This photo is one of the oldest known photographic records of an Australian Rules football team in the Bacchus Marsh area. Australian Rules football was played in this area as early as the 1870s. An organized competition to play regular matches was formed in the early years of the twentieth century. This photo records the premiership winning team of 1912 in the match played against Melton. The match was reported in the Bacchus Marsh Express of 31 August 1912. The names of the players are not recorded on this photo, but the Express records the names of Marsh, Fairbank, Northcott, Palmer, Roy Simpson, Morris, Tom Grant, Jack Taylor, Bert Jones, Portingale (c.), Densley Bros., Wittick, Harry Grant, Leonard, Odgers, Bodycote.This item has historic and social significance as an image of one of the early sporting teams of Bacchus Marsh and district. It is a typical example of team photographs of this era. It is evidence of the transition of football from a social informal setting to an organised activity and signals the growth of importance of sport, in this case Australian Rules football, as a cultural and social activity central to the Australian ethos.A sepia photograph print mounted on mounting board, showing a group of 27 men arranged in three rows in front of a banner reading PREMIERS 1912 BMFC. Eighteen men are in football guernseys, nine in civilian clothes, three of whom are carrying towels over their shoulders. One player, very likely the captain, is holding a football. The photo is taken in an outdoor setting. On the reverse in pencil: 'Middle row - 5th from left JOHN WITTICK.'bacchus marsh football club, australian rules football

This land sales map was produced by real estate agents for an auction of part of a property near Bacchus Marsh known as the Broadlands Estate. 132 acres of irrigated land in 11 separate lots was to be auctioned on the 8th of June 1916. On the 27 May 1916, nine of the 11 eleven lots were withdrawn from sale. The reason stated was due to "road and severance difficulties", according to a notice in the Bacchus Marsh Express newspaper on 27 May, 1916, page.2. When the sale took place on 8th June the two lots were passed in but the local newspaper reported they were expected to be sold privately, see Express, 17 June, 1916, page. 2. The Broadlands Estate was owned by the Miller family whose father Henry Miller, 1809-1888, was a politician and an immensely wealthy financier in Victoria.A typical example of a land sale map of this era. The Broadlands Estate was just over 2,000 acres at its its peak size and was a significant holding of land in the Bacchus Marsh district. Paper printed land sales mapbroadlands estate bacchus marsh, land sales bacchus marsh, farms bacchus marsh, henry miller 1809-1888

The Grantbank Estate was a parcel of land close to the centre of the shopping area of Bacchus Marsh which was sub-divided and offered for sale in 58 lots on the 13th September, 1924. It comprised an area of 15 acres, being a portion of the Millbank Estate which had been in the hands of the Grant family for 75 years. The lots had frontages to Gisborne Road, Patterson, William and Sutherland Streets. This was a significant sub-division of land and represented a major expansion of residential housing in Bacchus Marsh in the early 20th century.This land sale map is a typical example of housing estate land sales advertising maps produced by real estate agents in this era. The map is significant for the detailed information it provides about when and where land was sold for new housing estates in Bacchus Marsh in the early twentieth century.Printed paper mapland sales bacchus marsh, land subdivsion bacchus marsh, housing estates land sales bacchus marsh, grant family bacchus marsh

