Hanger, William Robert B. 1907 Aust Inf Corps. VP3651 NAA file covers 1935. The jacket was probably from Hanger, William Robert.1. Dark Khaki woollen jacket. Four pockets. Darkened AMF buttons. 38Bn colour patch on shoulders. darkened Major's badge on epaulettes. Rising Sun on collars. One medal ribbon on chest - Efficiency decoration. 2. Cotton polyester short sleeve shirt. light plastic buttons with epaulettes. 3. Tie, Khaki, Polyester. 4. Belt, Sam Browne, tan leather with brass fittings.4. Belt. Written inside belt is "Donated by Capt. D.F.V. Hufer A3/92041. There was another name, it has been obliterated. Another name - Capt. W.R. Hanger VP 3651.ww2, 38 bn, passchendaele barracks trust

This inventory of the contents of the old Museum in Warrnambool dates from the 1920s. A Mechanics Institute under the management of a local committee was established in Warrnambool in 1854 and a Mechanics Institute building was erected in Liebig Street in 1871 (site of present Municipal Library). Museum items and art works began to be collected and housed in the Mechanics Institute building at that time under the care of a committee member and local policeman, Joseph Archibald. This collection did not survive in any significant form after Archibald left the town but it was revived and vastly expanded when he retired and returned to Warrnambool in 1880. Archibald is regarded as the founder of the Museum which officially dates from 1883. In 1910 the Warrnambool Town Council took over the management of the Mechanics Institute, including the Museum collection. This museum continued until 1963 and was a much-loved institution in the city. The contents of the old Museum were dispersed, with many items lost but a considerable portion of the collection was under the care of Warrnambool Art Gallery and John Welsh, the Director in the 1970s, in an effort to keep the records of the old Museum intact, had the 1920s inventory reprinted. This inventory of Warrnambool’s old Museum is of considerable historical importance as it is an almost complete record of the Museum’s contents in the 1920s and so is very useful to researchers today.This is an inventory of 190 pages with a cardboard backing. The pages have three punched holes on the left side and are tied together with black and white cotton cord. At the front of the pages is a plastic envelope with a heading. The pages contain typed material, mostly in mauve ink and these are copies of the original typing. The typing on some pages is very faint and two pages have been re-copied to make them more legible. Warrnambool Art Gallery Old Records of the Warrnambool Museum collected by John A.Welsh, Director, and restored by Gaspars Modern Print 25th September 1972. old museum, mechanics institute building, history of warrnambool, joseph archibald

Items relating to John Eric Wiles VX16067, refer Cat No 5410P for his service details..1) 2/7th Bn Association Life Members badge, centre has “2/7” with colour patch under brown over red. .2) Tie pin 2/7th BN with colour patch. .3) 2/7th Assoc Life members badge in 2 sections, top has “Life Member” bottom section of badge has 2/7 centre with colour patch.badges, life member, 2/7th, wiles

Belonged to Charles Edward Owen DFC No 409435 RAAF. Refer 1953P for service history..1 Cap peak, blue with RAAF insignia .2 Shirt, light blue cotton polyester .3 Tie satin black colour .4 Braces elastic, leather navy/white stripes .5 Pants wool serge navy blue colour .6 Jacket blue colour with “Australia” shoulder patches, RAAF “Wings” insignia, service ribbons, metal crown and eagle on lower sleeve.uniforms raaf, dfc

