Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man standing on the top of a bare hill with houses in the background. The man is dressed in a suit with knee length coat and a hat. The man is Frank Wright.Handwritten on back - Near Black Hill, Ballarat, Frank Wright. 21. Taken by Vernon Holt 5/11/22frank wright, black hill, ballarat, cornet

Hardback book, attractive blue cover with picture in gold of Far East. Title: Half Hours in the Far East The Half Hour Library - A Book of Travel, Nature and Science for Young ReadersThe Presbyterian S School Senior Class. First Prize awarded to Christie Lee, for general improvement 11/7/1909

Elaborate Silk like Fabric Year Memorabilia with a female figure in green dress with mustard coloured hat in middle:Months of the Year listed either side. Water scene in background. Words in three languages saying "Happy New Year" in red writing.Vietnam So K.D.1196 B.T.T Neay 11-9-70 in green print ; bottom right hand sidememorabilias

Donated by Margaret ScarlettGilt Medal on gilt bar & pin. Medal is of the Royal Visit to Victoria in 1954 & was presented to the children by the Government.(MEDAL) Queen Elizabeth 11 Duke of Edinburgh|E11R Royal Visit Victoria|(BAR) Presented to the Children by the Government of Victorianumismatics, medals - commemorative

Orange paper ticket for 1/- for the Melbourne and Metropolitan Tramways Board.1-11 Melb & Metropolitan--- This ticket ----- 1/- D L 801029|REVERSE Ask for Stamina --- Shall He Reap.documents, tickets

The cookies were distributed to V/Line customers in 2018 as a placatory measure during an extended period of service disruption.Workplace issues and provision of consumer services (public transportation).Cookie: white icing with colour pictorial representation of V/Line VLocity train; sealed within a cellophane wrapper.Wrapper: nutritional information; manufacturer details; ingredients; "Thank You - V/Line"; use by date - 28/11/2018.btlc, ballarat trades and labour council, ballarat trades hall, rtbu, rail, tram and bus union, v/line, public transport victoria, locomotives - vlocity trains, customer service

Colour slide in a mount. Image of “featurism”, toilet doors and planterMade in Australia / 11 / MAR 65M / Encircled 8A (Handwritten) / A03456 / 16PC (Handwritten) / B (Handwritten) / G (Handwritten)melbourne, slide

86 page A4 sized bound document - Proceedings of the Eleventh Conference of Australasian Tramway Museums, Whiteman Park, Perth W.A. 29 May to 4 June 1992. Has heavy card covers, wire bound with printed title details in blue on the front cover. Has ISSN number. Prepared by the Perth Electric Tramway Society. See item 1254 for photo of conference delegates. - notes should be on page 3. Arrived loose. See also the COTMA website for a full pdf copy of this document. Contents: Acknowledgements Participants Conference Programme keynote Address - Urban Transport: What does the past tell use about the future? Papers W class Status Report - L. Jean The place of Tram Museums in the International and Australian Tram Movement Our Cultural Heritage Management of Rolling Stock Driver Training at Bendigo Tramways "Trolley Wire" Collection Policies Occupational Health & Safety Relationships with Local Government Corrosion - Electrolysis Promotion Accreditation and Its effect on Tramway Museums in NSW Workshops COTMA - what is Needed? Membership for the Young Archives Conservation Management Review COTMA Electrical Operations Rules Visits and Tours Reports Museum Directory.Inside front cover has BTPS stamp and Mail received - 14/11/1994 and item no. "5154" in blue ink.trams, tramways, cotma, perth, proceedings, conferences

Blue book with brown corners and spine, red label on spine with the title in gold letters "Reports of sales by auction". Letter "C" on spine. C'Maine on front cover. The book contains official Crown land sales documents, the papers are glued into the book. The book contains the purchasers' names, land section, allotments and price. Cover the period from 1893 to 1905.11/1/1893 to 12/03/06 written on the spine. Land sale reports 1880 written on inside cover. land sales, crown land, auctions

