Alfred William Eustace was a well-known self-taught Australian artist who spent his spare time painting the local landscapes in the Chiltern area. When not doing his work or painting, Eustace regularly contributed letters and verse to the Chiltern newspaper "The Federal Standard". A collection of A. W Eustace's verse and other writings, written between 1845 and 1899, was presented to The Chiltern Athenaeum Trust by Cam Boadle, a grandson of A.W. Eustace, and his wife Connie. The Chiltern Athenaeum Trust created a booklet of some of his poetry which was published in 1992. Copyright for the booklet is held by Chiltern Athenaeum Museum 1992. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. A.W.Eustace was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederich of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. Alfred William Eustace made a valuable contribution to the culture of 19th century Chiltern and his booklet of Selected Verse gives us an insight into life during that time.22 page booklet of Selected Verse/ A.W. Eustace of Chiltern/ 1820-1907. Printed on thick cream paper with a copy of an oval photograph of the author.a. w. eustace, selected verse, chiltern

Dong Ho is on the Duong River in Bắc Ninh Province, Vietnam. The woodcut painting (Tranh khắc gỗ dân gian Dong Ho is a line of Vietnamese folk painting originating in Dong Ho village. The traditional themes of Dong Ho painting are good luck signs, historical figures, folk allegories, popular stories, and social commentaries. Elements of everyday life are well integrated in Dong Ho paintings to express the thoughts and wishes of people. (Wikipedia - https://en.wikipedia.org/wiki/%C4%90%C3%B4ng_H%E1%BB%93_painting, accessed 11 April 2017.) Craftsmen in Dong Ho use a special type of paper named giấy điệp. The bark of dó tree, which normally is grown in Tuyên Quang Province, is soaked in water for months, then mixed with powders of seashells (sò điệp), which is the origin of the paper's name, and glutinous rice to make sheets of paper. The s seashell and glutinous rice results in paper with an exotic sparkling hard background which is able to conserve the durability of colours. The colours are refined from natural materials which are easily found in Vietnam. For instance, the red colour is taken from red gravel in Thiên Thai Mountain, while the black comes from charcoal of burned bamboo leaves. The hand carved woodblock is applied with paint and pressed on a sheet of paper like a stamp. The process is repeated with different colours until the craftsman is satisfied with the outcome. One woodcut is for outline and several others are for each colour printed. The finished picture is covered with a layer of rice paste (hồ nếp) to strengthen the durability of its illustration and colours and afterwards dried under the sun. From beginning to end the process takes six to seven months. (Wikipedia - https://en.wikipedia.org/wiki/%C4%90%C3%B4ng_H%E1%BB%93_painting, accessed 11 April 2017.) The tradition of Đông Hồ painting dates back to the 11th century during the reign of the Lý Dynasty. Originally, Đông Hồ paintings were made with black-and-white prints of woodcuts, but from the 15th century, different colours were introduced by craftsmen in the village. As a village specialized in making woodcuts and paintings, almost all Đông Hồ villagers were involved in the manufacturing of paintings from carving the woodblocks, producing điệp papers, obtaining natural colours to creating new themes, and printing.(Wikipedia - https://en.wikipedia.org/wiki/%C4%90%C3%B4ng_H%E1%BB%93_painting, accessed 11 April 2017.) Before 1945 over 150 families in Đông Hồ village were making pictures, but the tradition has rapidly faded. Villagers can no longer make a living based on this production so only a few households in the village still make pictures, while many others have switched to producing joss paper and votive paper object.(Wikipedia - https://en.wikipedia.org/wiki/%C4%90%C3%B4ng_H%E1%BB%93_painting, accessed 11 April 2017.)Asian ArtA framed collection of work by children from Dong Ho Village, Vietnam.dong ho, vietnam, woodcut, printmaking, dong ho art, dong ho painting, dong ho village, vietnam.

Fiction - Korean War. Hard cardboard cover, black buckram, gold print on spine. Dust cover has gold / white print on front, spine & back. Black background & illustrated in colour, painting - Soldiers by Sydney Nolan 1959. 384 pages, cut, plain, beige.book, fiction, korea

MV Neptunia ship's menu for the February 1959 equator crossing. Extra historical context by the addition of ship's passengers and crew signing their names and providing contact details. Representative cruise ship paraphernalia of the period, showing the significance and tradition of celebrating a ship's crossing of the equator. Ship's restaurant menu consisting of single folded light card, with vivid watercolour painting of flowers of orange and purple on the front cover. On opening the card, printed menu selection in Spanish is on the left and is in English on the right. Guests and crew have signed randomly over and around the menu listings. menu, crossing-the-line, equator, neptunia, nick garlick

A small soft cover book with a blue/green cover,on the front cover is a painting of early Australia with Indigenous Australians hunting with spears alongside them is a European with long unkept hair and a beard dressed in animal skins,on the back cover is text by the author giving a brief outline of the book.buckley, sorrento, robinson crusoe, port phillip, van diemen's land, colonialism, 1840, convicts, indigenous tribes.

