Kewell, near Murtoa. He trapped the rabbits and took the pelts to Melbourne where he commissioned the furrier to make the coat for his soon to be fiancé, Ida. Walter Tepper is buried in the Murtoa cemetery. Walter's granddaughter Carol Michalicek's (nee Schultz) donated the coat to the Murtoa Museum.It is significant as it is a fine example of the use of rabbit skins to create a fashionable coat. It remains in very good condition, 95 years since its creation. The coat has a link to the Tepper family who have resided in the district for over 100 years. This dark brown rabbit fur coat is well tailored, with quality inner lining and a dark, even-dyed coat. There is so much detail in the design of the coat, including a gorgeous heart shaped pocket. It would have taken quite a few rabbits pelts to make the long full-length coat, as an average rabbit skin provides about 9 inch². walter and ida tepper, rabbit skin coat, kewell

With much fanfare and anticipation the Grand Opening of Cornish College was held on Sunday the 12 February 2012. The hall was filled to capacity. It commenced with a Welcome by Rev Dr Robert Johnson, the Welcome to Country, National Anthem and Official Opening and Unveiling of the Plaque. This was then followed by a Musical Item, the dedication of College and Commissioning of the Leaders, a Visual Presentation and short speech by the Reverend David Pargeter. Next was a Musical Item and The Principal, Mr Kerry Bolger's Address. Then the Benediction. White brochure printed on both sides of glossy, heavy A4 paper, folded to A5 size. With a teal upper 10mm border and a black lower 10 mm border. 15mm below upper border is the Cornish College emblem, followed by Cornish College name cornish_college_inaugural_year, education, school

1996 Nillumbik Art in Public Places Award (installed late 1997). A biennial program that ceased in 2007. The program commissioned artists to make and install public art in various sites around the Shire. Award judges that year were Tony Trembath and artist Peter D. Cole. Susie Kumar has a Bachelor of Landscape Architecture degree from RMIT and Naomi Kumar has a Bachelor of Fine Art in photography degree from VCA. The Kumar sisters designed the sixty meter gently curving bench in response to the topography of the site, Conventry Oval. The sculpture is designed to describe the boundary between the formal oval and the natural creek bank and a considered relationship to the bike track and the river. It forms a link between the activities and aesthetics of its environment. The work is a comical interpretation of the utilitarian public bench. From a distance the bright red runners (the colour of the local football team's stripe) appear to float about the surrounding green. One end of the work is straight and finished. The other remains 'unfinished' hence allowing for the concept of unlimited extension. The 'legs' (steel hurdles) are arranged with a sense of movement and rhythm in sympathy with the activities happening around the work and with the stands of trees in he background. 'Benchmark' also serves as a functional purpose; providing a choice of places to sit to watch action on the oval. Stainless steel, timber (Victorian Ash) and red enamel paint. Sixty meter long red bench that gently curves in response to Conventry Oval. Bolted on top of evenly spaced stainless steel hurdles, four rows of timber runners are joined to provide unbroken continuous lengths. The bench stands on a framed bed of crushed rock (Lilydale topping).N/Abench, sport, wood, victorian ash, stainless steel, public art, ekphrasis2017

The Ozone was built in 1886 in Scotland. She was commissioned by the Bay Excursion Company and serviced Port Philip Bay from 1886 with Melbourne to Queenscliff her first run. She was involved in a number of collisions and was withdrawn from service by 1918. She was purchased by Melbourne ship breaker J. Hill in 1925 and was scuttled later that year at Indented Head. Souvenir life buoys were often made by the ships crew as an additional source of income.The souvenir life buoy is likely to have been made during the service of the Ozone paddle steamer from 1886 to 1918. It may have been made by a former crew man. The buoy is significant for its connections to the former transporation of Victorians by sea. A miniature souvenir life buoy, handmade and painted white. Cloth attached to make the stripes on the buoy and fastened by small tacs. Lettering is in red and gold paint. Decorated with painted anchors and flags."PS Ozone Melbourne"ozone, paddle steamer, bay excuersion company, indented head, geelong maritime museum, port philip bay, j. hill