Legacy have many programs to send young junior legatees on activities, camps and outings. One photo shows children and mothers watching a JL getting a present from Santa in December 2002. Another 2 photos from the same roll of film were a Legacy Leadership Group preparing food at a BBQ. It was stored with other photos of Junior Legatees from the 1980s and 1990s. A record of a Legacy providing experiences for the junior legatees.Colour photo x 3 of junior legatees at a Christmas party and a BBQ.Imprinted on the back 'Teds City 11/12/2002' and number '5, 6 and 17'. Printed on AGFA Prestige paper junior legatee outing, christmas party

6 round metal tins, some with film inside."The Australian Religious Film Society" on 3 of the tins. "A Tartan Filmstrip" on 1 tin. "Joseph Part 11" on 1 tin. film strips, photographic equipment containers

Second Edition Red leather-bound hardcover book, green band with gilt print on spine. Faded patch upper spine and back cover. 378 pp. Good condition.Front flyleaf, oval shaped stamp, '11 NOV 1969/PJL'. Stamp below, 'Clerk of Petty sessions/KILMORE'.maintenance, custody, adoption, law

This aerial photograph of South Road and Nepean Highway, Moorabbin shows the area where houses and shops on the south side of the Nepean Highway have demolished for the widening of the highway. The pressures of rapid urban development in Moorabbin and beyond, especially to the south of Moorabbin caused bottlenecks and delays, especially at the South Road and Nepean Highway intersection, hence the scheme to widen Nepean Highway.The pressures of rapid urban development in terms of people, housing construction, industrial development and commercial activity, in Moorabbin and beyond, especially to the south would put pressure on road infrastructure in the region. In the early 1980s, a major road expansion of the Nepean Highway was implemented to increase capacity on this major thoroughfare for vehicle commuters. Car use had also increased with commuters from the increasingly populous southern suburbs travelling to their place of work in the Melbourne CBD.Colour photograph of an aerial view of South Road and Nepean Highway, Moorabbin. The image shows houses on the south side of the Nepean Highway that have demolished for widening of road. It features housing and commercial buildings looking north towards Cummins Road.Handwritten blue ink: 82 - 5452 - 11 Handwritten red ink: 112% Handwritten black ink: Ch. 7nepean highway, south road, moorabbin, roads, transport, infrastructure

A letter thanking Miss Lorna Skinner for her work with the Don Esses boys. The photos appear to be an outing of young children and some ILC members or Legatees. Background: The ILC was formed in 1929. The idea of the club sprang from those boys who had outgrown the Junior Legacy Club. In the early days it fielded a lacrosse team and it was this that mainly held the members together. Enthusiasm wained after a few years as it lacked a solid objective. The answer came from one of its members and in 1938 they founded the Don Esses Club. This was a club for the children of incapacitated ex-servicemen which met every Thursday night at 7.30 run by the ILC members. The name came from the signallers' code Disabled Servicemen's Sons. During the second world war 80% of the members of the ILC enlisted in the services. Leaving only 8 members that could not join due to ill health or reserved occupations. They continued the Don Esses and whatever aid they could to Legacy. ILC members had always helped Legacy where possible including being camp leaders or camp staff, with the annual demonstrations, and coffee stalls at the ANZAC dawn service. Post second world war some ILC members were nominated into Legacy, others drifted away in civil occupations. It was found difficult to recruit new blood into the ILC and eventually membership waned when the boys from the Don Esses clubs found other youth activities to join. The ILC ceased to meet regularly in the mid fifties. However a strong comradeship still existed between members and they would meet in one anothers homes. Members were always ready to help the senior Legacy Club in any way in their power and still helped at Christmas parties and summer camps. ILC was a service rendering organisation and was self governing. Non-sectarian and non-political, the members were ex-junior legatees over 18 years of age. After serving in World War 2 members were eligible to become members of Legacy. Was in a folder of material collated about the ILC by an early archive committee. Record that the ILC had help from Lorna Skinner with the Don Esses boys classes. An example of the ILC letterhead and they used the Legacy logo with a banner saying ILC.White A4 photocopy with black type from ILC to Lorna Skinner in 1945 attached to a photocopy of two photos.Handwritten 'Box 11 Box 5, which was part of an early archive project numbering system. Signed KT Herron.ilc, junior legatee

