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National Vietnam Veterans Museum (NVVM)
Photograph - Original photograph
This item shows Vietnam serviceman Corporal Peter Sims of Headquarters, Australian Force Vietnam (Army Component), 1969-70 on R & R.Faded color photograph of two people-a man and a woman-seated with a crowd in the background. They are formally dressed and there is food on a table in front of the female. The photo is surrounded by a white border.On the back of the photo " Best hotel for R&R approved by the B&R Centre Bangkok Hotel: Tapei, Taiwan. No 76.........Road Taipei Taiwan. R.O.C. Tel 559589-9 (all in blue ink) R&R 1970 see receipt written in black pen.peter sims oam jp., nvvm, sims, r&r, vietnam war -
Dutch Australian Heritage Centre Victoria
Book of Photographs, Fotografie in Bezettingstijd (Photos from the Occupation Years), 1993
The German occupation during WWII lives on in the memories of those who survived and the relatives of victims. Many Dutch emigrated during the post-war years but maintained their connection with the home country. This item was most likely acquired during a visit at the time of the 1993 exhibition of which it is the catalogue.Soft cover publication containing numerous photos taken between May 1940 and May 1945, the years of occupation by Germany. The contents have been assembled by René Kok, Herman Selier and Erik Somers from the National Institute for War Documentation, Amsterdam. Publisher is Waanders in Zwolle. A single page Foreword was written by Dr .L. de Jong. The six divisions are headed: Introduction, Press Photography, Professional Photography, Colour Photography, Amateur Photography, Illegal Photography. The back cover carries 6 thumbnails indicative of the 6 divisions and a sticker showing the price of €14.95. -
National Vietnam Veterans Museum (NVVM)
Book, Pemberton, Gregory, All The Way: Australia's Road to Vietnam, 1987
Gregory Pemberton provides clear, scholarly, objective analysis of how Australia became involved in the Vietnam War. he unravels skillfully and systematically the complex skein of political and military events which led the Menzies Government to embark on this tragic commitment. He provides the most thorough and dispassionate account of Australian-American relations in the 1950s and 60s yet published.Gregory Pemberton provides clear, scholarly, objective analysis of how Australia became involved in the Vietnam War. he unravels skillfully and systematically the complex skein of political and military events which led the Menzies Government to embark on this tragic commitment. He provides the most thorough and dispassionate account of Australian-American relations in the 1950s and 60s yet published.vietnamese conflict, 1961-1975 - participation, australian, australia - foreign relations - 20th century., united states - foreign relations - 20th century. -
National Vietnam Veterans Museum (NVVM)
Book, Perils of Dominance: Imbalance of Power and the Road to War in Vietnam, 2005
The most provocative and original reinterpretation of Vietnam and Cold War policy making to come along in a generation.The most provocative and original reinterpretation of Vietnam and Cold War policy making to come along in a generation.united states - foreign relations - vietnam, vietnam - foreign relations - united states, president johnson, president j f kennedy, the gulf of tonkin -
National Vietnam Veterans Museum (NVVM)
Book, Kline, David, Sacred Ground
We have all viewed on TV or in newspapers, books and magazines, the wreckage of war...a burned-out tank or APC along a red dusty road, a shop-up helicopter, its blades askew. resting in a rice paddy; spent shell casings; bloody drssings; battle gear; or mangled bodies lying in sore far off outpost after a fierce battle.We have all viewed on TV or in newspapers, books and magazines, the wreckage of war...a burned-out tank or APC along a red dusty road, a shop-up helicopter, its blades askew. resting in a rice paddy; spent shell casings; bloody drssings; battle gear; or mangled bodies lying in sore far off outpost after a fierce battle.vietnam veterans memorial (washington. dc) - pictorial works, war memorials - united states -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Year of the Road Runner
A Film, DVD in case named "A" Field Battery RAA. Red & Blue colours with a shield with the words 'Semper Paratus' (US Coast Guard song). Year of the Road Runner & description of contents of Film, DVD which runs 40 minsfilm, dvd, field battery raa -
National Vietnam Veterans Museum (NVVM)
Award, Unit Citation
Unit citation awarded to 8th Batt RAR for search and destroy operations in Phuoc Tuy province. The Battalion were able to destroy the secret zone of Viet Cong main force units causing heavy casualties so population could live safely also help to rebuild roads, bridges, markets, and schoolsvietnamese cross of gallantry -
National Vietnam Veterans Museum (NVVM)
Book, Hutchinson, Garrie, Not going to Vietnam: Journeys Through Two Wars
Not Going To Vietnam begins in 1968, telling the story of the boy dho didn't go to war, before taking the road with the Australians who did - both in 1942 in Singapore, Malaya and up the Thailand-Burma Railway, and later Vietnam.Not Going To Vietnam begins in 1968, telling the story of the boy dho didn't go to war, before taking the road with the Australians who did - both in 1942 in Singapore, Malaya and up the Thailand-Burma Railway, and later Vietnam.vietnamese conflict, 1961-1975 - conscientious objector, 1939-1945 - participation. australia -
National Vietnam Veterans Museum (NVVM)
Photograph, Great Hung Vuong Day Roadrace
