Found on a wood heap near the tractor shed. Only the top portion remains. The former fixture is the tapered top section of the wooden flagpole that formerly stood at the front of the head keepers quarters. There is a hole with attached metal pulley near the top which allowed for hoisting the flags to signal passing ships. Signal flags were hoisted on the flagpole and were used to communicate with passing shipping. Messages were then relayed by the overland telegraph line to Eden. Remains of black paint provide evidence of the blackout measures implemented during World War 11. The pole is currently fixed to a stand to allow for its display.The pole remnant has second level significance for its historic value and provenance.Top sction of a flagpole. At the top it is tapered and fashioned into a square section. Near the top of the pole is a hole with a metal pulley inside. There is black and white paint flaking off leaving bare wood.

Two square leather bound photo holders with gold mounts. Contain a photo of a man in one frame and photo of a woman in the other on one side. Other side of frame patterned velvet. frames, photograph frames

This photo is part of the Fred Griffith Photographic Collection documenting his time with the Australian Alpine Club and the formation of the Albury Ski Club. Frederick Charles “Fred” Griffith was born in Albury, NSW on 2 March 1910. Educated in Albury and Geelong Grammar. Beginning in 1927 he spent many years working first as a jackeroo and on a range of prominent pastoral and merino stud properties in NSW and Queensland. In 1935 he repurchased his former family property “Toonallook", Bowna, NSW and developed it to be the largest Romney Marsh stud in the world, exporting rams to Argentina. He introduced many innovative practices on his property including rabbit control measures and aerial crop dusting. He was an active member of the Albury Show Society and in 1949 established the Albury Sheep Show. Fred was also the Albury representative on the Graziers’ Association Council for over 30 years. He became a life member of both the Albury and Commercial Clubs. Fred’s greatest hobby was snow skiing. His first visit to the snow was to Kosciusko in 1919. The Albury Ski Club was formed in 1935 and Fred was an inaugural member. In 1949 they were granted a site at Falls Creek to build their own lodge. Fred guaranteed the Club for finance from the Bank of NSW. The first portion of the prefabricated building was constructed in Albury. It was transported to Falls Creek on the back of Fred’s truck and erected in one day. This was the bathroom section and the rest was completed in 1950. The original lodge was burned down in 1952 and a new one built the following year. In 1955, Fred also built the Bowna Lodge for his family in partnership with David Fairbairn. He became head of the North Eastern District Skiing Association (N.E.D.S.A.) and successfully applied to run the Australian Ski Championships. Fred also inaugurated children’s races at Falls Creek and ran them for about 20 years. He also formed the company “Falls Creek Ski Tows”. In 1956 Fred along with a group of key people selected the site for Thredbo Village. Fred and his brother sold Toonallook in sections between 1951 and 1974. He moved to Albury and set up as a landscape gardener and fencing contractor. After a serious work accident, Fred retired in 1985 and moved to Rosebud, Victoria where he died on 19 August 1992. This image is from the Fred Griffith Collection which documents early development of Falls Creek.Black and white square photograph of three men working on a tall wooden structure with a central tall pole. Trees and sky in the background, with grass in front and a wooden building structure at right of image. Stamped - SUPER / G & D . SERVICE Pencil - 61bogong, falls creek, snow, snowfields

BHS CollectionPart of a map of the Bendigo Gold Field - Golden Square. Geological Survey of Victoria. Shown are reefs, faults and anticlines. Many of the mines are shown on the map. Gullies, hills and streets are also shown.bendigo, history, long gully history group, the long gully history group - bendigo gold field - golden square geological survey of victoria, north bendigo state school reserve, hospital reserve, benevolent asylum reserve, empire hill, richmond hill, raes hill, south end hill, victoria hill, new chum hill, iron bark hill, redan hill, view hill, hustlers hill, camp hill

The Country Women's Association of Victoria was established to support and promote the interests of women and children living in rural areas.Square ticket made from yellow cardboard. Ticket is for the Country Women's Association Choral & Drama Festival 1990. A date stamp of 10 October 1990 on the front. Printed with C.W.A FESTIVAL.10 OCT 1990 / C.W.A / FESTIVALcountry women's association, cwa, festival, women's history, women