Black and White Photograph Board of Directors EUFS 1916. Named - Top Row L-R - D.R. Fleming, B. Eyre, D.S. Owen, N. Walker, C. Tibbett; Centre - G. Meriton, W.B. Blainey, A. Kelly, W. Collier, J. Perrow; Bottom - W. K. Burnside (Dispenser), J. Trevean (Secretary), W. J. Martin (President), J. Trevena (Vice President), J. H. Meggs (Treasurer); Inset (top left) J. Spencely; Inset (top right) R. H.Trethewey. Mr. R.H. Trethewey - the father of Mr. Bob Trethewey a former MLA for Bendigo. EUFS Board 15/11/84

Newspaper clipping - titled "Shake, rattle and roll, it'll be a fine tram party", The Age 7/10/2006 about the family day to be celebrated by Yarra Trams the following day. Has a photo of a car painter painting the interior of NMETL 13. Written by Stephen Moynihan and Clay Lucas with photo cy Pat Scala. Notes the centenary of the VR Trams and NMETL.Handwritten note "Age 7 Oct. 2006 p8" and "Wed 11 Oct 2006, 100 yrs electric trams"trams, tramways, events, yarra trams, preston workshops, nmetl, centenary, 100 years of electric trams, essendon depot, vr trams

Photograph, Black and White, of a drawing of the proposed VR tramcars dated 23-6-42. Has an outline of the proposed tramcar, with colours, lettering and monogram placement. Some overall dimensions given.In ink on the rear: "Melbourne Victorian Railways Proposed design for new tramcars 1942" and KSK stamp with number 'LWR-11"trams, tramways, vr, new trams, st kilda brighton, monograms, tram 52

BHS CollectionStudio posed black and white upper body photograph of Alice Harvey dressed in black clothing. McKenzie Family Collection.Written ib pen on the back. Alice Harvey B 1868 Kapunda SA. D 30/11/1947 Bendigo eaglehawk, harvey town, alice harvey

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'WORTH NEWTOWN / OLD HOUSE / E MARCUSE Reverse: B 11/ 023 / BEECHWORTH NOSTALGIA / BW - 04 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Enlistment Form 21/01/1945 Attestation Form For Special Services 02/07/1945 3xService & casualty forms 5/07/1945- 29/11/1946 1 x Determination of Demobilization priority - 18/11/1946 Proceeding for Discharge 2/12/1946

Black and White - tram 11 in Victoria St crossing over the Eureka line bridge - former Buninyong railway line. Taken by A T Miles 26/11/1969. The tram has a Twin Lakes advert on the front. The destination has been changed for the return trip to the Gardens via Sturt St West.Yields information about services to Victoria St.Photograph - black and white print with notes on rear. A T Miles stamp and location and date notes.tramways, trams, tram 11, victoria st, eureka line, bridge, buninyong

School Guests Book, Presented to the Bendigo North Primary School Mother's on the occasion of their fiftieth Anniversary. Signed Margaret Bouch Tan vinyl cover Guest's signatures date between 19/10/84 to 14/03/07 42a Guests Book cover 42b Guests Book frontice piece dedication 42c first page of signatures begins 19/10/84 42d last page of signatures 11/11/04 - 13/03/07

Set of three colour digital images taken of the opening of Sovereign Hill Historical Park 29/11/1970 by W. J. Llewelyn. .1 - Looking across to the car park over the tents as the main Park entry building of the time. .2 - crowed on the hill looking toward the Main Street and associated buildings. .3 - view from the Poppet Mine head back northwards to the car park. Date obtained from https://en.wikipedia.org/wiki/Sovereign_Hill (accessed 11-6-2017)trams, tramways, sovereign hill, opening, civic functions

