Showing 260 items
matching clay street
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Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. GETTING THE GOLD, c1850
Diggers & Mining. Getting the Gold. Slide: (Continued) Numbers of stores scattered about, with their gay flags; and numbers of new holes put down and waiting the result of those in progress, with their windlasses standing on square frameworks of logs, some 5 or 6 feet above the ground. The crowds; the heaps of clay thrown up of all colours - every heap different - bright yellow, dazzling white, mottled Black and white, and brilliant rose pink; the dirt and the noises were altogether something extraordinary. Similar scenes presented themselves in Eureka and Canadian Gullies. All was bustle and activity; for these are the great lotteries of the Victorian Diggings, where there are really heavy prizes - and to each - thousand blanks. . . (From ''Land, Labour, and Gold'' by William Howitt.) Markings: 36 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. GETTING THE GOLD, c1850s
Diggers & Mining. Getting the Gold. Slide: (Continued) The scene at the Gravel Pits was especially animated, and would have made a capital sketch. The crowded assemblage of white awnings on these clay heaps, which the diggers had raised to protect them at their work on rainy weather, these standing at different elevations; the diggers turning their windlasses; and others, in rows of half-a-dozen along the sides of muddy pools, working away at their puddling tubs with their shovels, chopping and stirring them about; other cradling; others washing out. (Continued) Markings: 34 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. GETTING THE GOLD, c1850s
Diggers & Mining. Getting the Gold. Slide: But when you came to where the diggers were at work, the scene defied all description. The whole surface was thrown into heaps of clay from six to ten feet high - for it appeared to be all clay which they threw out there. Here, indeed, had accumulated all the mud and clay which for thousands of years had been flowing from the hills around, It was this which had thus buried the gold 160 feet deep, and through which the diggers had to sink for it. Between these muddy mountains thrown up by diggers, the water accumulated in deep pools which they avail themselves of to was their gold our with and the heaps of clay were trodden by hundreds of men constantly crossing them in all directions. (Continued) Markings: 33 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: OLD TIME BALL, 15th April, 1977
White Page Huntly Hall - Old Time Ball Friday 15th April, 1977 Master of ceremonies: Mr Barry Clay Ideal Couple: Judged by Miranda - Weekly Times. Dance Your Partner 1 Circular Waltz 2 Pride of Erin 3 Veleta Waltz 4 Polka Mazurka 5 Charmaine 6 Evening Three Step 7 Progressive Barn Dance 8 Highland Schottische and Plain Polka 9 Maxina 10 Alberts 11 Monte Carlo Barn Dance 12 Waltz Cotillions 13 Tangoette 14 St. Bernard Waltz 15 Waltz Vienna 16 Lancers 17 Parma Waltz 18 Swing Waltz 19 Gipsy Tap 20 Pride of Erin 21 Circular Waltzperson, individual, peter ellis oam -
Bendigo Historical Society Inc.
Document - Bendigo Base Hospital, 1853-1970s
The hospital was first mooted in 1853. The first site chosen was "Hospital Hill" between Rowan and Mackenzie Streets and behind the present Lister House School of Nursing. The first building was a primitive affair of slab and weatherboard daubed with clay somewhere near the middle of the present Short St - which at the time extended to the brow of the hill behind the Sacred Heart Cathedral site. The new building was greatly need to serve the hundreds of diggers then active on the field. Messrs Vahland and Gezchmann, Architects, designed a new building of stone and brick, the cenre portion of the hospital to hold 100 beds. This centre portion cost 12,000 pounds and was erected in three months. Patients were transferred from the old site on Hospital Hill to the new building in December 1858.Black and White photo negative of the front of the hospital; Notes on the History of "The Bendigo Gold District Hospital"; letters re classification by the National Trust of Australia (Victoria).history, national trust bendigo collection, bendigo, bendigo base hospital, bnedigo hospital, bnedigo gold district hospital -
Bendigo Historical Society Inc.