Australian Rules football had been played in the Bacchus Marsh area from at least the 1870s. The first meeting to form a club was held in Bacchus Marsh in 1874 but it was not until the 1880s that regular matches were played in the district. In 1912 it was decided by representatives from a number of football clubs in the district to form a football association to better organize and promote the development of the game in the district. Hence by 25 May 1912 the Bacchus Marsh District Football Association was formed comprising the following clubs: Bacchus Marsh, Deer Park, Melton, Parwan, and Maddingley. This image shows the delegates from the various clubs to the newly formed association. The individual people in the image have been specifically identified but the clubs they represented have not. The unnamed umpires in the image have been identified by the honorary historian and statistician of the Australian Football League Umpires Association, David Flegg. Left, Fred Lucas (Goal Umpire), centre, Evan James (Field Umpire), and right, James Smith (Goal Umpire). The date of this image is 9th August 1913. Newspaper reports in the Bacchus Marsh Express on 9th August confirm the participation of these umpires in a Bacchus Marsh versus Melton match on this date. The match took place at Maddingley Park, which appears to be the location where the picture was taken.This item has historic and social significance as an image of one of the early sporting administrators of Bacchus Marsh and District. It is a typical example of group photographs of this era. It is evidence of the transition of football from a social informal setting to an organised activity and signals the growth of importance of sport, in this case Australian Rules football, as a cultural and social activity central to the Australian ethos. It reflects the pride local districts invested in their local sporting clubs. A sepia photograph mounted on a cardboard mat, showing a group of sixteen men arranged in three rows in a park setting. Twelve men are dressed in suits, collars and ties, a thirteenth man is wearing a uniform coat with epaulettes. Several of the men are wearing ribbons which may indicate their membership of the Association, and/or their status as delegates. In the front row, three men are crouched, two wearing white coats over their suits, and holding white flags, denoting their role as goal umpires. The middle man, the field umpire, is wearing long-sleeved top, shorts, socks and laced-up athletic shoes. On the front, under the photo, hand-written, the words: Delegates 1913. Bacchus Marsh District Football Association. Beneath the title: Top Frank Winderlich. H Connors (s deleted). G.Coburn. P. McDonald. McKenzie? Grant Morton. Edgar Smith. Mid: Roy Edwards. J.J.Barry Snr. Ross. Robert Dugdale. Cunningham. J.B. Doherty. Bottom Row. Not inscribed but have been identified as VFL accredited umpires. Left, Goal Umpire Fred Lucas, centre Field Umpire Evan James, right Goal Umpire James Smith. On the back: Hand-written: Executive members of the First Football League (formed 1912). Given by E.Kight. E. Kight Grant Street Bacchus Marsh. On a white label: Miss Gwynne Moore. australian rules football, bacchus marsh district football association

This photo is probably the oldest known photographic record of the Balliang Football Club, an Australian Rules football team in the Bacchus Marsh area. Australian Rules football was played in this area as early as the 1870s. An organized competition to play regular matches was formed in the early years of the twentieth century. This item has historic and social significance as an image of one of the early sporting teams of Bacchus Marsh and district. It is a typical example of team photographs of this era. It is evidence of the transition of football from a social informal setting to an organised activity and signals the growth of importance of sport, in this case Australian Rules football, as a cultural and social activity central to the Australian ethos.A sepia photograph print mounted on mounting board, showing a group of 20 men arranged in two rows with two men reclining in front. Fifteen men are wearing horizontally striped football guernseys, one wearing a guernsey which is vertically striped. Two men wear white guernseys with a diagonal sash, one man in the back row is dressed formally in suit, collar and tie. One man, identified as the umpire, is in a white polo-necked sweater and is holding a football. The photo is taken in a clearing in an outdoor setting. It is possible to see the figures of three women in the background, two looking on from under a tree, one walking along a footpath.Above the photo in red ink:"Balliang Football Team 1912." Beneath the photo in red ink with one alteration in blue ink the names: "J.Davie, C. Bissell, F. Dodemaide (these two names showing a reversal of position), J.Turnbull, G.Dodemaide, A. Phalp, A. Bissell, A. Cashmore, J.Sharkey. R.McArthur, J.Cashmore., W. Loats, C. Smith. Elliott (ump), B.Phalp. W.Cashmore, L. Beggs. Because the number of names given does not tally with the number of men in the photo, it is not possible to accurately ascribe a name to any individual player. Underneath the hand-written names, there is a circular professional stamp of the photographer, reading: PHOTO ARTIST BACCHUS MARSH. A.BESELERballiang football team, australian rules football

