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Puffing Billy Railway
The Quasi Arc Co Ltd Generator - Flat Belt Driven D.C, 1900s
QUASLARC Generator Built by the Quasi-Arc Co. Ltd. Victoria London SW.1, This generator is believed to have been used for welding purposes. The generator is driven by a belt from a nearby steam plant. The quasi-arc co ltd 6 kw. d.c generator 60/30 volts 0/200 amps 1200 rpm comp cont rating No 4696 Historic - Industrial Generator Large casting with a drive pulley on one end, cast aluminum covers, bronze makers plaque. The quasi-arc co ltd 15,grasyenor ????ens. Victoria,London,S.W.1 This machine is designed for use with ????? Arc electrodes 6 kw. d.c generator 60/30 volts 0/200 amps 1200 rpm comp cont rating No 4696puffing billy, generator, welding, quasi - arc -
The Beechworth Burke Museum
Photograph, c.1870
This photograph was taken in approximately 1870 and depicts four male miners standing in mining sluice at the Three Mile Goldfields. These men are wearing typical attire for 1870s gold miners. They wear white shirts, tan coloured pants with water proof shoes and most of the men are wearing an apron to prevent their clothing from becoming too dirty from the mud. Each man is wearing a wide brim hat and hold large wooden tools used for sorting through the sluice. Three of the four men have full beards. The photograph was donated to the Burke Museum by R. Ziegenbein before 2001 but the photographer and the individuals captured in the photo are unknown. The image depicts the landscape of the Three Mile Goldfields during a period when open cut sluicing was undertaken to reach gold. Open cut sluicing is a method used to extract gold and other precious metals from beneath the surface of the earth. This technique involved the use of high-powered hoses which broke down the soil enabling miners to come along and search this soil for gold. After the gold rush of the early 1850s, diggers had to enlist the assistance of heavy machinery and techniques like hydraulic sluicing in order to reach gold because the surface alluvial gold had already been discovered and removed. This heavy machinery was not used until after 1853. The Three Mile Goldfields was a site of rich alluvial gold deposits located about 5 km south of Beechworth in Victoria. Today, the location of this gold deposit is called Baarmutha. It was a popular area for gold mining in the 1850s but became largely abandoned by the following decade. In 1865, a man named John Pund recognized that the area could be potentially rich if a better water supply could be obtained. He secured a 15 year license with three other miners. Within the next five years, these men had constructed 19 km of water race going from Upper Nine Mile Creek to Three Mile Creek. By 1881, these four men had delivered 950,000 gallons to the Three Mile Sluicing area which is depicted in this photograph. Pund was later go into partnership with John Alston Wallace who would become owner of the Star Hotel in Beechworth. The Three Mile sluicing location continued to be operational until 1950. Sluice box workers were a vital part of gold mining regardless of how inefficient they were in the recovery of gold. After using hydraulic sluicing to cut away the earth, miners would use the big wooden boxes depicted in the image to catch the earth which would then be sifted for gold. However, accidents would occur often which would result in the gold washing away and unable to be recovered. It was not a very efficient system because the gold, which was alluvial and thus very fine, would often pass through the sluice box undetected.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in the late 1800s and early 1900s. It also shows a location where sluicing was undertook which provides insight into the impact of sluicing on the environment at a time when it was done. Images, like this one, of Australian gold rush history can reveal important information about the social and environmental impact of this period. This image depicts diggers standing in a mining location and therefore, this image has the capacity to reveal or support significant information for researchers studying the fashion and social status of diggers in Australia in approximately 1870. It can also provide information on the landscape of Australia in this period and the impact of mining for gold on both society and the Australian landscape. The Burke Museum is home to a substantial collection of Australian mining photographs which can be used to gain a deeper understanding into life on the gold fields, technology used in mining, the miners themselves and the impact of the gold digging on the environment.Sepia toned rectangular photograph printed on matte photographic paper and mounted on board.[illegible] about 1870 / 97 2514.1 / 2594 30three mile goldfields, goldfields, 1870, 1870 gold, australia, australian landscape, miners, gold miners, diggers, gold diggers, beechworth, victoria, sluice box workers, sluicing, sluice, mining -