Slide - Dunn's Rock Eppalock, 2012
The low rolling hills of the Kimbolton countryside consist of ancient, hard and fractured Ordovician rock up to 65 million years old, which was originally deposited deep under the sea. Rocks mainly are sandstone, mudstone, black shale and quartz conglomerates. Marine fossils can be found in the area. Around seven million years ago a basalt flow buried the original bedrock along the along the Campaspe River. Ongoing weathering, wind and water movement over the following years has produced younger clay, sand, silt and gravel deposits throughout the area. Patches of White Hills Gravel are also found in the area. Another unique geological feature of this area is the Permian Glacial Pavement rocks north and south of Eppalock and glacial sediments (such as “Dunn’s Rock” and “Kellams Rock”). During the ice age (up to 280 million years ago) large glaciers moving over the countryside, scoured out sediments, pulverized bedrock, polished and cut grooves into bedrock in the direction of ice movement. When the ice melted boulders etc where left behind in areas of entirely different rock types, such as a 100 Tonne granite block known as ‘The Stranger’ near Derrinal. Dunn's Rock (Glaciated Pavement) Eppalock - Photos of the rock and a field group collecting date with Lake Eppalock (Knowsley) in the backgroundhistory, bendigo, dunn's rock eppalock, kimbolton forest, lake eppalock, gately collection -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. GETTING THE GOLD, c1850
Diggers & Mining. Getting the Gold. Slide: The washdirt was shovelled into the sluices, and the flow of water carried away the clay and lighter sands. Markings: 62 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING: THE DIGGINGS - THE DIGGERS
Diggers & Mining: The Digging - The Diggers. Slide reads: Contemporary writers liked to compare a diggings to a great ants' nest; in many ways the scene must have been colourful and exciting. But to some observers, the general picture was an unattractive one. They saw the unsightly heaps of clay, the trees felled, the dust everywhere in summer and the mud in winter; the flies and the mice. The next two frames contain a description of the Forest Creek diggings taken from the Argus of March 22, 1852. Markings: 24 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: BENDIGO PERFORMANCE OF ''MUSIC THROUGH CLAY''
Poster for Bendigo Performance of ''Music through Clay'' - ''ceramic instrument making workshops'' at the Old Fire Station with Judy Lorraine. Note date provided for May/June workshops. ''Make your own ocarinas and drums''. City of Greater Bendigo Cultural Grants Program and arts Bendigo. -
Bendigo Historical Society Inc.
Newspaper - GOLDEN SQUARE P.S. LAUREL ST. 1189 COLLECTION: NEWSPAPER CUTTINGS
Newspaper photo of Jason Begg and Vivienne Charlton being instructed by Arts-craft teacher Glenda Murdoch, and physical education teacher, on the painting of clay models.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, glenda murdoch, jason begg, vivienne charlton -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING: THE DIGGINGS - THE DIGGERS
Diggers & Mining: The Digging - The Diggers. Slide: An article from 'Land Labour, and Gold'. By William Howitt. Little more than a year ago the whole of this valley on the Bendigo Creek, seven miles and long by one and a half wide, was an un broken wood. It is now perfectly bare of trees, and the whole of it is riddled of hole 10 to 80 feet deep, on one hugh chaos of clay, gravel, stones and pipe clay. So much has been done on this forest in just one year; and not only one year . . . . . . Markings: 28 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Container - Box of collected items
Items found by Barry Maggs in the Whipstick National Park with a metal detector. A purple plastic display box with a clear plastic lid. it has ten compartments containing items made from metal, wood and ceramics. a: Five pieces of pipes made from clay wood and metal decoration. b: Clay pipe with a metal decoration. c: Four pieces of metal jewelry one to two centimeters in diameter Including a ring, a flower brooch, a pendant and a button. d: Metal button two in diameter with an inscription Warranted Superior and a coat of arms. e: Two metal badges both have ship's anchors on them, one is three centimeters round the other is five centimeters by four centimeters. g: small piece of jewelry made of metal and glass five centimeters long and two centimeters wide. h: Four pieces of hollow metal five to eight centimeters long and one centimeter diameter. i: A piece of hollow metal tube five centimeters long and one centimeter in diameter. It had a small piece of wood and some pieces of paper with printed text inside. j: a metal nail seven centimeters long and one centimeter diameter head. k: pottery, part of a gold crucible three centimeters high and three centimeters in diameter. barry maggs, whipstick national park, metal detection -
Bendigo Historical Society Inc.
Magazine - Alex Gill, June 17, 1985
Bendigo Pottery was established in the 1850s, when Scottish migrant George Duncan Guthrie stumbled upon a local clay deposit and created a successful pottery business. Soon, it would rival the great Staffordshire potteries of 19th century England. It opened to tourists in 1971. Alex Gill began working at the Bendigo Pottery inn 1935 at the age of 13. Six months later he began an apprenticeship at the pottery and retired in 1986 as a Master Potter.Alex Gill works his potter's magic in Bendigo, Woman's Day Magazine Article by Heather Waby. The article is on Alex Gill about the 50 years that he began when he was 13 years old. It contains photos of Alex working at the pottery and some of his speciality products.history, bendigo, merle lummis collection, alex gill bendigo pottery -
Bendigo Historical Society Inc.
