From Athol Ferguson - great grandson of Henry William Paul (1838-1911).Cylindrical ebony ruler - 12 inch, Concentric grooves on each end.rulers, measures

Harcourt Methodist Church was instrumental in forming the Harcourt Carpet Bowls Association with many members common to both organisations. This commenced about 1948 and is still in existence in 2017. The bowls were used at some church social evenings in addition to being used in the Harcourt Carpet Bowls competition. Mr. William A. Carr was the prime mover in this activity. Reminds us of the rise of post-World War II community organisations to fill the social gap left by the winding up of wartime patriotic associations. Box wooden containing a set of 12 coloured china carpet bowls -

For many years Legacy had a "Back to Caulfield Race Day" for Legatees, widows and their families. 1995 was the 50th anniversary of the end of World War 2 and the race day was part of the "Australia Remembers" commemorations. Also a Legacy 'Lone Pine' was planted. The article in the Answer says: "Over 800 members of the Legacy family (past and present) reunite at the "Australia Remembers" Back to Caulfield Commemorative Race Day held on August 12th. It was a special day which incorporated a wide range of activities, including a display of military vehicles, a flyover, a parachute jump by the Red Berets, military bands, and displays of memorabilia when the racecourse was used as an army camp. An official ceremony also included the presentation of a Legacy 'Lone Pine' (a descendant of the Gallipoli 'Lone Pine') by the President of the Melbourne Legacy, Legatee David Millie, which was very warmly received by the Chairman of the V.A.T.C., Mr Peter Lawrence. Official guest was the Premier of Victoria Jeff Kennett Photos include groups of Legacy Widows and dependents enjoying the day. Onename tag is legible - Kate Brettoner. See also photos at 01003 and 01091 and 01092.Legacy retains a tie with Caulfield racecourse as it was once an army camp and staging post of young men going overseas to war and now it is the site of a lone pine. The annual gathering at Caulfield racecourse was an event that gets the Legacy family together.Colour photo x 12 of an event at Caulfield racecourse, and an article in The Answer.Printed on the back film number 783, 786, 787, various frame numbers.answer, events

A special luncheon was held for World War 1 widows as a lead up to "Legacy Week". Legatees dressed up as moustached waiters to add a bit of humour to the day. Due to its success it was held for a number of years. In 1994 the author Patsy Adam-Smith was a personality of the year helping to promote Legacy. She attended the lunch and in one photo is with Legatee Eddie Jowett and widow Mollie Thiele (red jacket). Legatee Eddie Jowett led the Legatees in singing to the widows. There was also a pianist and a female singer attending. Two legatees reading a song sheet are George Standish and Maurie Lockwood. Legatee Lucky Luscombe can be seen in a false moustache posing for the camera. Also a photo of the hard work being done in the kitchen. Audrey the kitchen lady is obscured at far right. It appears to be Joan Miller with her back to the camera, and Sue Sargent (a widow who helped a lot in the kitchens) is on the right hand side. Other ladies names in the photos are not known. The following year more Legatees followed Lucky's lead and wore false moustaches to provide entertainment. The WWI group would meet on the 2nd Thursday of each month at 11 at Legacy House for many years until their numbers dwindled.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo x 12 of a World War 1 widows lunch.widows, function

1 sheet of contact prints x 12, of buildings. Unknown location.place, building, residential

Booklet or pamphlet - titled "Comeng Z3 Tram" detailing the design, features, construction and equipment on Comeng tramcars including the monometer on each bogie, braking, interior seating, control systems, technical information. Equipment by AEG-Telefunken. Has photos of 117 and 120 in service and 119 on front cover. Book c1980, first car into service 116 in Sept. 1979, 120 late December 1979. Yields information about the Comeng built Z3 trams used in Melbourne.Booklet or pamphlet - 12 A4 pages + card cover, full colour.trams, tramways, z3 class, comeng, new trams, aeg

Booklet issued for the use by drivers on the then new Bourke St tram line, which commenced on Sunday 26/6/1955. Provides a long list of Do Nots, typical of the time. Gives information to crews about the new trams, their quiet running, and their handling. Has a few "Always" at the rear of the booklet.Demonstrates an information document produced by the MMTB for drivers of the new Bourke Street routes.Booklet - 12 pages printed on light fawn paper, centre stapled.trams, tramways, bourke st, new trams, new tramways, opening, instructions

