Showing 2647 items
matching pocket-knives
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Bendigo Historical Society Inc.
Textile - ACCESSORIES COLLECTION: LADIES BROWN LEATHER HANDBAG, 1930's
Textiles. Brown leather handbag with silver coloured metal frame with push clasp. Leather tab to open on front. Three vertical pin stripes on one side front and back. Leather loop on back (2cm x3 cm). Inside lined with brown fabric with swinging hinged coin purse and two gathered inside pockets. Matching brown leather coin purse with press-stud fastener. Stored inside handbag containing a 1938 fold out calendar -"It's Christmas" printed on front of calendar with candlestick and holly leaves.textiles, domestic, ladies brown leather handbag -
Bendigo Historical Society Inc.
Clothing - ALLAN MONAGHAN COLLECTION: DEEP YELLOW TRACKSUIT TOP, 1970-1990
Deep yellow tracksuit top with dark green trim-7cm band around waist, 7cm band at wrist, 3.5 cm band on either side of front zipper opening. 16 cm roll over collar and 4 cm band on top side of raglan sleeves from shoulder to wrist band. dark green appliquéd letters across the back of the garment "AUSTRALIA''.Lower front :LHS has diagonal zipper (15cm) for internal pocket. Inside body of garment is lined with white perforated nylon fabric. Sleeves unlined.''SPEEDO'' emblem appliqued over RHS chest. Label inside back neck ; Speedo Actionwear in 100% nylon, 40''-106cm. Made in Britain Under licence''.costume, male, deep yellow tracksuit top -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: FORMAL MEN'S WAISTCOAT BY WELMAR, 1950's
Welmar white formal men's waistcoat. Back less. Shawl lapels. White starched marcella fabric. Single breasted with three buttons and button holes at waist. Pockets on either side at waist level. Each side of waistcoat has two X 1 cm buttons inside of the waistcoat. There is a tab ( 23 cmX2 cm) with three eyelets to join pieces behind the neck. A buckle is attached at waist level on the side of each piece through which a cotton tape (155 cm X 2 cm) is threaded to be tied at the back of the wearer.Label inside LH section ''WELMAR'' All cotton. Dresswear 40.Stamp on both pieces 50 54costume, male, men's formal waistcoat -
Bendigo Historical Society Inc.
Photograph - COHN BROTHERS COLLECTION: WORKER BEING INTERVIEWED
Photograph taken inside the factory, on the left side of the picture are 3 very large barrels. In front of the barrels is a large bottle rack holding numerous bottles, all of the bottles are full. There is a worker holding one of the bottles, he is wearing a hat and overalls. On the right hand side of the Photo is a journalist, he is wearing a dark suit , shoes and a tie with a white handkerchief showing at his top coat pocket, he is holding a notepad and pencil. On the back is written ML45/7 and stamped in purple is the mark of the Australian News and Information Bureau requesting that the photo be acknowledged.Australian News and Information Bureau.organization, business, workers, cohn brothers . -
Hume City Civic Collection
Dress, black crepe, 1940s
Belonged to Kathleen Marjorie Dunn (nee McKenzie)Formal day dress in black crepe. It has a round neck and short set-in sleeves. The front opens from neck to waist and has four self-covered shank buttons. The bodice is slightly gathered at two points front and back. The skirt is gathered centre front with seven rows of shirring. The bodice features six arabesques in black and white beads. The skirt has two false pockets with similar beading. A small vent at the left waist closes with a hook and eye. The dress is machine sewn with a hand sewn turn-up on the hem.Nonecostume, george evans collection -
Whitehorse Historical Society Inc.