A booklet with a black cardboard cover with a gold coloured Australian Military Forces Insignia at the top. In a square with a white edge are the details of the event. Tho booklet is held together with two metal staples.battle of coral-balmoral, australian vietnam forces national memorial

This pamphlet outlines the particulars of the System of Merit Badges referred to in Section 10 of the Constitution. The pamphlet explains the MGC Rays' merit badge system. There were four badges: Devotional, Educational, Service and Physical. The Merit badges were a round metal disc which was attached to a 2.5 inch square of royal blue ribbon with a pin attached. The four badges, forming a square were worn on the regalia above the sign of office. E3094.1 and E3094.2 - White bi-fold paper with blue text with the Methodist Girls' Comradeship badge on the front.methodist girls' comradeship rays' section, merit badges, methodist girls' comardeship, rays' merit badges

This pamphlet has the Particulars of the System of Merit Badges referred to in Section 8A of the Constitution. The pamphlet explains the MGC Rays' merit badge system. There were four badges: Devotional, Educational, Service and Physical. The Merit badges were a round metal disc which was attached to a 2.5 inch square of royal blue ribbon with a pin attached. The four badges, forming a square were worn on the regalia above the sign of office. White bi-fold paper with blue text.methodist girls' comradeship rays' section, merit badges, methodist girls' comardeship, rays' merit badges

This set of nine photographs was taken at an Army Survey Regiment Australian Rules Football social game at Golden Square Football Oval, Victoria in 1995. It is possible the game was between Product Construction Squadron and Data Acquisition Squadron, as it is apparent there are a mixture of Officers, WOs SGTs, CPLs and SPRs in each of the two teams. It is unlikely it was against another unit as it seems the CO LTCOL Duncan Burns and his counterpart are involved in the coin toss, and neither was wearing football boots. This set of nine photographs was taken at an Army Survey Regiment Australian Rules Football social game at Golden Square Football Oval, Victoria in 1995. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour. 1995. All players unidentified. .2) - Photo, colour. 1995. L to R: Doug Willis, others unidentified. .3) - Photo, colour. 1995. L to R: unidentified (x2), Dough Willis, Rod Skidmore (yellow guernsey) .4) - Photo, colour. 1995. L to R: Bob Thrower, Rod Skidmore (yellow guernsey) others unidentified. .5) - Photo, colour. 1995. Greg Byers (Umpire) .6) - Photo, colour. 1995. L to R: Jim Ash (background), Rhys De Laine. .7) - Photo, colour. 1995. Jim Ash. .8) - Photo, colour. 1995. L to R: Rod Skidmore, Anthony Chamberlayne, unidentified (x3), Greg Byers (umpire), unidentified (x2), LTCOL Duncan Burns, unidentified, Rohan Hill, Bob Thrower, Doug Willis, Jim Ash, Mark Bird. .9) - Photo, colour. 1995. L to R: Jim Ash, Bob Thrower, Derek Percival, unidentified..1P to .9P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Medicine-style bottle , square profile, "M.BALFE" pressed into front of bottle. AGM monogram on the base. Contained Balfe black and colors for straw hatsClear glass bottle, pressed inscription, stopper top.Pressed on front: "M.BALFE"glass bottles, medicine bottles, straw hats

Jack Rodda's Service Station was located at Eclipse Ford's present location in Albert Street, Sebastopol. In the background is Garage Square Post Office box.jack rodda, kath mcwilliam, sebastopol, commerical, post, service station, albert street

The tennis courts in the photograph were located in Evans Street in Sunbury on the site of the present day Shopping Square complex. They were used by the townspeople in the 1920s. The various sporting clubs generated much community spirit in Sunbury.A black and white copy of an old photograph of a lady and man sitting under a sun umbrella on a tennis referee's seat at a tennis court. Some people in the baCKGROUND ARE PLAYING TENNIS.tennis, tennis courts.