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Lady Brooks inspecting Brownies with Mrs S. W. Davie, San Remo Guides and Margot Walton 1/12/1962 at the opening of the new Warley Hospital.local history, photography, photographs, new warley hospital opening, coloured photograph, new warley hospital, lady brooks, mrs s w davis, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Lady Brooks holding baby Adam John Wagner with mother Mrs Kevin Wagner holding Trophies. 1/12/1962 . Opening of the New Warley Hospitallocal history, photography, photographs, new warley hospital opening, black & white photograph, new warley hospital, lady brooks, wagners, john jenner, bryant west

Yields information about the appearance of Victoria St at King St loop and tram No. 40Agfa colour slide, white cardboard mount, photo by Keith Caldwell on 12/3/1962 of: Tram 40 at the King St loop in Victoria St, inbound with the destination of Gardens via Sturt St WestIn ink "Vic St 12.3.62"tramways, trams, victoria st, king st, tram 40

Has a strong association with a number of well known tram enthusiasts, some of whom were involved in the BTM later on.Black and white photograph of an all night tour group - Flinders St, 3AM, 17-12-1966, group standing in front of 980 showing Special. Written on the back of a railway circular are the names and position on the photograph.See Key associations for hand written names and position. trams, tramways, tours, flinders st, special trams, tram 980

News paper clipping from The Age, 21/12/1974, titled "Snowy on the Trams", a poem by Leon Slade, about route 9 trams, St Georges Road, San Francisco cable cars and people.trams, tramways, poem, people and places, route 9, st georges road, san francisco

This collection of photographs shows various scenes around Warrnambool and district such as street scapes, the Ozone Coffee Palace, Botanic Gardens, Beach scenes, Hopkins River and Proudfoots on the Hopkins. Valentines snapshots were done of many place world wide, and packaged in a convenient size to be posted.These cards have an historic and artistic significance and also provide the opportunity to be used in an interpretive way. Small, pale green, card folder with 24 photographs, 12 are gloss finish and 12 matt finish. The gloss photos have titles printed on reverse and matt cards have handwritten style titles.On folder: Valentine’s snapshots. Printed in Great Britain.warrnambool, valentine postcards, lava street, koroit street, liebig street, proudfoots, warrnambool botanic gardens, warrnambool beach

Large colour photo of all Wangaratta Secondary College 1997 year 12 students, with a black board in front reading WANGARATTA SECONDARY COLLEGE YEAR 12 1997. Mounted on black painted wood.

Large colour photo of all Wangaratta Secondary College 1996 year 12 students, with a black board in front reading WANGARATTA SECONDARY COLLEGE YEAR 12 1996. Mounted on black painted wood.

Large colour photo of all Wangaratta Secondary College 1991 year 12 students, with a black board in front reading WANGARATTA SECONDARY COLLEGE YEAR 12 1991. Mounted on black painted wood.

This set of small photographs was produced by the Rose Stenograph Co. c1913 to be included in photograph albums. The area known as South Sassafras, was opened up for settlement in 1893 and the name was changed to Kallista in 1925.A small, paper envelope containing 12 photographs of Sassafras that are reproductions of Rose Series postcards. There are 10 different photographs, 32a and 32c have doubles.Envelope : BEAUTY SPOTS in AUSTRALIA 12 Real Photographs For Your Snapshot Album Published by the Rose Stenograph Co. Rear 17 Auburn Grove, Armadale, Vic 3.E.3 SASSAFRAS, VICTORIA Photograph 32a - THE ROSE SERIES P. 905 CLEMATIS AVENUE, SHERBROOKE, VIC. Photograph 32b - THE ROSE SERIES P. 1603 THE CASCADES, SASSAFRAS, VIC. Photograph 32c - THE ROSE SERIES P. 204 PANORAMA AT SASSAFRAS, VIC. Photograph 32d - THE ROSE SERIES P. 4046 MAIN ROAD, SASSAFRAS, VIC. Photograph 32e - THE ROSE SERIES P. 1502 SASSAFRAS CREEK, SASSAFRAS, VIC. Photograph 32f - THE ROSE SERIES P. 1501 TOURIST TRACK, SASSAFRAS, VIC. Photograph 32g - THE ROSE SERIES P. 4244 TOURIST TRACK, SOUTH SASSAFRAS, VIC. Photograph 32h - THE ROSE SERIES P. 2725 CLEMATIS AVENUE, SHERBROOKE, VIC. Photograph 32i - MAIN ROAD, SASSAFRAS, VIC. Photograph 32j - THE OLINDA - SASSAFRAS ROAD, VIC. rose series, rose series, sassafras, sherbrooke, sassafras creek

