Document. Exercise book - blue lined pages Battery & Mine. Records of Stock of Central Nell Gwynne Gold Mining Company. Dated 17/2/1950.McColl, Rankin & Stanistreetorganization, business, central nell gwynne, mccoll, rankin & stanistreet, central nell gwynne, gold mining, records of stock

Photo of No. 17 in Wendouree Parade (east side of Lake) showing 'View Point'. Looking across lake foreshore, at rear of tram. Tram not yet fitted with dash canopy lights, but small white stripe has been painted as has the tiger stripes on the bumper and the roof of the tram. Has ads for 'The Age' and 'Bourne Liquid Plastics'. Car number positioned under headlight. Slide going red, Taken on 23-1-61.'SEC Ballarat, No. 17 Wendouree Parade, View Point Line, 23-1-61' in blue ink and 'W.Jack' in purple ink stamp.tramways, trams, view point, wendouree parade, dash canopy lights, tram 17

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2018. This report in A5 format.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.55 page booklet, colour cover with logo and colour photos of golf club members. annual reports, financial reports

Yields information Bridge Street and the buildings at the junction with Main and Victoria St / Stones corner. Tram parked for some particular reason - see 3807.1 to .3 for a similar set of photographs. Shows shops and cars.Black and White photograph, No. 17 at Stone Corner, intersection of Bridge and Main Streets Ballarat. Parked just past the junction points - reason unknown, see also Reg Item 3802, 3807.1 to 3807.3 - for other photographs of the tram at the same location. Photo late 1950's or early 1960. In the background a Ricksha Paints (pronounced Rickshaw), Allen's Verna Cake Shop, Junction Shoes. Roddas, ANZ and the English Scottish Bank of Australia buildings in the view. Also the signal for incoming trams from Main St, on the post with the tram stop. tramways, trams, bridge st, signals, stones corner, tram 17

Document from unknown author. Sections include: Constitutional history, population growth including ABS data 1943- 1978, notes on the European history of Eltham - about your Council - schools - list of historical buildings. Copy also held at Yarra Plenty Regional Library (Eltham Library). Possibly produced as a resource for students. Also includes single page headed Heritage Week 1983, rural townships, page 3 with refernece to key buildings in Eltham township.30 pages, typed textHG Booklet 17harry gilham collection, pioneers of eltham, population, shire of eltham

Aluminium honeycombe - internal of helicopter rotor blades (such as Iroquois/Huey)17 depressions or dentsairplanes - design and construction

navy and white horizontal stripes; long-sleeved;Number 17 on back

Colour slide in a mount. Mitchell building on the left with Sir Walter Hughes statue in centre, University of Adelaide, North Terrace, Adelaide, South Australia, 1882. (Architects: William McMinn of Woods & McMinn.)Made in Australia / 17slide, robin boyd

'The Mixture'. Belonged to Dianne Browne's mother. Dianne was school Secretary at Ringwood Heights 1970s - 1990s.Clear glass bottle with screw top (no top) with directions for use of 'Mixture'.|Label - Mitcham Pharmacy R&D Wellington 704 Whitehorse Road Mitcham15M - 17 (on base)medicine, bottle

Agfa plastic mount (blue base, white cover) of a photograph of No. 33 at City terminus, on the south side outbound. Tram is in the process of being fitted with dash canopy lights and tiger strips. Tram has destination of Grey St. Sebastopol and a SEC Briquettes advertisement on the front dash panel. Has a crewman with back to camera. Photo taken early 1961. Has Commonwealth Bank and Mutual Life building in the background. Slide rescanned at 3200 dpi 24-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 17" in penciltramways, trams, city terminus, sturt st, tram 33

Agfa plastic mount (blue base, white cover) with a photo of Bendigo 30 at Pinder's Loop, Carpenter St. Quarry Hill. Tram has the destination of Eaglehawk ."BES 17" in penciltramways, trams, bendigo, quarry hill, pinders loop, tram 30

Nyuwara Tapaya (5 August 1971-c2005) Born Ernabella, South Australia Pitjantjatjara speaker Nyuwara Tapaya had distinguished career in print media and textiles (batik). She trained at Ernabella Arts and studied dye technique in Indonesia. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition lithograph print. If you can provide information on this artist or artwork please use the comment box below.Edition 11/17art, artwork, nyuwara tapaya, printmaking, ernabella

Framed six block linocut showing two men cutting wood. Donated through the Australian Gifts Programme by Katherine Littlewood.Edition 17/50kenneth jack, printmaking, linocut, woodcutters, timber

A computer mouse pad depicting scenes, soldiers and symbols of Vietnam in 1960. top left hand corner is the badge of the Veterans and bottom left hand corner is the ribbon with Vietnam 1960.cerberus collection, mouse pad, vietnam veterans association of australia

Document. Norman Penrose collection: cream list with red border on the front. Lists a number of Buvelot oils, watercolours and pencil drawings at the Bendigo Art Gallery 1960.Bendigo Art Gallerygovernment, local, bendigo art gallery, norman penrose collection, buvelot collection, bendigo art gallery

Agfa Colour slide, cardboard mount, by Keith Caldwell dated 11 March 1960, of X2 675 at the Point Ormond Terminus. Has the destination of Point Ormond.hand stamped "12 Mar '60"trams, tramways, point ormond, x2 class, tram 675

Blazer used at VFTA events, by tour members.Demonstrates a sports VFTA blazer in 1960 and has a close association with the Mr K Bryne. Blazer, medium size made from wool, cotton lined, by David Lack Pty Ltd Melbourne, large embroidered front pocket with VFTA logo, 1960.Made in Australia, with typed name "Mr K Bryne" and number "6256"uniforms, vfta, football, sports

Hardcover w/ Dust JacketInserted invoice from "Hatchards Printed Matter" in London, dated 06/10/82walsh st library

QMC opening & lifeboat display.1987 OpeningNewspaper clipping re Opening of QMC 1987Reverse " Lewis Ferrier / official opening 1987-03-06 | copyright Geelong Advertiser "lifeboat 'queenscliffe', qmc opening

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: (illegible) / BEECHWORTH Reverse: BEECHWORTH / MARCUSE BEECHWORTH NOSTALGIA BW-06 / B10 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Copy of a black and white photograph mounted on board.Girls Choir 1960? High Tidewilliamstown high school, 1960s, girls choir, choir, music