Standard Australian Army servicemans metal pocket knife with three folding implements. It has a single edge knife blade, a can and bottle opener and a marlin spike all hinged to fold away into the knife body. One end of the knife is equipped with a screwdriver blade stub. The other end is equipped with a pivoting copper suspension loop. The body of the knife is stamped with the manufacturer's details, which includes a description of the style of knife as an 'opener', patent number '15737' and a 'D^D' stamp. This knife is wrapped in a waxed piece of paper printed with the instructions for using the can opener blade.The body of the knife is stamped with the following inscription "WITTINGSLOWE, OPENER, ADELAIDE, PAT.APPLN 15737" and a 'D^D' stamp.vietnam, australian, army, pocket knife, opener

The State Electricity Commission of Victoria's mail was collected and carried in a satchel especially made for the purpose.Historical: The State Electricity Commission of Victoria's mail was collected in a satchel. This would separate it from other mail and protect it. A satchel would enable the mail to be collected by different people using modes of transport.This brown leather rectangular satchel is well worn with stitching around the perimeters of the front and back where it is attached to the side pieces. The back piece extends a little at the top where it is stitched to a reinforced piece that has a curved handle covered by steel and fastened with a stainless steel plate with rings. The leather then continues as a flap also stitched to the piece with the handle. The satchel is fastened with 3 large press studs.The sides of the satchel extend and fold into the inside and can be fastened to each other with a large press stud. This may be to protect the contents. At the front centre a transparent pocket is stitched on presumably for identification. Engraved centre back: "S.E.C. / Mail"satchel. mail. s.e.c.. letters. state electricity commission of victoria.

This jacket is part of a winter mess dress uniform belonging to Bernard Farley during service with the Australian Airforce. Worn in 1978, this jacket style was first developed in the 1950s and continues to be worn as mess uniform in the present day.This item has aesthetic significance and is a representative example of uniform design from the 1950s to present day. This item has clear provenance, having been donated by RSL member and Secretary (2019), Bernard Farley after its use during Bernard’s service in the Airforce. As a former member of the Australian Airforce and member of the Warrnambool ex-service community, Bernard’s uniform has great social significance, telling a broader story of life after service.Dark navy blue dress jacket with long sleeves ending at waist height. Jacket is double breasted with eight metal buttons; two buttons are larger and held on by safety pins. Buttons are gold in colour and marked with a crown and eagle motif. Lapels on jacket are of a lighter, grey-blue. Jacket is adorned with epaulettes on both left and right shoulder, attached with a cotton loop on each shoulder and held in place with a screw-in gold button. Jacket has synthetic lining in cream colour and an interior pocket on the left hand side; lining is detatched on both the left and right sides at the base. Label on interior collar reads “C.G.C.F” Epaulettes bear three lines in gold embroidered stitching and a badge depicting an eagle underneath a crown, also in gold. dress uniform, airforce, commonwealth government clothing factory, uniform, epaulette

This jacket is part of the dress uniform of a Major in the Army Reserve. Major Bernard Farley who owned this jacket wore it to official functions in the Mess dining room. He served in this capacity from 1998-2001. Bernard also served in the RAAF for a number of years.These trousers are part of the dress uniform of a Major in the Army Reserve. Major Bernard Farley, who owned the uniform, wore it to official functions in the Mess dining room. He served in this capacity from 1998-2001. Bernard also served in the RAAF for a number of years.Long black trousers with a single red stripe running down either side from the top of the waistband to the base of the legs. There are two pockets just eunderneath the waistband on either side of the trousers. The fabric frms two stiff peaks at the centre of the back of the waistband. The trousers have a black zip with a metallic clip just above and six black plastic buttons along the interior of the waistband. There is one white square label with inscriptions attached to the back/left of the interior section of the waistband. Directly underneath this is another rectangular white label of the same length however much shorter. This also has inscriptions.Inscriptions on the larger square label: Fletcher Jones / Victoria / 1998 / NSN: 8405-66-095-9737 / NAME........... / SERVICE NO............ / 70% Wool / 30% Polyester / DRY CLEAN ONLY (A) / Press on original creases. Use damp cloth. Medium to hot iron / ZT782 AR0009 Inscriptions on the smaller rectangular label: 425267283.ZT782G / 94-92-76 / 347 044 07063222 / CLOTH / AR0009 / . . 5 . D40. 5 / J10066. . W *army reserve, dress uniform, dress trousers, trousers, army uniform, uniform, bernard farley, farley, warrnambool rsl, warrnambool