Parwan Football Club was formed in May 1912. The specific date of this photo is not given, but it is likely that it was taken between 1912 and 1914, when the football competition was suspended. This photo is one of the oldest known photographic records of an Australian Rules football team in the Bacchus Marsh area. Australian Rules football was played in this area as early as the 1870s. An organized competition to play regular matches was formed in the early years of the twentieth century. This item has historic and social significance as an image of one of the early sporting teams of Bacchus Marsh and district. It is a typical example of team photographs of this era. It is evidence of the transition of football from a social informal setting to an organised activity and signals the growth of importance of sport, in this case Australian Rules football, as a cultural and social activity central to the Australian ethos. A sepia photograph print mounted on mounting board, showing a group of 20 men arranged in three rows. Two men, standing at either end of the group, are wearing street clothes. The remaining men are wearing a uniform of striped guernseys, white knickerbockers, knee high socks and lace up boots. Two of the men are wearing front-laced guernseys. Three are wearing striped caps, which could be part of the uniform, two a flat cap and two are wearing brimmed hats. There is a consistency in the uniform they are wearing, indicating that team sport is becoming more organised.On the front, a circular professional stamp reading: PHOTO ARTIST BACCHUS MARSH. A. BESELER. On the reverse: A white paper rectangle pasted onto the board, with hand-written notations: Back - with numbers 1-10. Against no.1 Doherty. Against no. 3 Dodemaide. Middle_ numbers 1-5. Front_ numbers 1-5. Under the paper, hand-written in blue ink: PARWAN FOOTBALL CLUBaustralian rules football, parwan football club

Paperback printed book. 128 pages. with illustrations and photographs, some coloured. Includes facsimiles, maps, and index. Includes a separate folded sheet inside a pocket which has a reproduction of a map of the Parwan Parish in the County of Grant. On the reverse of this sheet are two reproductions. One is a land auction plan for February 1910 advertising the sale of portions of land from the Nerowie Estate. The other reproduction is a section of a map showing some of the blocks of land in the Nerowie Estate which has the heading, 'Nerowie Titles 1898'. A pocket inside the back cover contains a separate booklet which is an index, and two pages of 'Additional Information'.non-fictionExplores the history of the small farming community on the outskirts of Bacchus Marsh. It contains a plethora of fascinating details about the early years of this farming community from the 1830s until the early 2000s. There is a brief section at the beginning which looks at the history of the area prior to the colonial era. The book contains numerous sections about families and individual people who have lived in the Parwan area and includes many images of places and people. Citation: Parwan: A History by Dianne Van Leuvan. Published by Parwan History Group, Bacchus Marsh, Vic., 2010.parwan vic. history

An A4 sized printed book published in paperback edition. 228 pages, with black white photographs and portraits and illustrations. Includes a\subject and name indexes. BMDHS Location: AR/SU4non-fictionThis book explores the lives of 274 pioneer women of Bacchus Marsh and district. In this work the pioneer period is defined as women who were either born in the Bacchus Marsh area before 1869 or arrived there prior to 1869. The women's stories in the book are derived from the list of women pioneers of the district compiled in 1936 to commemorate the centenary of European settlement in Bacchus Marsh.Importantly this 2015 publication identifies a number of First Nations women known to have lived in the district prior to 1869 and acknowledges the fact that many thousands of women have lived in the district prior to the European colonial era. Citation: Pioneer Women of Bacchus Marsh: An Introduction to the Women of the Bacchus Marsh Pioneer Women's Avenue. [Written and compiled by the Country Women's Association Branch, Bacchus Marsh]. Published by Country Women's Association of Victoria Inc., Bacchus Marsh Branch, 2015.bacchus marsh vic. history, pioneers biographies, women pioneers bacchus marsh

A large square green paperback book about Buggies & Horse-Drawn Vehicles used for transport in Australia. The cover has a green border with a picture of a man and boy sitting in an open one horse-drawn buggy outside a house. There are many diagrams, photos and illustrations throughout. It discusses in-depth, the history, types and various aspects of these vehicles used On the front ight end paperin the early days from the 1800's-1900's. Pp.208.non-fictionThis book evokes the fascinating golden era of horse-drawn vehicles in Australia in the 1800 and 1900's. The author's practical expertise and first-hand research and a wealth of contemporary illustrations, make it an indispensable guide for both the collector and restorer. It traces the development of horse-drawn road transport from the boom period of coach building to its decline in the early decades of the 20th century.australian history, social history, horse-drawn vehicles, early road transport, coaches, buggies

Board cover with pasted on colour picture, green cloth spine. Wear to extemities, red colour scribbling to front cover. Front hinge partially detached. Discolouration & minor of pages throughout. Eight pages of coloured pictures & twenty other B&W illustrations. 148pp. Fair-good condition.fictionBedtime picture books for children between six and twelve; articles, verses, bible stories.children, religion