Pipe smoking has been in vogue for centuries, and in Australia it was a symbol of the "discerning smoker" such as the landed gentry or men of professional status. This pipe, of the cherrywood style, would have suited the young professional of the mid and late 1900s. It is the type of pipe well suited to the rural backdrop. In the late 1900s, with the health related restrictions placed on public smoking these tobacco pipes were not immune from the legislation, and even though the pipe smoke was not as offensive as cigarette smoke it still came under the umbrella of smoking. Pipes were also used in the process of inhaling illicit drugs i.e. marijuana, but this use was limited to a very few. Smoking in the second millennium is being phased out as a social habit in Australia but may affect the few "private" smoker and has, as the United States prohibition era (alcoholic drinks) did, spawnThis type of pipe lends itself well to the rural setting of the Kiewa Valley and although it is a bit more bulky in shape its wooden barrel blends into the environment. The Kiewa Valley region was up until the late 1900s part of the Australian Tobacco Industry and the levels of men smoking pipes was enhanced by the ready supply, "off the fields" of tobacco leaves. It was used in a time when a good pipe was a precursor for a good relaxation activity. This method of smoking required at least one hand free to hold the pipe (especially the heavier ones) and therefore was used more by the "landed gentry, squire or academic) than by the labourer.This pipe (a ROPP brand) has a full bent vertical stem and its style is cherrywood. The pipe has a permanent filter and a orange coloured band at the stem /shank connection. The stem screws into the bowl and the shank 110mm is made from cherrywood (dark brown in colour). The bit (mouth piece) is 40mm long and in an 80 degree curviture. It has red and green coloured leather ties at the mortise/tenon location.tobacco, pipe smoking, smoking accessories

Wireless patrol car which is a Lancia Trikappa Tourer. The 7-stage amplifier with the tuning condenser can be seen through the open door of the car. Police dog on the running board. Photograph appeared in Popular Radio Weekly, March 4, 1923. The transmitter aerial was strung between the front and rear mudguards and lenghened by the driver raising the pole in order to improve reception. The receiver aerial is tied to the underneath of the roof.police vehicles; lancia trikappa tourer; motor police branch; wireless patrol; transport

The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This photograph is part of the collection of items given into the care of the Cheese World Museum. Uebergang catalogue No.K14Photograph of twins Ray and Joyce Uebergang at approximately 3 years of age. Ray is standing beside a table and Joyce stands next to him. Ray is dressed in dark shorts and a light coloured shirt, tie and tiepin, long white socks and button-up shoes. Joyce is wearing a white embroidered frock with a scalloped hemline and short sleeves. She has short socks with garters and button-up shoes.allansford, uebergang, tooram park, ray uebergang, joyce uebergang, jordan studio, warrnambool, liebig street, photographs, children's costume, photography

This petticoat was one of several items donated from the estate of Susan Henry OAM nee Vedmore (1944 - 2021). It is in very good condition and appears to be from the Edwardian era - early 20th century. A petticoat is a lady's undergarment - worn under a skirt or dress. They provided warmth, modesty and shape to the dress. In the middle of the 19th century, petticoats were worn over hoops, bustles or in layers. Petticoats varied according to the style of the outside skirt or dress. Plain petticoats tended to be worn with everyday wear whilst better dresses (party dresses or silk gowns) were worn with petticoats that often had more trim and embellishments. Edwardian petticoats had less volume than Victorian era petticoats and they had a "dust ruffle" or lining under a lace flounce. The "dust ruffle" protected the lace flounce and gave the petticoat more flare at the bottom, greater freedom when walking as well as saving the flounce (which was often made of finer material) from everyday wear and tear. Tucks are another feature of Edwardian petticoats - when the lace at the bottom became worn, it could be cut off and the tucks released. This extended the life of the petticoat. This petticoat features an intricate trim of broderie anglaise. Although broderie anglaise was a lace that could be made by hand, it was very time consuming to make. St Gallen was a city in Switzerland that had become known for producing quality textiles. At the beginning of the 19th century, the first embroidery machines were developed in St Gallen. Factories used embroidery machines but people also had them in their homes. They were able to produce broderie anglaise for export. By the early 20th century, machine made lace, fabric, ribbons etc. were being sold in drapers shops all over England and Wales to women who were making clothes and furnishings for their families. It is highly likely that the lady who made this petticoat brought the lengths of broderie anglaise already made to embellish and personalise her petticoat. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community.This item is an example of the needlework skills of women in the late 19th century - creating pintucks and adding lace to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.A white lawn petticoat with a 22.5 cm opening that fastens with 2 small buttons and a drawstring tie. It is decorated with two wide pintucks followed by two gathered frills (or flounces) - one decorated with three rows of narrow pintucks and a single row of broderie anglaise and the bottom frilled hem finished with 3 rows of broderie anglaise in a flower design. The two bottom frills are lined with plain white cotton fabric.flagstaff hill maritime museum and village, great ocean road, petticoat, lady's petticoat, undergarment, lady's undergarment, lingerie, edwardian petticoat, broderie anglaise, lace, machine made lace, hand sewn, machine sewn, draper's shop, susan henry oam, vedmore foundation