A black and white photograph of taken at Baria, Phuoc Tuy Province, South Vietnam, Trooper Jack Thurgar 1st Special Air Squandron is congratulated by Col Tu after being presented with the winners trophy following his first place win in the Great Hung Vuong Day Road Race - 15 April1970photograph, 1st sas sqn, baria, phuoc tuy province, trooper jack thurgar, col tu, gibbons collection catalogue, great hung vuong day road race -
National Vietnam Veterans Museum (NVVM)
Photograph, Great Hung Vuong Day Roadrace
A black and white photograph of National Route 23, Phuoc Tuy Province, South Vietnam, Trooper Jack Thurgar 1st Special Air Service Sqnuadron, in 1st place leads Capt Craig Leggett the second runner up, also from 1st Special Air Service Squadron, to the finish line in the Great Hung Vuong Day Roadrace, 15 April1970. The third runner up, also from SAS, can just be seen behind the Army Land Rover. No Vietnamese runner is evident in the photophotograph, national route 23, phuoc tuy province, trooper jack thurgar, 1st sas sqn, capt craig leggett, gibbons collection catalogue, great hung vuong day road race -
National Vietnam Veterans Museum (NVVM)
Photograph, Great Hung Vuong Day Road Race
A black and white photograph of a Group photo of the placed runners in the 5000 metre footrace from the market place at Long Dien. The race was run on the Vietnamese National DayTHE GREAT HUNG VUONG DAY ROAD RACE - 15th APRIL 1970: Hung Vuong Day, 15th April 1970, the Vietnamese National Day commemorating the events of the birth of the Vietnamese Race, is on of the most important festivals of the Vietnamese Memorabilia. The placed contestant athletics in the 5000 metre foot race from the market place at Long Dien, south east of Nui Dat, the 1st Australian Task force Base, along national Route 23 to the town square at Baria (Phuoc Le), the Phuoc Tuy Province Capital. The multi coloured shirts of the various contestants, from the numerous military and civilian units in the province and the Australian Task Force looked out of place in the war zone. It took 17 minutes, 5 seconds for the outright winner to get to the finish, a strapping young SAS soldier, Trooper John Thurgar, from Scone, N.S.W. of the 1st Special Air Service Squadron, one of the Australian contestants. The first prize, silver cup, was presented to Trooper Thrugar by Colonel Tu, The Province Chief, Colonel Peter Falkland, the 1st Australian Task Force Deputy Commander presented the first Vietnamese contestant across the finish line with a silver cup. In all there were trophies for the first siz places by the Vietnamese and the "visitors", SAS took the first three Australian/New Zealand places whilst the last three came from other 1st Australian Task Force Units, the first prize for each of the individual winners was a large silver cup, for the next five runners up, by the Australians there was a smaller silver cup, for the Vietnamese first place there was a silver cup the same size as for the Australian, outright, winner, while the next five Vietnamese runners up received a parcel of clothing and towels.photograph, 1st sas sqn, baria, phuoc tuy province, vietnamese national day, gibbons collection catalogue, great hung vuong day road race, trooper john thurgar, national route 23, nui dat, long dien village, col tu, col peter falkland, 1st atf base, sas -
National Vietnam Veterans Museum (NVVM)
Photograph, Contact, Contact, Contact
A black and white photograph of Contat, Contact, Contact....late afternoon section strength TAOR Patrol, Long Binh, Operation Federal, 14th March 1969, 7 platoon, C Company 4 RAR/NZ (ANZAC), under heavy fire from both sides of the road the riflemen engage the enemy to their immediate rightphotograph, operation federal, long binh, 7 platoon, c coy, 4rar nz, gibbons collection catalogue, taor patrol -
St Kilda Historical Society
Administrative record - Contribution Card, J. L. Williams Memorial Scholarship, c1927
Card to record contributions to the J. L. Williams Memorial Scholarship fund. The fund was established in the memory of Jack Williams, who was a teacher at the St Kilda School on Brighton Road for 24 years. Contributions were sought towards raising about 350 pounds to establish a perpetual scholarship awarded annually to a pupil of the school. Jack Williams is also remembered through the J. L. Williams Medal, first issued in 1931 by the Australian State/Secondary Schools' National Football Council (now awarded by School Sport Australia), in recognition of his efforts to establish what is now known as the School Sport Australia Championship. The award is given to the best and fairest footballer in the Championship.Cream coloured card printed in black on both sides and folded, with a photo of late Mr J. L. Williams on the front page.Stamped card no. 49j. l. williams, jack williams, st kilda schools -
Puffing Billy Railway
Hand Tricycle Number 386, Commonwealth Railways 3'6" Gauge Hand Tricycle
The trolley entered service for the Commonwealth Railways (later Australian National Railways) as trolley number "386" and was originally built to the gauge of 3"6.Historic - Commonwealth Railways - Narrow Gauge Railway - Track vehicleThe tricycle is red and has three wheels, two large on one side with a single offset wheel on the other. Timber and steel constructionhand tricycle, commonwealth railways, australian national railways, trolley, puffing billy -
Puffing Billy Railway
D21 - Diesel Mechanical locomotive, 1968
