Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.This round ‘Wattle Day’ button is edged with a green and yellow wattle design. It is inscribed with white capital latters on a blue background in the centre. The first ‘national’ Wattle Day was celebrated in Sydney, Melbourne and Adelaide on 1 September 1910. Public support for Wattle Day peaked during World War I, when it was a potent symbol of home for military personnel serving overseas, and a means of raising money for organisations such as the Red Cross."Wattle Day"wattle day, patriotic buttons, first world war (1914-18)

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.‘Wattle Day’ was celebrated nationally for the first time in 1910, even though the term and day had been celebrated in particular states and territories since the 1870s. This patriotic fundraising button depicts a map of Australia on a pale green background. The map includes a symbolic image of wattle sprigs."Wattle Day"wattle day, patriotic buttons, first world war (1914-18), badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.‘Wattle Day’ was celebrated nationally for the first time in 1910, even though the term and day had been celebrated in particular states and territories since the 1870s. This patriotic fundraising button depicts a map of Australia on a pale green background. The map includes a symbolic image of wattle sprigs.Wattle Daywattle day, first world war (1914-18), badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A circular pressed metal fundraising button that was produced at the beginning of World War 1. ‘Wattle Day’ was celebrated before, during and after the War. For each Wattle Day different designs were chosen. This design features sprigs of wattle on a brown background."Wattle Day"wattle day, patriotic buttons, first world war (1914-18), badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day for Children’ badge, which appropriates national symbols of fauna and flora: a kookaburra and wattle. The circular pressed metal fundraising badge was produced to support the war effort."Wattle Day for Children"wattle day for children, wattle day, francis rigg, badge

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ button featuring the head of a young girl surrounded by sprays of wattle. In the design for this fundraising button the purpose of the fundraising – ‘for Children’s Charities’ is emphasised.Wattle Day / For Children’s Charitieswattle day, patriotic buttons, badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ badge featuring the head of a young girl surrounded by sprays of wattle. In the design for this fundraising button the purpose of the fundraising – ‘for Children’s Charities’ is emphasised."Wattle Day: For Children’s Charities"wattle day, patriotic buttons, first world war (1914-18), badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A pressed metal fundraising button released in 1919 to support the Royal Women’s and Queen Victoria Hospitals. In June 1919, The Argus reported that a ‘A well attended public meeting was held at the Town Hall yesterday afternoon to complete arrangements for the Button Day on June 27 in aid of the Women’s and the Queen Victoria Hospital. The Button Fund committee desires it to be known that several busy city sections are still vacant and that further offers of help in the sale of buttons will be welcomed’. It would appear that different buttons were released on the same day to support different hospitals in various urban and rural locations in Victoria."Women’s Day / Women’s Hospital 27th June 1919 [&] Queen Victoria Hospital"patriotic buttons, first world war (1914-18), royal womens hospital, queen victoria hospital, button fund

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A postwar fundraising button featuring a simple design using white text in a red boarder with and central blue cross. In February when the buttons were sold, The Argus reported that: ‘Each suburban municipality has formed a committee under its mayoress, to assist in the button distribution, and local committees in the country are also working for the success of the appeal. Kiosks are prohibited in the city streets, but many suburban councils have granted permission for their erection. In addition to buttons, many kinds of saleable articles will be obtainable at the kiosks.’"Women’s Hospital Appeal 1923"royal womens hospital, fundraising buttons, badges

The first ski patroller in Falls Creek was Brian Caddy with two casual ski patrollers Rob Sarroff and David Crooke in the 1960s. In 1972 the “official” Falls Creek Ski Patrol was created under the advisement of Dr Rodney Moss with the support of the Management Committee. By 1977 there were six or seven patrollers, and currently there are around 40 patrollers on the team with 13-14 rostered on each day during peak season. In 1974 the Australian Ski Patrol Association (ASPA) was formed. On the 14th March 1975, the Falls Creek Tourist Area Management Committee applied for membership to ASPA. At that time, Falls Creek Ski Patrol was known as Falls Creek Ski Rescue. From that time, Falls Creek patrollers began wearing the recommended uniform of a white cross on a red parka.These signs are significant as they are representative of the work carried out by Falls Creek Ski Patrol to keep skiers safe.A variety of signs used by Falls Creek Ski Patrol to alert tourists to conditions on the mountains in the area.A range of words and symbols including:- AREA CLOSED CAUTION MOST DIFFICULT TRAILS MERGE - CAUTION CAUTION TRAIL STEEPENS AND NARROWS AHEAD SKI AREA BOUNDARY SKI PATROL OUT OF BOUNDS / AREA NOT PATROLLED / NO ACCESS TO SKI LIFTS / PROCEED AT OWN RISKfalls creek ski patrol, skiing safety