Mustard photo album with photos from the 1987 Graduation Ceremony of Ballarat College of Advanced Education held in Founders Hall, Mount Helen Campus (1271) Graduation Ceremony Academic Procession. Jack Harvey is at front right wearing blue tie, Geoff Hendy is behind him in blue suit. Council member Mary Akers is to the left of Geoff Hendy, and E.J. (Jack) Barker is at the end of the procession.graduation, geoff hendy, hendy, jack harvey, harvey, mary akers, akers, e.j. barker, barker, 1870 founders hall, alwynne mackie, mackie

Cream coloured long sleeves hand knitted woollen baby coat with collar. Stocking stitch with three rows of diamond pattern on yolk, on lower skirt and on sleeves. Front opening and hemline edged with moss stitch. Fastened at neck with one pearl button. Cream satin ribbon tie at waist.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby coat

Sepia image mounted on board. Image shows three men, two on either wide are standing alongside a bike and are dressed in fancy dress costume. Man in centre is wearing black trousers, white waistcoat, white shirt and tie. Two bikes in background leaning on wall of building. Extreme RH side head/shoulders of man wearing hat, leaning on wall of building alongside small paned window.person, group, fancy dress, bendigo, bicycle, bike riding, fancy dress, costume

Black and white image of young child - approx. 6 months, seated on rustic style chair. Baby is dressed in dark dress, white frill on bottom, crocheted apron ( strings of apron tied to chair to secure child in position ). On back of image ' Bendigo Portrait Rooms, F. De Kock & Co, Photographic artists, corner of Mitchell and King Streets. N.B. copies may be had and enlarged to size'F. De Kock & Coperson, individual, baby portrait, bendigo, sandhurst, f. de kock & co.

Photocopy of photo: image shows large group of 54 girls, two teachers, two small boys sitting cross legged in front. Girls are wearing blazers, tunics, shirts, ties. Elevated wooden building on LH side rear, poppet in background centre and building on RH side rear. ( building has unusual number of ventilation towers along ridge line. Unknown school. Could be Girton ?bendigo, education, group photo of students, bendigo, girton, school, group photo

Sepia portrait of a man. The man is seated and has his right arm resting on a small table. He is wearing a three piece suit which has check trousers. He is also wearing a small bow tie. The photographers name is printed on the back in gold with a gold border. Rear shows 'words 'Photographed by Mr R Griffiths , Truro , Artist Under Government / Picture of Royal crestMr. R Griffith, Truro.photograph, portrait, male in suit., portrait of a man, mr r griffith truro

Buff coloured invoice issued by J.H. Abbott & Co., to Mr. J. Guiney 126 Sternberg Street, Bendigo, dated 1 September, 1934, for ladies shoes 4578, price 1/14/0d. Letterhead has image of elephant in harness pulling a shoe, which is tied to a tree trunk. ( indicating strength of shoe manufactured by Abbott's ? ) 'Manufacturers of Anatomical Boots' written within shield on letterhead.bendigo, business, j.h. abbott & co, mrs. guiney. j. h. abbott.