This is a standard issue, Australian Army Kit bag (referred to as a "Sausage Bag". It is made out of canvas, colour brown. It has numerous brass eyelets around the opening. Inside is a flap of similar canvas sewn to one side.On the base in white paint VX123648. The surname "Stevens" is blotted out by a 12 cm Square shipping label. It is partially destroyed. Surname Stevens . Inscriptions - on side in ink is name and NR. V59635 CPL Stevens N.C.ww2, army, kit bag

A depiction of the MS Nella Dan an active primary vessel built in 1961 by the Aarlborg Shipyard PTY Ltd, and regularly chartered by the Australian National Antarctic Research Expeditions (ANARE) in the 20th C. The ship ran aground in December 1987 and unable to be salvaged, had to be scuttled in deep water off Macquarie Island. See link above, this record. The ship was named after Nel Law wife of the Director of the Antarctic Division, DR Phil Law. "Ib Odfeldt (b. 1944) is a self-taught painter and sculptor spending many years inspired by and interest in ships and marine art whilst working as an engineer in the Danish Merchant Navy. His paintings demonstrate a keen eye for technical accuracy and skill. The balance and setting of his works have attracted interest in many commissions by lovers of marine and shipping works. In 2002 Ib was awarded the Southern Ocean Maritime Art Prize and this acquisition of the Nella Dan is presented in the foyer of the Tasmanian Maritime Museum in Hobart." (The ASMA 2019 National Exhibition - Maritime Museum of Tasmania catalogue). According to the Artist, the painting was part of an exhibition he held at "Melbourne maritime museum " (Polly Woodside) to celebrate ANARE (ARTIC SHOW). He donated two paintings of the Nella Dan. This painting was sold to Mr. Jensen when the museum couldn't accomodate the paintings due to a lack of space. Mr Jensen may have donated to the Mission. Ib Odfledt has also entered the Maritime Art Prize several times. (2012)Maritime ArtFramed , oil on board painting depicting a red hulled , single funnel ship cutting through sea iceArtist signature at lwr right corner PAINTED.: IB ODFELDT 95 At the back: Square loose label: 3076 Leonard Joel Bottom corner on the frame in Pencil: POW 2894 (National Trust accession number)nella dan, anare, antarctica, icebreakers, explorations, merchant vessels, artwork, maritime art, ib odfeldt, artwork-paintings, australian national antarctic research expeditions (anare), hobbies, asma, australian society of maritime artists

A brown wooden award depicting two hands holding a square, whilst another hand holds a small piece of the square. The words 'VALA Award' are located in the right-hand base corner of the image. On one of the awards is inscribed '1976 Association For The Blind' on the upper side of the relief image. This award was presented by the Victorian Automation in Libraries Association for the Vision Hotline that was developed by the Association, which allowed people with visual impairments to obtain information and advice.2 wooden shields with engraved bronze coloured relief1986 Association for the Blind (engraved at the top of b/c 1010698)association for the blind, awards

John Parkes avoids technology. This work expects the viewer to understand the importance of the hand and time… The blanket and the apron were gifted by friends in Germany. The apron was worn by Helen in her studio practice as a jeweller. The blanket was a find in the cellar of their Munich apartment. The red moleskin cloth was an OP shop find and originally a eucalyptic green. This cloth was discharged and overdyed. Cloth will often sit around the house, unattended, until ideas germinate. Is “Art” about “Art” or about the “Artist”?... There is a Buddhist notion of not writing in the first person, in that the Ego is not employed. There is a Japanese tradition “Boro” in which cloth is not discarded but repaired. These three cloths are now one.Wangaratta Art Gallery Collection - Winner WCTA 2017A square handsewn textile that features a white apron that has red running stitch squares, holes, hand paint stains across with initials in blue thread sewn in the bottom right corner of the apron which is in the center of the work. A brown wool cloth that features rows of white running stitches and red embroidery patches borders the apron, which is bordered by strips of red patterned fabric that has been dyed and features lines of red running stitches.wangaratta art gallery, textile, wcta, john parkes

Square shaped Pack with padded ajustable shoulder straps and two padded crosspieces to protect wearer back. Full opening at top and bottom of pace with straps to seal shut. Webb belt connected midway up pack for connecting water bottles and misc items. two small webbings on each side at top of pack. Canvass made Army green in colour and hard/rigid square piece on part of pack up against wearers back.