Domestic object - Sewing Kit, c1930's
Brown leatherette case containing ladies' sewing kit. Lined with flesh coloured moire silk, gathered pocket containing a sheet of 200 pins, brass thread holder containing 2 reels of silk thread, one shade 677 the other 706. Other half of case has leather strap with 2 packets of Lighthouse brand needles, scissors, thimble, two needles, punch, button hook, one unknown tool, 1loose '30's button, 2 needle cards, one containing 12 safety pins of various colours.Lithgow Sheet, 200 solid headed English Pins. Abel Morrall's Dress and Lingerie Pins. Art Silk Hose Mending, Flora MacDonald Needles are a Pleasure to Use.domestic items, sewing -
Ballarat Tramway Museum
Map, Ministry of Transport and The Met, "Public Transport Map of Melbourne" - "Effective August 1988", 1988
Map - Pocket size - folded - public transport map of Melbourne, printed in colour on art paper, showing public transport services in greater Melbourne, an index of localities. The City Saver area shown in detail. On the rear, route numbers, line maps of tram routes, train lines, outer metropolitan services, ticketing information, Transport Neighbourhoods, . Shows the St Kilda and Port Melbourne light rail lines. Price $2. Shows "The Met" logo. On front under The Met logo and above the scale bar is "Effective 1/7/1988". Niltrams, tramways, melbourne, map, routes -
Ballarat Tramway Museum
Map, Melbourne and Metropolitan Tramways Board (MMTB), "MMTB Map of Melbourne Tramways 1934-5", 1934
Demonstrates methods of giving information to visitors to Melbourne and yields information about tram services at the time in Melbourne.Very small pocket sized timetable and map book, consisting of 2 octavo cards stapled and folded into 12 pages consisting of three pages of bus and tram round trips, 3 center pages for map of electric and cable trams, route numbers and interest points. Map printed in 4 colours. 4 pages index to routes and first and last trams to City and from City. Also gives points where suburban routes are intersected by City routes. One page devoted to places of interest. All printing in black with red headings and highlights.trams, tramways, mmtb map, mmtb, timetables, tourist trips, map -
Whitehorse Historical Society Inc.
Clothing - Dress & jacket, 1960s
Belonged to donor's aunt1960s navy blue fine silk shantung fabric dress with lace bodice and elbow length sleeves. Metal zip, hook& eye down back. A-line skirt with two front seams and pockets. Dress is below the knee length. Lined from above bust line in bodice with fine blue crepe fabric. Matching jacket of fine silk shantung with lace trim on collar& cuffs of full-length sleeves. Self-covered shantung 4 buttons and stitched buttonholes. La Petite label in jacket and underarm on dress.La Petite Model Frocks, 165 Collins St Melbourne.la petite -
Melbourne Tram Museum
Map, The Met, "Public Transport Map of Melbourne" - "Effective August 1988", 1988
Map - Pocket size - folded - public transport map of Melbourne, printed in colour on art paper, showing public transport services in greater Melbourne, an index of localities. The City Saver area shown in detail. On the rear, route numbers, line maps of tram routes, train lines, outer metropolitan services, ticketing information, Transport Neighbourhoods, . Shows the St Kilda and Port Melbourne light rail lines. Price $2. Shows "The Met" logo. On front under The Met logo and above the scale bar is "Effective 1/7/1988".In ink in top left hand corner, "11" in a circle.trams, tramways, melbourne, map, routes -
Melbourne Tram Museum
Functional object - Badge, Metropolitan Transit Authority (MTA), c1980
.1 - Badge - Manufactured - brass? with gold plate finish on the rear and sides with a green and gold glazed paint finish with the Metropolitan Transit Authority logo and the words "Traffic Officer" and "Metropolitan Transit" and two braised lugs and one clip for use in a uniform. Has number "4" stamped into the top of the badge. .2 - as above - No. 108 contained with in a cellophane packaging with two brass clips inside. .3 - as above No. 121 .4 - same style as above, but a larger version - No. 121 has a pocket clip on the rear - with the name "Lega Melbourne" stamped in.trams, tramways, the met, badges, officers, mta -
Bendigo Historical Society Inc.
Document - LANDS OFFICE: SANDHURST CROWN LAND SOLD BY AUCTION 1854
Document: LANDS OFFICE: SANDHURST CROWN LAND SOLD BY AUCTION 1854 booklet - brown paper cover with blue pages. On front cover ' copy of sale books, town lots Sandhurst, April 18,19,20,21, 22 and 24 also suburban lots on the Bendigo Creek sold May 10TH.? 1854' Booklet contains copies of advertisement for auctions, written alongside, name of purchaser and amount paid per acre. White sticker fixed to pocket ' Book 1, Sandhurst Land Sales, 10 May 1854 to 18 May 1854Lands Officelands office, bendigo, sandhurst, land sales -
Bendigo Historical Society Inc.