Bendigo Military Museum
Newspaper - PROPAGANDA NEWSPAPER, LUFTPOST, 10th March 1944
Newspaper written in German detailing Allied bombing raids on German factories and victories in other theatres including North Africa. The paper is Allied propaganda aimed at Germany. Part of the Frederick Gardner Davey DFC No 410533 RAAF collection. Refer Cat No 3536P for his service details.Four page newspaper with black type with black and white photographs and diagrams, information is written in GermanTop of page, “Nuremberg 30/31 - 3 - 44”propaganda, allied bombing raids, german -
Bendigo Military Museum
Uniform - UNIFORM 2ND AIF, C.1943 - 45
.1) & .2) The items were issued to Cpl H BACON VX103705 2nd AIF, Naval Bombardment Group..1) Hat, slouch, Kahki fur felt, cotton pugaree, Rising Sun badge, chin strap leather, leather lining. .2) Coat, Battle Dress, Kahki, Cpl stripes on one sleeve, 2 x Rising Sun Lapel badges, 2 x Australia shoulder badges, 2 x Colour patches red over blue in wave fashion with grey surround, metal buttons, 4 pockets. .3) Belt, webbing, light Kahki, brass buckles and keepers..1) “D & D ../30 size 7 1945” uniform, army, webbing, slouch hat -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Shell case, 37mm, 1942
Was displayed on Officers' Mess mantlepiece during 1970's - 1980'sBrass 37mm shell case37mm, M16, SER 1942,Lot 156665-30shell case, 37 mm, shell case, 37 mm -
Bendigo Historical Society Inc.
Book - THE LAND AND THE BOOK, 1870
Book, Les Gillies Collection, The Land and the Book or, Biblical Illustrations drawn from The Manners and Customs, the scenes and scenery of The Holy Land. London; T.Nelson and Sons, Paternoster Row, Edinburgh; and New York. 1870.W.M.Thomson, D.D., 30 years Missionary in Syria and Palestine.religions, christian, christian religion -
Coal Creek Community Park & Museum
Money Tin/Safe
Has sticky tape on it. Tape seemed to be worn Handled Key Lock Money compartments 30 Edge pole? (Tape) Money foro? (Tape) -
Robin Boyd Foundation
Slide, Robin Boyd, 1970
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Expo '70, Osaka, JapanMade in Australia / 30 / MAY 70M3 / 14 (Handwritten)expo 70, osaka, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1970
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. American Park, Expo '70, Osaka, JapanMade in Australia / 30 / MAY 70M3 / 34 (Handwritten)expo 70, osaka, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1964
In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Richard Apperly's home, Sydney, NSW, Australia. (Architect: Richard Apperly.)Made in Australia / 6 / OCT 64M / 30 (Handwritten)sydney, slide -
Uniting Church Archives - Synod of Victoria
Photograph, 1985
Reverend Voumard was an exit student in 1985.B & W head and shoulders photograph of Michael Voumard"C&N 30/1/1985 page 13."voumard, michael -
Stawell Historical Society Inc
Photograph, No 1 Platoon 39th Coy WW1 Photograph
Platoon portrait of No1 Platoon A Coy 39th Battalion Ballarat. 1916 WW1 30 Concongella Boys Joined 39th Battalion Ballaratww1, uniform -
Kew Historical Society Inc
Headwear - Fedora, 1970s
The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Faux wool woman’s hat made of 'polyacryl' and 'thermoplastisch' in shades of blue and yellow. While the hat is based on the shape of a fedora the design is softened by the varying shades of colour in the weave.Label: 70% Polyacryl 30% Thermoplastisch, Made in Italywomen's clothing -- hats, fedoras -
Vision Australia
Text, Newspaper clippings 16 (1984-1985), 1984-1985
To keep current with media articles on how vision impaired people, blindness organisations and their activities were reported in the press, books of newspaper cuttings were created. News stories were taken from local, regional and national papers covering a variety subjects. 1 red notebook with newspaper cuttingsNo. 2 6/9/84 - 30/4/85association for the blind -