Agfa plastic mount (blue base, white cover) with a photo of Bendigo No. 5 and No. 24 crossing at Myrtle St. loop. No. 5 has destination of Charing Cross and a Cohns Drinks Advertisement on front panel. No. 24 has destination of Golden Square. On the front dash panel is advertisement for Huttons Hams and a Streets Ice-cream advertisement. Note the empty roof advertisement panel on No. 24 - refer to Reg. Item 2632, which shows the tram at Golden Square."BES 21" in penciltramways, trams, bendigo, golden square, myrtle st, tram 5, tram 24

Golden Square State School collection, Bendigo Advertiser Shield for Bendigo Competitions School Choir Contest Section B Grade VIII & Under (Under 14 Years) finally won by Golden Square. Wooden shield with attached metal badges depicting winning schools, a ribbon with Bendigo Advertiser name and a central enamelled Lyre surrounded by a green laurel wreath, small ivory name plate at bottom reading Prescott & Dawe Silversmiths Bendigo.Prescott & Dawe Silversmiths Bendigotrophies & awards, public events, music

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981The furoshiki, the ubiquitous square of cloth that is used in Japan to wrap practically anything and everything to make it portable, appears here as the wrapper for boxes of dried bonito from a shop in Tokyo. There is, of course, no limit to design and colour among furoshiki, and they also vary in size, although the ones most commonly used are about three feet square. The furoshiki seen here are emblazoned with a character that has the doubly felicitous meaning of 'congratulations' and 'long life'. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981The furoshiki, the ubiquitous square of cloth that is used in Japan to wrap practically anything and everything to make it portable, appears here as the wrapper for boxes of dried bonito from a shop in Tokyo. There is, of course, no limit to design and colour among furoshiki, and they also vary in size, although the ones most commonly used are about three feet square. The furoshiki seen here are emblazoned with a character that has the doubly felicitous meaning of 'congratulations' and 'long life'. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s.A large metal rake with a wooden handle. The head 67 centimetres across two centimetres wide and one centimetre wide. attached to it are 12 square tines that are one centimetre square, tapering to half a centimetre and are five centimetres long. It has some yellow paint on it. The wooden handle is 144 centimetres long and three centimetres diameter. Two thin strips of two centimetre wide thick wire have been added. Part of the Harris Collection.harris collection, large rake

White square cardboard tube with white cardboard drawer that slides inside, red lettering to outside. Clear plastic bag with one pair of ear plugs inside, possibly another pair missing Red lettering to outside of cardboard Ear drums When not in use, replace in BOX

Slouch hat, khaki fur felt, cotton khaki coloured pugaree, brown leather chin strap with brass clip and clasp, colour patch square, green over yellow, size 56.slouch hats, kahki fur felt

228 Sqd RAF was a Sunderland Flying Boat Sqd during WW2. Item in the collection of Reginald Charles Allardice No 418557 RAAF. Refer Cat No 3627.5 for his service details.Soft card, square with round corners with printed details in dark blue relating to an upcoming RAF Gala Dance put on by 228Sqd for Mon 21st, 7.30 - 12 at the Dining Hall LLanion BarracksMain point, “By kind permission of Group Captain W.H.Hutton”dances, raf, ww2

Items re Frederick.George East VX64901. Refer 537 medals re WW1and WW11 service history also 517, 538.2..1) - .6) Shoulder Rank badges, officers, Square in shape , raised with 2 lugs for uniform attachment. .7) "Australia" Shoulder badge, curved , blackened brass, lugs on rear for uniform attachment.numismatics - badges, uniforms - army, shoulder, rank

Separate to the combined Visual Arts exhibition held at the Mt Helen Campus, the third year graphic design exhibition ran from 15 to 24 October 1996 at the ANZ Gothic Bank, Corner Collins and Queen Street, Melbourne. Exhibition opened by invitation on Tuesday 15 October 1996 at 6.00pm.Square format invitation to Graphic Design third year (graduating) exhibition in Melbourne on Tuesday 15 October 1996 at 6.00pm. Printed single colour offset print on a translucent 'vellum' style stock.university of ballarat, federation university, graphic design, mt helen campus

This fine lawn handkerchief has machine made lace trim. Although lace was being machine made from the 1600’s the design of the lace on this handkerchief is circa 1900’s. This handkerchief is a representation of fine needlework and women's fashion accessories in the late 19th and early 20th century.White fine lawn cotton handkerchief, square with machine made lace handstitched to lawn. Features two separate types of lace which are carefully cut on the edges. The design of the lace is circa 1900s.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handkerchief, lace handkerchief, woman's handkerchief, women's accessory, fine fabric craftwork