Newspaper - Bendigo Advertiser articles
Three articles from the Bendigo Advertiser, two from Thursday, October 14, 1965, the other from Saturday, October 16, 1965. The subject of all three articles is the clay deposit found at Axedale and what to do with it. Aileen and John Ellison Collection.bendigo advertiser, axedale, clay -
Bendigo Historical Society Inc.
Document - EDWIN BUCKLAND COLLECTION: CR E. BUCKLAND, 1954
Document 1st June 1954. Addressed to Cr. E Buckland regarding an open cut mine happening with regard to a sample of clay. -
Kew Historical Society Inc
Plan, Melbourne & Metropolitan Board of Works : Borough of Kew : Detail Plan No.1296, 1904
The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria)This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). This area was once known as O’Shaughnessy’s Paddock. O’Shaughnessy was the licensee of the Kew Hotel. The ‘Paddock’ or farm was for many years the closest farm to Melbourne. By 1903, when this plan was surveyed and lithographed, little of the farm remained. The area is dominated by a ‘clay hole’, on the site of the current Foley Reserve. It was used by Smart’s Brickyard from the 1880s until 1911, when the Council purchased it for a rubbish dump. It is notable as the site is one of the few industrial operations to have existed in Kew. By 1903, urban development was characterised by larger houses fronting Barkers Road and brick and weatherboard villas in Foley Street. Nearer the pit, weatherboard houses predominated. Foley Street bisected the triangular block and continued right to Denmark Street. At this stage, a house impeded the through road, only allowing access via a right of way to High Street.melbourne and metropolitan board of works, detail plans, mmbw 1296, cartography -
Surrey Hills Historical Society Collection
Book, The Orchards of Doncaster & Templestowe
... Victoria Street Thomas Petty George Hislop John Whitten John Clay ...For 100 years Doncaster-Templestowe was a major fruit producing area. The industry had a profound effect on the landscape and vegetation. Although orcharding families came from a variety of backgrounds, German families were an important sub-group.A comprehensive history of fruit growing in the Doncaster-Templestowe area between 1850s and 1950s when orchards began to be subdivided for housing. It includes B&W photos and line drawings and maps. It covers details of the varieties grown, the families involved, pests, machinery involved, markets, blacksmiths and reasons for the demise of the industry in the area.irvine green, eric collyer, doncaster-templestowe historical society, gottlieb thiele, ruffey creek, bismarck street, victoria street, thomas petty, george hislop, john whitten, john clay, august aumann, carl hanke, gottfried uebergang, waldau, max schramm, german lane, george street, john tully, henry crouch, george tortice, august zerbe, jane serpell, sidney williams, phylloxera, joseph bosisto, richard serpell, frederick thiele, w s williams, edwin lawford, james read, john finger, richard clay, ferdinand finger, leeds street, wetherby road, john russell, sarah uebergang, mary hislop, rudolph werner, john petty, archibald mclaren, john hicks, joe hicks, john smedley, william smedley, william hunter, sylvester mullens, laurie's forge, curtis hillman, anne hillman, dan harvey, calder's forge, hillman's blacksmith works, thomas serpell, gill smith, victorian fruit growers association, h g reynolds, alfred thiele, william webb, fred zerbe, mary anne clay, orchardist's coolstore, r h werner & co, j h land, orchardists and fruit cool stores association, a t petty, r read, r chivers, jack noonan, arthur ireland, jack robinson, george knee, donvale cool store, herb petty, frank petty, fred tolly, gordon white, blue moon fruit co-operative ltd, kathleen petty, peg chivers, jack russell, mathew adams, george mcgahy, edwin bullock, james hodson, edwin wilson, david corbett, edwin lowford, thomas beavis, william hanke, tom petty, edward crossman, andrew zander, carl aumann, heinrich fromhold, thomas chivers, william williams, reinhold denhert, henry finger, august furhmann, henry serpell, john ireland, frank smedley, william kent, william knee, thomas buck, henry white, gottlieb leber, alexander speers -
Geelong Gallery
Painting - R E E F, EATON, Janenne, 2015
Enamel, vinyl, mirror and polymer clay on canvas -
Gippsland Art Gallery
Mixed Media, Unknown Artist, Umgum, Undated
Donated by Mr & Mrs H. Adeney, 1984Bark, printed cotton, varnish, and claygippsland, artwork, permanent collection -
Stawell Historical Society Inc
Photograph, Kaolin Mining -- mining a fine white clay used for crockery in Stone Street Stawell 1914
Kaolin Mining (a fine white clay used for crockery) Stone Street Stawell 1914Group of men and women inspecting horse driven puddling machine.stawell -
