On back 'Alf and Lucy Sandberg 1946 - 1988'Black and white photograph of Bellevue Guesthouse, depicting a substantial weatherboard building, iron roof, veranda across the front, supported by two concrete pillars. Identical gables at each end of the building with double sash windows and three window lights above. Brick chimneys with chimney pots. Wooden fence in 1950's style. Church visible beside and behind the Bellevue. Lakes Entrance Victoriaguesthouses, architecture

Postcard, one of a series from 'The Rose Series De Lux'Black and white postcard of the Club Hotel. Shown are seven hard top sedan cars and two soft top cars. Ardath cigarette advertisements in upper windows of right hand section of the complex. Building is weatherboard, hipped roof corrugated iron, three chimneys. Roof of viewing gallery at rear of main building. Picket fence and hedge in front of left section. Lakes Entrance Victoriahotels, architecture, transport

re Donor - Mrs Breeze descended from Herbertson family, living at the Hummocks 1889cBlue toned photograph of the Club Hotel, showing a large weatherboard building, iron roof, three chimneys. Picket fence encloses part of the building - residential. Five tree ferns planted outside centre front of the hotel. Two rainwater tanks on low stands between main building and additional building on right of photo. Sandy bank and lake in foreground. Lakes Entrance Victoriahotels, architecture, waterfront

Black and white photograph of Bellevue Guesthouse, depicting a substantial weatherboard building, iron roof, veranda across the front, supported by two concrete pillars. Identical gables at each end of the building with double sash windows and three window lights above. Brick chimneys with chimney pots. Wooden fence in 1950's style. Church visible beside and behind the Bellevue. Lakes Entrance Victoriaguesthouses, architecture

William Jarrold's cottage on left was used by the Police 1858-1860. The Court house and Police precinct (upper right) were opened in 1859-1860 Photographer: J.H. Clark John Henry Clark was the youngest of three boys born to William Henry Clark (1823-1877) and Maria White (1843-1914). He and his brothers, William Charles Clark (1872-1945), Clement Kent Clark (1874-1912) operated a photography business (Clark Bros.) from 25 Thomas Street, Windsor near Prahran during the period c.1894 to 1914. Following death of Clement in September 1912 and their mother in 1914, the Clark Bros business appears to have dissolved, the premises demolished, and a new house was under construction in 1915. John set up business independently in 1914 operating out of 29 Moor Street, Fitzroy where he is registered in the 1914 and 1915 Electoral Rolls. By 1916 John had relocated to Eltham where he continued his practice as a photographer and took many of the early images around the district of Little Eltham. Around 1930 John changed professions and opened a small cobbler's shop in 1931 near the pond opposite Dalton Street adjacent to the Jarrold family cottage. He never married and continued his profession as a bootmaker from this little shop, maintaining a close relationship with Mrs Jarrold for the rest of their lives. His bootmaker shop remains today beside the Whitecloud cottage and is one of only three remaining shops in the area from the early 20th century. There are a couple of images of Eltham taken by Clark Bros. in the Eltham District Historical Society collection, one such example being Hunniford’s Post Office with Miss Anne Hunniford out front (EDHS_00140 - marked on the back of the print, Clark Bros., 25 Thomas St. Windsor), which would date this image between c.1894 and 1914. Other early images of Eltham taken by John Henry Clark are marked on the face “J. H. Clark Photo” and it is assumed these are dated between 1914 and 1930. It is noted that the Grant of Probate for John H Clark of Eltham South dated 5 April 1957 (513/387) records his occupation as "X Photographer".Sepia postcardNotations in biro 'A. Petrie', rest in pencil as follows Telegraph poles show one wire No 1918 Avenue of Honour trees c.1907 Jarrolds house No shop at White Cloud on fence line Police Residence has extensions Chimney on wash house Office Brickwork on stables Lock-up, entry and window end Light lamp - cnr Dalton and Maria streets Surface damage to lower left cornermain road, eltham, maria street, dalton street, william jarrold, jarrold cottage, police residence, courthouse, j.h. clark photo

