Kamilaroi artist Reko Rennie’s vision is an inclusive environment where people can sit and peacefully reflect on, mourn and acknowledge the deep trauma of the past, as well as connect with the ongoing strength and resilience of the Aboriginal community and support the process of healing. 'Remember Me' symbolises community resilience, identity and family. Positioned in a ceremonial ring, the seating and spears create a circle of gathering and remembrance within the park. In a contemporary and historical sense, the spear is an emblematic statement about struggle and adversity, and it is also an expression of identity and connection to land and culture.The 'Stolen Generations Marker, Remember Me', reflects the community’s wish to create a permanent tribute to the Stolen Generations and their families; a place of reflection and respectful commemoration. Integral to this is the surrounding garden with plants local to the area that have been re-introduced into the setting. Sited at the historically important Meeting Place in the heart of Aboriginal Fitzroy, the artwork honours not only the story of this place, but of all Aboriginal people who were taken away. This project was guided by the Stolen Generations Marker Steering Group and realised by Yarra City Council in partnership with the Victorian Government. Most importantly, it has received widespread grassroots community support. It was officially launched on the 20th anniversary of National Sorry Day (26 May 2018), which acknowledges the impact of the policies spanning more than 150 years of forcible removal of Aboriginal and Torres Strait Islander children from their families. On 26 May 1997 the landmark 'Bringing Them Home' report was tabled in Federal Parliament. The report was the result of a national inquiry that investigated the forced removal of Indigenous children from their families. This was a pivotal moment for many Stolen Generations. It was the first time the stories of forced removal were formally acknowledged by the Government and a recognition that these actions were inhumane. The impacts have been lifelong and intergenerational. A collection of bronze spears and a coolamon with accompanying seating, lighting and landscaping positioned in a ceremonial ring.stolen generations, fitzroy

Signature Joseph A Scovell was a Beechworth Builder 1907Object removed from Stanley Athenaeum internal front swinging doors when Greg Owen from Period Restorations worked on the Athenaeum building. Weatherboards had been nailed over the window spaces at the top of the doors, this had then been covered with painted masonite board.Wooden weatherboard painted on one side, rough out on the reverseSignature in pencil Joseph A Scovell 1907

Signature Joseph A Scovell was a Beechworth Builder 1907Object removed from Stanley Athenaeum internal front swinging doors when Greg Owen from Period Restorations worked on the Athenaeum building. Weatherboards had been nailed over the window spaces at the top of the doors, this had then been covered with painted masonite board.Wooden weatherboard painted on one side, rough out on the reverseSignature in pencil Joseph A Scovell 1907

The Galen Dome was constructed during the 2019 school year. It is centrally situated between the College's main building and the Senior School buildings. The dome has been used for multiple purposes, including as a sports venue, a wet weather area and also as venue for major school events. galen catholic college, galen college, dome, school grounds & buildings, events, event space, 2019

Conflict in Indochina provides the first comprehensive account of Vietnam's struggle for independence, from the mythological origins of its people to then end of the Second Indochina war.vietnamese conflict , 1961-1975 - textbooks, indochina

The war billed on the marguee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their timevietnam war, 1961-1975 - personal narratives, american

The war billed on the marquee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their time.vietnam war, 1961-1975 - personal narratives, american

The war billed on the marguee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their time vietnam war, 1961-1975 - personal narratives, american