Yields information about the reallocation of trams between Ballarat and Bendigo and scrapping of trams., Yields information about the reallocation of trams between Ballarat and Bendigo and scrapping of trams.Memorandum on Electricity Supply Department letterhead, foolscap paper typed, from Engineer and Manager (Melbourne) to Manager Ballarat Branch, dated 12/8/1960, advising of the proposed rolling stock re allocation between Bendigo and Ballarat. Scrapping of Bendigo 15, 12, 13 and 16. Transfer one Maximum Traction bogie tram to Ballarat and two single truckers to Bendigo. Gives the revised establishment - Ballarat - 10 bogies, 15 single truckers and Bendigo - bogies 10, five single truckers, 4 Birneys. "Copy for "Depot Foreman" type in using red ink.trams, tramways, maximum traction, ballarat, bendigo, tramcars, birney

(''A tracing of Bendigo's urban development in the 19th century'') - a 9 paged Research Project; Australian History; T.O.P. Year 12 General Studies; author - Val Pendlebury; 12/9/1980. Reference to: Henry Carey Bennett; Howards Coaches; Camp Street; Auction Street; Captain Andrew Clarke; Theatre Royal; William Larritt; Municipal Council; Bendigo Water Works Company; Big Hill reservoir; Vahland. Bibliography.Val Pendleburybendigo, history, 19th century bendigo, henry carey bennett, howards coaches, camp street, austion street, theatre royal, municipal council, bendigo water works. big hill reservior, vahland. william larritt.

Colour photograph of Ballarat No. 12 entering the Martin Ave loop in Wendouree Parade, taken from the front of another tram. Photo a bit out of focus and has glass reflections from the other tramcar. No. 12 has destination of Mt. Pleasant and has a Twin Lakes advertising sign on the front of the tramcar. Small portion of Lake Wendouree visible in photo. Photo on Agfa Paper and taken on Friday 14 August 1971.Stamps with faded green ink: "Photo by Chris Jeffrey / Number" with number "104PC/11" in blue ink and date stamp "Friday 14 August 1971" also in faded green ink.wendouree parade, martin ave., tram 12

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MILLS / DISPENSARY / MARCUSE 83 / YACKANDANDAH Reverse: Y 12 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program, yackandandah

Photograph. Two coloured photographs from Bendigo Branch RHSV, Christmas Luncheon, 3/12/1989 held at the Capitol Theatre. Mounted on light blue foolscap card and Caption.photograph, person, christmas luncheon at capitol theatre

Masked Owls are an Australian barn owl species ranging across most of mainland Australia and Tasmania, generally within 300 km of coastline. Masked Owls are a medium sized bird averaging 390-500mm in length with wing spans up to 1250mm. There are several subspecies across Australia and the Tasmanian Masked Owl is the largest. Female Masked Owls are markedly larger than males. Masked Owls prefer forested, woodland, or timbered waterway habitats to open country, and nest in tall trees with suitable hollows and adjacent areas for foraging. They are territorial and hunt small mammals, rodents, rabbits, reptiles and small marsupials. Population numbers are in decline on the mainland and in Victoria the species is considered threatened. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Masked Owl specimen is medium sized with a large head and distinctive heart-shaped facial markings. The plumage is mostly brown, patterned with flecks and patches of white, chestnut and light grey. The tail is short and largely concealed by long wing feathers. The face, feathered tarsi and underparts are much paler in contrast to the dorsal plumage, and the facial mask is edged by a distinct dark brown line. The eyes are large and yellow. This specimen stands on a wooden perch pedestal with identification tags attached to its leg. 12. / Delicate Owl / See Catalogue, page, 3 /taxidermy, taxidermy mount, masked owl, burke museum, australian museum, owls, birds of prey, heart-shaped faced owl, nocturnal birds, predator birds, barn owl, carnivore, tyto novaehollandiae, australian masked owl, tytonidae, tyto, territorial owl, threatened species, animalia, australian owls, tasmanian masked owl