Shillinglaw Cottage on its original site (present day 895 Main Road) showing old picket fence c.1964. The cottage and land were purchased by the Shire of Eltham as the site for a new shire office building. The cottage was destined for demolition but members of the community concerned at losing one of the areas earlist buildings (built c.1859) initiated a fund-raising campaign to save the cottage. In 1964 the cottage was dis-assembled, all the bricks numbered and reassembled several hundred meters to the south on a site between the Gahan house and the Eltham Railway Trestle Bridge (present-day Panther Place), which bcame known as the Eltham Common.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, shillinglaw cottage, fences, george w. bell collection, houses, main road

Shillinglaw Cottage on its original site (present day 895 Main Road) showing old picket fence c.1964. The cottage and land were purchased by the Shire of Eltham as the site for a new shire office building. The cottage was destined for demolition but members of the community concerned at losing one of the areas earlist buildings (built c.1859) initiated a fund-raising campaign to save the cottage. In 1964 the cottage was dis-assembled, all the bricks numbered and reassembled several hundred meters to the south on a site between the Gahan house and the Eltham Railway Trestle Bridge (present-day Panther Place), which bcame known as the Eltham Common.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, shillinglaw cottage, fences, george w. bell collection, houses, main road

Metal branding hammers were the most common way to control the sale and movement of hardwood timber produce like logs, railway sleepers, fence posts, and poles from Victorian State forests. Royalty was also paid on this basis. The hammer has a crown stamp on one end with a unique number in the middle (453) which identified its owner, and a crows foot or broad arrow on the other. The broad arrow was a symbol traditionally used in Britain and its colonies to mark government property. Forest regulations state that an authorised officer may use the crown mark to identify produce which has been sold and may be removed from the forest, whereas the broad arrow can be used to brand and mark trees which are not to be felled, or to indicate forest produce which has been seized. Hammers were traditionally only ever issued to forest officers and were an important, and closely guarded tool-of-trade. They were not transferred between staff and lending hammers was not permitted. But it was an onerous task for staff to hammer and tally hundreds of logs, or thousands of fence posts each week, so in about 1990 a system was introduced whereby hammers were allocated to logging contractors to grade logs and tally them instead. But there was still spot checking by authorised officers. A register was kept, and contractors paid a substantial deposit to make sure they didn't lose them, but they occasionally turn up by fossickers with metal detectors. While branding hammers are still used in some smaller locations, plastic tags and barcodes are now more common.Metal log branding hammer with a crown stamp on one end with a unique number (453) in the middle which identified its owner, and a crows foot or broad arrow on the other. The unusual bent metal handle was designed to protect user from banging their fingers on the log. It was also fitted with a rubber hand grip. Most FCV branding hammers were issued with wooden handles. The branding hammer 453 was initially issued to Wally Cowell at Beechworth. It was reissued to Jim Browning upon Wally’s retirement The hammer still had a wooden handle, but the it broke and became loose inside hammer head. Russel Pritchard from the Beechworth Depot replaced the handle with a new metal one and put a dog leg in it It mainly branded forest produce cut in Mt. Pilot and Reedy Creek areas. The main logging contractors were Gordon Habeck from Chiltern and Steven Goldsworthy from BeechworthCrown mark one end (453) and Crows foot other endforest harvesting, forests commission victoria (fcv)

There was an active Volunteer Corps in Warrnambool in the 1800s. This photograph shows a group off military men on Flagstaff Hill ready for action. The names are listed on the card, handwritten in pencil: 1. Gorrie 2. Chris Hider 3. David McKinley 4. Captain Cramer 5. Drill Instructor (cannot read name) 6. R.A.C. Macdonald 7. Joseph GladstoneThe militia played a significant role in being prepared to defend the Warrnambool district.Photograph, sepia, mounted on brown card. Depicts the First Warrnambool Battery on Flagstaff Hill. Seven uniformed figures stand beside a cannon mounted on a wooden, waist high carriage. The cannon is aimed between a gap in a timber fence. The lower edge of the card has two labels with handwritten inscriptions; one is the photograph title, the other is a list of seven names written in pencil Photograph is dated ca. 1868. Left hand side: "First Warrnambool Battery on 'Flagstaff Hill'" Right hand side: list of names written in pencil: "1. Gorrie 2. Chris Hider 3. David McKinley 4. Captain Cramer 5. Drill Instructor (cannot read name) 6. R.A.C. Macdonald 7. Joseph Gladstone"flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, militia, volunteer corps, cannon, gun, firearm, first warrnambool battery, warrnambool battery, defence, gorrie, chris hider, david mckinley, captain cramer, drill instructor, r.a.c. macdonald, joseph gladstone