Clothing. All-over beading means that this is quite a heavy little bag. Rectangular in shape with rounded corners on the bottom, and diagonally cut at the top corners, the bag has a zipper closure, a small 5 cm long beaded loop attaches to the zipper for ease of opening and closing. Lined with cream satin, there is an 11 cm long pocket in one side, containing a small mirror (7.5 x 5 cms). A small piece of confetti may indicate that this bag was used at Aileen and John's marriage. Beads cover the entire bag - on the front they are sewn in a swirling looped and floral design.costume accessories, female, pearl beaded clutch bag

Clothing. All-over beading, means that this is quite a heavy little bag.Rectangular in shape, with rounded corners on the bottom, and diagonally cut at the top corners. The bag has a zipper closure, a small 5 cm long beaded loop, attaches to the zipper for ease of opening and closing. Lined with cream satin, there is an 11 cm long pocket in one side, containing a small mirror (7.5 cm x 5 cms). A small piece of confetti inside may, indicate that this bag was used at Aileen and John's marriage. Beads cover the entire bag - on the front, they are sewn in a swirling looped and floral design.costume, female, pearl beaded clutch bag

Black cotton with all-over gold paisley type floral patterning. Fully lined with brown cotton fabric. A slight train at the back hemline, and two V shaped flaps-one either side of the back opening, which probably accommodated bussell-like padding. The skirt is tightly gathered at the back to facilitate the padding. Front of skirt is flat, with a little easing of gathers. Pocket inside right hand side seam. A dark brown corded piping edges the hemline. Two metal hooks and eyes, fasten the waistband. Relocated to Clothing Box 176 10.2.2022costume, female, long black and gold patterned skirt

Blue cesarine, trimmed with red and white check cotton. Bib has red and white centre panel, with a three cm band on each side. These bands extend over the shoulder, and cross at the back, to fasten with a button and button hole at the back waistline. Skirt gathers onto the 4 cmwide waistband. An 8.5 cm X 9 cm rectangular pocket of red and white check cotton on right hand side. A 3 cm wide band of red and white cotton decorates the skirt 4.5 cm above the hemline.( This trim is badly worn-one section completely gone).costume, children's, child's cotton apron

A black one piece Dining Suit (party suit) similar in style to a short sleeve Flying Suit, with zippered front and pockets, bearing Squadron Leader epaulettes worn by the then Squadron Leader Alan Reed whilst serving in Vietnam in 1968. It has a white embroidered RAAF brevet on the left chest, with a "Phamous Phantom Spook" (82 Wing RAAF F4E) caricature above the embroidered name ALAN REED on the right chest. Three additional embroidered patches are attached to the suit (RF-4C, 100 Missions Vietnam and Aussie Air Pirate) two on the chest and one on the left sleeve.White embroidered RAAF Brevet on left breast."Phan"alan reed, united states air force, air pilots

Golden Square High School in the city of Bendigo, was established in temporary accommodation at Camp Hill Primary School in central Bendigo in 1960. With the completion of the new school's buildings, it moved to Golden Square in 1962, providing for Forms 1 to 6, now known as years 7 to 12. In 1978 it became a 7–10 school and was one of the original feeder schools to Bendigo Senior High School. In 1986, a Hearing Impaired Unit was established and in 1990 it underwent a name change to become Golden Square Secondary College. The Golden Square Secondary College campus closed on 28 November 2008. It merged with Kangaroo Flat and Flora Hill secondary colleges as part of the implementation of the Bendigo Education Plan. Its buildings were demolished. (Wikipedia https://en.wikipedia.org/wiki/Golden_Square_Secondary_College) This uniform collection belonged to Anna Matthews, daughter of the donor, who attended GSSC as part of the last group enrolled before the school closed in 2008. Golden Square Secondary College school dress made from green and white cotton and polyester check fabric. There is a thin yellow line at edges of check pattern. Short set in sleeves with a cuff edged with piping. White flat collar. The dress has a front placket opening to the waist fastened with four dark green buttons. Bust darts on both sides. Front and back below the waist have two inverted pleats. On the right hand side there is an internal pocket with a zip fastener. At centre back is a decorative half belt with diagonal check. Machine hemmed.Tag below collar. Front. "PREFECT Value Based Apparel. NAME _ _ _ _ _ _ _ " Reverse "65% Polyester 35% Cotton. Washing Instructions."gssc, golden square secondary college, uniform, bendigo education plan., school dress