D21 - Diesel Mechanical locomotive Date built - 1968 Original owner - TGR Original gauge - 1067mm Withdrawn - 1983 Built to 3'6" gauge in 1968 by the Tasmanian Government Railways and numbered V12, ownership of this Diesel Mechanical locomotive was transferred to Australian National Railways (Tas.) in 1978. It was withdrawn and sold to the E.T.R.B. in 1983 1968 - D21 ex-Tasmanian Government Railways (TGR) V class No.12, built by the TGR Launceston Workshops in 1968 to a design of Vulcan-Drewry (England). Tasmanian Government Railways V class The V class were the first diesel locomotives operated by the Tasmanian Government Railways (TGR) with four delivered by the Vulcan Foundry in 1948 to a design by the Drewry Car Co. They were a narrow gauge version of the British Rail Class 04. In 1951 a fellow two were delivered followed by another two in 1955. Between 1959 and 1968 the TGR built a further four at its Launceston Workshops. Two identical locomotives were purchased by the Mount Lyell Mining and Railway Company in 1953. When it closed in 1963, 2405 was sold to the Emu Bay Railway as number 22, while 2406 went to the TGR as V13. All the TGR units were withdrawn between 1983 and 1987 while the Emu Bay unit remained in service until 2000. Ten have been preserved: V1 by the Bellarine Peninsula Railway, Victoria V2 by the Don River Railway V4 by the Hotham Valley Railway, Western Australia V5 by the Hotham Valley Railway, Western Australia V7 by the Derwent Valley Railway V8 by the Bellarine Peninsula Railway, Victoria V9 by the West Coast Wilderness Railway V12 by the Puffing Billy Railway, Victoria (regauged to 760 mm gauge and numbered D21) V13 by the Zig Zag Railway, New South Wales, sold to the West Coast Wilderness Railway, renumbered D2 22 by the West Coast Wilderness Railway, renumbered D1 Tasmanian Government Railways V class Manufacturer Vulcan Foundry Tasmanian Government Railways Entered service 1948 Number built 14 Number preserved 10 Fleet numbers TGR: V1-V13 Emu Bay: 22 Power: 152kW (204hp) or 114kW (153hp) Motor: Gardner 8L3 (V) or Gardner 6L3 (VA) Wheel Arrangement: - C - Weight: 25.6t Allowable load on 1:40 grade: 170t Length over headstocks: 6.8m (22ft 6in) Introduced: 1948 Built By: Vulcan Foundry, England; TGR Workshops, Launceston; Using parts supplied by Drewry Car Co (UK) Number Preserved: 10 Number In Service: 0 Total Number Built: 14Historic - Tasmanian Government Railways - Diesel Mechanical locomotive - V12 / Puffing Billy Railway Diesel Mechanical locomotive D21D21 - Diesel Mechanical locomotive made of steel D21diesel mechanical locomotive, puffing billy, d21, v12 diesel mechanical locomotive, d21 diesel mechanical locomotive, tasmanian government railways -
Geelong Cycling Club
Framed Photograph, 1995
... , Mexico City Olympian and twice Australian Open Road Champion ...Felicity Wilson, Junior Cycling Champion, daughter of Don, Mexico City Olympian and twice Australian Open Road Champion. National Champion, Women in CyclingFramed photograph of the Geelong West Cycling Club 1995 U/19 Women's Road Champion. The photograph is in colour and is mounted on a white background. The frame has a thin wooden black border."GWCC/FelicityWilson/1995 U19 Road Champion"geelong cycling club; junior champion; felicity wilson; 1995; -
Geelong Cycling Club
GWCC Club Records, 1977-85
... national road race title in 1975 and 1977. He also competed ...The 1977-1982 Newspaper articles and race results provide information on well known cycling identities in the Geelong area, some of whom achieved Australian and World championships in this sport. Also included are minutes of meetings and correspondence 1978-1985.Well known racing identities of the time and Geelong Cycling Club members - Don Wilson - who won the Australian national road race title in 1975 and 1977. He also competed in the individual road race and the team time trial events at the 1968 Summer Olympics in Mexico, and the Sun Tour during this period.Wilson won and set the fastest time in the amateur Goulburn to Sydney Classic in 1967 run in reverse direction from Milperra to Goulburn. and John Trevorrow - won the Australian national road race title in 1978, 1979 and 1980. He was also 3 time Sun Tour winner in 1975, 1977 and 1979.Newspaper articles and hard backed books with handwritten minutes and correspondence and race results for the period 1977-1982. -
La Trobe University Library
Jag photograph, NCHSR, La Trobe University, 2000s
This photo was taken during a competition run by National Centre for Hellenic Studies and Research, La Trobe University, in the early 2000s. The theme was on the Odyssey and secondary school students from all over Australia participated.Photograph of a jag. Jag in the photograph was made by secondary school students for a competition run by NCHSR. Colour. Item in the photo is black and yellow with the word 'Odyssey'. odyssey, la trobe university, nchsr, school art work, photograph-ancient jags -
Anglesea and District Historical Society
Bale Fasteners (3)
Harold E. (Edward) Hurst (1888-1972) born on the banks of the Eumeralla River (near Macarthur) lived in a villa in Newtown called "Eumeralla" (Skene Street). "Boss" Hurst invented, patented and manufactured metal fasteners for wool bales and fencing. (Ref: 'Boss' Hurst of Geelong and Nauru : a life by Don Chambers) - held at the National Wool Museum, Geelong.Nonewool bale hooks, clips, fasteners, "grip bale fasteners", ev. hurst -
Anglesea and District Historical Society
Ration Ticket, Commonwealth Government of Australia, Dept of Supply & Development, Motor Spirit Ration Ticket, Valid to 31 July 1942
Two small ration tickets printed in orange and blue allowing one gallon of motor spirit to be purchased before 31/7/1941. Both tickets are signed on the back by H.C. Cammeron with his licence number above.Front: (orange and blue). MOTOR SPIRIT RATION TICKET / ISSUED UNDER NATIONAL SECURITY (LIQUID FUEL) REGULATIONS / 1 ONE GALLON (on either side of Australian Coat of Arms) - blue / VALID ONLY UNITIL / 31st JULY / 1941 / NOT TRANSFERABLE / THIS TICKET MUST BE ENDORSED BY CONSUMER WITH NAME AND LICENCE NUMBERS / ENDORSED - 22a/8557 / H.C. CAMMERON.commonwealth liquid fuel control board, 1941, ww2, motor spirit ration ticket -
Anglesea and District Historical Society