This photograph shows the Lower Light at Flagstaff Hill, Warrnambool, in 1895, part of the Lady Bay Lighthouse Complex. The photograph is part of the Western Victoria collection produced in 1891 by Brookes' Photographic Union in Victoria. Brookes' Photographic Union was a collaboration of two brothers, Frederick Augustus Brookes and his brother Albert Edward Brookes. Frederick arrived in Victoria in the early 1880's. He and Albert formed the organisation to produce collections of photographs including the districts of Geelong, Gippsland and the Western Victoria. This photograph was taken and published just after the construction of the Warrnambool Breakwater. The image records a snapshot of the construction of the Warrnambool Breakwater, a construction that changed the history of the Port of Warrnambool, It is also a record of the Flagstaff Hill area and at that time.Photograph, sepia coloured rectangular shape, mounted between two sheets of cream card. Border of photograph is decorated with pen lines and design in corners. Subject is the Warrnambool Harbour, with a lighthouse on a hill in the foreground, a light coloured picket fence, the harbour with a moored vessel and a jetty. Produced by the Brookes' Photographic Union, and with the heading of Western Victoria. Inscriptions are on the reverse, on two stickers, a printed white label and a handwritten name.Stickers: "F.PA 60/2-74" "138" Label: "WESTERN VICTORIA / BROOKES' PHOTOGRAPHIC UNION / WARRNAMBOOL HARBOUR / (FROM THE BATTERY) Hand written in black: "B. Fisher"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, western district, western victoria, brookes' photographic union, frederick brookes, albert brookes, photograph, warrnambool harbour, warrnambool history, lady bay, port of warrnambool, b. fisher, 1895, maritime history, breakwater, warrnambool jetty

Educational book for Grammar and Composition. Published for the Victorian Education Department.Historical: Comparative with other text books used in schools in different eras.A greeny/grey book with cardboard cover and with bluish picture of 3 children sitting on a fence looking at a view of the countryside. The countryside is in a solid circle of blue. Border is black with ladder-like line about 2 mm wide. Bottom right corner in circle coloured blue is (in black) 2/- Title: in black Whitcombe's / New austral Grammars / A Fourth Book of / Grammar and Composition / for / Grades VII & VIII. See physical description.education. school. victorian education department. english. grammar. composition. grades 7 and 8.

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a white rendered house with striped yellow and white window awnings. Other features include a tiled roof, a cast iron work front porch door, garden urns in front of the house and a low unpainted brick fence in the foreground with a car in its garage down the drive to the left. The garden beds are also supported by walls of the same unpainted bricks with plants including a palm and succulents.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, cast iron work gates, striped awnings, outdoor ornaments, brick fences, drives, cars, garages (private), palm trees, brick chimneys

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. See Significance Statement in Glen Eira’s Heritage Management Plan by Andrew Ward (1996) Vol 2 p.79. Available from https://www.gleneira.vic.gov.au/media/4779/heritage_management_plan_volume_2.pdf (Note see p.84 of pdf)Colour photograph of unpainted variegated brown brick house with "Kileen 28" in cast iron on the front wall. Other features include a porch with white cast iron work door, tiled roof, chimney, striped window awnings and low unpainted brick fence with a brown metal letterbox in the foreground beside the driveway. The house has an unusual pitched roof with timber eave on the right side of the house.Kileen / 28murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, letterboxes, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, cast iron work, house names, kileen, brick features, brick chimneys, striped awnings, brick fences, metal letterboxes, roofs

