Details of the Middleton family of Briar Hill from their arrival in Australia from England in 1923/24. Lists the children of Jesse Middleton and Florence Clark.2 typed pages.middleton family jesse middleton, briar hill

"Lark Force" defended Rabaul made up of anti-aircraft, anti-tank and artillery batteries. Medical and supply units with 24 Squadron RAAF.Historical.Wooden plaque with metal emblem.2/22 Battalion Lark Force over Service Patch with Rabaul below. Service Number V X 37033 belonging to Pte. A.B.Bishop.

Note by T.H. Kneen 24 June1992, "Plant Research Institute was the home of the Biology Branch of the Department Of Agriculture (and not under the control of the Principal.) Early thirties."Sepia photograph. Plant Research Instituteplant research institute, biology branch, department of agriculture

The photograph shows the procedure for releasing the drum brakes on PCC tram 980 and where the brace (spanner) is located on the tram. Dated 24/8/1960.Demonstrates the methodology of releasing the drum brakes on a PCC car.Photograph - black and whiteHas MMTB stamp on rear and number P25/1/248 in ink.trams, tram 980, brakes, pcc class, tramways, mmtb, st. louis b3

Photo of unit of L.R.O.C. in WW1and separate photo of two soldiers stranding around an artillery piece with other guns in background during WW1..1) Photo of 24 Australian soldiers posed in 4 rows on steps in front of an unidentified building with identification of unit on a sign. 2.) Photo of two Australian soldiers standing around an artillery gun with a camp and other guns in background.Sign in photo - "HQ 3rd Australian L.R.O.C."lroc, ww1, photos

Wooden shield shape with brown varnish finish front & back. Red square emblem in centre front featuring a crown at top, crossed swords & kangaroo in centre. 24 Unit badges are placed on front around red emblem.passchendaele barracks trust, badges, unit

Item belonged to Arthur George Holley No 13556 RAN who served on HMAS Australia for a time pre WW11. Refer 2134 for service history also 2135.3, 2137, 2147. Album, leather covers, 2 brass eyelets and cord holding it together. Cover is greenish with the word Photographs in an oval shape at the top. Contains 24 pages, only one photo on 1st page re an Island and palm scene. On front cover written " A Holley-Seaman-Torpedoman-HMAS Australia"photography, albums

Agenda for Meeting and Order of Meeting - Bendigo Gas Company. Half-yearly Ordinary Meeting of Shareholders. 24/2/1921. Business items; Director's Report; Financial Statements. H Johns, Sec. J B Young, Chairman.organization, business, bendigo gas company

Document. Royal Princess Theatre Programme. Programme of Special entertainment presented at the Royal Princess Theatre Bendigo for the benefit of the Bendigo Easter Fair, Friday April 24 1914. Blue print on cream paper. Printed by Cambridge Press.person, individual, gertrude perry, gertrude perry collection, the royal princess theatre bendigo, bendigo easter fair, cambridge press

envelope addressed to Mrs. L. M. Prout - 24 quick Street, Bendigo from the National Trustees, Executors and Agency. The envelope has a date stamp 07/09/1961 and a 5 pence plus a 3 pence stamps.document

Comet Hill Primary School PSS 4920 Bound correspondence, d ocuments from 8 August 1967 to 13 February 1990 Includes 25th Anniversary 1965 - 1990, celebrations March 24-25 1990 invitation

Long case clock in painted wooden case. Timber moulding to top. Gold coloured dial with Arabic numerals. Black (1-24) metal. No makers name on dial. Brass pendulum on wooden hanger with 3 brass weights.longcased clock

Bishop - Rev. Walter Rolley and Ministrel - Ken Rogers.Methodist Order of Knights and Methodist Girls' Comradeship combined church parade at Spring Road Uniting Church Malvern on Sunday 24 September 1995 order of service. Blue paper with black text and the MOK and MGC symbols on the front.Handwritten on the back: "Ken Evans 68 Royal Av SPRINGVALE 3171"methodist order of knights, methodist girls' comradeship, rev w rolley, k rogers

Drawing - Quarto blue print, British Thomson Houston Pty Ltd, Drawing No. XD13398, Dimensions of MR4EE Circuit Breaker, Cat No. C5708 - dated 24 May 1912. Similar to the type used on Ballarat single truck trams.drawings, british thomson houston, circuit breakers, electrical equipment

Strathfieldsaye Group for 'Mirridong' Home and Hospital for the Blind 60/40 Old Time Ball Programme. Ball held on Friday 30th Nov. Inside is the names of 24 dances. On the back is a star with Star of the Ball Sash written across it.entertainment, dance, ball, peter ellis collection, mirridong home and hospital for the blind, strathfieldsaye group

