The Grinton Collection. The lady is believed to be a Grinton relative. Jack Grinton. Refer Cat No. 1280 for his service history.Photograph - framed. Photograph - black and white photograph on paper depicts an informal half portrait of an elderly woman. Background exterior wall of a timber building. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "I. Grinton relative". framed accessories, camera on the somme, ww1, 38th bn, grinton

Portraits were taken professionally often on important occasions. As graziers from a prominent family in Redbank, Walter and Ada Ryder were well known and respected.Walter and Ada Ryder were pioneer high country graziers and cattlemen. Ada (nee Sullivan)'s family lived at Redbank. Their children were Walter, Victor, Beatrice, Vera, Lorna and Dorothy. Walter 1872 - 1954; Ada 1887 - 1983 Walter was a son of John and Annie Ryder - Walter's parents being one of the first settlers in the valley. According to Ada Ryder's notes and John Cooper's notes, Ryders were followed by Higginsons followed by Coopers in about 1867/8. Ropers held Mullindolingong Station/Mt Yorke Station, but had managers on the station before actually taking up residence about 1867/8. Whilst the Sullivans lived at Redbank (now known as Coral bank), the Ryders lived at Tawanga (correct spelling in those days) on Ryders Lane, Tawonga where John and Annie first built and lived; Walter and Ada then occupied the family home, followed by Vera Hore (nee Ryder) and the current owners Kevin and Rhonda Ryder.Black and white photo of an elderly man and woman both well dressed. Framed by cream cardboard 3.5 cm at sides and 5 cm top and bottom with a plain metal frame surrounding all sides with decorated corners. McPherson, Albury on front below righthand side of the photo.walter ryder; ada sullivan; cattle graziers; tawonga

Folded page inside front of book. One side has a map of Cowra,New South Wales, the other has a map & information about the Japanese Garden & Cultural Centre, Cowra, New South Wales.Book, 240 pages, orange hard cover with yellow & black dust jacket. Front of dust jacket has photo of the body of a soldier lying on the ground & the back a photo of 2 men & 1 woman looking at photos. Written on 1st page: Nancy Brown Written on back of 2nd page: Alan W Brown Written on title page: Donated by Bgo Y Mens Clubbooks, military, history

Large families were the norm, rather than the exception up to the time of the World wars. perhaps the senseless destruction of those young lives sickened humanity- perhaps the increased taxes and cost of living resulting from the wars caused a necessary reduction in family size. Perhaps the independence won by women as they carried on their daily lives without their men, made mothers say, "Enough" The Warren family farmed the fertile Fyans Creek flats in the Grampian Mountains of Western Victoria. Some say Halls Gap was so named because the bushranger Hall holed up there in the early days. The rugged slopes and hidden gullies could have hidden a whole gang of bushrangers, but little remained undiscovered to a wandering family of 12 children growing up with their flocks and herds grazing the ranges. A tired rider could nod off, safe in the knowledge a trusty stockhorse would plod steadily homeward into the night. Responsibility quickly made youngsters capable and reliable. Then Australia went to war. There were three older brothers, then the girls, then young Frank. All the men went, including Frank. So the girls had to run the farm alone. Their mother had her hands full with the youngsters, still attending school, a daily walk over the mountain to Pomonal and return. But the loss of the men's casual wages from timber cutting and labouring jobs, meant great hardship is some method of earning a cash income had to be devised. Paying guests! That was it. So Myrtle Bank Guest House was born. City folk flocked to the mountain resort. High stepping mountain horses met them at the Stawell raid-head, with the tall and beautiful Warren girls driving them in experienced fashion, their auburn hair sometimes falling from its pins to fly free, as the dray bowled along towards the hills. The would hitch up their skirts to saw and chop wood for the stoves and fires. They milked cows and delivered calves. They shore sheep and trimmed their feet. They mustered their cattle as the seasons rolled by, and the paying guests watched and participated, fascinated. With laughter and song, the girls would wash up in a tin dish, throw on their house clothes to wait on table, sing and play piano, violin, accordion, enjoying the talk of the city and that other world so far away from their mountain home. The simple country menu was a hit, and the homemade bread, butter, jams and preserves, fruit and vegetables sent guests staggering to their armchairs. Picnics, hikes, goodbyes and welcomes blurred as the years of the war dragged by. Bookings were made and remade as the new enterprise became established. Peace was declared. the men returned A whole new building rose with two floors, inviting verandahs and bathrooms. Myrtle Bank would remain a family business all its lifetime, until buried below the Bellfield Dam, by which time more than one the girls had joined their beloved Frank, lost on Flanders Field. Article in book or magazine describing life at Myrtlebank during war years Other article written from letter from soldier P Lillis to his sister 3rd article of woman from country enlisting in WAAF Submitted by Carol of Bannockburn, Submitted by D Langley Submitted by Meryl of South Frankstonaccommodation, myrtlebank, people, warren

Photo shows old wooden rail bridge curved up and over a creek. A man is standing on bridge looking down, a woman is kneeling behind man and is also looking down. Tree branches are leaning over bridge.'Old rail bridge"structures, bridges, trains

A group collecting wildflowers for the Wildflower Show. Ken WoodcockPhoto shows a man and two women kneeling on the ground examining purple wildflowers. The man (on the left) has an SLR camera on a large strap around his neck. The woman on the right has picked flowers in her hands."Wild-flower collection Sept. 1989" written in black in across top left corner of back.events, wildflower show