Portable Cassette Tape Recorder and Box, Estimated 1978
... Anglesea great-ocean-road music national panasonic matsushita ...1. Portable cassette recorder with built-in electret microphone. 5-pin DIN connector for recording/playback Slim Line RQ-2734. 2. Box - handwritten date and price: 10-10-84 $49-98. Cardboardbox - design printed blue. 3. Operating Instructions (single sheet). Instructions in English and Spanish. 10-10-84 / $49-97music, national panasonic, matsushita electric industrial co. ltd. -
Anglesea and District Historical Society
Book, National Publishing Co, Holy Bible, 1884
Large illustrated Bible with elaborately tooled leather binding. Full page illustrations protected by "tissue" paper. Front and back covers are moulded in relief. Posted illustrations and wording on front and back covers is gilded.Presented to "Mrs D Urquhart" / by "Mr D Urquhart" / "December 7th 1885".urquhart family -
Ruyton Girls' School
Magazine, Ruyton Reporter, 1995
The Ruyton Reporter (formerly known as Ruyton Reports) captures the essential Ruyton Girls' School experience for the broader school community. It has been produced since 1986.The record has strong historic significance as it pertains to one of the oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. It also gives insight into the types of activities and events undertaken at Ruyton Girls' School during the period of its production. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on paper with staple binding. 16 pages.Front Page: the reporter / Ruyton / autumn 1995 / PRINT POST / PP 341999 00026 / APPROVED / 12 Selbourne Road Kew / Telephone: 9819 2422 / Facsimile: 9818 4790 / R / RECTE ET FIDE LITER / Launch of the Henty Rowing Club: The Senior IV / Contents / VCE 1994 / Allegro Al Fresco / Medieval Fair / Interview with / the Premier / Photograph courtesy of "Images" Photography / Bow: Emma Anderson, Victoria Wile, Kate Kotzmann, Stroke: Katrina Walker, Cox: Kate McQuillen / STOP PRESS: Head Coach, Gina Douglas has now won 4 National Titles in Perth /ruyton girls' school, ruyton, school, students, newsletter, ruyton reports, ruyton news, kew, victoria, melbourne, girls school -
Ruyton Girls' School
Literary work - Ruyton Prize Book, Geoffrey Cumberlege Oxford University Press, The Complete Works of William Shakespeare, No date
This book contains a collection of literary works written by William Shakespeare. Shakespeare was an English playwright, poet, and actor, widely esteemed as the foremost writer in the English language and the world's premier dramatist. Often hailed as England's national poet, his surviving works comprise around 39 plays, 154 sonnets, three lengthy narrative poems, and a handful of other verses, some of which are of uncertain authorship. His plays have been translated into every major living language and are staged more frequently than those of any other playwright. Shakespeare remains arguably the most influential figure in English literature, with his works persistently reinterpreted and reimagined. Ruyton Girls' School has a long tradition of awarding prizes to students at annual "Speech Night" events. Speech Night at Ruyton is an extraordinary occasion. It is a time when we gather to celebrate both the year just lived and the contribution of our Year 12 girls to the life of our School. It is a night of stirring student speeches, acknowledgement of student endeavour and excellence and awe-inspiring performances by School choirs and ensembles. The record has strong historic significance as it was awarded to a former notable student, Helen Gordon (maiden name Cole). Helen started at Little Ruyton in Prep 1940 and finished Year 12 in 1952 as School Captain, Bromby Captain, Form Captain for Matric, Tennis Captain, Hockey Captain, Swimming Vice Captain, and an award for Best All-Round Girl. She also played baseball for Victoria. After finishing school, Helen went on to graduate from the University of Melbourne as a physiotherapist in 1956. Her first position at age 19 involved setting up clinics with the Victorian Health Department Poliomyelitis Rural division. Helen’s strong ties to Ruyton continued when she held the position of President of the Old Ruytonians’ Association from the start of 1966 to the end of 1967. In 2019, Helen received an Order of Australia Medal for service to community health as a physiotherapist. She was also the recipient of the 2022 Victorian Senior Achiever Award at Parliament House. This historic significance is further enhanced by Ruyton's bygone "Shakespeare Night" tradition. A celebration of ‘culture’, and a chance to enjoy some ‘fun and games, cakes and ale’, were the motivation behind Ruyton’s annual Shakespeare Night party, led by longstanding Principal Miss Hilda Daniell. In her book, "The History of Ruyton 1878-1956", she describes how the yearly tradition began in 1915, just two years after she took over the role of Principal. That first Shakespeare Night, the senior girls and other guests gathered in the School’s chrysanthemum-filled dining room for music, games and supper. Such fun was had that the festivities became an annual event and was one of the coveted privileges of being one of Ruyton’s older girls. The Night was always held as close and possible to April 23rd, which is the date of William Shakespeare’s death, and the approximate date of his birth. Senior girls and some staff and parents would be invited to a party in the School. There, Shakespearean songs were sung, his poetry recited, and scenes from his plays were acted. Sometimes a competition was held to see who could recognise the largest number of quotations. In other years all the attendees would dress as Shakespearean characters. In a nod to a minor character from ‘A Midsummer Night’s Dream’, Senior teacher Miss Dorothy Derham famously came disguised as