Diggers & Mining. The gold licence. The Government Camp. Mt. Alexander Escort arriving at Treasury in William Street, Melbourne. On presenting their receipts at the Treasury, diggers received their gold. Markings: 24 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Set of three photographs showing BTM operations.Yields information about tram operations by the Museum.Set of three colour prints: 1 - Begonia Festival Gardens Loop - 28 and 671 - possibly 2007 2 - Trams 671 and 33 at the depot - - possibly 2007 3 - tram 18 in Wendouree Parade - 24-4-1994ballarat, trams, tramcars, tramways, btm, wendouree parade, depot, begonia festival

Yields information about the operation of the electric Battery tram in Ballarat in 1888, prepared from notes by H.P. James.A letter/archive note prepared by Mr. L. Denmead of the SEC to the TMSV - 2 pages in 1964, about the battery tram trials in Ballarat, noting work of H.P. James of 24/10/1938. Handwritten and copied with a spirit duplicator.trams, tramways, ballarat, battery trams, duncan fraser

Two copies of French family magazine, 'La Mode Illustree',dating from 1903. Issue: No. 15, 12 April 1903; and, No.24, 14 June 1903. Issues feature tennis fashions. Materials: Paper, Ink, Stringtennis

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Waterfall scene near the Buchan River’ : Views of Victoria (General Series), No.39 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Buchan River is a tributary of the great Snowy River, which extends itself from Port Ricardo, on the Gipps Land coast, to considerably beyond Mt. Kosciusko, in New South Wales. It is comparatively but a stream, but, like most of the smaller rivers in Victoria, it contains some beautiful scenery, peculiar to itself. Our present illustration is characteristic of its scenery, and is taken from a creek close to the River.’nicholas caire (1837-1918), buchan river, landscape photography - victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Aboriginal Natives of Victoria hop gathering’ : Views of Victoria (General Series) No.50 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The growth of Hops has of late years occupied the attention of farmers in most of the colonies, and with the most encouraging results. It has been introduced with considerable success on most of the Aboriginal Stations in Victoria. Our illustration represents a group of natives gathering Hops on the Station at Bairnsdale, in Gipps Land.’nicholas caire (1837-1918), bairnsdale, aborigines, landscape photography, first peoples, aboriginal and torres straight islander

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Crystal Brook, in the Cape Otway Ranges’ : Views of Victoria (General Series) No.53 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: 'The subject of the present illustration was discovered by one of our operators exploring the Cape in search of scenery. It is situated about four miles from the coast, and is surrounded by dense foliage on the one side, and rocky boulders on the other. This spot being unknown to the settlers, the title we have given to it is highly suggestive of such a romantic and secluded spot.'nicholas caire (1837-1918), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.'Sylvan Dell, near Loutitt Bay’ : Views of Victoria (General Series) No.54 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Sylvan Dell is one of the favourite resorts for visitors who are in search of the romantic. The peculiarly slender and upright foliage which is seen near the foreground is that of the myrtle tree. Dogwood, brush, staghorn, ferns, and wattle make up the background. Considerable difficulty is experienced in reaching the Dell, in consequence of the precipitous hills and dense scrub which surround it.’nicholas caire (1837-1918), lorne (vic), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Straus’ Falls, Cape Otway Ranges’ : Views of Victoria (General Series) No.55 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘These Falls were discovered some time since by a gentleman named Straus, and were so named in memory of him. They comprise a succession of falls, rapids, and cataracts varying from 10 feet to 60 feet, making a total of 250 feet from the fall to the bed of the stream. These waters probably form a tributary to one of the adjacent rivers.’nicholas caire (1837-1918), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Mount St. George, Addis Bay’ : Views of Victoria (General Series) No.56 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Addis Bay is situated to the north-east of Appollo Bay, and very near Cape Patten. This mountain is 6,000 feet high, and commands one of the finest views on the Cape Otway Ranges. The ascent is a somewhat difficult one, but visitors to this locality not unfrequently make this a favourite outing.’nicholas caire (1837-1918), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Cumberland Creek, near Point Sturt’ : Views of Victoria (General Series) No.59 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Cumberland Creek is so named from the close resemblance it bears to the place bearing that name in the mother country. The present illustration represents the precipices and hills which surround the Cumberland Creek. The soil around the hills is mostly sandstone rubble, hence the only vegetation identical with the spot is the inevitable sword grass and salt scrub, which frequently exist where no other vegetation can be found.’nicholas caire (1837-1918), landscape photography