black and white photo on dark gray board. Wedding group: Mr. and Mrs. Arthur Swanwick, ( nee Jessie Campbell ) 3 males, two seated , one stganding, in three piece suits, white bow ties and gloves. Females in white frocks, hats and carrying bouquets. Lace curtains on window. In ball point pen on back ' Mr and Mrs Arthur Swanwick, nee Jessie Campbell'Kalma, Pall Mallperson, group, wedding

Sepia photograph of wedding group. Two men in three piece suits, white shirts, ties and buttonholes, one seated centre, one standing behind him. Two women, one wearing headdress with veil and carrying large bouquet. Other woman carries smaller bouquet and wears wide band. This woman is seated. Interior setting. Confetti on floor, decoration on R background. Mounted on fawn board.person, group, wedding, also photocopy

black and white photo ( copy ). Brick building with two arched windows alongside arched single doorway. At rear of building, a weatherboard attached building. Children standing on RH side of photo, seven men standing at front of building. Horse tied to lamp post at front of building. In photo on board in front of scene 'The Weekly|Advertiser|Electioneering|Intelligence|The ?rang Election|???' See Research field for further information.batchelderorganization, business, bendigo advertiser, bendigo advertiser. haverfield, robert ross. lloyd, arthur moore. fletcher, george avery.

Black & White studio portrait photo. Bearded & moustached male aged approx sixty years. Head & shoulders. Turned down shirt collar with bow - tie under jacket. Printed on front. Vita, 77 Swanston Street Melbourne. Reverse from the Vita Portrait Studio. Within round 2 cm stamp the name, S Calvert Artist Manager. 77 Swanston Street Melbourne.S Calvert 77 Swanston Street Melbourne.photograph, person, male

Black & white E C Waddington & Co studio portrait of male standing beside penny farthing bicycle. Melbourne Show xxv xxv ? Barely discernible on gate photo right hand side. Male early thirties clothed in jackboots, breeches, buttoned up jacket, turned down collar with pale bow tie, moustache and badged cap. Double 'Albert' chain & fob watch.E C Waddington & Co Elizabetth St Melbourne.photograph, person, male

Document. Malone Collection. Small greenish card with a gold frame with holly on the surface. There are two bells with holly and a little brown & orange bird at the top and two more little birds flying away from the bells. There is a gold rope hanging from the top of the frame and looped beneath the bell. Underneath is printed: Winged Wishes (The W's are printd in red.) On the left is a light olive coloured ribbon tied in a bow.person, greeting cards, malone collection, malone collection, greeting cards

Clothing. Infant's cream coloured satin silk bonnet. Back edge trimmed with double layer pleated fabric frill. Front edge trimmed with double sided pleated fabric frill with three layers at front. Rosettes on each corner of pleated fabric with a covered button at the centre. Silk ribbon ties (3.7 cm wide). Fully lined and gathered into back of bonnet with circular covering piece.costume, children's, infant's cream satin silk baby bonnet

Long raglan sleeves, round neck with a scalloped edge at the neckline and cuffs. A 1 cm wide nylon ribbon passes through eyelets at the underarm, and ties with a bow at the front opening. Above this, the yoke has three plastic pearl buttons to fasten. The treble pattern of the crochet gives a shell-like effect, to the sleeves, and lower section of the garment, while the yoke, and cuffs have a treble filet pattern.costume, children's, white crochet baby's jacket

Document: McColl, Rankin & Stanistreet Collection: Central Deborah Gold Mine NL - brown paper parcel tied with string. Written on outside ' Proxies and list of shareholders Central Deborah General Meeting 21/11/47. Increase of capital' Contains list of shareholders Central Deborah Gold Mine NL as at 17/11/1947 together with proxy forms for general meeting Friday 21 Nov. 1947.organization, business, central deborah gold mine, mccoll, rankin & stanistreet collection: central deborah gold mine nl, gold mining, shareholders, proxy votes