The first ski patroller in Falls Creek was Brian Caddy with two casual ski patrollers Rob Sarroff and David Crooke in the 1960s. In 1972 the “official” Falls Creek Ski Patrol was created under the advisement of Dr Rodney Moss with the support of the Management Committee. By 1977 there were six or seven patrollers, and currently there are around 40 patrollers on the team with 13-14 rostered on each day during peak season. In 1974 the Australian Ski Patrol Association (ASPA) was formed. On the 14th March 1975, the Falls Creek Tourist Area Management Committee applied for membership to ASPA. At that time, Falls Creek Ski Patrol was known as Falls Creek Ski Rescue. From that time, Falls Creek patrollers began wearing the recommended uniform of a white cross on a red parka.This photo is significant because it depicts members of Falls Creek Ski Patrol, a vital service in the Falls Creek Tourist Area.A framed coloured photo of a group of Ski Patrollers in front of the Medical Centre, Falls Creek.Below image: Falls Creek Ski Patrol 1977falls creek ski patrol, falls creek, services falls creek

Gives details with an index of the rules for Motorman, Conductors, and both types of employees together. Has an "Issued to" form inside the front cover - no entries. Has printer details on inside title sheet and on rear sheet and print stock details "FTY 18-8,-1507/40 on inside front only." Printed by the Government Printer H.E. Daw. Glued into the rear of the book is SEC By-Law No. 1, brown covers giving definitions, fares and charges, regulations re passengers, behaviour, smoking, dangerous goods, luggage, and behaviour of crews. Gives a schedule of fares and charges for Ballarat, Bendigo, and Geelong. Fares applied from 1937 to 1949. (See also item 3110). Printed by the Government Printer H Green. Details names of SEC Commissioners, Minister in Charge of Electrical Undertakings.Demonstrates aspects of the way the SEC issued rules to employees on how they should behave and perform their duties safely. Yields information on particular items and operations.Booklet with green cloth covers, titled in gold block "State Electricity Commission of Victoria - Tramways - Rules Governing Employees - May 1936"on heavy card with inside paper covers on heavy paper and 24 pages printed both sides, with stitched pages with white cotton. By-Law 1 dated 9/3/1937 has been glued into the back of the book.tramways, ballarat, secv rules, by-laws, tickets, fares, motormen, conductors

Dale HICKEY (31 July 1937- ) Born Melbourne, Victoria' Dale Hickey studied design and illustration at Swinburne Technical College, Melbourne, graduating in 1957. In 1968, his work was exhibited in the inaugural exhibition at the National Gallery of Victoria’s Southbank site, The Field, which showcased Australian paintings, sculpture and conceptual works. A large-scale retrospective of his work was held at Ballarat Fine Art Gallery in 1988. More recently, in 2008, The Ian Potter Museum of Art, University of Melbourne presented Dale Hickey: Life in a Box, which brought together 36 key works from the artist’s 40 year career. Dale Hickey lives and works in Melbourne. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.'Apple' by Dale Hickey was part of the 'Imaging the Apple' travelling exhibition which toured from 2004 to 2005. It depicts a red apple with a pale blue and yellow background. Lower Right corner is signed: Dale Hickey 08art, artwork, dale hickey, hickey, apple, fruit, imaging the apple, still life

The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. The Cemetery lies back from the road and is surrounded by Manna Gums, rare Peppermint Gums, Blackwoods and other native trees. In all 25 acres of land were set aside as Crown Land in the land settlement of 1868. There are 6.2 acres of wetlands near the cemetery entrance.466-40: George Walton settled at Rhyll after the Land Settlement Act was granted 8 acres in the township of Rhyll. He was the father of a large family, many descendants still live on Phillip Island. He had the honour of being the first brickmaker on the Island. He died in 1912 in his 81st year. Also Harriet Walton, Richard Walton & George James. 466-41: The Gall Family. Robert and Sarah Gall came to Phillip Island about 1869 and selected Block 10, some 20 acres. They built their home and sunk a well which still exists in Settlement Road, Cowes. Their Plaque and the Walton Plaque were donated by the Phillip Island & District Historical Society. phillip island cemetery, walton, gall, nancy mchaffie, edith jeffery