Document - LANDS OFFICE: SANDHURST AND DISTRICT CROWN LAND SOLD BY AUCTION 1854
Document: booklet, brown paper cover secured by string on spine. Written on front cover ' copy of sale books, January 16, 17. 18, 19, 26 1854. Harcourt, Lockwood, Muckleford' Blue lined pages with copy of advertisement for town lots for auction. LH page columns: price per acre, amount, deposit. RH page balance, purchaser, name, residence. White sticker fixed to pocket: Book 4 Sandhurst Land Sales, including outlying areas 16 January 1854 to 19 January 1854.lands office, bendigo, sandhurst, harcourt, muckleford, lockwood, land sales, auctions -
Bendigo Historical Society Inc.
Document - LANDS OFFICE: SANDHURST AND DISTRICT LAND SALES BY PUBLIC AUCTION 1855 - 1857
Document: booklet, marbled cardboard cover. Written on front ' Sale 1855 - ?7' Inside front cover £50 per acre - 6/3 per rood. £8 do. 1/- do, V1 do. -/1/2 do. 'E' ' from April 30th. 1855 to Jany. 27th. 1857' Contains blue pages with red columns. Copies of Crown Lands Sales listed in book, to right of copy, deposit, name of purchaser and total amount. White sticker on pocket Sandhurst Land Sales 22 January 1855 to 27 January 1857Lands Officebendigo, land sales, lands office, crown land, land sales, auctions, sandhurst -
Geelong Football Club
Photograph of Geelong Football Club's Four A.N.F.C. Carnival Representatives, 1969
Championship played at Adelaide in June 1969, Title won by Victoria. Peter Walker Born: 12/06/1942 From: Beeac Height: 183cm Weight: 76kg Natural kicking foot: Right Guernsey number: 34 First senior match: Round 3, 1960 v Fitzroy at the Brunswick Street Oval After taking time to settle at senior level, he found his rightful place on the half-back line. Once he gained confidence, he became a champion, dashing player who could mark above taller opponents and swing Geelong into attack instantly with fine disposal. His duels with Darrel Baldock of St Kilda were outstanding during the 1960s. He always played the game fairly and followed coaches’ instructions to the letter. Total Brownlow Medal votes: 32 Premiership team selection: 1963 Captain: 2 matches (1969) Club Best & Fairest: 1965 Runner-up in club B&F count: 1963 Third in club B&F count: 1967 Fifth in club B&F count: 1968, 1969 Eighth in club B&F count: 1964 (equal) GFC Hall of Fame inductee (2002) GFC Life Membership (1968) Career span: 1960-69; 1971 Total matches: Premiership 159, Interstate 9 Total goals: Premiership 1, Interstate 0 Finals matches: 15 Finals goals: 0 Last senior match: Round 11, 1971 v Richmond at Kardinia Park Died: 08/07/2010 John ‘Sam’ Newman Born: 22/12/1945 From: Geelong Grammar Height: 189cm Weight: 94kg Natural kicking foot: Right Guernsey number: 17 First senior match: Round 3, 1964 v Fitzroy at the Brunswick St Oval The champion ruckman/forward-pocket/back-pocket became a valuable centre half-forward late in his career. He was a magnificent high mark and a great handball exponent. His ability to maneuver his body into correct position at ruck contests and in marking duels was equal to that of Graham Farmer. He worked hard to overcome severe kidney and ankle injuries to play 300 matches for Geelong in a magnificent 17-season span. Total Brownlow Medal votes: 85 Captain: 41 matches (1974-75) Club Best & Fairest: 1968, 1975 Runner-up in club B&F count: 1974 Third in club B&F count: 1965, 1970, 1976 Fourth in club B&F count: 1969 Fifth in club B&F count: 1973, 1979 Seventh in club B&F count: 1967, 1977 All Australian selection: 1969 GFC Team of the 20th Century selection (back pocket) GFC Hall of Fame inductee (2002) GFC Hall of Fame Legend GFC Life Membership (1971) Career span: 1964-80 Total matches: Premiership 300, Night/Pre-Season Series 4, Interstate 8 Total goals: Premiership 110, Night/Pre-Season Series 4, Interstate 1 Finals matches: 12 Finals goals: 4 Last senior match: Second Semi Final, 1980 v Richmond at Waverley Park Information provided by Mr Col Hutchinson GFC HistorianWhite painted wooden frame with glass front. White mounting card surrounds the photograph. Black and white photograph of John 'Sam' Newman, Ivan Morris, A.R. Jack Jennings and Peter Walker standing in front of a wire fence. Above on the mounting card states "GEELONG FOOTBALL CLUB" and the supporting text below provides context for the photograph. Wire on the back for hanging.peter walker, john newman, sam newman, ivan morris, a.r. jack jennings -