This object relates to James KELLY. He was born on 1/01/1890 in Warragul, VIC. James served in the AIF (333) enlisting on, 10/09/1914 before being killed in action on duties with the 14TH BATTN as a Army Non-Commissioned Private (PTE) on 27/08/1915. James KELLY was not a prisoner of war. His next of kin is Micheal KELLY (Father) - Trentham. James Kelly was awarded the Victory Medal, British War Medal.Blue Velvet Display Tray "WW2 Service Medals" & "WW1"first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat

This object relates to Herbert George UREN. He was born on 1/01/1888 in Magpie, VICTORIA. Herbert George served in the AIF (15208) enlisting on, 17/04/1916 in Ballarat, VIC before being discharged from duties with the 14TH AGH as a Army Non-Commissioned Corporal / Bombardier (CPL/LBDR) on 15/12/1919. Herbert George UREN was not a prisoner of war. His next of kin is Mrs E UREN (Wife).first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat

This object relates to Thomas VINES. He was born on 1/10/1892 in Hamilton, VIC. Thomas served in the AIF (1671) enlisting on, 06/01/1915 in East Melbourne, VIC before being discharged from duties with the 5th BATTN as a Army Non-Commissioned Sergeant (SGT) on 30/03/1919. Thomas VINES was not a prisoner of war. His next of kin is Thomas & Christina VINES (Parents). Thomas was awarded MM - Battle Pozieres.second world war (ww2), 1939 - 1945, medals, ballarat rsl, ballarat

This object relates to James KELLY. He was born on 1/01/1890 in Warragul, VIC. James served in the AIF (333) enlisting on, 10/09/1914 before being killed in action on duties with the 14TH BATTN as a Army Non-Commissioned Private (PTE) on 27/08/1915. James KELLY was not a prisoner of war. His next of kin is Micheal KELLY (Father) - Trentham. James Kelly was awarded the Victory Medal, British War Medal.Note attached reads - "This crochet work was done by Mabel TRUDGEON in memory of her oldest brother, Richard of Welshman's Reef near Newstead who was killed in France early in 1918. The enclosed card was his last word to home."first world war (ww1), 1914 - 1918, craft, ballarat rsl, ballarat

This object relates to John PEARCE. He was born on 1/01/1889 in Ballarat East, VIC. John served in the AIF (8203) enlisting on, 14/07/1915 in Ballarat, VIC before being discharged from duties with the 2 GEN HOSP as a Army Non-Commissioned Lance Corporal / Lance Bombardier (LCPL/LBDR) on 10/01/1924. John PEARCE was not a prisoner of war. His next of kin is Isiah PEARCE.(Father).first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat

This object relates to John PEARCE. He was born on 1/01/1889 in Ballarat East, VIC. John served in the AIF (8203) enlisting on, 14/07/1915 in Ballarat, VIC before being discharged from duties with the 2 GEN HOSP as a Army Non-Commissioned Lance Corporal / Lance Bombardier (LCPL/LBDR) on 10/01/1924. John PEARCE was not a prisoner of war. His next of kin is Isiah PEARCE.(Father).first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat

This object relates to Alfred Francis MADSEN. He was born on 26/03/1893 in Eaglehawk, BENDIGO, VIC. Alfred Francis served in the Army (1043) enlisting on, 19/05/1917 in Essendon, VIC before being discharged from duties with the 36th (Aust) Heavy Artillery Group as a Army Non-Commissioned Gunner (GNR) on 17/04/1919. His next of kin is Rev Alfred MADSEN. Alfred Francis MADSEN was not a prisoner of war.first world war (ww1), 1914 - 1918, photo/pictures, ballarat rsl, ballarat