These cotton reels were owned and used by Helena Warren of Newmerella. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She was a fine amateur photographer who supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert).Helena Warren was a popular Orbost identity who was well known as an accomplished photographer and needleworker,Four wooden cotton reels. 2495.1 is an empty reel with paper labels at both ends. " Best Linen lace thread Barbours No 50 200 yards Wm Barbour & Sons Ltd Lisburn Ireland" 2495.2 is a wooden reel with thick linen thread. On one end " H11 underlined" 2495.3 is a narrow wooden reel with white thread and grey wound over it. It has paper labels at both ends. " J. & P. Coats 500 yards No 50 457 metres - Chain Brand Mercerised Cotton MR WHITE" 2495.4 is a wooden reel with synthetic thread - one paper label. "J. & P. Coats 6 Cord 200 yards 40 183 metres"needlework cotton-reels warren-helena

Poster heading - 'Gold' - 'In the whole world, only 47 nuggets weighing over 30lbs Troy have been recorded. Of these 40 are from Australia. The region from Ballarat around to Bendigo yielded 32 of these large nuggets. This monument erected in 1897 by the Mines Department, is the only one ever erected to honour the discovery of a gold nugget. The 'Welcome Stranger' nugget was unearthed on 5th February, 1869, weighing 2316 ounces and it was sold for 9.553 pounds'. Poster includes a map of Victoria depicting the main gold mining areas, also mention of gypsum, and tin in northern Victoria. A photo of the monument to the discovery of the 'Welcome Stranger' nugget found 1 1/4 miles from Moliagul in the bottom corner.document, gold

Set of three letters written to Bob Lilburn regarding Ballarat matters. .1 - Dave Macartney - 2-12-1990 - re the Ballarat Tramcar restaurant and the bodies that were used, advertising on tram 40 (a perineal topic of Bobs'), ESCo No. 12 body. Written on the back of "Keystone Movies" letterhead which was operated by Dave. .2 - Dave Macartney - 29-3-1992 - W2's at Balkistons yard and the removal of the two (W2 552 and 625) and scrapped from the Tramcar Restaurant on Macarthur and Drummond St North. .3 - Dave Macartney - 20-6-1993 - regarding ESCo 16, that featured in The Courier 1971 and its location - located in Haddon and burnt after 1971.trams, tramways, letters, esco, w2 class

Yields information about depot activities of the BTPS in building the depot fan and access track.Set of 4 AGFA blue and white plastic mount and one Kodachrome 27mm sq slides of various works at the BTPS depot during 1972 / 1974. .1 - Access track with ballast layer looking back to the depot. .2 - workers on top of Mt Jessup - the stockpile. .3 - 26, 27 and 40 peering out of the depot .4 - 27 on depot fan and sleepers. 27 was the display the tram Noel Gipps, Gavin Young, Bob Prentice .5 - volunteer on roof of tram - can't recall his name. .6 - access track at the level crossing .7 - view from level crossing .8 - Stewart Loddington standing by 26 - 26 has a briquettes sign.Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, btps, depot, track construction, trams, tram 26, tram 27

Yields information about the official opening by the BTPS of its operations in Wendouree Parade.Set of 15 AGFA blue and white plastic mount 35mm slides of the official opening day of the BTPS Wendouree Parade tramway operations by the Chairman of the SEC 1/2/1975. .1 - 14 on access track for BTV6 .2 - 14 running out on access track .3 - 27 running in Wendouree Parade .4 - 26 at Gardens Loop with the watchman's shed. .5 - 38 on depot fan .6 - ditto .7 - as for .1 .8 - 14 on access track .9 - 26 in Wendouree Parade .10 - 40 heads the opening line up in Wendouree Parade .11 - ditto .12 - 27 at the other end .13 - ditto .14 - ditto .15 - waiting for the ceremony - it was a hot day. Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, btps, opening, wendouree parade, depot, tram 40, tram 26, tram 14, tram 27

Newspaper clipping from the Ballarat Courier of 27/12/1999 featuring a story and two photographs taken on 26/12/1999 during the 25th anniversary celebrations (Boxing Day) of the operations of the tramway by the BTM. Article by Peter Litras of the Courier. Quotes Stephen Butler about the history of the BTM. Image 1290i1 - scan of the whole article with photos 1290i2 - Photo of 40, with 671 in the background, 13 and 26 in Wendouree Parade the previous day during the rain. 1290i3 - Photo of Nicholas, Harry and Henry Hutchison giving Stephen Butler a hand turning the trolley pole on 13 at Carlton St. See also item 1294 of Mr. Matthew Hutchison holding Henry in a tramcar.trams, tramways, btm, volunteers, 25th anniversary