Flagstaff Hill Maritime Museum and Village
Tool - Froe, Late 19th to Early 20th century
A froe was used for splitting, or riving, wood in the early days and was a skill practiced by craftsmen who made boards, shingles, c lapboards, fences, basket splints, chair parts, wagon spokes, lath, and more. Our ancestors used axes, gluts or wedges, froes, draw knives and spelk planes for splitting wood. The froe was designed in many sizes and designs for splitting timber. It is typically an L-shaped tool made up of a wedge-shaped blade with a dull, but not blunt, knife edge and a wood handle. Blades were usually straight with a socket forged at one end for a handle, but curved blades were also made. Most handles were round and tapered and were inserted up through this socket. But some froes had eyes similar to those on axes for handles that were wedged. The froe handle is held in an upright position in one hand while the other hand drives the top of the blade downward with a wood froe club or mallet. After a split is started, the froe is wiggled downward to lengthen it until the split is complete. Most old froes were hand forged, but they were also available in many catalogues. The 1873 D.R. Barton American catalogue offered straight froes at 12 1/2 cents per inch. You can still buy new froes from many tool manufacturers today.A tool that has not changed in design or use since its inception several hundred years ago to split timber for various uses.Froe, also called cooper's froe or stave froe, without handle.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, froe, cooper's froe, stave froe, wood splitter, carpenders tools, coopers tool, splitting timber -
Flagstaff Hill Maritime Museum and Village
Functional object - Razor and case, E.M. Dickinson, 1895-1930
E M Dickinson was a cutlery company in Sheffield that made all types of cutlery knives of all types and patterns, razors domestic electroplated cutlery etc. Edwin Murray Dickinson started recruiting workers for his new cutlery firm at 11 Cambridge Street Sheffield England in 1870. The original premises consisting of warehouse, offices, cutlers shops fitted with the latest steam-powered equipment however this premises was offered for let in November 1887, and new premises were secured at 51 Division Street and were occupied by Dickinson's in early 1888. By October 1890 Dickinson was advertising the Division Street premises to let and moved the company into other new works (still called Murray Works) at 122 Rockingham Street. On 12th October 1901, Dickinson gave notice that the firm was to be converted to a limited company and by March 1908 the Rockingham Street works had been advertised for sale. In 1909 the deeds for other new premises at 203 Arundel Street Sheffield were deposited to secure a £3,000 loan from the Sheffield Banking Company. Then on Christmas Eve 1926 several hundred pounds worth of damage was caused by a fire at the Arundel Street works. The founder, Edwin Dickinson died on 21st October 1930 aged 81 at his home at 449 Crookesmoor Road and on the 23rd May 1939 the firm went into voluntary liquidation.An item made by a company that made many different types and patterns of cutlery for domestic use and export.Straight razor with black celluloid handle and it’s boxBlade has marking, INVICTA" with decorative engraved design, on the other side engraved "E M DICKINSON SHEFFIELD ENGLAND"flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, razor, e m dickinson ltd, e m dickinson ltd sheffield england., cut throat razor, cutlery -
Montmorency/Eltham RSL Sub Branch
Uniform - Jacket, Khaki, Service Dress WW2 (Womens), 1943
Dress jacket worn by Corporal Kathleen Phyllis Gill from Toorak Hill, Casterton. Army No. VF345716 Unit LHQ (Mil. Sec)Lined women's khaki dress jacket. Long sleeved. Wool polyester. Four metal buttons down the front with the inscription Australian Military Forces with a map of Australia in the center with a crown at the top of the map. Two hip pockets on the left and right with a flap on each. Two pleated pockets over the left and right breasts with flaps and small metal buttons inscribed Australian Military Forces with a map of Australia in the center with a crown at the top of the map. Australian Military Forces badge on the upper left lapel Two epaulets on the left and right shoulders with two small buttons inscribed Australian Military Forces with a map of Australia in the center with a crown at the top of the map. AWAS (Australian Women's Army Service) badges at the base of each epaulet. Corporal's stripes 6 cm down the right sleeve. Unit patch red over black - LHQ (Mill Sec). Two vertical belt loops at the back on the left and right. Pleat opening at the back. Horizontal strip of material inside the collar at the back of the neck to hang jacket. Tag sewn onto the lining at the back 2.5 cm down from the top stating - V 579 Made in Australia D. broad arrow D. 1943 Size kathleen gill, wool polyester, women's dress jacket -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, 17.10.1952
