Showing 398 items
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Federation University Historical Collection
Book, Ballarat School of Mines Stubb Book (relating to payments to staff), 1903, 1908
Hard covered stubb book with bluecover and red tape spine. Lists Ballarat School of Mines staffmembers, and the amount of wages they were paid. ballarat school of mines, salary, wages, henry hawkeswald, w. cornell, e. de beer, t. mcpherson, j.e. cowley, john white, m.b. john, t.s. hart, alfred mica smith, g.j. dawbarn, frederick j. martell, daniel walker, j.f. usher, h.j. hall, a.e. kerr, h.r. murphy, j.b. robi, j.m. sutherland, j.m. baldwin, a.g. garrard, c.e, campbell, c. deane, d. runting, j.w. hawthorne, w. sutherland, f.w. hawkins, j. turnbull, c. garrard, w. sutherland junior, j.a. blayney, e.j.a. mcconnon, j. adam, j. parkinson, w. sharp, w.h. hans, j. abraham, j.e. white, bowman, j.j. goller and company, j.h. trotman, r. ramsay, h.a. brook -
Federation University Historical Collection
Book, Ballarat School of Mines Stubb Book (relating to payments to staff), 1906, 1906
Hard covered stubb book with bluecover and red tape spine. Lists Ballarat School of Mines staffmembers, and the amount of wages they were paid. ballarat school of mines, salary, wages, henry hawkeswald, w. cornell, e. de beer, t. mcpherson, j.e. cowley, john white, m.b. john, t.s. hart, alfred mica smith, g.j. dawbarn, frederick j. martell, daniel walker, j.f. usher, h.j. hall, a.e. kerr, h.r. murphy, j.m. sutherland, a.g. garrard, c. deane, d. runting, j.w. hawthorne, w. sutherland, f.w. hawkins, w.d. thompson, h. mcervale, j.b. robinson, b. whitington, c.e. campbell, w. figgis, d. cameron, r. nevett, j. turnbull, henry mankwall, a. cant, d. don, w. avery, a. bowman, w. sharp -
Federation University Historical Collection
Book, Ballarat School of Mines Stubb Book (relating to payments to staff), 1905, 1905
Hard covered stubb book with bluecover and red tape spine. Lists Ballarat School of Mines staffmembers, and the amount of wages they were paid. ballarat school of mines, salary, wages, henry hawkeswald, w. cornell, e. de beer, t. mcpherson, j.e. cowley, john white, m.b. john, t.s. hart, alfred mica smith, g.j. dawbarn, frederick j. martell, daniel walker, j.f. usher, h.j. hall, a.e. kerr, h.r. murphy, j.m. sutherland, a.g. garrard, c. deane, j.b. robinson, b. whitington, c.e. campbell, w. figgis, d. cameron, r. nevett, j. turnbull, d. don, w. tucker, h. eklund, r. hosking, v. anderson, c. mctaggart, c. garrard, f.w. hawkins, h. galopin, phoenix foundry, h. troon, j.r. harrison, t. adam, w. sharp, r.m. lambert, c. kent, h. tulloch, j.w. scott, h. mcervale, n. buley, t.s hart -
Federation University Historical Collection
Document, Agreement relating to the Model Railway Locomotive, 1913-2, 1931-1932
The model locomotive was made by apprentices of the Phoenix Foundry, Ballarat.Two documents .1) Memorandum agreement between S. Morgan. J. Brown and F. Davis and the Ballarat School of Mines. Includes a brown envelope. Signed and sealed. .2) Copies of correspondence re the model. The agreement includes that the model shal not at any time be put under steam. samuel john morgan, l.e. davis, james c. brown, frank h. davis, m.a. wishart, w. middleton, j.b. robinson, francis henry davis, james campbell brown, ballarat school of mines, phoenix locomotive model, model railway locomotive, steam -
Federation University Historical Collection
Album, Coloured photographs take of reunions of the 1949 Ballarat Teachers' College, 1984, 1999, 2004
Ballarat Teachers' College was a predecessor of Federation UniversityAlbum of coloured photographs take at the 25th, 40th and 45th reunions of the 1949 Ballarat Teachers' College, as well as as some photographs of some rose blooms that was important to the attendees because it was named the forty niner rose. Some of the photographs are original others are photocopies.ballarat teachers' college, reunions, 25th reunion, 40th reunion, 45th reunion, photographs, monica miller rawlings, margaret bennetts, jack gervasoni, peter fryar, valda ward, david collins, maureen godfrey fithall, jim lannen, john hughes, margaret reynolds, reunion, forty niner rose, john bennett, frank mountford, wal wall, margaret collins, archie campbell -
Federation University Historical Collection
Photograph - Colour, Artafact, VIOSH - Occupational and Safety Certificate Course, Intake 19 1995, 1995