Electrical telegraphs were point to point text messaging systems primarily used from the 1840's until the late 20th century. It was the first electrical telecommunications system and were sent by an operator or telegrapher using Morse code. Social telegrams were also encouraged and special pictorial forms and envelopes were designed such as the special purple form and envelope which was used when conveying condolence details during World War 2.(fn. Powerhouse https://collection.powerhouse.com.au/object/163103). There was a brief resurgence in telegraphy during World War I but the decline continued as the world entered the Great Depression years of the 1930s.  Although telegraph lines continued to play an important part in distributing news feeds from news agencies post World War 2, the rise of the internet in the 1990s and the widespread installation of the telephones in homes saw the need for telegrams to greatly decline. When the Commonwealth Post and Telegraph Act was passed in June 1902, and a national Postmaster General's Department (the PMG) was established the responsibility for the nation's mail and telephone services fell on Post Offices. The Bendigo Post Office, built in 1887 and situated on Pall Mall was the central distribution centre for receiving and delivering telegrams and continued to deliver communication and postal services until 1997. Now a Visitor Centre, dedicated volunteers at the Post Office continued to demonstrate and educate the public about telegraphic services and the development of this unique form of communication up until 2019 when Covid 19 disrupted every day life, coupled with the death Ted Rankins (the last Post Master and a long term telegraph volunteer at the Post Office). This satchel was used by Junior Postal Workers in Bendigo to carry telegrams which were delivered by bicycle in the early years. Small, rectangle, leather satchel with attached shoulder strap and buckle. Satchel is made of five pieces of leather: two side pieces, one piece which is folded to create the front, bottom, back and flap and two small pieces to hold strap ring. The flap has a single hole through which a metal toggle is inserted to secure the flap closed. Satchel has four metal tabs to secure the top front to the top sides and an internal pocket on inside. The leather strap is attached to the top of the side seams of the satchel with circular metal rings and two metal press studs. Inside flap: Sticker with '540B'bendigo post office, bendigo tourism, city of greater bendigo tourism, making a nation exhibition, post office collection

Pamphlet for tramcars, sheet of paper folded into pocket size, 12 folds, printed on gloss paper with black and red colours titled "Tram Drivers' Guide RT 5", providing g a map for the Route 5 Malvern Bourke Road from Burke Road to St Kilda Road, showing notes for both directions, compulsory stops, facilities and features. On the reverse side, has notes regarding classes of tram, information about accidents and telephone numbers. Dated August 1990. 2nd copy added 11-12-17 from Donation of Ron Scholten.trams, tramways, ptc, malvern burke rd, accidents, tram drivers, map

Demonstrates the method of dispensing tickets by conductors, how the tickets could be arranged, during the last period of Ballarat Tramways - 1971 fare system. Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented. Has a strong association with Travis Jeffery.Ticket wallet with a set of eight 1970's Ballarat tram tickets set up to represent a typical conductor's set of tickets by Travis Jeffrey. 2775.1 - Sheet of leather, approx. 2mm thick, stained brown with four pockets formed on each side with another sheet of leather, stitched on all sides to form pockets to hold eight blocks of tickets. Stitching is a light cream or white colour cotton. 2775.2 - 4c ticket block - C511306 - C511399 - See Reg. Item 1715 for full details 2775.3 - 7c ticket block - C981113 - C981199 - See Reg. Item 1718 for full details 2775.4 - 5c City section ticket block - A357688 - 357799 - See Reg. Item 1725 for full details 2775.5 - 7c City section ticket block - A148080 - 148199 - See Reg. Item 1726 for full details 2775.6 - 8c ticket block - A896327 - 896399 - See Reg. Item 1719 for full details 2775.7 - 13c ticket block - B486983 - 486999 - See Reg. Item 1721 for full details 2775.8 - 16c ticket block - A572369 - 572399 - See Reg. Item 1723 for full details 2775.9 - 18c ticket block - A369492 - 369599 - See Reg. Item 1724 for full details. trams, tramways, secv, tickets, conductors