The Melbourne District Nursing Society (MDNS) Trained nurses (Sisters) are receiving their morning briefing from Matron D. Tupper before leaving their Headquarters at 39 Victoria Parade, Collingwood to go to their areas (districts) in the Melbourne suburbs to give nursing care to patients in their homes The Sisters averaged 30 calls a day each, mainly wound dressings; personal care, mostly sponges in bed; and injections (insulin and diabetes management). The Trained nurses of the Melbourne District Nursing Society (MDNS), later known as Royal District Nursing Service (RDNS), visited patients in their home and gave best practice care in many fields of nursing, and to people of many cultures, throughout its 130 years of expansion. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Sisters provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as those with MS, MND, Guillan-Barre Syndrome, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.This photograph depicts five Melbourne District Nursing Society (MDNS) Sisters of varying heights standing in a row. They are wearing their grey long sleeve uniform dresses which have peaked collars, a pocket on the upper left and lower right, and white buttons down the centre. They are all wearing their grey brimmed hats over their short dark curled hair. From left to right is Sister (Sr) J Faust, who is looking down at a clipboard she is holding in her left hand which has paper held on it by a black bulldog clip. There is writing on the top sheet of white paper and she is holding a pen in her right hand poised near a section of writing on the paper. Next is Sr. M Sexton who is looking at the camera, then Sr. B Nunn who is looking towards a mainly hidden person on the far right. The next two are Sr E Blair, who has items in her lower pocket, and Sr B White who are both looking at the clipboard and paper held by Sr. Faust. In the far lower right corner of the photograph you can see the fingers of hands holding a sheet of paper. There is no further vision of this person.Operator 59. Finisher 30melbourne district nursing society, mdns, mdns uniforms, royal district nursing service, rdns, sister j. faust, sister m. sexton, sister b. nunn, sister e. blair, sister b. white -
Brighton Historical Society
Clothing - Dressing gown, circa 1894
This dressing gown belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield, where they hosted lavish receptions for Melbourne's elite. Clara was known as a stylish hostess who wore elegant imported fashions. This dressing gown is believed to have been manufactured by Japanese silk merchant Shiino Shōbei. Following the opening of the port of Yokohama to foreign trade in 1859, Shōbei began producing western-style silk garments, initially selling them to foreigners living in Japan and later exporting them around the world, even exhibiting at the Melbourne International Exhibition of 1880. His popular exports included quilted 'at-home' gowns or dressing gowns similar to this one. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A hand stitched purple pink silk quilted dressing gown with pale pink embroidery from circa 1894. The dressing gown is embroidered from the collar and shoulders though the centre front body to just above the hemline, on the cuffs and remaining pocket in a pale pink Perle thread embroidery featuring leaves and flowers. The entire gown is hand quilted with vertical parallel lines. The gown's neckline features a flat collar and the sleeve head fits on the neat shoulder line. The sleeve head is gathered and full tapering to a loose flat cuff at the wrist. The front of the garment is currently secured by fourteen decorative frogs of two different styles, none of which appear to be original. There is also evidence of a fifteenth toggle that has been removed from the base. The gown's original left hand pocket has been removed and attached to an area around the right breast presumably to patch a hole or obscure some damage. It is unknown when these modifications have been made. The back of the gown features a gathered pink and black concertina pleated silk insert panel from the neck through to the base of the garment. The garment is lined with a very fine pale pink silk over the woollen batting.clara miller, woolbrook, septimus miller, cantala, gwendoline miller, caulfield, brighton general cemetery, shiino shobei, s. shobey -
