This handmade green glass bottle was made using the turn-moulded or rotated-moulded method, a variation of the mould-blown process. The bottle has the remnants of a cork seal in its mouth. It possibly contained ginger beer, soda or mineral water, flavoured drinks, liquor or wine. The bottle’s shine has been worn from around 3/4 of its body, indicating that it has been resting horizontally on an abrasive surface, perhaps in the ground or on a river or sea bed. TURN-MOULDED BOTTLE production method This bottle was handmade using the ‘turn-moulded’ process, one of a variety of mould-blown processes that followed the earlier mouth-blown method. The maker would add a portion of hot soft glass to the end of his blowpipe then blow air through the pipe while placing the end inside a bottle mould. The mould was then turned and twisted, giving the bottle a round, seamless body, and usually a round indented base. The cooled body of the bottle would then be finished with the addition of an applied top. A small amount of soft glass would be applied to the top of the bottle and a lip would be formed using a tooling implement. A concentric ring would also form below the lip, caused by the rotated lipping tool. The bases of bottles made with the turn-moulded method were generally not embossed but would commonly have a mamelon or ‘dot’ in the centre of the base. SEALING THE BOTTLE After filling this type of bottle with its contents it is then sealed with a straight, cylindrical cork with the aid of a hand operated tool called a bottle corker. The bottle corker compresses the cork as it is driven into the bottle. Once inside the bottle the cork expands evenly into the opening to tightly seal the contents – the denser the cork the better the seal. Brown, brown glass. Handmade turn-moulded bottle with seamless body and tooled lip. Deeply indented base has push-up mark with a ‘mamelon’ nipple-liker bump in the centre. Bottle is straight from base to half height then tapers to a shoulder over the next quarter, than almost straight up to the mouth. Produced in 1880s to 1910’s. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, brown glass bottle, handmade glass bottle, bottle with indented base, turn-moulded bottle, rotate-moulded bottle, tooled lip on bottle mouth, applied lip bottle, bottle corker, ginger beer bottle