Scales such as the subject item were used in a domestic situation. Salter has been a name long associated with weights and measures especially in the home kitchen. The firm began life in the late 1760s in the village of Bilston, England when Richard Salter, a spring maker, began making the first spring scales in Britain. He called these scales "pocket steelyards", though they work on a different principle from steelyard balances. By 1825 his nephew George had taken over the company, which became known as George Salter & Co. George later established a manufacturing site in the town of West Bromwich, about 4 miles (7 km) from Bilston. West Bromwich Albion football club was formed from workers at this works site. From here the company produced a wide variety of scales including the UK's first bathroom scales. Other items were added to the range, including irons, mincers, potato chippers, coin-operated machines and the first typewriters made in the UK. The business thrived throughout the 1900s, and by 1950 it employed over 2000 people, still in the same area and owned by the same family.Salter is a British housewares brand developing products that span a wide range of core product categories, including scales, electrical, cookware. It is a market leader in kitchen and bathroom scales and one of the UK’s oldest consumer brands.  Established in 1760, Salter has been developing precision products for over 260 years. It was acquired by Manchester-based consumer goods giant Ultimate Products in 2021 after they had previously licensed the brand for cookware and kitchen electrical since 2011."Scale Salter's Spring Balance brass cylinder with ring at one end and a hook at the otherSalter trademark stamped on front. Made in England stamped on back. Weighs 0 to 4LBS showing ¼lb increments.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, salter balance scale, weight measuring scale, weighing dry goods, domestic object, kitchen scale

In 1860 the Wurundjeri Elder, Wonga, petitioned the Victorian Parliament for a piece of land in his people’s own country where he could establish a settlement. The land later named Coranderrk was granted. When Wonga died in 1875 his nephew William Barak, known by settlers as ‘King William, last chief of the Yarra Yarra tribe’, became the leader, the Ngurungaeta. William Barak believed strongly in justice for his people, and time and again made the arduous walk to Melbourne to petition to Parliament and to Queen Victoria for his people. ‘Freedom for our lifetime’, he said. The community at Coranderrk welcomed Aboriginal people displaced from other parts of Victoria; they established an economically self-sufficient settlement by growing and marketing hops. Barak negotiated with the Victorian Government officials as they made promises and broke promises. They finally promised to export the whole of a hop harvest of one year. The people worked around the clock to fill the contract; the Government pocketed the proceeds. The community never recovered. Barak died in 1903— a broken-hearted man. (from http://www.sosj.org.au/_uploads/_cknw/files/Corenderrk.pdf) Artist William Barak is buried in this cemetery.Photographs of graves in grass and bushland. It is the Corenderrk Cemetery, and is associated with the former Corenderrk Aboriginal Reserve.corenderrk, wurundjeri, barak, aborigines, aboriginal, cemetery, grave, barak, jemima dunolly

Humberstone's Royal Hotel was a substantial 2-storey building on the corner of Canterbury and Broughton Road. The hotel was built in 1887 to replace an older hotel (Delany's Hotel) built further east in 1856. It was de-licensed in 1921 after a "Local Option Poll" and became Tower House Day & Boarding School under Miss Marion Beetson from 1922 until 1932. It was demolished in 1932. There were 25 students in the 1920's, mostly boarders from outside Surrey Hills and all primary school students. The school room was detached from the main building and there was 6 acres of playing area. The old bar was the business office, the girls' dormitory the old dining room. Marion Beetson was the teacher, Mary Beetson managed the household. Their father was an Indian Army officer. The younger children wore a school blazer with the T.H.C. badge on the pocket. Miss Susan Kelsall visited to give piano lessons and Prof. Kelsall taught French. Miss Marion Beetson died in Castlemaine on 8 February 1952. Information courtesy of Mrs Louise Bell, Castlemaine, ex-student. See SHP0867a and SHP0867b, photos of Louisa in T.H.C. uniform. Photograph of line sketch of Humberstone's Royal Hotel, Surrey Hills. In the foreground is a horse and cart with 5 men standing in front of the hotel. Main entrance is on the corner of the intersection with large windows. There are 8 on one side and 3 on the other with 4 arches on both upper and ground floors. Turret style edging hides the rooftop with two chimneys visible. Pencilled on back "Spare - have in/ our photo files"delany's hotel, miss marion beetson, humberstone's royalhotel, surrey hills, canterbury road, broughton road, hotels, accommodation, royal hotel, tower house day and boarding school, 1880-1890, mary beetson