This hat was probably used in both China and Australia during the 1940s as a procession garment. It is linked to the Young Chinese League.This hat is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.A red, purple and blue silk, six paneled hat embroidered with gold braid and adorned with mirrors. Tip of hat has red, silk bobble sewn into place. Each panel is embroidered with gold and orange thread. Among the threads are eight circles of metal around one central, circle. There is a blue band around the bottom and a ribbon tie attached to one panel and it is lined with pale blue cotton fabric.There is a black stamp of a Chinese character on the inside of the hat.young chinese league, processions, melbourne, victoria, china

Sketch of Hans Beck by Max Graf; unknown who did other two sketches. Hans Beck, Sydney based wool buyer, interned Bathurst Goal and Camp 1.Square cream board with 3 Black and white photograph of 3 sketches, laminated onto board: a head and shoulders sketch of a man in a suit and tie, drawn by Max Graf (internee), inscription Max Graf 1940; looking into a cell, inscription H M G Bathurst 30 Sept 1939; Sketch of a section of Bathurst goal, inscription Mr H Beck Esq Goal Bathurst A Hall.wool buyers, camp 1, bathurst goal, hans beck, max graf

Mrs Charlotte Anderson was born Charlotte Eliza Alsop in England in 1838 and arrived in Australia in 1848. She married lawyer James Anderson in 1864, and in the year of his death in 1878 she became the founding owner-Principal of Ruyton Girls' School, Kew. Mrs Anderson operated Ruyton initially in her own home of 63 Bulleen Road, Kew (now 63 High Street South). According to Ruyton histories, Mrs Anderson is said to have begun the school with her own two sons, four daughters and some of her Alsop nieces and nephews who resided in Kew. Around the time of the addition of Maud King, the first student outside the family, the school changed to a 'Ladies College', and the boys were sent elsewhere for their education. By late 1881 Mrs Anderson began using the name 'Ruyton' for the school, in honour of a connection to Ruyton-XI-Towns, Shropshire, England where her great-grandfather had been vicar and where she was baptised. In 1882 Mrs Anderson moved the School to Edgecomb in Studley Park Road from 1882-1888. The larger premises enabled her to begin accepting boarding students from 1882. She retired due to ill health and sold the school to her friend Miss Eliza Bromby. Mrs Anderson lived at 'Bongamero', in the King Valley, Victoria until her death in 1906. She is buried in Boroondara Cemetery. One of Ruyton's four Houses, Anderson, is named for Charlotte Anderson. Artwork AC/0099 is a framed reproduction photograph of an original portrait of Mrs Anderson, c.1900-1906. The location and date of the original photograph is unknown, but may be held among Ruyton papers at the State Library of Victoria (MS 12079). The reproduction was probably created to be part of the gallery of Principals and significant people for the Conference/Boardroom, Henty House.A framed, black & white reproduction of a photographic portrait. The portrait shows the head and shoulders of a middle aged woman wearing Victorian-era clothing including a dark ribbon tied around her collar. She wears a lace cap on her head, and the cap's tail is draped around her shoulders. The woman's body is partially turned away from the camera, while her face is turned toward the camera. Plaque on frame: "Mrs Charlotte Anderson/ 1878-1888"charlotte anderson, ruyton, ruyton girls' school, kew (vic), bulleen road, high street south, studley park road, edgecomb, woman, school, teacher, principal, anderson, reproduction, 1990s

Ruby Wharrie in Fancy Dress with Lewis van Praagh, Jim Wharrie is sitting between Ruby & Lewis in his dressing gown. Taken in 19th May 1982 from "The Heidelgerger" ( Melbourne).Black & white print form a newspaper of Jim & Ruby Wharrie with co performer Lewis van Praagh, aged 86 at the Austin Hospital. Both Jim & Ruby are 80 years of age. Ruby is dressed in a blazer with a frilled blouse underneath and a bowler hat. Jim is in a dressing gown and Lewis dressed in a blazer with decorative cuffs, a bow tie and a stiff rimmed hat with a medallion & scarf around his neck.stawell