“The Squadron’s Most Prestigious Trophy” THE CACTUS STORY Years ago a story was told of a Donkey which lived in the desert. The standard of living was poor, and the main course on the menu when things were tough was cactus. The Donkey accepted the good with the bad, and in bad seasons it was always cactus. One day during his wanderings he came to a high fence. On the other side of the fence was lush grass and all sorts of vegetation and animals in prime condition. The Donkey said to a horse, “things look good in there, how does one get in”. The horse said “go down to the end of this fence, and you will come to a gate, there will be someone at the get, ask to get in”. The Donkey went to the end of the fence, found the gate and asked to get in. The horse at the gate said, “what do you want to come in for, all of us are geldings?”. The Donkey said “if that is the case, it is back to the cactus for me”. It was during the early stages of the great depression of 1929-1932, that this story was simulated to the conditions at the then Royal St. Kilda Yacht Club, when during the yachting season there were very few trophies due to the lack of money. A lot of members were out of work, and each Monday many would front up for the jobs that were offering or those who missed out went back to the dole or as many put it “Back to the Cactus”. The “Cactus Cup” race, to be free of entrance fees, was an idea conceived by H.A. (Toby) Armstrong, soon to be backed by Bert Bryant, Ivor Bowles and Jim Thorpe. It was First sailed March 25, 1922, when 9 yachts on sealed handicaps, raced over a 5 mile rectangular course for a small Trophy donated by Jim E. Thorpe and the winning crew of the yacht Helen, skippered by D.Dowse, entertained at a café after the race by the instigators of the race. The next contest was April 12, 1930, for another small trophy also donated by Jim Thorpe, and the crew of the winning yacht Petrel, skippered by Stan Gamble, later on having to arrange for a mussel supper to the extent of Trophy money at an informal musical evening held in the spar room. From then on races for the Cactus Cup became an annual event. In time the format was changed to result in the crew of the first winning yacht having to collect mussels from the pier on the first Saturday of July, cook and prepare them for a no charge informal supper and entertainment evening held in the spar room, towards which the Club provided a keg of Beer. Member Bob Ellis had a special song for the occasion, “Up at Tumba Bloody Rumba shooting Kanga Bloody Roos”. Jim Thorpe then agreed to purchase a Perpetual Cup to be named the Cactus Cup. As guest of honor at the Cactus Supper Evening, May 1940, a dinner suit function in the Spar room, he presented the Cup along with Replica to Barney Snider who won with Eun-Na-Mara. Soon entries became few, for reason nobody wanted to win because of the penalty of having to collect, cook and prepare the mussels. In the interest of the contest and its revival, it was decided that the crew of the last yacht to finish had to collect, cook and prepare the mussels. On the death of Jim E Thorpe in 1944, the trophy, along with its annual replicas, were then provided for by Ivor Bowles until his death in 1970. In time for reason of pollution, the collecting of mussels from the pier was discontinued, so Otto Meik the new provider decided that the format be changed and be replaced by a supper on the day of the race, consisting of bottle mussels, beer and frankfurts. Following the death of Otto Meik in 1979, with no provider for the trophy of replicas, the Squadron in the early 80’s broke tradition by introducing race entry fees. In 2006 the Cactus Cup Tradition was reinstituted by a donation from J.H. (Bert) Ferris – RMYS historian. The Cactus Cup is now free to enter once again for all. The race is run early and a late afternoon feast of mussels and frankfurts is eaten afterwards.Deep sectioned Silver Cup, 300mm high to lip, tapering to thick plain stem flaring out to stepped footing, has two shaped handles. Silver Lid with Donkey positioned on shaped dome. Overall height 110mm. Cup stands on 145mm high round black base with stepped footing, surrounded with Silver winner inscription band.ROYAL ST. KILDA YACHT CLUB PERPETUAL CACTUS CUP INAUGURATED 1922 INSTIGATED BY H.A. ARMSTRONG ESQ. ORIGINAL CUP PRESENTED BY J.E. THORPE ESQ.cactus cup, trophy

Bendigo Advertiser ''The way we were'' from 2000. Royal Bank: located at 17 View Point, Bendigo, the red-brick bank with 'art nouveau' influences, made an interesting contribution to the View Point streetscape. Formed in 1889, at the height of the land boom, it survived the crash of 1893, unlike many other banks during that time. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Demi John cream in colour with a tan upper section. Previous catalogue number 84. The upper section contains the manufacturer's stamp ''Bendigo Pottery, Epsom''. Also stamped into the pot are the words '' 1/- D. WHYTE & CO. WINE & SPIRIT MERCHANTS, PALL MALL BENDIGO'' The base is approximately 15 cm in diamter and approximately 25 cm in height.''Bendigo Pottery, Epsom'' ''1/- D> WHYTE & CO. WINE & SPIRIT MERCHANTS, PALL MALL< BENDIGO''food technology, bottling, demi john

A black and white photograph of 2Lt Tom 'Rockets' Guivarra MID, a fixed wing pilot with 161 (Indep) Recce Flight stamps down sandbags as he works on raising the height of the sandbag protection against NVA/VietCong attack, at the 1st Australian Task force Base, Nui Dat, Phuoc Tuy Province, South Vietnam. (Circa April 1967)photograph, 161 recon flt, 2lt tom "rockets" guivarra, 1st atf base, nui dat, phuoc tuy province, nva/vc, gibbons collection catalogue

T-Shirt belonged to Donor's son who attended the School.Sky blue Gravel Hill Primary School T-Shirt with printed image in dark blue on the centre front. Image of the school gates and building with a tower. "GRAVEL HILL PRIMARY SCHOOL" printed above the image. Clothing label inside neck band. The T-Shirt is made by Nile, to fit Size 10 - height 140 cm. Made in Australia.gravel hill primary school, school uniform

