Black and white photograph of the SECV Wendouree Parade depot with tram 30 and another single trucker sitting outside the building - a worker with a bicycle is hiding the number. Note the SECV Electricity Supply Department plaque on the brick wall at the front of the depot. Tram 30 is in the 1930s colour scheme - photo late 1930s or early 1940s. Photographer unknown.Yields information about the SEC Depot late 1930sBlack and white photograph on plain paper.trams, tramways, depot, secv, tram 30

This is a book of 384 pages plus 30 pages containing information on other books for sale. The cover is red with gold printing and a gold image of a Royal Palace. The pages contain printed text and black and white illustrations.non-fictionA biography of Queen Victoria queen victoria, her life and reign

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frames Also 30 x 25 cm black and white print of this image frameeltham north, scenic crescent, progress road, road construction

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frames Also 30 x 25 cm black and white print of this image frameeltham north, progress road, road construction

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frames Also 30 x 25 cm black and white print of this image frameeltham north, progress road, road construction

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frames Also 30 x 25 cm black and white print of this image frameeltham north, progress road, road construction, ryans road

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frames Also 30 x 25 cm black and white print of this image frameeltham north, progress road, road construction, ryans road

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frames Also 30 x 25 cm black and white print of this image frameeltham north, progress road, road construction, ryans road

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frames Also 30 x 25 cm black and white print of this image frameeltham north, progress road, road construction, ryans road

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frames Also 30 x 25 cm black and white print of this image frameeltham north, progress road, road construction

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frames Also 30 x 25 cm black and white print of this image frameeltham north, progress road, road construction, lower road

The wedding dress was worn by Amy Wilton for her marriage at St John's Presbyterian Church. Photograph (media attached) shows bride wearing the dress.This wedding dress is socially significant because of its historic connection with Warrnambool through local families that still reside in the city and contributes to the understanding of the era. It has artistic and aesthetic merit and is a good example of fashion, style and design of the era. (refer catalogue Gorgeous Garb, Buda, Castlemaine p2 and The Australian Aesthetic Wedding Dress 1822 to 2011, Bendigo Art Gallery, p 5,10,12,17)A magnolia silk velvet wedding dress worn by Amy Wilton for her marriage to Ronald Wade (born 30 September 1912) on 19 April 1937 at St John's Presbyterian Church, Spence Street, Warrnambool.wade, wilton, wedding dress, 1937

Colour photo of Bendigo Tram Depot C 1980 ( J. Lerk 28.2.2000 ) gabled roof buildings, brick with corrugated iron rooves. Tram nos. 18, 30, 21 visible wrought iron gate.organization, government, bendigo tramways

Blue coupon, dated June 30 1875, asking Mr. W. Philpot, Treasurer to pay Mechanics Institute the sum of £2/-/- for rent in advance. Signed by C. Sloppellein?, C.R. and W. B. Evans?, Secretary.societies, aof, correspondence, ancient order of foresters no 3770 collection - to pay, court king of the forest, w philpot, mechanics institute, c sloppellein, w b evans

Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848The roof series of colour photographs taken inside, and from, the J Kitchen & Sons Administration Building on Ingles St Port Melbourne. Details on the back of photographs. .20 -.30 ; inside the roof cavity and second floorindustry - manufacturing, built environment - industrial, built environment - commercial, demolitions, j kitchen & sons pty ltd

Document. Rams Horn GMC Accounts. Page of accounts for Rams Horn GMC dated 30 Mar. 1915. Names mentioned include Ross, Roberts, A Vogele, Parnell, Gamboni, Purvis, Walker & J. Tinkler.cottage, miners, rams horn gmc, ross, roberts, a. vogele, parnell, gamboni, purvis, walker, j. tinkler

Article on development of 30 lot subdivision of former Blackburn East Primary School Site, Blackburn South. 1 - 41 Vicki Street. Developer Audcon Pty Ltd. In Nunawading Gazette 3 August 1994.Subdivision of former Blackburn East Primary School Site,blackburn east primary school, no. 4800, vicki street, blackburn south, bindy street, hudcon pty ltd, land subdivision