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. See Significance Statement in Glen Eira’s Heritage Management Plan by Andrew Ward (1996) Vol 2 p.79. Available from https://www.gleneira.vic.gov.au/media/4779/heritage_management_plan_volume_2.pdf (Note see p.84 of pdf)Colour photograph of white rendered house with unpainted variegated brown brick features including a wide brick band around the house. Other features include an open porch with brick pillar, striped awning on side windows, tiled roof, chimneys with identical brick features and low unpainted matching brick fence in the foreground with "37" on the brick pillar and white cast iron gate beside the driveway.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, brick features, striped awnings, chimneys, brick fences, cast iron gates

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit standing in the centre of the picture with several other people facing away from the camera on the right. The man is leaning against a thick art deco style armpit high wall with an extending ironwork protective fence above. The view seen beyond is of a city skyline. The man is Frank Wright and the place is the viewing platform at the top of the Empire State Building in New York.frank wright, brass bands, conductor, new york, empire state building

Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. He was the youngest of eleven children. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967 and he died in November 1970. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.8 photographs - 4 are in the room of a home with a grand piano, some young people and Frank Wright. 2 are groups of people, including Frank Wright sitting around tables at a dinner. 1 is of a man, Frank Wright standing beside a car, possibly a Morris Minor and feeding two horses over a barbed wire fence. 1 is of a man, Frank Wright standing with a group of men at a function in Kerkrade.Only 1 has an inscription written in pencil on back - Kerkrade Aug 1966frank wright, morris minor, grand piano, feeding horses

5616b Double foolscap size photocopy of survey map with handwritten notations. References include Corr no. C.93151, Railway Reserve, Station Street, Bedford Road, multiple post & wire fences, multiple galv iron pipes put in, Government Road (Hill Street), Tooronga Road, multiple recent pegs found, Certification 52710 by J. Fitzgerald Licensed Surveyor 17/3/1952.

Sepia photograph mounted on board. Image shows large group of people standing on side of lake watching young men paddling in tub like boats. Man in foreground in boat has white skin down to sleeve mark, very tanned arms. Large willow tree in middle, slab fence behind onlookers. Uncertain of location, could be large dam, no buildings evident in background of image.event, recreation, bendigo, recreation, lake, dam.

Thomas Crouch Watts was born on March 7th. 1865, to Joseph and Susan Watts. Before the real estate business commenced, Thomas and his brother were in partnership as booksellers and stationers in a shop at View Point. Thomas lived in a fine house in Rowan Street, which was called 'Ottawa' Thomas started his real estate business in the early 1900s in a shop in View Street. His daughter Edna was the book keeper and typist, Stewart Watson was the salesman and Stanley Phipps (Edith Lunn's father) was the property manager and valuer. When Thomas Watts died in 1914, his daughter took over the running of the business. She married Stewart Watson in 1918. Eventually the name of the business was changed to Bishop and Earl. From a letter from Edith Lunn re T.C. Watts & Son. 'The firm of T.C. Watts & Son later became Bishop and Earl. When the firm of Bishop and Earl ceased to operate after the death of Edith Lunn's father, S.P. Bishop, Miss. June Parry, Secretary of the BHS was a member of staff. June rescued all the photos of properties listed for sale from the office and placed them into the custody of the BHS.' Black and white photograph mounted on rectangular grey board. House, weatherboard, corrugated iron roof, two chimneys. Dog at gate. Woven wire fence. Written on back of photo board " £850 Geo Oldfield, Cnr Somerville and Ellis St. Corner Somerville and Ellis Streets Bendigo, Cr ?on terms, Deposit required about £150' 2012 photo of house site attached to record for comparison.Frank A. Jeffree, Bendigoplace, building, residential, previous register no. ''mp12'' part of a collection of photographs used by estate agent t.c. watts and son

Black and white photograph. Hand tinted photograph of farm buildings, hill in background. 1960's station wagon next to building. Windmill in centre of photo. Two tanks in centre (L) of picture. Gate swung open. Chicken wire fence. History: With note 'Photographs from Mrs Ella Bourke, 131 Barnard St, Bendigo, Ph 438269', Photographs Francis (Frank) Thomas Kennedy:.Francis (Frank) Thomas Kennedytopic, farming, see also 2001.152.01, 2001.153.01, 2001.154.01, 2001.157.01, 2001.158.01, 2001.160.01, 2001.161.01, 2001.162.01

three colour photographs of Hunter House 9formerly Greystanes) Queen Street, Bendigo 20A rear of Hunter House, showing glazed porch 20B frontage of Hunter House to Queen Street, shows white picket fence 20C shows fronatge and garden to Queen Street House was formerly private residence, VicRoads offices in Bendigo, restauarnt and returned to being a residence Photos dated August 1995Estelle Hewston