a lion one time, and no one knew who it was until she dramatically removed her mask at the end of the evening. Whatever the programme, the Night always drew to a close with a delicious supper that included a spectacular birthday cake especially in honour of the Bard. (Accompanying it may have been the ‘ale’ of Miss Daniell’s description, though of course it was presumably of the ginger rather than the alcoholic variety.) The evening was complete when ‘God Save the King’ and ‘Auld Lang Syne’ were sung. Shakespeare Night was held almost without interruption from 1915 to at least the mid 1950s. Only in 1919, with the threat of Spanish Flu, did the Night get cancelled. Later, fear of Japanese invasion in the Second World War years, and the consequent black-out restrictions, turned the ‘Night’ into an afternoon event. Thankfully, Miss Daniell notes, "from 1944 the programmes could be given as usual", though as we now know, it was a School tradition that eventually faded away. The record's significance is also supported by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection.Navy leather hardcover bound book with gold detailing on front cover and spine. 1,164 pages.Front Cover: R / RECTE ET FIDE LITER / RUYTON / Spine: SHAKESPEARE'S / COMPLETE / WORKS / OXFORD / Inside Cover: R / RECTE ET FIDE LITER / RUYTON / PRIZE / AWARDED TO / Helen Cole / FOR / Latin / VB / H. Daniell. / 9th Dec. 1949 / Katie Alsop Memorial Prize /ruyton girls' school, school, students, prize, speech night, poetry, lord tennyson, queen victoria, senior school, high school, ruyton, old ruytonians' association -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2010
'Whose Ethics?':Codifying and enacting ethics in research settings Bringing ethics up to date? A review of the AIATSIS ethical guidelines Michael Davis (Independent Academic) A revision of the AIATSIS Guidelines for Ethical Research in Indigenous Studies was carried out during 2009-10. The purpose of the revision was to bring the Guidelines up to date in light of a range of critical developments that have occurred in Indigenous rights, research and knowledge management since the previous version of the Guidelines was released in 2000. In this paper I present an outline of these developments, and briefly discuss the review process. I argue that the review, and the developments that it responded to, have highlighted that ethical research needs to be thought about more as a type of behaviour and practice between engaged participants, and less as an institutionalised, document-focused and prescriptive approach. The arrogance of ethnography: Managing anthropological research knowledge Sarah Holcombe (ANU) The ethnographic method is a core feature of anthropological practice. This locally intensive research enables insight into local praxis and culturally relative practices that would otherwise not be possible. Indeed, empathetic engagement is only possible in this close and intimate encounter. However, this paper argues that this method can also provide the practitioner with a false sense of his or her own knowing and expertise and, indeed, with arrogance. And the boundaries between the anthropologist as knowledge sink - cultural translator and interpreter - and the knowledge of the local knowledge owners can become opaque. Globalisation and the knowledge ?commons?, exemplified by Google, also highlight the increasing complexities in this area of the governance and ownership of knowledge. Our stronghold of working in remote areas and/or with marginalised groups places us at the forefront of negotiating the multiple new technological knowledge spaces that are opening up in the form of Indigenous websites and knowledge centres in these areas. Anthropology is not immune from the increasing awareness of the limitations and risks of the intellectual property regime for protecting or managing Indigenous knowledge. The relevance of the Declaration on the Rights of Indigenous Peoples in opening up a ?rights-based? discourse, especially in the area of knowledge ownership, brings these issues to the fore. For anthropology to remain relevant, we have to engage locally with these global discourses. This paper begins to traverse some of this ground. Protocols: Devices for translating moralities, controlling knowledge and defining actors in Indigenous research, and critical ethical reflection Margaret Raven (Institute for Sustainability and Technology Policy (ISTP), Murdoch University) Protocols are devices that act to assist with ethical research behaviour in Indigenous research contexts. Protocols also attempt to play a mediating role in the power and control inherent in research. While the development of bureaucratically derived protocols is on the increase, critiques and review of protocols have been undertaken in an ad hoc manner and in the absence of an overarching ethical framework or standard. Additionally, actors implicated in research networks are seldom theorised. This paper sketches out a typology of research characters and the different moral positioning that each of them plays in the research game. It argues that by understanding the ways actors enact research protocols we are better able to understand what protocols are, and how they seek to build ethical research practices. Ethics and research: Dilemmas raised in managing research collections of Aboriginal and Torres Strait Islander materials Grace Koch (AIATSIS) This paper examines some of the ethical dilemmas for the proper management of research collections of Indigenous cultural materials, concentrating upon the use of such material for Native Title purposes. It refers directly to a number of points in the draft of the revised AIATSIS Guidelines for Ethical Research in Indigenous Studies and draws upon both actual and hypothetical examples