Surrey Hills Historical Society Collection
Painting, Muriel Pornitz (Pornett), "The old quarry" by Muriel Pornitz, 1927
The waterbody was the site of a quarry that existed between Grovedale Road and James Street, Surrey Hills on land owned by J B Maling (senior). Clay from it was used to make bricks for local houses. The quarry became a hazard and after several drownings was filled in. The Grovedale Park now occupies the site. Muriel Hedwig Lucy Pornitz, also known as Muriel Pornett, lived locally. She was born in Melbourne in 1894 and studied at the South Australian School of Arts & Crafts in 1911 under James Ashton and Fred Britton, and at the Australian School of Etching in Sydney. She was also an illustrator and cartoonist. She died in 1982.A small oil painting on canvas board in a dark wood frame of a water body with a clay bank behind and 2 trees above the bank. Lower front right hand corner: "AUST. M P 1927" On the rear upper edge, in ink on badly degraded brown paper backing: " "The Old Quarry" Surrey Hills, Melb." / [Second line of writing is illegible.] A label is stuck to the middle section of the paper backing. It indicates that the painting was framed by Toska Art Studio (N. Cl Colliver, Proprietor) of wyndham Street, Shepparton. Lower rear edge, in ink on badly degraded brown paper backing: "by / Muriel ...... / "Darnok", / 22 Grovedale Rd / Surrey Hills, Melb" painting, grovedale road quarry, quarry, grovedale road park, john butler maling (snr), surrey hills, muriel pornitz, muriel pornett -
Surrey Hills Historical Society Collection
Photograph, The Surrey Dive c1909-1912
Located in Surrey Park, this photo was taken about 1909-1912. The Surrey Hills Swimming Club formed in 1906 and swimming carnivals were popular from this time. The dive was created from a clay hole formed during brick-making activity at the adjacent brick works. From 1906 Carnivals were popular events. Olympic competitors trained here until Councils built Olympic-sized pools. Photo by William V Hill of Pembroke Street. Donor Mr Bill Dempsey was his nephew.A black and white photograph of a group of 15 young men standing and sitting on diving boards and a platform near some stairs. Most are wearing long trunks covering their thighs and singlets. One person is wearing a boater hat.surrey dive, swimmers, bathing costumes, surrey hills swimming club, box hill brick works, festivals and celebrations, olympics, (mr) william v hill -
Surrey Hills Historical Society Collection
Photograph, Muriel Pornitz (deceased), Quarry on site of Grovedale Road - James Street Park
The photo is of a painting of the dam formed on land between Grovedale Road and James Street, Surrey Hills. It was painted in 1927 by Miss Muriel Pornitz, an art teacher, who lived in Grovedale Road. The land had been part of Mr James Maling Snr’s property and in the 1880s clay was removed to build houses, including his own located on the corner of Weybridge and James Streets. Maling grazed cattle on this area and used it as a dam. The land was subsequently made into parkland, the quarry / dam having been filled in after several drownings had occurred in the 1920s/1930s. See also SHP94, another copy of the same. Muriel Hedwig Lucy Pornitz lived at 22 Grovedale Road, Surrey Hills. She was born c1894 in Balwyn; died in Kew on 1 December 1982. She was the daughter of Konrad Pornitz (1864-1903) and his wife Charlotte Richardson Gooderidge (1863-1942), known as Tottie, who married in 1890. Konrad Pornitz is listed in the 1892 directory as living in Edgevale Road, Kew and the business Pornitz and Ross at 291 & 293 Little Collins Street, importers and commission merchants. The 1896 directory gives the Kew address as 176 Edgevale Road, Kew, however the business Pornitz and Ross was dissolved on 1st day of October 1892, by mutual agreement. Legal notice advised that: Mr Pornitz will hereafter carry on the business on his own behalf at the same address, under the style "Pornitz and Ross". Muriel is buried in Box Hill Cemetery (B-086-0042) along with Ulrich Horst Holm Pornitz known as Horst or Bon (d 1957) and Edith Olga Pornitz (d 1951), her brother and sister. A further sibling (Konrad b 1891) died in infancy. He is buried with his mother in Boroondara (Kew) Cemetery - C/E A 0366. Konrad died at his home 'Yarran' in Lane Cove Road, North Sydney on 31 October 1903; reported in the Sydney Morning Herald. Buried Gore Hill Cemetery, St Leonards, North Sydney. The headstone reveals he was born in Chemnitz, Saxony in 1863. Muriel was also known as Muriel Pornett. She studied at the South Australian School of Arts & Crafts in 1911 under James Ashton and Fred Britton, and at the Australian School of Etching in Sydney. She was also an illustrator and cartoonist. The photo, and the painting from which it is derived, documents the landscape prior to close settlement and is material to early building and farming in the Surrey Hills area.A black and white photograph of a painting of a landscape of parkland. Two trees are on top of a rise and are reflected at the bottom in water. The signature of the artist is in the bottom right corner: "AUST MP 192" (and the rest is cut off).(miss) muriel pornitz, grovedale road, james street, surrey hills, artists, parks and reserves, (mr) john butler maling, snr, quarry, dam, (miss) muriel hedwig lucy pornitz, box hill cemetery, muriel pornett -