Set of two colour photographs of BTM hosting the "cops n' kids", charter on 18/11/2002, taken by Austin Brehaut on Kodak Royal Paper. Included with the worksheet file is an article prepared by Dave O'Neil and edited by Simon Green for Jan. 2003 issue of Fares Please! 2264.1 - Group at the ice-cream tram. 2264.2 - Crew with some of the charter participants. A third photograph - Dave O'Neil and participants standing by No. 40 - sent to Trolley Wire Editor 12/1/2003. Shown in image only. With worksheet is a Courier Cutting of 9/6/03 about Sgt John Moloney, organiser for the event and his receipt of the Australian Police Medal. - see related documents.2264.1 - " 'Cops n' Kids' trip 18.11.02 at the 'other' tram." / APB" in blue ink. 2264.2 - " 'Cops n' Kids' charter 18.11.02 with crew Austin Brehaut and Dave O'Neil" / "APB" in blue ink.charters, cops n' kids, tram 40

Set of six colour photographs taken by Warren Doubleday on 21/11/1998 of Museum activities and works. On Kodak paper. .1 - Andrew Chlebica, Tricia Brett of Public Transport Safety Directorate, Department of Infrastructure and Greg Rodgers (BTM) in No. 1 end saloon of No. 13, following completion of Rail Safety Audit. See Audit Report BTM32T01A. .2 - Trams 13, 40 and 39 in front of depot .3 - Depot junction / Wendouree Parade looking south showing earthworks for roadworks and parking facility. .4 - Excavation by depot junction. .5 - Ditto showing broken phone cable .6 - ditto See W. Doubleday files for names of people from Dept of InfrastructureOn back of photos in ink "21/11/98"rail safety, wendouree parade, road works, btm, tram 13, tram 40, tram 39

Yields information about the events - incidents that occurred towards the closure of the system - more frequent derailments with bogie trams causing delays to services.Black and White copy photograph of a newspaper photograph taken by The Courier - photo taken 18/8/1971, published 19/8/1971 of No. 40 derailed in lower Sturt St possibly after rounding the corner from Lydiard St Nth. Trams were involved in a special tour, the following bogie tram is being reversed. Has the Town hall in the background. See Reg Item 3765 for the tour photograph. See Reg Items 1073 and 2186 for the actual newspaper cuttings. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.tramways, trams, sturt st, tours, derailments, tram 40

Yields information about the Bucks Head Hotel and demonstrates the way the signals were set in Bridge St for either the Mt Pleasant or Victoria St routesBlack and digital white print from a scan of a donated negative of a driver leaning out from a single trucker to set the switch on the signal for either the Victoria St or Mt Pleasant routes. Has the Bucks Head Hotel in the background. Shows the pole the signal controller or switch was mounted on. Black and White print made from scan of negative. Original Negative stored with Negatives. Image rescanned from copy neg and updated 31/5/2020. See On this basis, the envelope and marking matches that of Reg Item 4158, photo of No. 40, by John Webster and assumed taken on the same day as Item 4157, 4158, 4168, 4178 - 11/4/1953. Contained within Envelope No. 33.On left hand side of the negative in ink is "EI 35".tramways, trams, sturt st, grenville st, signals, bridge st

Set of three newspaper cuttings concerning the reinstatement of trams into Ballarat, from The Courier, Saturday August 9, 2014. .1 - Front page of The Courier, with a side photo of 40 on the depot fan, titled "Tram Plan", referring readers to page 4. .2 - Page 4 - "Potential to boost tourism - Bid to bring back city's tramway" - item written by Melissa Cunningham looking at ideas for a city tramway, quotes Peter Hiscock, Ron Edberg, Catherine King MP. Item follows story from Bendigo announcement for a feasibility study. .3 - Page 23 - "Trams for past not future" - Editorial looking at the possible return of trams - on the negative side. Written by Andrew Eales. ballarat, ballarat city tramway, tram reinstatement