This is a very old photograph of the Broken Hill City Band. it was most likely taken on their visit to Ballarat where they competed in the 1906 South Street Eisteddfod. One of the other bands that competed in their section was the 'Kalgoorlie and Goldfields Infantry and Regimental Band'. The speculation being that this photo was presented to, or was supposed to be presented to the Kalgoorlie Band. The Broken Hill City Band won many prizes at South Street in the band sections and the solo sections over the years. Their modern iteration is the Barrier Industrial Unions (BIU) Brass Band.This photo shows the Broken Hill City Band when it was still relatively young. It is unknown just how many photos exist of the Broken Hill City Band from this era, however, it is very special to the banding movement. It is even more significant because of the handwritten message to the Kalgoorlie Band as it signifies a link between these two ensembles, and the similarities in the towns - both very remote and based on mining.Rectangular black and white photograph mounted on card.Top: Broken Hill City Band 1906 Bottom: with Compliments to Kalgoorlie Bandbroken hill city band, kalgoorlie and goldfields infantry and regimental band, broken hill, kalgoorlie, victoria, victorian bands' association, ballarat, royal south street society

This apron was made by Theresa Dunn (néé Wallis) of Breakaway Creek, Victoria. Born in 1912, Theresa came from a farming family and left school at the age of 14 following the death of her mother to help care for her younger siblings. Well known for her needlework, Theresa and her sister Eileen exhibited widely and later judged work for Victorian and interstate needlework competitions. Sticklers for perfection, they were known to always look at the back of the work first. In 1935 Theresa married Allan Dunn. This apron formed part of her glory box; a collection of items saved in preparation for married life. Never used, it was donated to the Ballarat Apron Festival in 2017 by Theresa’s daughter. Made by Theresa Dunn of Breakaway Creek in the 1930s, this apron reflects early-20th century ideals of thrift and resourcefulness that were highly regarded as desirable feminine traits. By making do and adapting waste materials, such as hessian sacks and fabric scraps, into practical clothing, women could demonstrate their sewing expertise and ingenuity; highly prized qualities during times of economic depression or frugalness. Part of Theresa's glory box, this apron is in immaculate condition and is an example of depression era clothing and resourcefulness. Sugar bag apron (circa 1930s) Ballarat Apron Festival collection Until the mid-20th century concepts of thrift and resourcefulness were highly regarded as desirable feminine traits. By making do and adapting waste materials, such as hessian sacks and fabric scraps, into practical clothing, women could demonstrate their sewing expertise and ingenuity; highly prized qualities during times of economic depression or frugalness. Colonial Sugar Refining Co Ltd. Pure Cane Sugar 70lbs. Melbourne 1A

p.247.non-fictionThe stories in this volumereveal for us the the Ireland of a bygone era, of a people with daily strife's and joys not experienced today.literature - ireland, storytelling - ireland

Plates, p.190.non-fictionConversations with twelve Irish female politicians of the modern era.ireland - politics - 20th century, women politicians - ireland

Index, p.355.non-fictionTerence Brown traces the development of modern Ireland through a juxtaposition of key topics - nationalism, industrialisation, religion, language revival and censorship with an assessment of the major literary and artistic advances achieved during the same era.ireland - social life and customs, ireland - politics and government

This article by journalist Bill Hitchings describes the state of the land market and cost of transporting building materials, Phillip Island, late 1960s. At that stage a number of outlying residential estates had been created, especially on Phillip Island South Coast and at Cowes West. While blocks of land on the outlier estates were very cheap and poorly serviced, the Cowes blocks were selling at $3000 per residential block. Hitchings quotes the owner of the Hollydene motel, Reg Orr, as saying that when the new bridge opens shortly he did not expect it to create a rush of visitors or residents.Bill Hitching was a well-known Melbourne journalist. This article gives an idea of land values on Phillip Island in the late 1960s, the fact that business owners were prepared to upgrade and expand their businesses to cater for extra potential demand on accommodation, and the strong identification of Phillip Island with the Phillip Island Penguin Parade in the minds of the general public in Melbourne. The significance of the new Phillip Island bridge to Phillip Islanders and visitors, and the cost of the bridge, are also outlined. Reg Orr was highly active in the business community of that era on Phillip Island. The Hollydene motel was a well-known Phillip Island accommodation venue.T-shaped article cutting with large image at top of article, dark due to poor photcopy. Double collumn text under photo clearly readable. Black and white.Sun/29/8/6 (?) Probably: Melbourne Sun newspaper, 29 August, 1969phillip island, phillip island tourism, development, hollydene motel, reg orr, phillip island penguin parade, land values, phillip island first bridge, phillip island 2nd bridge, transportation costs