William Greaves was once a prolific company that highly prospered in the 19th century during the boom of the tool and cutlery trades in Sheffield England as steel became more commercially available. William Greaves's works were situated at the Sheaf Works in the heart of Sheffield, at Maltravers Street, opening in 1823 and was known to be the largest business in this area at this time. The Sheaf Works made a range of tools and saws including cutlery, penknives and razors and also even made its steel in-house. The factory used its perfect position for water power being built on the edge of the Sheffield canal and also used the railway line nearby giving them the perfect opportunities for transporting its goods. The factory itself was also a revolution because it attempted to bring together as many cutlery manufacturing processes as possible together in one place, something that had not been attempted before. The money to build these huge works came from Greaves' trade with America, where they sent razors, table cutlery and sturdy Bowie knives. This allowed the Greaves’ to build the factory and expand their production, which made them even more money. This made William Greaves very rich indeed, and it was reported that when he died in 1830 he left each of his five surviving daughters £30,000 each, an astronomical sum at the time. In today’s money that is approximately £2.3 million. The firm finally dissolved in 1850, but Sheaf Works continued to be used by many cutlery manufacturers until the 1980s. With most of the buildings still standing today.A significant item made by a successful cutlery manufacturer in England during the first half of the 19th century. This company undertook many new processes to streamline cutlery production and introduced innervations regards working with steel that are still in use today. This item is now regarded as a collector's item given the company ceased trading in 1850. jigger/hollowing knife with internal bevel, Electro Boracic Steel. Stamped 3.1/2″ William Greaves, Sheaf Works, Sheffield flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, cooper's jigger, howeling knife, wm greaves & sons

Wayne Alfred is a member of the Namgis Tribe of the Kwakwaka'wakw people. As a master carver he has an extremely high level of carving skill and knowledge about his peoples cultural objects, customs, tribal stories and legends. The Totem Poles of the North Pacific Coast in British Columbia and Alaska are traditionally carved out of red or yellow cedar, which has a spiritual and practical purpose. The wood was known for its durability, its resistance to rotting and the inner bark was utilised in ropemaking, clothing, hats, baskets and so forth. The Kwakitul People consider the cedar tree to be among the most sacred of all things provided by the Creator. They believed the Cedar tree to be the axis of the world and a pathway to the upper world. The wood is shaped using implements such as adzes, axes, chisels, carving knives, and chainsaws. Misinterpreted as Gods and idols to be worshipped, totems usually serve six purposes, such as a house pillar for support, a memorial or mortuary pole to commemorate (and house) the deceased, a potlatch pole (used for important traditional indigenous celebrations), a ridicule pole used to shame and a heraldic or family crest pole. Characters and symbols on these totem poles usually display family crests, history, wealth, social rank, inheritance, and privilege, as well as animalistic imagery derived from native animals and mythological creatures. Their sequence are indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. In this work the 'thunderbird' is symbolic of power, strength and of ancestory. The Commonwealth Games Totem Pole was presented to the people of Nillumbik on behalf of the Canadian Government in recognition of Melbourne as the hosts of the Melbourne Commonwealth Games Team in 2006. Carved in cedar wood, this totem pole incorporates bold cuts and colours (such as red and green) offset by strong black. A relative degree of realism is used to depict the alligator located on the bottom of the pole, a man and a 'thunderbird'/eagle located on the top. With protuding element. No inscriptions. Bold cuts used to outline the characters and symbols as well as decorative and stylised features all over the pole. public art, kwakwaka'wakw, namgis, alfred, north pacific coast, british columbia, canada, totem pole, carved, commonwealth games, melbourne festival, cedar