Yields information about the operation of trams in Sturt St during 1954 and tram 30.Black and white photograph of Ballarat No. 30 outbound in Sturt St with St Andrews Kirk (Church) in the background. Appears to have been taken from a motor car or truck, near the corner with Dawson St. 1954.On rear of photo "Tram in Main St at Ballarat 1954"trams, tramways, sturt st, tram 30

Colour photograph. People seated behind man and piper. Cake on table. Date stamped 30 3 '96. Back of photograph reads: Peter's 50th Paul Robinson - Piper (owner of Sedgwick Camel Farm)photo, group, mixed group

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the Township of Ballan’.; Views of Victoria (General Series) No.35; Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Township of Ballan is situated near the Bullarook Forest, and is distant about twenty miles from Ballarat. It is chiefly a small agricultural town, but it has become notable of late owing to its Mineral Springs, of which there are several in the neighbourhood. The most important one is owned by Messrs. Joske & Co., who supply the public with this delightful beverage.’ nicholas caire (1837-1918), ballan, bullarook forest, mineral water, ballan mineral springs, post and rail fence

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene in the Carlton Gardens’ : Views of Victoria (General Series) No.40 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Carlton Gardens are not so extensive as most of the other public gardens around Melbourne, and, being laid out on a flat piece of ground, have not the advantage of possessing much that is romantic in its scenery. The subject of this issue is the only interesting spot within the enclosure, which is the Rustic Fountain, surrounded by a small lake of water, on the banks of which grow some very beautiful specimens of the hanging willow. These Gardens are open to the public at all times.’nicholas caire (1837-1918), carton gardens, exhibition building, landscape photography - victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the township of Omeo’ : Views of Victoria (General Series) No.44 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The subject of this illustration is the most remote Township in the Colony of Victoria, being about 250 miles distant from Melbourne. It is situated on the Australian Alps, near Mt. Livingstone. The bed of the River, which is seen on the right-hand side of the picture, is one of the sources of the Mitchell River, which empties itself in the Gipps Land Lakes. This Township is frequently covered with snow in winter time, owing to its being several thousand feet above the level of the sea.’ nicholas caire (1837-1918), omeo (vic), gippsland, mount livingstone, australian alps

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene near Bright’ : Views of Victoria (General Series) No.47 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The subject of this illustration is taken on the road to Grouber’s, near the township of Bright, in the Beechworth District. The scenery on the rivers and creeks which surround this township is of a very romantic and picturesque description.’nicholas caire (1837-1918), bright (vic), landscape photography - victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘The Erskine River waterfall’ : Views of Victoria (General Series) No.52 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The River Erskine, which empties itself into Loutitt Bay, is noted for the grandeur of its scenery. Its sources, owing to the impenetrability of the bush and the mountainous nature of the country, are unknown. They may eventually be traced a long way into the Cape Otway Ranges. An idea of the difficulty with which the present very beautiful illustration was obtained may be gained from the fact that it took our assistants, several days to convey the apparatus a distance of six miles and back. The depth of the fall is 150 feet. The foliage as seen comprises the very rare staghorn tree, the myrtle, the dogwood tree, and ferns.’nicholas caire (1837-1918), lorne (vic), erskine river (vic), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘The boulders on the Erskine River’ : Views of Victoria (General Series) No.58 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘For a distance of several miles this river runs its course over a granite bed, and is interrupted frequently by immense Boulders, which causes the stream to be broken up into rivulets, pools, rapids, falls, cataracts, &c. Many of these massive blocks of granite weigh from 40 to 50 tons. In the mid-distance of the present illustration, several of these great blocks can be seen obstructing the river in its course.’nicholas caire (1837-1918), erskine river, lorne (vic), landscape photography - victoria