Photo is of 'The Pinnacle' lookout with Lake Bellfield in the background flanked by the Mt. William range. the photo is typical of 'tourism' photos taken by the Victorian Railways.Photo shows a man and a woman on top of a rocky outcrop that overlook a valley. A lake with a dam wall and rock tiers cut into the hillside can be seen as well as cleared areas some buildings. the lookout is enclosed with a wire fence.scenery, lookouts

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men dressed in suits and a woman in a summer dress, hat and gloves, In the background are city buildings and other people. They are Frank Wright, Harry Mortimer and Miss F Bantin. The place is The Strand in London.Written in faint pencil on the back - Harry Mortimer, Miss F. Bantin, (Sec. Nat. Band Festival), Frank Wright, Strand London Aug. 1937frank wright, cornet, conductor, ballarat, st hilda's band, strand

Sarah Wright was the mother of Frank Wright who was a renown resident of Smeaton. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A mounted black and white formal photograph of a woman standing in front of a classical scene of a column and fabric swathe. She is dressed in a fine white tucked skirt and a white blouse with lace and puffed sleeves. The women is Sarah Wright.Written in ink of the back of the mount - 'Xmas 1905'sarah wright, frank wright, 1900s ladies skirt and lace blouse

Studio portrait young woman. Leaning against podium. Lace collar dark dress. Stewart & Co 217 & 219 Bourke Street Melbourne printed on front. Pencilled caption reverse. Brown 747. 6/84Stewart & Co 217 & 218 Bourke St Melbourne.photograph, person, female

Photograph - black & white. A portrait of a older woman and a cat, the cat standing on it's back legs It was known that Lydia had cats and she loved cats and by looking at what Lydia's estate gave to the Historical Sociey, is this Lydia?person, individual, pethard family, photograph. pethard family. female portrait with a cat.

Carte de Visite Photographed by Chevalier, Pall Mall Sandhurst. B & W Photograph of a woman with her hand resting on th eback of a chair. She is wearing a full length dark coloured dress with long sleeves.Chevalier

black and white photograph: timber frame, brown mat, man and wife, three children. Man dressed in suit, woman in round neck dress. Girl has light coloured dress, boys in shirts, one with tie.Bartlett Bros. Bendigoperson, family, portrait, bartlett bros., bendigo. family portrait

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Carroll Schulz was deeply involved in the development of Churchill Island, and responsible for the community engagement during his time as the Churchill Island manager from 1978 - 1998.Colour photograph of a woman in bright dress standing beside a man in a blue striped shirt, with two more groups standing in the background. Everyone is standing in front of a beige picket fence with roses and fruit trees visibile in the background.catalogue number written on reverse in pencil churchill island, photograph, carrol schulz

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in January 1940 and shows Valda TreadwellSepia photograph white narrow white border of a woman wearing white standing in front of some outdoor chairs among a group of trees. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, valda treadwell

Black and white photograph, 1 woman, photograph of Miss Victoria and Miss Australia Lea Dickson on the stage smiling in front of the microphone Bendigo Advertiser description on back of photo: Lea Dickson Miss Victoria and Miss Australiarecreations, sports, awards

Framed colour photograph of a Vietnamese woman wearing an orange Ao Dai (traditional long dress) and blue bucket hat and carrying a handbag. The Vietnamese girl is wearing a short blue dress with a red bucket hat and sunglasses.ao dai, photograph

Vocalist Gabrielle Hartley performing with the ABC Showband, conducted by Brian May, Vietnam, Christmas 1970.Black and white photograph of a woman on stage with a handheld microphone. She is wearing a long tight-fitting lurex dress and has long hair. There are three males in the background , two sitting and one standing with his back to her.women singing, abc showband, gabrielle hartley, vietnam

Tyree - Brown Wedding. Three photographs. 1864 Mary Hodgman (nee Tyree) Thomas Brown Timber Merchant Main Street Mary and Thomas Brown Thomas Brown died Melbourne 17/4/1879 aged 54. Mary was born in England and Died in Stawell 1/11/1898.3 B/W Photographs: 3413 Showing side on head and shoulders portrait of a woman. 3413a: showing a full portrait of a man standing next to a chair. 3413b: Portrait of 2 people a Man seated and a lady standing. 3413 has inscription - Barwell Photo No21 Collins Street East Melbournestawell

Kodak sepia print of an elderly woman sitting on a chair holding a female child (Alison Till) on her lap. A small boy (Alwyn Till) with hands over his eyes seated on a small chair to the left of the photograph.till, alwyn, alison

Small colour photograph. Woman in blue dress playing guitar. Back of photo has a small coloured address sticker which reads: Anne Conway PO Box 16 California Gully 3556 0418 579501

Original studio portrait photograph of woman holding a tennis racquet resting on her elbow. Lower panel of frame has relief molding of a tennis racquet. Materials: Paper, Photographic emulsion, Glass, Wood, Cardboard, Inktennis

Colour lithograph with caption 'THAT'S A FINE BACKHAND YOU HAVE'. Depicts woman with racquet seated under tree, and man in blue suit standing alongside, leaning on a racquet. Materials: Ink, Wood, Paper, Glass, Metaltennis