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. This jacket originally belonged to Australian singer, actress and philanthropist Olivia Newton-John, who autographed it and donated it to be auctioned at a Leather and Lace Ball for the Austin Health Olivia Newton-John Cancer Centre Appeal on 15 May 2004. Newton-John has long been an advocate for cancer research and awareness, having undergone multiple treatments for cancer, a disease Di also battled for many years. Di's husband David purchased the jacket at the auction for around $1,000, and it has since been much worn by Di and her daughter Kathryn. The nature of the jacket - which is faux-leather, with glued-on diamantés, suggests that it was likely part of a stage costume rather than an item from Olivia Newton-John's personal wardrobe.Black polyester leather look jacket with black polyester lining. The jacket features a centre front opening secured by six black press studs, two bust height flap pockets with press studs, and collar. Full length sleeves with band and black press stud closure. The jacket features diamanté decorative finish along the collar and shoulder placket. "IMMAGINE, Made in Italy" "40" "Made in Italy, Fabrique en Italie, 100% Polyiestere, Polyestere, Polyester, Polyester" Personal signature of Olivia Newton John in fine silver pen, "Love Olivia Newton John, 04".olivia newton john, stage costume, olivia newton john cancer centre, austin health, di reidie, immagine, 1990s

14cm x 9cm black and white photograph of Leonard Stimson's Grocery Store on Sydney Street, Kilmore. Three people stand outside the shop including Leonard Stimson (moustached man). The store has double height windows, with products in them, facing the street. Printed on the windows is "Coffee", "Tea", "Wholesale" and across the top of the windows is "E. Stimson. Grocery".Written on the back: Leonard Stimson's Grocer's Store Sydney St Kilmore (about 1864.) Kilmore Historical Society Leonard Stimson Standing in front with moustache. Sender Sandra Stimson Temoragrocery, stimson, kilmore, shopfront

A green glass bottle eight centimetres diameter at its base and for 14 centimetres of its height then it curves for two and a half centimetres to a three and a half centimetre diameter section that is five centimetres high. It has a glass stopper with a curved knob that's two centimetres high, three centimetres wide and half a centimetre thick. There is a M embossed into the base.bottle, glass bottle and stopper

Allan Quinn obviously needed an identity card to enter Buenos Aires when he visited there as a sailor.A picture is created for what sailors had to do when entering foreign ports on visits and the requirements of local bureaucracies.The card with Allan Charles Quinn identity photograph is labelled: Ficha de identidad - Identity card and is printed in Spanish and in English.Written on it is: Allan Charles Quinn Australian Age 18 years Height 180cm Colour of hair Cendre Colour of eyes Blue Complexion white Nose reg Inside the card is photograph of Allan Quinn and the date of December 14 1946 at Buenos Aires. buenos aires, argentina, allan charles quinn (1928-1990)

'Souvenirs in relation to the Chalet and Mount Buffalo were first mentioned in December 1912... A large range of souvenirs has since been associated with the Chalet and Mount Buffalo from crafted wooden items, silver spoons, cups etc... The collection includes a broad selection of products that have been sold throughout much of the Chalet's history, each representative of the transient fashions of their period.' (Pg 114. Historica)Listed in Draft Inventory of Significant Collection Items . Appendix A.3. Souvenirs. (Pg 168. Historica).Cream polyester, cotton knit tee shirt with a printed photographic image of the chalet on the front. "Mt Buffalo Vic" is printed above the image. There are blue and green diagonal stripes above and below the image. Short sleeves.On front of label:"AN / AUSTRALIAN / WILDLIFE / GARMENT / 85% POLYESTER / 35% COTTON / 14 HEIGHT 160CM " On back of label:"MADE IN AUSTRALIA / WARM HAND WASH / DO NOT BLEACH / WARM IRON" On front of shirt:" MT BUFFALO VIC" & "C N C Y"

Black and white photograph. Machinery consisting of large gear wheels, driving wheels with belts in wooden board lined room. Five males included. Rails along and across part of floor at waist height (safety?) Two sets of similar gear. Electric motors. Rubber belts driving machinery out of picture. Building clean - new? Electric lights and switches.topic, objects, machine, machinery, workers, males

Used to drive the belt for machines.A long shaft with five wheels of varying height attached to it. The largest wheel has six spokes, the second to last in size has five curved spokes. One wheel is made of hard rubber. The shaft extends beyond the largest wheel, where it has a big bolt. The shaft extends an inch or two beyond the wheel at the other end. All wheels are bolted on.