Cheese platter and cover made of China. (previously #91a,b from Mechanics Institute Eaglehawk ) Rectangular shape with fluted edges, decorated with pink and floral painting, approx. 20 x 27 x 15cm. Top slopes left to right with square shaped, dipped handle.cottage, miners

Object. (a) The Fulton Printing Outfit No 35, (Boxed). Containing stamps and interchangeable letters. Pictured on front a group of 4 children around a table. (b) Plus a handmade chest of drawers, made from matchboxes and labelled , Alpha betically. Some contain letters from painting set.Alex. H. Stone from Auntie Ina. Christmas 1915.toys, general, child's printing set and storage.

Canvas painting highly coloured and mounted on pine frame, showing five Vietnamese soldiers. Two soldiers in green uniforms manning a long range gun. Three soldiers manning another long range gun. Yellow and red writing in Vietnamese. Propaganda (North Vietnamese) on frameHanoi Self defense forces are determined to protect Hanoi Skiespainting, propaganda, north vietnamese, poster

News cuttings related to Whitehorse Council bid to purchase Frederick McCubbin's painting 'Bush Idyll' at auction. From Whitehorse Post 26 / 8 / 1998, Whitehorse Gazette 26 / 8 / 1998, The Age 19 / 8 / 1998, The Weekend Australian 15-16 / 8 / 1998.city of whitehorse, mccubbin, frederick, bush idyll (painting)

Framed water colour painting of a beach scene titled "Late Afternoon" Painted by J. Lungren Coulter. Gold wood frame with cream card window mount. The image features blue sky, wide beach, water, trees and cliffs. People at the water's edge and birds in the sky.

Poster: Reproduction of painting by LeRoy Neiman of a male figure serving. Poster signed by Marty Reissen lower centre. Framed in a white plastic frame. Has horizontal hanging wire from D-rings. Number '117' handwritten on backing. Materials: Ink, Paper, Plastic, Metaltennis

Painting: 'A Volley with Time' depicting a boy in overalls near a house surrounded by garden, hitting a ball with a racquet. Artist's signature at lower left: KEITH '77 and copyright symbol. Inscr: '93' written on back of panel in black marker. Materials: Acrylic paint/Pigment, Wood, Metaltennis

Marley SMITH A Gundijtmara woman, Marley Smith has lived in Ballarat all of her life and has strong ties with family. Marley Smith completed the Ballarat Schoo of Mines Koori Art Course in 1995. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This painting depicts the spirit of the Australian INdigenous education Conference held at the university in 2004. The central circle represents a meeting place. "It's all about ... coming together and to understand and educate one another on everyone's culture - if you have no understanding, then there's no way of learning. [Marley Smith]art, artwork, marley smith, smith, indigenous, aboriginal, alumni

Water colour painting of The Old Corporate High SCHOOL Bendigo in Rosalind Park, by Alice Hands, framed in ornate gold frame with Burgundy mount NOTE ON REAR OF FRAME -'The old Continuation School or First Bendigo High School in Rosalind Park / gift of Miss Robshaw R.H.S.V.Alice Handsdomestic equipment, ornaments, art, the old corporate high school bendigo in rosalind park alice hands -ref mp 245 / -'the old continuation school or first bendigo high school in rosalind park / miss robshaw r.h.s.v.

Contents: • Next meeting, guest speaker; Liz Pidgeon: Local History Librarian • May Meeting • The Reynolds/Prior Photograph Collection • Office Bearers 2006-7 • Walking with Henry Dendy • Subscriptions • President’s Notes • Mystery Painting • Other News The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

On 11 June 1987 The M.B. John Trade–Art building of SMB was officially opened by the Hon. John Cain, Premier of Victoria, in the presence of Morgan B. John. Programs in the building include 3 Dimensional Art, Painting & Decorating, and Engineering Trades.Coloured photograph showing Premier John Caine shaking hands with Morgan Bevan John. John Mildren is seated in a brown suit, and Cr Elizabeth Sheedy sits beside him. m.b. john, morgan bevan john, morgan b. john, m.b. john building, albert street, trade building, ballarat school of mines, buildings, john cain, liz sheedy, john mildren, visitors