Sepia photograph of two men with their bicycles in front of a weatherboard house. Both men are wearing suits, one is wearing a cap and the other a hat. There is low picket fence with two strands of barb wire along the top in front of the house. The house has a bull nose veranda and iron lace work along the veranda. Photo is mounted on white cardboard which has a blue, white & black marbled back.photograph, portrait, males, foster & wilson collection, photograph

Charlton Post Office, High St, December 1891, built in 1879 to replace the original Post Office built in Camp St in 1878.Copy of Charlton Post Office High Street 1891 taken from the lithographs of Rider & Mercer. Possibly hand coloured. Brick building with three arched doorways and a clock above the central arch. Picket fence. One person standing in front of the building, a man walking past and a couple walking past a gate. Ruler showing in lower part of photo with KODAK Colour Control Patches written on it.Post Office. This picture presented by J. G. Reily, Esq., Postmastercharlton post office

The Charlton Fire Station was built in 1931.Colour photograph of the Charlton Fire Station. A single storey red brick building with a white frontage. A large entrance and three high high windows down the side. There is a plaque on the LH side of the main entrance that can't be clearly read.. The signage above the main entrance reads C.F.B.B. FIRE STATION 1931 There is a light above this sign. The fire tower is at the rear of the building. There is a low railing fence on the right side.charlton fire station, charlton fire brigade

Colour photo of four young men standing in front of a metal fence. They are dressed in shorts, swim suits and shirts. Around their feet are towels, bags and a drink flask. Written on the front of the photo: Gavin Martin, Russel Martin, Peter Daley, Travis Mitchell 1993. Written on the back of the photo: 1993 Travis Mitchell Peter Daley Russell Martin Gavin Martin 18/0 Mens Relayrecreations, sports, swimming

Sepia photograph mounted on backing card. Photograph depicts a large house with a garden behind a fence. The words Childrens Convalescent Home Queenscliff are printed in white across the bottom of the photograph. Part of the stamp has been folded over onto the backing card from reverse. On reverse card is addressed to Mrs Dean Golden Square. Writing covers the left hand side and a one penny stamp is affixed.postcard

Photograph of four policemen leaning against a fallen tree with the words Kelly's log painted on the tree. One of the men is holding a gun and another has a sword at his side. There is a post and Rail fence visible in the background with bush land behind. A deputation from the Bendigo Historical Society presented a copy of this photo to the Beechworth Museum. They did not have it in their colllection. Reference: Newspaper article, Bendigo Advertiser, dated 26.3.1969person, group, policemen, kelly's log

Copy of a watercolour painting of the original Mitcham police station by Shirley Jones 1956. Cream building with straw coloured roof, centred and slightly to the right of the paper, shrubs around building to fence, trees in background with chimney stack shapes in rear. Signed Shirley Jones in right front. Original Police Station, Whitehorse Road, Mitcham 1956 (now St. Johns) is written in left front corner.illustrations, reproductions

CunninghameSepia coloured postcard of first bridge over North Arm, showing view of town buildings, including Club Hotel; sand hummocks; Cunninghame Arm; die back of melaleuca on sand flats. In foreground post and rail fence beside road, two wheeled horse drawn vehicle, jinker, with grey horse standing in shafts. Ten or eleven people standing on bridge. Lakes Entrance Victoriatopography, bridges, transport

Also 2x identical fade P)1151-2,3Black and white miniature postcard of the concrete bridge spanning the North Arm, showing the bridge and abutments,road to bridge from Kalimna, and post and rail fences along road, grass covered mud flats with Club Hotel, Methodist Church and Maranui Guesthouse in distance amongst other buildings. Cunninghame Arm and sand hummocks in far distance. Sandbars visible in North Arm. Lakes Entrance VictoriaPrincess highway Lakes Entrancebridges, coast, religion, hotels, guesthouses