Bob (Herman) Hymans (a former member of the Royal Netherlands Navy) was born in Bloemendaal, Holland on 30th September 1922. During World War II he fought against the Japanese in the Dutch East Indies (now Indonesia) and was imprisoned in Changi and on the Burma Railway. After gaining qualifications as a Ski Instructor, Bob arrived in Falls Creek in July 1950. Working as an Instructor and Supervisor at Bogong Lodge, Bob decided his future was in accommodation. He was successful in negotiating an indenture for land from the State Electricity Commission (SEC). It took Bob two years to build his Grand Coeur Chalet but, tragically, it was burned down in August 1961. Bob also built the first Chairlift in Australia. This was a single chairlift and the structure was built from wooden electricity poles. He was constantly full of new ideas and proposals for the village. Bob Hymans die on 7th July 2007. This Collection of documents and letters tells the story of Bob's endeavours to develop Falls Creek into the ski village it is today.This item is significant because it documents actions taken by the Falls Creek Tourist Area Management Committee in their role overseeing the Tourist Area.A circular outlining changes in parking and entry fees for the 1966 season. The fee for cars was 40 cents per visit plus 20 cents per adult. Season tickets were available at $5.00 each covering one car, driver and one passenger. Additional passengers were 20 cents each per visit. Bus charges, other than school buses, were charged at 20 cents per adult but without charge for the bus, driver or official guide. For school children or teachers' college organised bus tours, the fee was $2.00 per bus load or 10 cents per head (without charge for bus, driver or official guide), which ever is the lesser amount.falls creek tourist area management committee, falls creek administration, falls creek parking

Yields information about the disposition of Geelong trams following closure and those shipped to Ballarat or Bendigo along with dates.Handwritten letter from Bob Lilburn of West Essendon dated 7-2-1971 to Charles Craig forwarding him information of Geelong SEC bogie cars and Scrapped Geelong cars. Notes that his photo of Geelong 40 being loaded at the Geelong depot on 27-3-1956 was received in Ballarat the following day and that Pengelly 23 was the "workhorse" around the depot after closure. List of scrapped cars gives location as known by Bob at the time. The Geelong bogie car list gives the Melbourne number, Geelong number, dated received at Geelong, Transferred to (Ballarat or Bendigo), the number in that City, date received and any remarks. See 6748 for a the Ballarat Bogie list. trams, tramways, geelong, tramcars, ballarat, bendigo, transport

Petrol rationing was gazetted in May 1941. Australia's lack of fuel storage options and the diversion of tankers bringing fuel here forced the government to begin rationing. Initially it was proposed that consumption should be reduced by 50% but this was modified to 1/3 reduction. People had to apply for a petrol licence and this was then used to obtain ration coupons. Initially coupons were issued on a 6 monthly basis but this was reduced to 2 monthly and allowed people roughly 2000 gallons per year. Coupons allowed for 1, 2, 5, 10, 44 and 100 gallon amounts depending on need. eg. private, commercial, farm use. Rationing was strictly enforced until 1942 but remained in effect until 1950.WWII Fuel Ration 2 Gallon Tickets: 9 Tickets of cream card with brown and blue print rectangular in shape with perforated edges. The back ground is a wall paper of small oval shapes with "Motor Spirit" printed in brown ink. Over top is "Commonwealth Liquid Fuel Control Board". In the centre, "Motor Spirit two 2 Gals not transferable Ration Ticket. Department of supply & Development. Issued Under National Security Act. 1939-40". Over top again in blue ink is covered in small lines and the words "Consumer must endorse this ticket on the back with signature and Licence number". On the back hand written in black ink is "G. Alice Jones 2(e)/3869".McCracken Australia Stamp Printedgovernment, federal, fuel ration ticket

DPCU (Disruptive Pattern Camouflage Uniform) work dress. Colours light to dark green through to light to dark brown. Cotton/polyester fabric. Dark green colour plastic buttons. 1. Shirt - new style, collar, one front epaulette, two front pockets with nylon/metal zipper closure, two sleeve pockets with concealed button closure flaps. White polyester fabric. Manufacturers label, back below collar. Print illegible. 2. Trousers - new style. Two side pockets, two large patch side pockets with nylon metal zipper, one back pocket. Belt loops and nylon/metal zipper fly. Khaki colour cotton fabric pocket lining. White polyester fabric manufacturers label on front right pocket lining. Ankle elastic drawstring.Manufacturers information on label - black ink print. 2. "ADA/ VICTORIA 2008/ ^ / SPECIFICATION ARMY (AUST) 6542/ NSN 8415 66 152 1054/ SIZE 85R/ NAME/ SERVICE NO/ 75% COTTON 25% POLYESTER/ WARM MACHINE WASH 40 deg c/ RINSE WELL WARM IRON/ DO NOT IRON OVER HOOK AND PILE/ DO NOT BLEACH/ DO NOT STARCH/ MAY BE TUMBLED DRY 40dc/ MADE IN AUSTRALIA."uniform, army, work dress, dpcu