Researched and Published for the 150th anniversary of permanent settlement celebrated in 1995Published to coincide with the 150th anniversary of the first permanent white settlement in the Harcourt valley.which was the occasion for community celebrations and of publication of a short history of squatting era pioneer Dr William Barker FRCS. Booklet of 8 pages in a hard cover“Dr Willam Barker and the beginnings of permanent settlement in the Harcourt Valley 1845”

Presented by W Hampson, Used & loved by Rowland Hill and skillfully weilded by him in many matches played for Harcourt cricket club. Harcourt was admitted to the Bendigo District Cricket association in 1924. Formed from a small community it was said “ everyone played cricket in Harcourt” Most of the players lived on fruit orchards, owned the status symbol of the time – a motor car- and were widely regarded as people of substance. Clearly they possessed the necessary pre-requisites for acceptance into the wider cricket community. Dates from the era when ‘gentlemen’ played cricket. Also notable for its connection with Colonel Robert Gartside, who was Killed in Action at Gallipoli on 8/05/1915Timber cricket bat with partially bound handle, split corner, many indentations and gilt letteringHarcourt CC Capt R Gartside Mr W Hampson, Best Bowling Average

A manual telephone exchange, manufactured by British Ericson, History Originally in use at Cohuna. When Cohuna was converted to automatic dialing this exchange was relocated to Harcourt, to become the third and last in a bank of three exchanges. At this time Harcourt exchange was expanded to 260 lines. It was connected to the district central exchange at Castlemaine. Operated by mains power with battery back-up. Harcourt exchange was operated by Betty McLean, Miss Mitchell, Josie Hogarth, Mr. & Mrs. Heighway, Bill & Valerie Milford, Irene Bolitho and others. Decommissioned approx. 1970. Incoming calls prompted the fall of a shutter. The operator made the connection by plugging the line into the number requested. While responding to calls the operator needed her hands free to jot down the billing particulars or to write out each telegram. Nearby stood pigeonholes with various items of stationary. Many telegrams were received each day, particularly advising fruit growers on interstate markets. Most telegrams were phoned through by the operator. This exchange was restored in 2004 - 2005 by Trevor Grant.. Many people relate to this exchange. It is a survivor of the pre-electronic era when ‘telephonist’ was a common occupation. A vital element in the communications between households and between district orchardists and their suppliers and clients.A manual telephone exchange, manufactured by British Ericson complete with operator hands-free headset/earphones and speaker mouthpiece. Wooden case with one hundred shutters and sockets. Accommodates twelve lines with extension leads with associated switches. Operated by mains power with battery back-up. Decommissioned approx. 1970. Incoming calls prompted the fall of a shutter. The operator made the connection by plugging the line into the number requested. This exchange was restored in 2004 - 2005 by Trevor Grant.

The preservation of plants and flowers for both decorative and scientific purposes dates back to ancient times. Drying and pressing flowers became a popular hobby and preservation method in Victorian England. The flower press was readily available to buy or simple and inexpensive to create. This flower press was marketed through Henry Buck Pty. Ltd. in Melbourne, Victoria. Henry Buck migrated from England and established his store in Melbourne in 1890. The business dealt primarily in menswear, but also had other domestic lines. The business, trading as Henry Bucks, still operates in Melbourne and several other locations.This item is representative of a popular hobby of the Victorian era.A flower press made from timber with metal clasps and screws. The front is decorated with a parquetry flower design. There are 2 metal strips screwed onto the timber horizontally. These are secured by wing screws which can be adjusted to hold the back and front together. They allow pressure to be adjusted depending on what item is being compressed.Label on back: Left hand side around red shape with HB in the centre "THE SIGN OF/ EXCELLENCE" On right hand side: "LONDON/ Henry Buck PTY LTD. / MELBOURNE"flower drying, victorian era hobbies, henry buck pty. ltd.