of issues that may arise when requests are made for Indigenous material. Specific concerns about ethical practices in collecting data and the subsequent control of access to both the data itself and to published works based upon it are raised within the context of several types of collections, including those held by AIATSIS and by Native Title Representative Bodies. Ethics or social justice? Heritage and the politics of recognition Laurajane Smith (ANU) Nancy Fraser?s model of the politics of recognition is used to examine how ethical practices are interconnected with wider struggles for recognition and social justice. This paper focuses on the concept of 'heritage' and the way it is often uncritically linked to 'identity' to illustrate how expert knowledge can become implicated in struggles for recognition. The consequences of this for ethical practice and for rethinking the role of expertise, professional discourses and disciplinary identity are discussed. The ethics of teaching from country Michael Christie (CDU), with the assistance of Yi?iya Guyula, Kathy Gotha and Dh�?gal Gurruwiwi The 'Teaching from Country' program provided the opportunity and the funding for Yol?u (north-east Arnhem Land Aboriginal) knowledge authorities to participate actively in the academic teaching of their languages and cultures from their remote homeland centres using new digital technologies. As two knowledge systems and their practices came to work together, so too did two divergent epistemologies and metaphysics, and challenges to our understandings of our ethical behaviour. This paper uses an examination of the philosophical and pedagogical work of the Yol?u Elders and their students to reflect upon ethical teaching and research in postcolonial knowledge practices. Closing the gaps in and through Indigenous health research: Guidelines, processes and practices Pat Dudgeon (UWA), Kerrie Kelly (Australian Indigenous Psychologists Association) and Roz Walker (UWA) Research in Aboriginal contexts remains a vexed issue given the ongoing inequities and injustices in Indigenous health. It is widely accepted that good research providing a sound evidence base is critical to closing the gap in Aboriginal health and wellbeing outcomes. However, key contemporary research issues still remain regarding how that research is prioritised, carried out, disseminated and translated so that Aboriginal people are the main beneficiaries of the research in every sense. It is widely acknowledged that, historically, research on Indigenous groups by non-Indigenous researchers has benefited the careers and reputations of researchers, often with little benefit and considerably more harm for Indigenous peoples in Australia and internationally. This paper argues that genuine collaborative and equal partnerships in Indigenous health research are critical to enable Aboriginal and Torres Islander people to determine the solutions to close the gap on many contemporary health issues. It suggests that greater recognition of research methodologies, such as community participatory action research, is necessary to ensure that Aboriginal people have control of, or significant input into, determining the Indigenous health research agenda at all levels. This can occur at a national level, such as through the National Health and Medical Research Council (NHMRC) Road Map on Indigenous research priorities (RAWG 2002), and at a local level through the development of structural mechanisms and processes, including research ethics committees? research protocols to hold researchers accountable to the NHMRC ethical guidelines and values which recognise Indigenous culture in all aspects of research. Researching on Ngarrindjeri Ruwe/Ruwar: Methodologies for positive transformation Steve Hemming (Flinders University) , Daryle Rigney (Flinders University) and Shaun Berg (Berg Lawyers) Ngarrindjeri engagement with cultural and natural resource management over the past decade provides a useful case study for examining the relationship between research, colonialism and improved Indigenous wellbeing. The Ngarrindjeri nation is located in south-eastern Australia, a ?white? space framed by Aboriginalist myths of cultural extinction recycled through burgeoning heritage, Native Title, natural resource management ?industries?. Research is a central element of this network of intrusive interests and colonising practices. Government management regimes such as natural resource management draw upon the research and business sectors to form complex alliances to access funds to support their research, monitoring, policy development, management and on-ground works programs. We argue that understanding the political and ethical location of research in this contemporary management landscape is crucial to any assessment of the potential positive contribution of research to 'Bridging the Gap' or improving Indigenous wellbeing. Recognition that research conducted on Ngarrindjeri Ruwe/Ruwar (country/body/spirit) has impacts on Ngarrindjeri and that Ngarrindjeri have a right and responsibility to care for their lands and waters are important platforms for any just or ethical research. Ngarrindjeri have linked these rights and responsibilities to long-term community development focused on Ngarrindjeri capacity building and shifts in Ngarrindjeri power in programs designed to research and manage Ngarrindjeri Ruwe/Ruwar. Research agreements that protect Ngarrindjeri interests, including cultural knowledge and intellectual property, are crucial elements in these shifts in power. A preliminary review of ethics resources, with particular focus on those available online from Indigenous organisations in WA, NT and Qld Sarah Holcombe (ANU) and Natalia Gould (La Trobe University) In light of a growing interest in Indigenous