Stawell Historical Society Inc
Costume, Brown Silk Taffeta Wedding Dress belonging to Johanna Draffin ne Bisset Simpson 1880, 1880
See Marriage Cert in Marriages File 1840-1885 Also Details in Simpson File Belonged to Johanna Simpson married Thomas Draffin on 17th Feb 1880 Presbyterian Church Stawell Silk Taffeta lined wedding dress. Ruffled collar. 18-inch waste. Full length sleeve. Ruched band on upper sleeve. Lower sleeve band attached with matching silk piping which extends into the band as decoration. Garment shaped with two long darts on either side of opening. Opening from neck to below hip uses metal hook and hand sewn eye closing. Lower dress in three sections. Top section is plain matching material attached to the upper garment with piping. Second panel is Ruched material the same material as upper garment. Third lower panel is same material as upper garment consisting of three bands of finely pleated material. Back has pocket on right hip with two pointed flaps and central pleated panel. Back has a Central Bustle extending from back hip to hem. Light Brown with pleated frills at bottom Miss Annie Draffin Mothers Wedding Frock 1880 -
Vision Australia
Equipment - Object, Wormald International Sensory Aids Ltd, Mowat sensor, 197
The Mowat Sensor model MS 01, is a pale green, palm-sized, plastic battery-operated device with a darker green switch on top. It is partially open at one end with two grilles. A microphone plugs into the other end with a wrist strap. It came with a brown vinyl carry case and owner's manual, which are not included. This handheld device for the visually impaired uses high frequency sound to detect objects within a narrow beam. The sensor vibrates if an object is present, responds to closest object within the beam. The vibration rate increases as user approaches object. There are two range settings: short, responds to objects less than 1 meter away (indoor use) and long, responds to objects of sufficient size up to 4 meters. The sensor can be handheld or carried in pocket or purse. As a facility intended for partially sighted people, the compass also includes an in-built color indicator (visible through the semi-transparent enclosure), which indicates the direction using a combination of three colours. Weight: 185 grams. Comes with dark brown vinyl case.1 pale green coloured plastic rectangle sensor with a brown nylon, plaited wrist strap Model MS01assistive devices, orientation and mobility -
Bendigo Historical Society Inc.
Instrument - Ophthalmoscope (or funduscope)
Ophthalmoscopy, also called funduscopy, is a test that allows a health professional to see inside the fundus of the eye and other structures using an ophthalmoscope (or funduscope). It is done as part of an eye examination and may be done as part of a routine physical examination. It is crucial in determining the health of the retina, optic disc, and vitreous humor. The pupil is a hole through which the eye's interior can be viewed. For better viewing, the pupil can be opened wider (dilated; mydriasis) before ophthalmoscopy using medicated eye drops (dilated fundus examination). However, undilated examination is more convenient (albeit not as comprehensive), and is the most common type in primary care. The Photoscope, or Mirror. Many varieties of the photoscope are in use. .... Some prefer a mirror with a small, folding, protecting handle, or two mirrors, so made that one may serve for the handle while the other is in use. These are easily carried in the pocket, ... If the mirror is perforated in the center, the light rays pass freely to the examiner's eye, but the edge of the perforation, unless perfectly blackened and free from chipping, causes very annoying reflections.Round circular black compact hinged - When opened has mirror with hole in it on one side and black lid/cover on the other - Small lip on top cover. ophthalmoscope, fundoscope, eye testing -