Surrey Hills Historical Society Collection
Photograph, Grovedale Road Quarry in the 1920s - looking north, c1920
... between Weybridge Street and Whitehorse Road. Clay was quarried... road james street surrey hills balwyn clay quarries Ancyra ...The quarry was part of John Butler Maling's property. He was one of the original settlers of the area and farmed the area between Weybridge Street and Whitehorse Road. Clay was quarried from part of this area and used to make the bricks used in the construction of his home, known as 'Ancyra'. This is still extant at the corner of Weybridge and James Streets. Maling grazed cows and used the quarry as a water source. He was the uncle of John Butler Maling, Mayor of Camberwell. He was married to Kate Conlon in 1882. They had 3 children: Silas Young, Alick and Zillah. Maling was born in c1829 in Shepreth, Cambridgeshire; he died in Surrey Hills on 9 October 1912 and is buried in Box Hill Cemetery - CE-*-0586. Mrs Kate Maling (born c1859 in Co Meath, Ireland) died at the property on 8 March 1921. She is buried in Brighton General Cemetery. Probate was valued at over 10,000 pounds and included other properties in Sandringham, Hawthorn and Macedon. At the time of her death the Surrey Hills property was described as being 23 cres with 2 brick houses, 1 cow, 2 heifers and 40 fowls or chickens. The property was subdivided after her death. The quarry was filled in after several drownings or near drownings and the land is now occupied by a park and playground maintained by the City of Boroondara. Beckett Park is sited on horizon to the left beyond the trees. This documents the landscape prior to close settlement and is material to early building and farming in the Surrey Hills area.Black and white photo of the quarry between Grovedale Road and James Street taken in the 1920s and looking north. In the foreground is an area of water with high banks dividing the horizontal centre. Beyond are paddocks and trees behind which is a row of at least 3 single-storey houses. Light poles can be seen along a distant street. There are many mature trees in the background. The houses and trees are positioned along Whitehorse Road in the vicinity of Westminster Street. Shadows indicate the photo was taken in early morning or evening.quarries, grovedale road, james street, surrey hills, balwyn, clay quarries, ancyra, kate conlon, kate maling, john butler maling, farming -
Surrey Hills Historical Society Collection
Photograph, "Ancyra" 25 Weybridge Street, Surrey Hills
John Butler Maling, retired farmer, built his home on the corner of his property which extended from Weybridge Street to Whitehorse Road and from James to Ross Street. From 1853 he lived in a simple farmhouse located near the present Ross Street until he had 'Ancyra' built in c.1889 from bricks made from clay dug from a quarry on the property. This was located in the now-park in James Street. John Butler Maling Snr was born in Shepreth, Cambridgeshire. He married Kate Conlan in 1882 and they had 3 children - Silas, Alick and Zillah. He died in 1912 and is buried in Box Hill Cemetery. Often referred to as John Butler Maling Senior as he had a nephew by the same name. He also lived on a similar sized property known as 'The Willows', located to the west. He became the first Mayor of Camberwell. From c1936 til c1960 the property was used as a rest home (Ancyra Rest Home) and then a nursery (Pied Piper Nursery).This property is important as one of few remaining extant links to pre-urban Surrey Hills, and built from local material.A black and white photograph of a brick house with a slate roof and corrugated iron over the verandah and portico. A picket fence painted a dark colour features decorative finals on the tops of the posts.ancyra, house names, weybridge street, surrey hills, whitehorse road, james street, ross street, john butler maling (snr), mrs kate maling, silas maling, alick maling, zillah maling, miss kate conlan, box hill cemetery, ancyra rest home, pied piper nursery -
Surrey Hills Historical Society Collection
Photograph, "Ancyra", 25 Weybridge Street, Surrey Hills