Federation University Art Collection
Work on paper - Artwork - Printmaking, 'Volcanic Island' by Kenneth Jack, 1965
Framed six colour serigraph showing a volcano surrounded by water. Donated through the Australian Gifts Programme by Katherine Littlewood. Signed lrs "Kenneth Jack" Edition: 25/30kenneth jack, printmaking, volcano -
Glenelg Shire Council Cultural Collection
Plan - Plans / Line Drawings - Port of Portland Authority Trawling Vessel Sensation, Victoria, n.d
PORT OF PORTLAND AUTHORITYFront: '30' - black texta, top right corner -
Glen Eira Historical Society
Document - Elster Avenue, 10, Elsternwick
This file contains two items. 1. Handwritten research notes by Peta Darke, dated 17/08/2013, concerning the history of the property. 2. Two copies of advertising brochure for the auction of the property on 10/08/2013, including colour photographs of exterior and interior.elster avenue, elsternwick, parnell street, college street, kooyong road, lempriere john thompson, barbour william james, smith james, cooke henry, kean j. t., wilson gilbert, cooper d. e., harris l. w., witkowski jerzy, breedon jonathan, breedon fiona, breedon alexander, breedon william, breedon oliver, brick houses -
Churchill Island Heritage Farm
Photograph - Photograph of horse pulling hay raker, 30/03/2013
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a horse pulling a hay raker with a person in a high-vis vest watching from the right hand side of the frameCatalogue number written on reverse in pencil Written in pen on reverse 'Young horse pulling C.I. hay rake Churchill Island Easter Festival 30/3/2013'churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of horse harness, 30/03/2013
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a horse harness resting on a wooden fence.Catalogue number written on reverse in pencil Written in pen on reverse 'Working horse harness on post + rail fence Churchill Island Easter Festival 30/3/2013'churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of hay raker and horse, 30/03/2013
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a horse hitched to a hay raker gathering hay in a paddock.Catalogue number written on reverse in pencil Written in pen on reverse 'Young horse pulling C.I. hay rake Churchill Island Easter Festival 30/3/2013'churchill island, photograph -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
Cambrai Day is celebrated annually by Armoured Corps regiments of the British Commonwealth. It marks the anniversary of the Battle of Cambrai in November 1917 when a force of more than 400 British Mark IV Tanks broke the defences of the German Hindenburg Line, It was the first large-scale, effective use of tanks in warfare. Cambrai turned from a battle of great success to failure, but it heralded a new type of warfare and changed the nature of the battlefield forever.The gathering at Buna Barracks Albury, Beersheba Barracks Wangaratta, Bapaume Barracks Benalla and Salamaua Barracks Cobram on 30 November 1986 was the inaugural meeting of the 8th/13th Victorian Mounted Rifles Regimental Association.Colour photograph of group in mess building at Buna Barracks Albury on Cambrai Day 30 November 1986. From left : seated Corporal Cook Bruce Bullock, majors Robert Morrison, Ian Docking and Max Oates. All were former members of 8/13 Victorian Mounted Rifles. -
Ballarat Tramway Museum
Photograph - Black and White - Lydiard St North - trams 14 & 43, A T Miles, 30/1/1968
Black and White - tram 14 north bound to Lydiard St North, followed by tram 43, also showing Lydiard St North.. Taken by A T Miles 30/1/1968.Yields information about tram services in Lydiard St North.Photograph - black and white print with notes on rear.A T Miles stamp and location and date notes.tramways, trams, lydiard st north, tram 14, tram 43 -
Glen Eira Historical Society
Photograph - St. Catherine’s Church of England, Kooyong Road, Caulfield South
Photograph of St. Catherine’s Church, Alder Street 29/08/1910needham mrs., coorigal road, carnegie, alder street, st. catherine’s church of england, st. catharine’s church of england, kelly maurice rev., schewiger percy rev., reed mrs., reed rose, reed mary, reed martin, timber, elliot john -
Whitehorse Historical Society Inc.