Flagstaff Hill Maritime Museum and Village
Artwork, other - Framed poster, Tim Walker, Loch Ard Shipwreck, circa 2010
Tim Walker’s work is an eye-catching array of shipwreck artefacts and associated items. They help tell the story of the 19th century ships that travelled across the world full of people and cargo that are now part of our history. The work was commissioned especially for Flagstaff Hill and highlights the famous story of the 1878 ‘Loch Ard’ shipwreck. The images also include two small items from the 1981 ‘Fiji’ shipwreck. Timothy “Tim” Walker was born in Britain in 1970. He is a self-taught artist who began with a desire to use his talents for full-time work. He moved to Warrnambool in 1990 and became involved in the Warrnambool and District Artists’ Society, where he has served for a period as President. In 2010 Warrnambool Art Gallery hosted an exhibition “Nine Lives” with works from nine local artists including Tim Walker. The ‘LOCH ARD’ 1873-1878 - brief history The clipper ship ‘Loch Ard’ was a built in Scotland in 1873. In 1978 the ship was sailing to Melbourne with 54 people on board as well as a mixed cargo of items, some of which were bound for the 1880 International Exhibition in Melbourne. On June 1st 1878 it was very close to its destination when it crashed into Mutton Bird Island, east of Port Campbell. Only two people survived. The wreck was re-discovered in 1967, almost a century later, and the site continues to provide evidence of the range of goods imported into the Colony of Victoria in the post-Gold Rush era. Flagstaff Hill divers in the 1970s reported finds of “Bottles of champagne, window panes, rolls of zinc, barrels of cement, iron rails, clocks, lead shot, corrugated iron, lead, marble, salad oil bottles, ink bottles, copper wire, gin bottles, rolls of carpet, floor tiles, copper rivets, gas light fittings, pocket knives, toys, crystal chandeliers, beer mugs, cutlery, candles sticks, wick scissors, cow bells, and sauce bottles.” The famous Loch Ard Peacock was also on board. The ‘FIJI’ 1875-1891 – brief history The barque ‘Fiji’ was built in Ireland in 1875. The sailing ship left Hamburg in May 1891, bound for Melbourne with a crew of twenty-five plus the captain. The ‘Fiji’ had almost reached her destination after a trip of 100 days at sea when, on September 5th 1891, she struck rock 300 metres from the shore at Moonlight Head, near Cape Otway. Eleven men lost their lives but with the help of locals including members of the Rocket Rescue Crew, the rest of the men were saved. In anticipation of Christmas, the cargo had included a wide variety of children’s toys, amongst which were dolls with china limbs, wooden rocking horses, miniature ships, and red and white rubber balls. There were also cases of dynamite, pig iron, steel goods, spirits, sailcloth, tobacco, fencing wire, concrete, 400 German pianos, concertinas and other musical instruments, artists’ supplies, porcelain, furniture, china and candles. This artwork has historical significance as it shows a small sample of the variety of items on board the late 19th century ships bound for Australia in the Colonial and late God Rush period. The cargo contained personal luggage, items intended as gifts, and goods ordered for domestic, commercial or industrial use. The wreck sites of both vessels, ‘Loch Ard’ and ‘Fiji’ are classified on the Victorian Heritage Register as significant and are now protected by government law. The sites are popular with divers and provide interpretive material regarding social and maritime history. Framed poster of a watercolour painting by Tim Walker, gilt frame, behind glass. Subject is a group of objects, most of which are connected with the 1878 shipwreck Loch Ard, such as items recovered from the shipwreck and the famous ‘Loch Ard Peacock’. Two items are from the wreck of the ‘Fiji’. Inscriptions on ingot, a handwritten letter, bell, clear bottle, and small plaque.On ingot: “PONTIFEX & WOOD. LONDON”. On letter: “Presented to Mr. Thomas Pearce”. On small ingot: “TIM WALKER”. On bell: “LOCH ARD”. On clear bottle “THE SINGER MANUFACTURING COMPANY“. On plaque: TIM WALKER”.warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, flagstaff hill, loch ard, fiji, watercolour, timothy walker, tim walker, warrnambool & district artists’ society, warrnambool art gallery, poster, henna street picture framers, cargo, print -