In 1878, J H Abbott bought the Edinburgh tannery from Mr Lambert and Mr Sibley in 1878 and set about expanding and modernising it. Soon it consisted of the necessary sheds surrounded by cottages built for the workers. The tannery buidings and processes consisted of :- 1. Hide shed that held 400-500 salted hides 2. Salt pots where the salted hides were soaked to remove all salt 3. Lime water pits where the hides were soaked to remove hair and all adherent flesh. 4.Beam shed where hides were hung so they could be scraped clean with double handled knives 5. Water baths that soaked the hides to remove the lime 6. Tan yard where there were 10 pits containing tanning liquid made from ground wattle bark. The entire process could take up to 9 months depending on the type of leather required. A forward thinking initiative of this tannery was the lack of waste. The left over flesh was boiled down to make tallow, trimmings from the hides was used to make glue, hair was washed and used by saddlers and upholsterers and the lime was mixed with tanning liquid to produce fertilizer. The tannery was producing about 240 sides of leather a week, with about two thirds of this being sent to England where it was in great demand because of its quality. In December 1894 the plant was destroyed by a fire believed to have started in the engine room. The plant was quickly rebuilt at an estimated cost of ten thousand pounds. The plant at 145 Tannery Lane operated until 1906.Sepia photograph: 13 workmen, shed at rear. Brick, timber, corrugated iron buildings in back ground. Interesting industrial site of the time. Photo of workmen taken in front of open sheds. Brick chimney and pile on L.H.S. Suggests Edinburgh Tannery, Sheepwash. J.H Abbott & Co. On back on small piece of paper 1127 Bgo. New registration No. rather indistinct. James Lerk 26.11.1999, ' Edinburgh Tannery - Sheepwash?' Ken Arnold Book 'Bendigo A History in Bottles & Stoneware 1852-1930 p10. This photograph labelled 'Workers at Sheepwash Tannery,' C. 1880-1890 with section about J.H. Abbott & Co. See book 'Bendigo A History in Bottles & Stoneware 1852-1930 by Ken Arnold, p.10RHSV 1127, Bgoorganization, business, edinburgh tannery, sheepwash creek.

1. THIS IS A MEDIUM SIZED MANUAL. THE COVER IS A STIFF CARDBOARD OF KHAKI COLOUR. TOP CENTRE IS THE AUSTRALIAN CREST. AUSTRALIAN MILITARY FORCES. Standing orders for Volunteer Defence Corps 1942. At the bottom is a line stating: By Authority Victorian Railways Printing Works, North Melbourne. Inside are 24 pages of orders and a couple of loose amendments. 2. Pocket size Manual. Khaki Cover. Printing on front in black ink. Title - VOLUNTEER DEFENCE CORPS (HOME GUARD) "Preliminary Training Manual" 5th Edition. Headquarters Perth W.A. August 1942. The manual has 128 pages of text and drawings. It is bound with 3 rusty staples.ww2, volunteer defence corps (v.d.c.)

1. Jacket - Black woollen uniform jacket. 5 brass buttons on front, 4 front pockets. The top two are held shut with small brass buttons. Epaulettes held down with small brass buttons. The rank insignia of LT.COLONEL are on the epaulettes. The sleeve cuffs have two small brass buttons. The motif on the buttons is "AUSTRALIAN MILITARY FORCES". There are 4 pearl coloured buttons inside the collar. 2. Trousers - black. Grey welt on trouser legs. Zip fly. 3. Hat - peaked black. gold braid around brim. green hat band badge of the Bendigo Regiment. Latin motto 'Honorem Custodite'2. Written in trousers is LCPL Northey.post ww2, uniform, 38 bn, passchendaele barracks trust

Booklet, CD-ROM, Poster .1 Hardcover booklet, plastic with metal spiral bound pages. Cover - black and white print on front, spine and back. Illustrated, sepia colour. Front - collection three battlefield photographs. Back - one street scene photograph. 99 Pages - cut, plain, white paper. Illustrated black and white, sepia and colour photographs, maps and diagrams. .2 CD-ROM enclosed in plastic pocket, front cover. .3 Poster - white print, illustrated black and white, and colour montage photographs for 25 APRIL 2006, Commonwealth Coat of Arms top, folded.wwi, anzac day, documents - education

According to the Australian War Memorial, these types of water bottles were used by the Australian Army during the Korean War, Malayan Confrontation and during the early to mid period of the Vietnam War. The metal lids were often replaced with a much quieter rubber lid, as combat experience proved that the metal ones were too loud when opening or closing. This bottle is recorded as being a United States-issued item so may have been collected during the interactions between Australian and American troops in Vietnam. It is also noted as being of Second World War era, which predates the AWM suggestion of Korea.Thin stainless steel water bottle, oval in shape with flat base. Around neck of bottle there is a brown cotton string and khaki woven cord with the press stud at end which would insert into the top of the lid. Bottle has twist-on lid with a hole in the top. Bottle dinted throughout. Canvas carry case is cylindrical in shape with oval-shaped flat base. Pieces topstitched with khaki thread. Back of case is woven khaki with a long pin threaded through the top, bent into inward facing hook shapes at end. Bottle is fastened into case via press studs. There is a subtle pocket in the interior of the case.Press studs read "LIFT/THE DOT"water bottle, equipment, united states, korea, malayan confrontation, vietnam war, 1960s