The sculpture is of welded 3mm oxidised mild steel fabricated into six rectangular blocks of unequal size, joined along the edges by welding and juxtaposition at various angles. The work is classified by The National Trust of Australia (Victoria) and was funded by the Visual Arts Board of the Australia Council for the Arts. The sculpture is an example of a classic formalist work by one of the early practitioners of the style in Australia.The sculpture is of welded 3mm oxidized mild steel fabricated into six rectangular blocks of unequal size, joined along edges by welding and juxtaposition at various angles. It is supported by one angle bracket, and several short lengths of reinforcing steel sunk into the pavement and tack welded to the sculpture. It has an overall length of 3.25 metres, a height of 2 metres and width of 1.45 metres.

Original held by Mr. Mike Rosel. Relates to series of images, reg. No P000027, P000028.2, P000029.3, P000030.2, P000031, P000032Photograph shows Port of Echuca from a slight height looking lengthways (north ward) with the steam train carriages and the wharf dominating the view. Murray river on the right, Murray esplanade on left with Star hotel visible and Federal Ale sign of the northern fence beyond the hotel. Sawmill is a commercial concern (steam visible above roof). Steam train marked A2 and 996 on the front of the engine. Various equipment , including manual cranes, visible on and around the wharf. Cargo shed is clearly visible on the wharf.Black and white photograph of the Port of Echuca from a slight height looking lengthways, (north) with steam train and wharf dominating the view. Murray river on the right and Murray Esplanade on left. Cranes and cargo shed clearly visible with other wharf machinery running along the side of the wharf. Star Hotel visible on the far left of the photograph. Saw mill (in background) is still a working operation.On train "A2" and "996". "Federal Ale" sigh on the fence beyond the Star Hotel.port of echuca, sawmill, steam trains, echuca wharf, rosel, mike

Finlay Currie and dog at tent. Finlay appears to be in his 20s. He is wearing a three piece suit with high collared shirt. The tent has wooden logs for support and short planks at ground height. There appears to be a bed inside. The tent sides appears to be partially netting. A tiled roof house is in the background. The sleeping tent may have been erected for its health-giving benefits.

Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery. (Source: Heritage Victoria)This photograph is one of the earliest known photographs of the cemetery, showing the early plantings and fences.Later print copy of an undated original photographic positive of the entrance to the Boroondara General (Kew) Cemetery. The Cemetery had been opened in 1855. This view is from Bulleen Road (now High Street) showing a group of 12 or 13 men standing in a line outside the entrance. At this time, the clocktower and high brick fence had not been constructed, but the trees have reached a substantial heightPencil inscription on reverse - "Boroondara Cemetery Entrance 1862"boroondara general (kew) cemetery, cemeteries -- melbourne (vic.)

BHS CollectionCast iron nutcracker. The item is approx 20.5 cm in length, 11.5 height and 7 cm width. The base and the handle are decorated in a flowery design. On the inside of the handle the number 264 is stamped and on the base very faintly the letters J F Y Co. The item has some rust and looks well used, but otherwise is in very good condition. From George Harris estate.domestic equipment, food consumption, nut cracker

This tripod was used to measure the height of distant points relative to a known point used in surveying and construction. The older levels consist of a telescope fitted with a spirit level and, generally, mounted on a tripod. Modern levels are automatic.This tripod was used in the Kiewa Valley by a Mt Beauty resident.Wooden tripod with pointy ends and with metal hinges at the top to collapse. It has a leather strap attached by a button press stud towards the pointy end. This is to enable the legs of the tripod to be fastened together. cowley tripod; surveying; kiewa valley;