On 11 June 1987 The M.B. John Trade–Art building of SMB was officially opened by the Hon. John Cain, Premier of Victoria, in the presence of Morgan B. John. Programs in the building include 3 Dimensional Art, Painting & Decorating, and Engineering Trades.Coloured photograph of John Midlren speaking to an audience inside the M.B. John Building during its opening ceremony. m.b. john, morgan bevan john, morgan b. john, m.b. john building, albert street, trade building, ballarat school of mines, john cain, john mildren

On 11 June 1987 The M.B. John Trade–Art building of SMB was officially opened by the Hon. John Cain, Premier of Victoria, in the presence of Morgan B. John. Programs in the building include 3 Dimensional Art, Painting & Decorating, and Engineering Trades.Coloured photograph of the official party at the opening of the Ballarat School of Mines M.B. John Building during its opening ceremony. John Mildren is in a brown suite, and Morgan B. John is second from the right.m.b. john, morgan bevan john, morgan b. john, m.b. john building, albert street, trade building, ballarat school of mines, john cain, john mildren

Reproduction of a painting titled "Collins Street Melbourne Vic" by Ingrid Richardson, 1981, looking west from near Russell St along Collins St Melbourne. Two W class trams are in the view, including the MLD building, and the Town Hall.Has a close association with the artist Ingrid Richardson.Illustration full colour, plain back.tramways, trams, collins st, art works

Portrait of Alexina Duncan (nee Butcher) who was the wife of David Duncan, the first treasurer of the Port Phillip Farmers' Society in 1848. The Port Phillip Farmers' Society eventually became Melbourne Royal. The painting is part of a pair with a portrait of David Duncan.Oil Portrait In Heavy Elaborate Gilt Timber FrameON BRASS PLATE - PRESENTED FOR ALEXINA DUNCAN BUTCHER BY HER FAMILY THE ORIGINAL AUSTRALIAN ANCESTORS ALEXINA DUNCAN WIFE OF DAVID DUNCANrasv, duncan, alexina duncan, treasurer, port phillip farmers' society

'Document Pathway' was commissioned for the entrance of the new Administration Building at Mount Helen. The University of Ballarat was renamed Federation University Australia on 01 January 2014. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.In 1993 Iain Reid wrote: "Document Pathway" Celebrating the presence of the University of Ballarat. The composition based on the proportions of a document. The document serves as a vehicle transmitting knowledge. Boarders of the document contain a structured pathway. It is solid in its base and growing aspiring to new levels and understanding. Marks on teh painting reflect an interest in Chaos theory. Through research random order is understood via measured knowledge. Surrounding the inner document lays the resource. A world to explore and enhance through knowledge. The surface of the painting investigates the aerial landscape placing the University of Ballarat within a physical location. The geometric structure demonstrating a peopled landscape where ideas create form. art, artwork, iain reid

The Heidelberg School Artists Trail was established in about 1999 with about 52 signs across four local governemnt areas including Nillumbik and Banyule. This one located in Wingrove Park Eltham pays tribute to Walter Withers and his painting "The Silent Guns"Roll of 35mm colour negative film, 7 stripsAgfa HDC 200 plus-2eltham, heidelberg artists' trail, wingrove park trail, walter withers, the silent gums

A view of Greensborough township 1889, painted from the corner of St Helena Road and Diamond Creek Roads. This copy has been cropped from the original to show lower Main Street and Marble hall. The original of this painting is owned by Greensborough Primary School.From the John Mackey collection. this item was displayed at the offices of Ryan, Mackey and Kelly, solicitors, Main Street Greensborough.Small timber-framed photograph of road and houses, sepia.greensborough, main street greensborough, marble hall greensborough, arthur elliott, john mackey

Original drawing was Indian ink on paper by Alfred George Reynolds (1906-1996) who was Vicar of St Lukes Vermont from 1947-1952. Alfred George Reynolds was a noted Australian artist in the mediums of oil painting, etching and pen and ink drawing.Black and white cutting from a newspaper of St. Lukes Anglican Church, VermontA G Reynoldsst. lukes anglican church, vermont

Print of a painting inspired by the original drawing done by Adam Stephan c1890. A double story sandstone building with a bay window sits behind a metal fence. On the road, driver waits with his horse and buggy as a man and woman stand in the open door to the building. 1 art print in grey/gold frameartwork, sydney industrial blind institution