Williamstown High School
1956 Class 1A
Copy of a black and white photograph of Form 1A, 1956. Accompanied by a caption.Caption reads: Form 1A 1956. The photo was taken near Pasco Street boundary. Navy blue tunic, blazer and beret was the winter uniform for girls. In Summer they had a green dress trimmed with white and a straw hat. The boys uniform was grey and were expected to wear black caps with red buttons on the top (lots were kept in pockets). Original photo on loan from Iris Whitehurst (Webb). On back of photograph: Form 1A 1956 "Dingoes". Iris Webb has original.williamstown high school, 1956, class photos -
Bendigo Military Museum
Uniform - BATTLE DRESS, ARMY, WW2, Akubra, 1. 1942. 3. 1985
Colour patch is probably 2/2nd Heavy AA Regiment.1. Jacket, wool. Colour sort of grey tinted khaki. Has 4 front pockets. Buttons are darkened AMF type - 4 on front. Epaulettes have darkened "AUSTRALIA" name badge on each collar have darkened Rising Sun Badges. Shoulders have a triangular shaped colour patch. Red and Blue triangle on grey felt triangle. Chest has a ribbon bar showing 4 service medals. 2. Trousers - wool - colour Khaki. 3. Hat - Khaki, slouch. WW1 style hat band. Darkened Rising Sun Badge- AMF.Trousers - in green texta - 21-95 in waistline.ww2, uniform, army, passchendaele barracks trust -
Bendigo Military Museum
Souvenir - JACKET, Handmade in Vietnam, c1969
Item in a collection relating to Wes Bertuch, refer Cat No 1664.2 Jacket - bespoke handmade, in black cotton fabric exterior and white silk fabric lining. With collar, long sleeves, cuffs with black plastic buttons, inset pockets and elasticised area on waist band. Front zipper closure. Handstitched decoration on front, top of sleeves and back of jacket. Front - left side, yellow cotton? Vietnamese writing, Right side - yellow, orange, white and brown cotton - face of a tiger. Top of sleeves - left and right - orange and white cotton - dragons. Back of jacket - blue, orange, green and yellow map of Vietnam, Laos and Cambodia.On Jacket back - handstitched in yellow cotton "WHEN I DIE I'LL GO TO HEAVEN/ BECAUSE/ I'VE SPENT MY TIME IN HELL/ VIET & NAM/ 68 69". On and beside map - hand stitched in white cotton "LOVIS/ HANOI/ THAILAND HUE/ DA-NANG/ QLV-NI-ION/ BANGKOK NHA- TRANG/CAM-RANH/PHAN THIET/ BIEN HOA/ . On map - yellow cotton "CAMBODIA/SAIGON"souvenir, vietnam, clothing -
Bendigo Military Museum
Uniform - WRAAC UNIFORM - WINTER, 1983 - 1984
1. Jacket - green, wool/polyester. 4 Brass buttons on front, two hip pockets, gold Corporal stripes on arms. Buttons are for R.A.C.T. 2. Skirt - Green. It has 30mm belt loops around waist. Pleats at back. Waist held with a button and zip closer. 3. Blouse - Polyester. Two tone green stripes. Long sleeved, cuffs. It has six pearl coloured plastic buttons. 4. Hat peaked - two tone green. Pivoting frontal strap with RACT badge on front. 5. Cravat - matching two tone green stripes.1. Inside Jacket is written "Balaam". 2. Inside shirt is written "Balaam". 3. Inside blouse is written "H.J. Balaam". 4. Inside hat is "Balaam". wraac uniform, passchendaele barracks trust -
Bendigo Military Museum
Uniform - MESS DRESS, FORMAL
1. Jacket - woollen, red, white collar, long sleeved with white cuffs. Two Rising Sun badges on collars = "AUSTRALIAN COMMONWEALTH MILITARY FORCES". It has epaulettes of same red wool, held with small brass buttons (Aust). It has the rank insignia of a LT.COLONEL. 2. Vest - red wool. Lined with a striped cotton lining. Four miniature brass buttons on lower front. 3. Shirt - cotton. Off white colour. 5 pearl coloured buttons on front, long sleeves. One pocket on breast. 4. Black bow tie with metal clips.post ww2, cmf, passchendaele barracks trust -
Bendigo Military Museum
Equipment - FIRST AID KIT, Possibly post WW2
.1) - 2.) Canvas bag with strap, khaki, brass press studs. .3) - .8) Group 3 bandages & 3 dressings in paper wrapping. .9) - .13) Cardboard box with lid containing 3 ampoules of tincture of iodine. .14) Sealed paper pocket containing safety pins. .15) - .17) x 3 bottles containing tablets. .18) Metal tin with attached lid. .19) Roll of adhesive tape. .20 - .21) Tube of Tannic of Acid Jelly in cardboard box. .22) Small brush. .23) Dressing fabric. .24) Gauze bandage. medicine-first aid, military history - equipment, passchendaele barracks trust