John Butler Maling, retired farmer, built his home on the corner of his property which extended from Weybridge Street to Whitehorse Road and from James to Ross Street. From 1853 he lived in a simple farmhouse located near the present Ross Street until he had 'Ancyra' built in c.1889 from bricks made from clay dug from a quarry on the property. This was located in the now-park in James Street. John Butler Maling Snr was born in Shepreth, Cambridgeshire. He married Kate Conlan in 1882 and they had 3 children - Silas, Alick and Zillah. He died in 1912 and is buried in Box Hill Cemetery. Often referred to as John Butler Maling Senior as he had a nephew by the same name. He also lived on a similar sized property known as 'The Willows', located to the west. He became the first Mayor of Camberwell. From c1936 til c1960 the property was used as a rest home (Ancyra Rest Home) and then a nursery (Pied Piper Nursery). This is one of relatively few surviving houses that provides links to pre0urban Surrey Hills. It is also built from locally quarried material.A black and white photograph of a house viewed through the front garden.ancyra, house names, weybridge street, surrey hills, james street, bricks, john butler maling senior, miss kate conlan, mrs kate maling, alick maling, silas maling, zillah maling, ancyra rest home, pied piper nursery, box hill cemetery -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Bundjil the Eagle Creator Spirit Cloak, 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Bunjil the eagle used to be a man called Karringalabil. As a man he created the first man and woman out of bark from the sacred manna gum tree and clay from the river bed. He created the plants, animals, mountains, waterways, sky and under Country. After which he turned himself into an eagle. He has two wives, Kunuwarra the black swan sisters. After he completed all of creation he flew up into the sky at Lal Lal Falls and he now watched over us as a star in the night sky and as an eagle by day.Brown, red and white tone feather motif with yellow eye design on outer clock, red and black diamond and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Ray Hearn, 'End Game' by Ray Hearn
Dr Ray HEARN (1943- ) Born Stawell, Victoria Ray Hearn graduated from the Ballarat School of Mines Technical Art School with a Diploma of Art (Ceramics) in 1970, followed by an Master of Fine Art from Regina Canada in 1976. He holds a PhD in Anthropology from Northern Territory, Darwin in 2003, with field work, exhibitions and teaching in Thailand since 1996. He has completed his MA in art curatorship from the University of Melbourne, with a thesis on Sidney Nolan and Ned Kelly.From Above and beyond function: Ray Hearn explains the reasons behind his useless ceramics:- "End Game suggests a climax of a tactical and intellectual struggle, in ceramics or chess, but it is also about beginnings and endings, for in chess the king can never be captured--one game ends and the board is reset so the next can begin. I made this piece at the start of my PhD work, acknowledging then that as there were once potters so too there are potters today--and tomorrow. The ceramic pieces were all collected in Tanon Suthep, one of Chiang Mai's streets. The board is a fragment of white tiles from a pharmacy building being remodelled, the bowl is a broken fast food noodle bowl from the ubiquitous street stalls, and the new small blue and white jars purchased from a market stall. Typical of my work, the objects are familiar--they might be just like ones we have at home today, had but threw away only yesterday, or objects we might purchase tomorrow. Clay lives on, and the ceramic 'game' starts again too. As it transpires End Game is about my own work too. All research degrees require an end--a thesis must reach a conclusion, and like a game of chess, start again. The sculptural potential of clay is unlimited, and in theory functional clay wares' aesthetic potential unlimited too, from a classic Song celadon to Arneson's genital encrusted teapots (which I first saw illustrated in Craft Horizons 1971). West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. Nothing could be more useless in a practical sense than a work of art, especially a painting--yet most craftwork has a passing reference at least to function." ( https://www.thefreelibrary.com/Above+and+beyond+function%3A+Ray+Hearn+explains+the+reasons+behind+his...-a0172598257, accessed 07 February 2018:)ray hearn, ballarat school of mines, ballarat technical art school, alumni, ceramics -
Lilydale RSL Sub Branch
Book, Christopher Somerville, Our War - How the British Commonwealth Fought the Second World War, 1998
Book -
Lilydale RSL Sub Branch
Book, Peter Calvocoressi, Ben Wint (1972) - John Pritchard (1989), The Penguin History of the Second World War, 1999
Book