Pamphlet - Memorial bookmark and funeral service program, Ted Arrowsmith
In memory of Ted Arrowsmith (24-09-2024 to 16-08-2020)Documents presented at the funeral Service of Edward Ernest Arrowsmith on 24th Aug 2020 at All Saints' Anglican Church, Mitcham. Ted was a longtime member of WHS and author of 'August Schwerkolt and his Legacy'.arrowsmith ted -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: News in arts and cultural heritage; Vol. 2, No. 3, Jun-Jul 1997, 1997
Vol. 2, No. 3, Jun-Jul 1997 CONTENTS WEAVING ON A ROLL Author Jon Weaving talks about the pitfalls of success 3 DON’T PASS THE GUINNESS Poet Patrick McCauley turns over a new leaf 6 AIMING FOR THE TOP Prue Acton chases a dream 9 CULTURAL TOURISM Selling a way of life 12 CONVERSATION WITH BOB SMITH An artist shares some thoughts on the why and how of painting 14 REPRIEVE FOR A GATE Some traditions refuse to die 16 STALKING THE STRANGER Short story by Chris Stonehouse 18 THEATRE IN AUTUMN Melbourne theatre is alive and well 21 TO A WOLF THE KILL Anne Delaney reviews Jon Weaving's first novel 23 EXHIBITION REVIEWS Richard Besley, Neophytes, The Eye of the Storm, Soft But True 24, 26, 27, & 30 CD REVIEWS 28 NEW SOURCE OF POWER Tony Trembath lights up a town hall 29 WHO’S DOING WHAT 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, food for all seasons, prue acton, jon weaving, michelle lonsdale, sandon mcleod, patrickk mccauley, malcolm riddle, cultural tourism, valley of the arts tourism association inc., robert peter smith, danny chable, farm gate, spirit of eltham, chris stonehouse, eltham bookshop, carolyn pickett, anne delaney, richard besley, mike parr, anita furey, aboriginal art, indigenous art, julie le bon, jackie stojanova, ranee lee, daniel chabble, tony trembath, john kauffman, westerfolds park envirofest, were street cafe, helen o'grady children's drama academy, nillumbik art collection -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: News in arts and cultural heritage; Vol. 2, No. 5, Oct-Nov 1997, 1997
Vol. 2, No. 5, Oct-Nov 1997 CONTENTS ART BRIDGES GAP IN WAR-TORN NATION Painter Piers Batman captures life in Eritrea 3 TENACITY OF THE HUMAN SPIRIT A teacher's road back from road trauma 7 EXHIBITIONS 10 POETRY Ray Liversidge 11 STUDIO WALKABOUT Artists open studios for Eltham Festival 12 ART FROM THE HEART Interview with Herman Pekel 14 ERITREAN JOURNEY Bill Moseley's camera in Eritrea 16 ART AND THE INTERNET Two Kangaroo Ground women bring art to a wider audience 18 HOUSE AND GARDEN IN SUBURBIA Exhibition of sculpture at Austin and Repatriation Medical Centre 20 THEATRE New Playbox - powerful advocate of Australian theatre 21 SHORT STORY Goodbye Dave, by Sherry Clarke 22 BOOK REVIEW 27 POETRY READING 28 BOOK REVIEW 29 EXPATRIATES COME HOME Former Nillumbik artists exhibit works 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, thornton mccamish, bill moseley, eritrea, darebin festival, christine durham, michele lonsdale, ray liversidge, ona henderson, syd tunn, eltham festival, artists open studios program, nillumbik artists' open studios, david armfield, janet boddy, jules christian burns, wendy donald, jill forest, annie keil-taggart, ming bellamy mackay, jenni mitchell, grace mitchell, mervyn hannan, mary lou pittard, chris pittard, maureen runge, herman pekel, austin and repatriation medical centre, carolyn pickett, sherry clarke, manningham artspace, alan marshall short story award, eltham arts council inc., eltham library community gallery, harriot dance, chapman & bailey artists' stretchers and furniture, eltham high school -
Bendigo Military Museum
Photograph - New Printing Press, Lithographic Squadron – Army Survey Regiment, Fortuna, Bendigo, 1990