Significant in being a receipt issued by the Union to a driver showing that he paid his union dues for the following four weeks. Printed specifically for a defined period. Shows the importance attached to being a union member and the method of collecting dues, especially printing receipts for a specific date.Pink colour receipt from the Australian Tramway and Motor Omnibus Employee's Association Ballarat Branch dated 11 Jan 1968 written by R. Courtney as Collector giving membership to 8th Feb. 1968. The 8th Feb. 1968 date printed onto the receipt. The receipt date "11 Jan" and. " R. Courtney" stamped on red ink. Name of member "J. Everett" hand written on in blue ink. Office given as Tramway Office, Sturt St. Amount was 60cents.trams, tramways, receipts, atmoea, unions

Photo of SEC Ballarat trams No. 42 and 11 during a photo stop in Wendouree Parade adjacent to the 1956 Olympic rings monument during the ARHS/TMSV tours prior to closure of the Ballarat Tramway system. .1 - 42 and 11 with monument in the foreground. No. 42 has a SEC briquette roof advertisement. .2 - 42 ditto with the St Therese of the Little Flower catholic church in the background. Kodak cardboard mount slide, taken by Peter Moses 21 August 1971.On the rear of the slides in black ink .1 - "N42, N11 / Ballarat/ Hamilton Ave." and "P. Moses" in the bottom left hand corner. .2 - "Ballarat / ARHS Special Hamilton Ave" and "P. Moses" in the bottom left hand corner.tramways, trams, wendouree parade, tram tour, olympics, tram 42, tram 11

Set of 14 colour prints of the COTMA Conference non-tram events, around the depot, Ballarat Railway Station, Olympic Rings, Lake Wendouree, Ballarat East, Lydiard St. Nth, Royal Mail Hotel Sebastopol, Bungaree Railway Station site and Sovereign Hill. Photos taken by Stuart Keenan. Image taken at Sovereign Hill 19/11/2000. Others - 20 and 21/11/2000. See Reg Item 2704.1 for programme. Printed on Agfa paper.btm, cotma, bungaree, sovereign hill, ballarat railway station, lake wendouree

Sepia photograph mounted on fawn board. Bendigo Post Office, Boer War Memorial, crowd of people, horse drawn vehicles. Inscriptions: on front - printed 'GL Massingham, View Street Bendigo', on back - circular stamp 'Royal Historical Society of Victoria, Bendigo Branch'. History: James Lerk 'Unveiling of the Boer War Memorial' by J Walker, Sculpture at the corner Pall Mall and Williamson Street. Helen Mainka August 2001 'Unveiled by Brig. Gen. Gordon 11/11/1904GL Massingham, View St, Bendigoplace, streetscape, pall mall, prev. acc no. gp51

,1 - ticket printed on manila card - for the National Railway Historical Society - Philadelphia Chapter for the Melbourne Tram Tour, 11/4/1980 - number 19. .2 - Spirit duplicated timetables - handwritten Special Table" or timetable for a charter tram tour for the "National Railway Historical Society" tour of Melbourne 11/4/1980, using cars 1002, L104, W2 220, and X2 676. Three sheets on white paper. Tour from South Melbourne Depot, Malvern, Hawthorn and Kew.trams, tramways, charters, special trams, tours, tram 1002, tram 104, tram 220, tram 676

Dyeline print of Drawing R9706 version G - titled "Rolling stock data Tramcars" listing tramcars including VR tramcars. Updated to 16-11-1962, lists only X2 676, notes all other X's withdrawn 11-3-1962. Superseded drawing R6660. Lists class, tramcar numbers, type, number in service, capacity - seats and crush loading, trucks, wheel and truck centres, motors HP, Tare tons, controllers, compressors, length over bumpers.trams, tramways, tramcars, mmtb, lists