This white cotton formal Dress Shirt and accessories were worn by Dr Angus for his wedding. They are from the W.R. Angus Collection was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI store is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served with the Australian Department of Defence as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The clothing is representative of men’s formal wear in the 1920’s in Victoria, Australia. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine, administration, household equipment and clothing from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. White cotton formal Dress-Shirt and accessories from the W.R. Angus Collection. (.01) Long sleeved shirt, round neck, button front, button back opening, textured bib front. Made by Henry Bucks Pty Ltd of Melbourne and makred as property of Dr Angus. (.02) Collar white cotton, button on, point finish, printed label Made in Ireland by Radiac, Embassy. (.03) Bow Tie, white cotton, with attached. Made by Henry Bucks of London and Melbourne. (04) Waist coat, white cotton, button front, adjustable width, fob pockets. Made in England and tailored in London. Shirt: Label "HENRY BUCKS PTY LTD / ACTUAL MAKERS / MELBOURNE", hand written on label "1.2.724". Hand written on collar "W.R. Angus" Collar: "ALL COTTON / MADE IN N. IRELAND" and "RADIAC / EMBASSY 1 3/4 X 17" Bow tie: label "HENRY BUCKS / LONDON & MELBOURNE" Waist Coat: "ALL COTTON / MADE IN ENGLAND" and "Beaucaire / tailored in London" and "CF 2210" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, formal wear, male, dress shirt 1920’s, bow tie 1920’s, waist coat, formal, 1920’s, collar, formal, 1920’s

Cream coloured silk wedding dress with train. Three flat panels at front and side, lined with polished cotton. Centre tightly gathered panel at centre back lined with stiffened cotton.Other panels lined with stiffened cotton above hemline of skirt. Double layer lace insert inside lower edge to hemline. Back opening with four hook and eye fasteners. Deep pocket on side seam at hip on RHS. Three back panels extended below hemline of skirt to form squared edge train. Two hanging tapes inside waist band. Skirt hand and machine stitched. Matching bodice 11400.314.Label stitched inside skirt waistband - ''F.Davey & Co Dress & Mantle makers, View Point, Sandhurst.costume, female, wedding dress skirt

Round neck, short sleeves, yoke back and front, nurse's blue cotton dress- uniform. Bodice gathers at yoke seam. 11 cm X 11 cm pocket on left breast. Concealed opening from neckline to hemline, has nine buttonholes - presumably buttons were exchanged between uniform dresses. One buttonhole at back neckline, and two buttonholes on the cuff of each sleeve, would also suggest a removable collar and cuffs. Two darts on either side of bodice. An inverted pleat from yoke to waistline at centre back. Seven gored skirt. Worn by Merryn Ellison.Name tag sewn to back neckline ; Merryn Ellison.costume, female, nurse's blue uniform

Standing figurine of an obstetrician holding a baby. The figurine is made of felt, likely with a wire frame. The obstetrician is wearing full linen surgical attire, with white trousers, surgical gown, and surgical cap. The surgical gown has a large pocket at the front, containing a set or forceps. The obstetrician has black, curly hair, blue eyes and is wearing wire framed glasses. The baby is being held at head height, with ankles being held in the left and and the baby's upper legs being held in the right. The obstetrician's head is bent backwards as if the obstetrician is examining the baby's legs or ankles. The baby has curly pink hair.

Growing up in Sandringham, Joy Bosomworth learned to sew at the knee of her mother Elsie Myra Keefer, a seamstress. By the time she was an adult, she was making most of her own clothes. She made this shot velvet evening dress, along with a matching stole and bag, in 1961 to wear to a ball at the Royal Melbourne Hospital, where she worked as a radiographer. An evening outfit consisting of a matching dress, stole, bag and gloves. Sleeveless one-shoulder evening dress of blue velvet shot with metallic red. The dress is gathered at the proper left front waist and is lined with red synthetic fabric. Fastens with a zip and hook at the side. Stole of blue velvet shot with metallic red, lined with red synthetic fabric. Handbag made from blue velvet shot with metallic red. The bag has a gold metal frame and clasp, with a shot gold metal chain attached. The interior is red synthetic fabric, with a single side pocket. Elbow-length red nylon evening globes.joy myra bosomworth, joy myra keefer, evening dress, ball gown, 1960s