This is a set of 30 photographs of contractors installing the Army Survey Regiment’s new Heidelberg Speedmaster 102 printing press in Lithographic Squadron’s purpose-built printing building at Fortuna, Bendigo in 1990. The computer-controlled five colour lithographic offset printing press provided the Royal Australian Survey Corps vastly improved printing capability, as the five colours for a standard topographic map was printed in a single pass. The print room was named Wayzgoose Hall after a medieval printing house festival. Wayzgoose Hall and the Speedmaster printing capability was commissioned by the Commander of the 3rd Military District BRIG P. Davies AM, ADC on Wednesday 27th June 1990. This occasion is covered in more detail in page 145 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4.This is a set of 30 photograph of the Heidelberg Speedmaster 102 Printing Press installation in Lithographic Squadron, Army Survey Regiment at Fortuna, Bendigo, 1990. The photographs were on 35mm colour negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. No personnel are identified. Annotated with date on negative sleeve.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho, printing -
Mission to Seafarers Victoria
Letter - Framed letter, Princess Anne, Buckingham Palace, Letter from HRH Anne, the Princess Royal, 2007 - 2008
The author of the letter the Princess Royal is patron of the Mission to Seafarers in Australia. The letter marks the centenary in 2007 of the establishment of the Seafarers Service in Australia. Letter, signed, on Buckingham Palace letterhead mounted and housed in gilt painted frame, glazed . Fitted with single twist hanging wire, and 4 felt stoppers; Core flute backing with Brown paper tape to seal. Signature bottom right in Black ink "Anne" / Conservation Framer's label initials in black ink : "E LH 22/2/08"mission to seafarers, commemorations, princess anne, princess royal, letter, 2007, centenary, seafarers service -
Mission to Seafarers Victoria
Letter - Framed letter, Art Conservation Framers, Buckingham Palace, Letter from HRH Anne, the Princess Royal, 2007 - 2008
The author of the letter the Princess Royal is patron of the Mission to Seafarers in Australia. The letter marks the 150th anniversary in 2007 of the establishment of the Mission to Seafarers in Australia. It acknowledges the work of the Mission and the men and women in Melbourne and the Victorian Ports offering the "hand of friendship to seafarers from all over the world".It also acknowledges the significant role of volunteers in supporting the work of the Missions. This letter is one of 3 letters held in the collection and received from Royal patrons. Letter, signed, on Buckingham Palace letterhead mounted and housed in gilt painted frame, glazed . Fitted with single twist hanging wire, and 4 felt stoppers; Core flute backing with Brown paper tape to seal. Signature bottom right in Black ink "Anne" / Conservation Framer's label initials in black ink : "E LH 22/2/08"mission to seafarers, sesquicentenary, commemorations, princess anne, princess royal, letter, 2007 -
Ballarat Tramway Museum
Slide - 35mm slide/s - set of 2, Noel Simons, 24/11/1962 12:00:00 AM
Set of 2 Kodachrome transparencies taken on 24/11/1962. 1163.1 - No. 21 in Bridge St., with destination of "Mt Pleasant" with a Twin Lakes advert and "Trotting Showgrounds Friday Night" auxiliary board on front dash panel. Also Picot & Widmer, chemists shop alongside tram. Tram at a stop with people boarding. 1163.2 - No. 13 and 30 crossing at the end of the double track in Sturt. St, at Grenville St. Both trams have Twin Lakes signs. Photo shows buildings either side of Sturt St.1163.1 - "No. 21 in Bridge St. Ballarat" 1163.2 - "No. 13 and 30 at foot of Sturt St. Ballarat" All have date stamp of "24 Nov. 1962" in purple ink. All black ink unless otherwise noted.tramways, trams, ballarat, bridge st, grenville st., sturt st., tram 13, tram 21, tram 30