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. Wodonga Shire was created in 1876 when the colonial government agreed to ratepayers' petitions to have their part of the local government district severed from the Yackandandah Shire to form a new municipality. After meeting for 14 years in rented premises, in the Prince of Wales Hall, Wodonga Council built its first Shire Hall on the corner of High and Elgin Streets in 1890. The date on the facade of the building represents the date of the formation of the Shire.This image is significant as it documents an important building and era in the development of local government in Wodonga.Wodonga Shire office at corner of High street and Melbourne Road Built 1876 demolished 1971 . Now the location of Woolworths shopping complex. Also incorporated the Melba Theatre On facade of building: " A.D. 1876"high st wodonga, wodonga local government, shire hall wodonga

A publication of 186 pages featuring black and white photographs and an anthology of poetry.This book is an anthology of poetry written by over 80 migrants who settled in the North East of Victoria. It is a moving evocation of the migrant experience. Many of these migrants had been housed at the Bonegilla Migrant Reception and Training Centre near Wodonga which began receiving migrants in 1947, Bonegilla became the largest and longest operating reception centre in the post-war era. More than 300,000 migrants passed through its doors between 1947 and 1971. Most of these migrants came from non-English speaking European families escaping their war-torn homelands. Their world had been turned upside down. Many were confused, unsure of where they were going or what the future held for them. These poems reflect their experiences in adjusting to their new country and environment.immigrants' writings, immigrants in north east victoria, immigrants -- poetry, bonegilla migrant reception centre

A painter who studied under Frederick McCubbin, Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Her works are included in the Art Gallery of Ballarat Collection, Victoriasignificant as a work of art by modernist era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour painting of a landscape scene with large treeSigned: Glover-Fleay 32 Verso: Wind damage WIND DAMAGE Winchelsea Kildean

Maude Glover-Fleay studied under Frederick McCubbin, Glover was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupialssignificant as a work of art by a modern era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour painting of a landscape with large tree at centresigned: Glover Fleay 30 (lower right)

Maude Glover-Fleay b. 1869 was a painter who studied under Frederick McCubbin. Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Her works are inlcuded in the Art Gallery of Ballarat Collection, Victoria significant as a work of art by a modernist-era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour picture of a fallen treesigned: Glover-Fleay '30 pyrenees, maude glover-fleay

Maud Glover-Fleay b. 1869 A painter who studied under Frederick McCubbin, Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Glover-Fleay's work is included in the Ballarat Fine Art Gallery, Ballarat, Victoria significant as a work of art by a modernist-era female artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a large treeSigned: Glover-Fleay 34 (lower right) Verso: Storm Tossed TWISTED AND TORN

This image depicts the unsealed roads with potholes prevalent in the quickly developing suburbs of Black Rock and Beaumaris. In the post war era, as the suburbs of Beaumaris and Black Rock grew, the infrastructure for roads was falling behind. The unsealed roads were dusty in summer and muddy with potholes in winter. Drainage was poor and roads difficult to navigate.Black and white photograph of a man standing outside the Shell service station in Balcombe Road, possibly at Beaumaris. He is watching a utility vehicle with registration GFM033 as it drives on the unsealed road through mud and potholes.Handwritten in blue ink: 2195 Handwritten in red ink: 80%roads, infrastructure, beaumaris, black rock, balcombe road

The image shows a line of traffic travelling along South Road in response to traffic light signlas while an increasing number of cars are banking up along Nepean Highway, also in response to traffic light signals.This image provides a strong contrast to images from earlier eras of the same intersection. The amount of traffic has increased enormously as well as commercial development.Black and white photograph with an aerial view of the intersection of Nepean Highway and South Road, taken from above the Moorabbin Council Chambers.Handwritten in black ink Pic [indecipherable] / 1000 Handwritten in red ink: 150%moorabbin, traffic lights, cars, nepean highway

This little milk jug was in use when Mount Martha House was a hotel. It was offered to the Historical Collection by Rosemary Murray who found it in a box of items which her grandfather has purchased at an auction. This is the only item which has returned to the Historical Collection, it was verified by a local resident, Jean Male, who was a waitress during 1947 - 1950, who said she remembers spending her weekend cleaning the silverware. This was typical hotel ware of the era. A small silver plated milk jug with lid and handle attached. Engraved with Mount Martha House on one side. Mount Martha House (diagonal and in cursive script).hotel, silverware, tableware, milkjug, midcentury, 1940's, 1950's