knowledge, this preliminary review maps the forms and contents of some existing resources and processes currently available and under development in the Northern Territory, Queensland and Western Australia, along with those enacted through several cross-jurisdictional initiatives. A significant majority of ethics resources have been developed in response to a growing interest in the application of Indigenous knowledge in land and natural resource management. The aim of these resources is to ?manage? (i.e. protect and maintain) Indigenous knowledge by ensuring ethical engagement with the knowledge holders. Case studies are drawn on from each jurisdiction to illustrate both the diversity and commonality in the approach to managing this intercultural engagement. Such resources include protocols, guidelines, memorandums of understanding, research agreements and strategic plans. In conducting this review we encourage greater awareness of the range of approaches in practice and under development today, while emphasising that systematic, localised processes for establishing these mechanisms is of fundamental importance to ensuring equitable collaboration. Likewise, making available a range of ethics tools and resources also enables the sharing of the local and regional initiatives in this very dynamic area of Indigenous knowledge rights.b&w photographs, colour photographsngarrindjeri, ethics, ethnography, indigenous research, social justice, indigenous health -
Great Stupa of Universal Compassion
Container - Ornamental Teapot Inlaid with lapis, coral and turquoise
Teapot used to make butter tea which is the national beverage. It is ideal in the extreme climatic and geographical conditions of the Tibetan plateau due to its high butter content. Although butter tea is the most popular tea, black tea is also popular. Ornamental Teapot Inlaid with lapis, coral and turquoise everyday life, silver, gemstones -
Sunshine and District Historical Society Incorporated
Photograph (1950), The Migrant Ship HELLENIC PRINCE, Copy 27/01/2014 - (Original Post Card circa 1950)
In 1949 the HELLENIC PRINCE with its 3 hospitals, 2 cinemas, and air conditioned accommodation was chartered by the International Refugee Organisation to transport displaced persons from Europe to Australia. Its first trip was to Sydney where it arrived with 1000 passengers on 5 December 1949. On the third trip it left Naples on 23 March 1950, and arrived in Fremantle on 20 April 1950, and in Melbourne on 25 April 1950. The men and women were separated for the voyage with my father sleeping on a hammock in a large room with other men, while my mother, my brother, and I had bunks in a shared cabin. On board were displaced persons ex Bagnoli Camp Italy, some of whom later built their bungalows on the grassy and rocky paddocks near Sunshine Victoria, and began to establish a new life in a new country. A few of the families that arrived on the third trip and purchased land in the Dunkeld Ave - Sandford Ave area of North Sunshine (Birmingham Estate) were Janczak, Kolanowicz, Mroz, Pawlak, Rasztabiga, Skrobalak, Szydlowski, Witkowski, and Zielinski. Some friends settled elsewhere in Sunshine. The family Tabaka went to West Sunshine just over the Derby Rd Bridge, while the family Wojcik went to Ardeer. The ship first started service in 1929 for the Royal Australian Navy as the HMAS ALBATROSS. It had a standard displacement of 4,800 tons and was 443 feet 7 inches (135.2 metres) long, and its top speed during trials reached 22 knots (41 km/hr). It was built at Cockatoo Island Dockyard as Australia's first Aircraft Carrier (seaplanes), but the aircraft that it was designed for were retired just before the ship went into service. A new plane specifically designed to work with the Albatross began operations after the ship was decommissioned in 1933, and placed into reserve in Sydney Harbour. Seaplanes continued to operate from the anchored ship. (Click on the Link 'HMAS Albatross (1)' situated above the Object Registration number to view pictures of the HMAS Albatross on the Navy web site). In 1938 the ship was recommissioned and transferred to the Royal Navy as part payment for the light cruiser Hobart. The ship then did military service for the Royal Navy during World War 2. It did patrol and escort duties in the southern Atlantic, and from mid 1942 in the Indian Ocean. By early 1944 the ship was converted so that it could repair landing craft and other support vessels off Sword and Juno beaches. The ship managed to return 132 craft into service and to save 79 others from total loss. On 11 August 1944 Albatross was torpedoed with the loss of either 50 or 66 personnel, but was able to be towed back to Portsmouth. After repairs she did a short service as a minesweeper depot ship, and following that was placed into reserve on 3 August 1945. In August 1946 the ship was sold for commercial use but the plans to convert it into a luxury liner or a floating cabaret fell through. The ship was again sold on 14 November 1948 to the British-Greek Yannoulatos Group, who renamed it HELLENIC PRINCE in recognition of the birth of Prince Charles and his Greek heritage. After conversion into a passenger ship the Hellenic Prince made several trips to Australia transporting displaced persons, however apparently not all trips were pleasant for the passengers. In the on board newsletter 'Kangaroo' dated 5 January 1951, the ship's master P. C. King expressed his indignation about the behaviour of passengers and made accusations of mutiny. According to some immigrants the conditions were appalling and overcrowded with 1200 passengers. Passengers were supposedly required to work and were paid with Woodbine cigarettes. The drinking water ran out, the freezer broke down, and fresh food that was brought on board