Shell for the Cannone da 75/46 C.A. modello 34. This gun fired a 6.5kg shell to an effective range/height 8,500 metres. Australians encountered these weapons in North Africa from 1941 to 1942. Brass shell with cast iron projectile.S M I 14-6-39 L.7 U.T.A.N FIRENZEworld war two, ww2, second world war, italian, north africa, north africa campaign, cannone da 75/46 c.a. modello 34, 75mm anti-aircraft round

Uniform in the collection re “M. ANGUS" 6 RAR Vietnam. Refer Cat. No. 669. Coat - green colour cotton twill fabric with green plastic buttons, front metal zipper and metal press studs. Collar, shoulder epaulettes, four front pockets with metal stud closure flaps, green cotton lining throughout garment. Collar with concealed hood with zipper closer. Hood and waist draw strings. White cotton manufacturers label inside back below collar.Manufacturers label with black ink print. "LARGE REGULAR/ Chest from 41 to 45 inches/ Height from 67 to 71 inches/ Stock No. 8415-782-2942/ COAT, COLD WEATHER, MAN'S FIELD/ P.O. 51365-C-647005/ JHN OWNBEY COMPANY INC."uniform, army coat, m.angus

Used in the Kiewa Valley to measure the height of distant points relative to a known point used in surveying and construction. The older levels consist of a telescope fitted with a spirit level and, are generally, mounted on a tripod. Modern levels are automatic.This Cowley automatic level was used in the Kiewa Valley by a Mount Beauty resident."The Cowley" Automatic Level. Automatic Level made of metal with black leather carry strap. Metal plaque with black background fixed with four nails "Cowley Automatic Level. Made in Australia". Stamped under the plaque are numbers 80950. A sticker above the plaque in red print "Warning level will not operate unless placed on tripod." A silver sticker on top of the unit "It is unnecessary to see a complete circle when finding level" it includes three diagrams to assist. Comes in the original cardboard box with instruction booklet. cowley tripod; surveying; kiewa valley

To be fashionable, and possibly improve vision at the same time, the pince nez style of glasses became popular. The 'Fits-u' design has a mounting that allowed the bridge to stay solid, whilst the springs in the nose pads allowed for removal (unlike pince nez which had a springs in the bridge). Although complete, this box includes models with different distance dimensions and the height of the bridge, with these figures are etched onto the lenses. An order table is included in the box with the pupillary distance and height so the catalogue number and quality and quantity of each size can be ordered by the dispenser. The pupillary distance is used to design spectacle frames.Canvas box which includes display models of different dimensions of pince nez Handwritten on the back: James Korp Backhouse (?) 1904 Ophthalmic Optician & Optometristassistive devices, american optical company

This map has been in the Ryder family for approx. 70 years. Probably used when bush walking and skiing in the early days on the Bogong High Plains. The Ryder family are farmers in the Kiewa Valley and were involved in taking their cattle up to the Bogong High Plains where they had a lease. The State Electricity Commission of Victoria constructed the Kiewa Hydro Electric Scheme opening up the area during the 1940's and 1950's. This type of map is an early one, used by people in the Kiewa Valley and possibly by surveyors prior to construction.The map is an early topographic map used by farmers living in the Kiewa Valley. It is historically significant as these people were involved in taking cattle up to the High Plains during summer and may have been used for bush walking and skiing.This is a sepia coloured paper map which was originally printed copyright registered. It was revised in 20/6.33/4.4.37/8.4.40/24.8.43/19/6/54. It shows roads / tracks / snow poles / snow pole numbers (27) / Snow pole spacing (3 chains. 66 yards) approximately 27 poles to the mile / height above sea level in feet - 5280. Water courses not definitely located etc.Rocky Valley Dam (Kiewa Hydro Electric Scheme) has been drawn on the map by hand with a biro. There is a wooden rod at the top of the map.topographic map; kiewa valley; ryder family; high plains of victoria