went to the crew. Sea sickness was rife because the ship was rarely level due to malfunctioning pumps. (The newsletter 'Kangaroo' can be viewed at the Museum Victoria web site by clicking the Link 'Newsletter - Kangaroo'). In 1953 during the Mau Mau uprising the Hellenic Prince was used to transport troops to Kenya, and in 1954 the ship came to an end in a scrap yard at Hong Kong. THE ABOVE INFORMATION WAS COMPILED FROM; (1) http://en.wikipedia.org/wiki/HMAS_Albatross_(1928) (accessed 11/2/2013), (2) An article by Graeme Andrews found at http://www.afloat.com.au/afloat-magazine/2011/july-2011/The_boat_people_of_the _forties_and_fifties#.UuYY6ou4apo (accessed 27/1/14), (3) http://museumvictoria.com.au/collections/items/273166/newsletter-kangaroo-hellenic-prince-5-jan-1951 (accessed 27/1/14), (4) National Archive search starting at; www.naa.gov.au/collection/search/index.aspx (accessed 27/1/14), (5) http://www.flickr.com/photos/41311545@N05/3864781978 (accessed 29/1/14). Hellenic Prince has a significance to Sunshine Victoria because some of the displaced people from Europe, who arrived in Melbourne on Anzac Day 1950, were among the first people to settle in the grassy and rocky paddock areas of North Sunshine. These settlers established a residential suburban area out of the paddocks. In those early days there were no services and the planned roads were basically just drawings on a map. The ship is also significant because it was named in recognition of the birth of Prince Charles. In the ship's former life as the HMAS Albatross the significance is that it was built in Australia as our country's first Aircraft Carrier (seaplanes).New photograph made from a scanned copy of a circa 1950 Post Card featuring the ship on calm water.Hellenic Prince / Hong Konghellenic prince, migrant ship, displaced persons, refugees, international refugee organisation, bagnoli camp, hmas albatross, yannoulatos group -
Duldig Studio museum + sculpture garden
Sculpture, Karl Duldig, Moses by Karl Duldig 1956 (Bronze Cast 1979), 1956 / 1979
This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. The terracotta sculpture won the 1956 Victorian Sculptor of the Year award, an honor given by the Victorian Society of Sculptors. The National Gallery of Victoria purchased the original terracotta sculpture for the Gallery’s collection in 1956. In 1979 the NGV allowed Karl to cast the original terracotta sculpture in bronze (to a limited edition of 5). The National Gallery of Victoria holds one of these casts and one is in Duldig Studio collection. The original terracotta sculpture was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall at the University of Melbourne. Two other works by Karl were also exhibited, a sandstone titled 'Adam and Eve' and a work titled 'Fountain'. The catalogue for the Olympic exhibition, which promoted modernism across a variety of disciplines, noted that Australia’s post war immigration program had given ‘further momentum to the modernist cause’. The identification of émigré artists, such as Karl Duldig, with the acceptance of modernism in Australia became a major theme in any discussion of art and design in the post war period. Ann Carew 2016The subject Moses and the tablets of law is an important theme in the history of art. For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie (1991), prints by the Russian-French modernist artist, Marc Chagall (1956), and a painting by 19th century British academic painter, John Rogers Herbert (1870s). Michelangelo’s sculpture of Moses is perhaps the most famous sculptural interpretation of the subject. In Karl’s hands we have a modern interpretation of the theme. His simplification and abstraction of form and attention to surface modeling is masterly. The figure has an emotional intensity and despite its relatively small scale, a ‘forceful monumentality’. The sculpture is aesthetically significant for its craftsmanship, expressive qualities and modernity. It is historically significant because of its associations with the 1956 Olympic Arts Festival. The Duldig Studio’s bronze cast of the sculpture was exhibited in the exhibition '1956: Melbourne, modernity and the XVI Olympiad, Museum of Modern Art at Heide.' Apart from the formal qualities of a work like Moses, its relevance as a motif in Judaism and Christian faiths ensures its place as a work of spiritual significance. Ann Carew 2016Bronze cast from terracotta sculpture. Depicts Moses as in Exodus 32 when he returns from Sinai with the tablets of the law to find his people worshipping the golden calf, in his fury he holds the tablets aloft above his head before crashing them down on the ground. -
Peterborough History Group
Book, Port Campbell National Park and Bay of Islands Coastal Park Draft Management Plan September 1997, 1997
Information re planning for Park released for public comment in 1997.Contributes information on the history and development of the Bay of Islands Coastal ParkGovernment published 81 page + maps book.peterborough 3270, bay of islands coastal park, parks victoria - peterborough, bay of islands -
Peterborough History Group
Booklet - Spencer Scott Sandilands gallery catalogue No 11, The Schomberg Galop (sheet music), Catalogue c 1980. Original sheet music written c 1855
Item number 17 in the catalogue is a reference to sheet music, a tune dedicated to Mrs Charles Schomberg. The original copy is located in the Australian National Maritime Museum.Although the original piece of sheet music is in the Australian National Maritime Museum, the catalogue makes reference to the unique sheet music and to Mrs Charles Schomberg. Of general interest.Catalogue of artworks with reference to a piece of illustrated sheet music The Schombergschomberg, charles schomberg, let her go to hell....., shipwrecks, shipwreck coast