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. black framed photograph with title and names of students underneath.Framers details verso lls: "Artafact"viosh, viosh australia, occupatonal health and safety, victorian institute of occupational safety and health, occupational hazard management, brett allen, brett anderson-steele, gerard ayers, michael bailey, jillian ball, paul bassett, robert bird, manujendra bishwa, denise campbell-burns, tony caruso, greg chrisfield, jennifer clarke, mateo daurewa, jeffrey davis, iain day, steven dine, lesley eccles, roland fielding, ken fuhrmeister, ronald groenland, janet halls, kathy haseloff, john holding, brett hyne, karen kalamistrakis, thomas lamont, david lawry, david lloyd, denise mcknight, john mcgill, kay malinowski, ian martin, andrew muriti, sandra nicholson, valerie odewahn, jamila peric, sally scott, alan sheather, peter sheehan, robert simms, surrendra singh, allison smith, kenneth stewart-grey, danielle sudano, deborah sutton, robyn walton, troy wells, kerry wright, zari zarifopoulos, university of ballarat -
Federation University Historical Collection
Photographs - black and white, Ballarat College of Advanced Education: 1st Year Applied Science Students, 1983, 1983
Individual images of students in 1st Year Applied Science Course. The names of the student is written under the photo - in alphabetical order. Some spaces have no photo. Some names have been crossed out. In total there are 91 names (55 on one and 36 on the other). Of this number there are only 16 girls in the course for this year.Two beige cards with small black and white photographs - photographer's proofsName of student under photo - alphabetical orderapplied science, 1st year, barker, alison, baxter, mark, beamish, lisa, blake, linda, bodon, stephen, brown, rodney, byron, dean, campbell, noreen, cesnik, frank, clark, geoffrey, clarke, peter, coffey, damien, daniel, michelle, desnoy,gary, de vries, peter, drake, peter, duthie, barry, elkin, gary, ? e/f guiseppe, flanagan, denise, ford, gary, foster, gary, fowler, anthony, fullarton, david, gore, brendan, gorell, brett, gowers, alan, grinham, wayne, hall, richard, harrison, francis, hartmann, mark, hay, theresa, hovard,stephen, hoy, terrance, hull, grant, humphries, robert, hynd,geraldine, jakubans, linda, jarecki, ted, jeffreys, andrew, johns, alvin, kirkpatrick, kaye, laidlaw, gary, lazarus, peter, lean, rohan, long, paul, markby, craig, mcdonald, peter, mceuna, timothy, mcinnes, gregory, mckay, james, nicholson, scott, o'connor, paul, owen, janette, owen, michael, pear, zlatko, picorrillo, john, pilkington, john, potter, steven, prendergast, maurice, roberts, barry, ryan, marie, schwarz, peter, seeary, adrian, shiells, jane, stevenson, michael, tan, simon, taylor, catherine, turkuile, marianne, thomas, rosemarie, twyford, keith, vorstenbosch, mark, walker, paul, ward, jennifer, warner, gary, wheeler, stuart, winter, anthony, wood, mark, yee, arthur, zentgraf, mark, bowie, ?, davies, ronald, mckay, ?, maclean, andrew, cramer, geoff, page, stuart, firth, barry, fry, b, hennesy, tom, hoell, nicholas, evans, michael -
Flagstaff Hill Maritime Museum and Village
Functional object - Knob, circa 1870s
This small knob has been manufactured to look like marble. It may have been used as a drawer or door handle, possibly part of the ship's furnishings because it appears to have been broken off its connecting shank. The encrustations on the surface are from being in the sea around 90 years. The knob was recovered from the wreck of the Loch Ard and is part of the John Chance collection. The Loch Ard was a clipper ship built in Scotland in 1873. In 1978 the ship was sailing to Melbourne with 54 people on board as well as a mixed cargo that included items for the 1880 International Exhibition in Melbourne. On June 1st 1878 it was not far from its destination when it crashed into Mutton Bird Island, east of Port Campbell. Only two people survived. The wreck was re-discovered in 1967 and the site is listed as a Historic Shipwreck. (See References and Significance for further information.)This knob is historically significant as it is an example of hardware fittings made and used during the mid-to-late 19th century. This knob is significant for its connection with the John Chance Collection, which is historically significant as an example of artefacts from wrecks that had been lost in the coastal waters of Victoria from thirty to over one hundred years before John Chance and others discovered them. These artefacts are a sample of goods carried as cargo or personal possessions, and of ship hardware of that era. The knob is significant through its connection with the clipper ship Loch Ard (1873-1878), which is historically significant to both Victoria and Australia. The loss of the ship has been described as one of the ‘worst shipwreck tragedies’ and is well known in Victoria for the tragic death of 52 out of the 54 lives on board. The Loch Ard wreck is historically significant as a large international passenger and cargo clipper ship. It is registered on the Victorian Heritage Database VHR S417. The wreck site is labelled as ‘one of Victoria’s most spectacular diving sites’ and the area is a popular tourist site. It is part of Victoria’s Underwater Shipwreck Discovery Trail. Knob or handle; ceramic (faux marble), dome with flat base, brown colour with orange and cream swirls through it, polished surface. Base has two embedded round, rough-edged metal fittings. Encrustations adhere to the polished surface in pleases. Clear tape keeps large broken chip intact. Another chipped area reveals the rough inner surface of the marble.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, loch ard, knob, handle, door hardware, ceramic, faux marble, vintage, antique, cabinetry, door pull, drawer pull -
Flagstaff Hill Maritime Museum and Village
Functional object - Cow Bell, James Barwell, 1860s-1878
This brass cow bell was recovered from the wreck of the sailing ship ‘Loch Ard’ at Mutton Bird Island, near Port Campbell, Victoria, from late 1960s to early 1970s. Cow bells were listed as part of the cargo on board the Loch Ard. This bell is now part of the John Chance collection. Flagstaff Hill Maritime Village’s divers also recovered similar bells from the Loch Ard wreck in 1973. One of them was found in a sandy hole in the centre of the wreck site. All of the recovered cow bells are without their hangers. A bell of this size could have been used by horse or cattle teams. Cow bells were a common Colonial item. They were hung around the necks of grazing domestic cows and goats, bullock and horse teams, even camel teams so that they could be found again. Sheep and cattle drovers used them as a warning for night time disturbances such as wild animals. The maker of the cow bell, James Barwell, was a bell founder established in Birmingham, England, from 1784. In 1842 he acquired Fiddian’s firm of ‘Steam and Water’, keeping its name and stamping it on some of his products. According to his advertisement in the Exhibitors guide for the Church Congress of 1887, he made bells and fittings for churches and schools. He also made bells for cloches and chimes, and made tuned musical handbells. He repaired and reproduced bells, and he had a team of experienced ringers to “inspect towers and report upon the tone and condition of bells and fittings.” In 1903 he became incorporated as a Limited Company, ‘engineers’ and plumbers’ brasswork, and bell founders.’ In 1914 he advertised as ‘Cock and Bell Founders’, specialising in plumbing and engineering fittings, church bells, and “every description of hanging and hand bells.” Some of Barwell’s products were stamped with his maker’s mark (his initials J. B. either side of a cross entwined with a ‘B’ in an oval of oak leaves (for Birmingham)). James Barwell bells were no longer made after 1920. James Barwell was among makers who exported bells to the Australian colony from the 1860s. Early Australian iron animal bells were also made from the 1860s by blacksmiths such as Anthony Morgan from 1861, August Menneke from 1867, and Samuel Jones from 1868. Few brass bells were produced here in those times. This bell is historically significant as typical of a cow bell used by farmers and herdsmen in Colonial Victoria. Its significance is increased by being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late 1960s to early 1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The cow bell is also significant for being part of Flagstaff Hill’s collection of artefacts from LOCH ARD, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Cow bell; heavy brass, flat top, pyramid shape, rectangular head, shoulders flare out to rectangular mouth. The head has two same-sized tooled holes for adding the hanging yoke. Inscription on top and one side. Encrustations are on the metal in places. The hanger and clapper are missing. Made by James Barwell of Birmingham.Stamped on the head "BARWELL / - - - / - - -- ING" [Perhaps BARWELL - - - BIRMING. Could size be in centre? 3 3/4 IN?] Stamped on side [motif] (undecipherable) flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, loch ard, mutton bird island, glenample, eva carmichael, tom pearce, james barwell, cow bell, horse bell, bell founder, bell smith, vintage bell, birmingham bell foundry, farmer, shepherd, drover, stock bell -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has some diagonal creases and a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Pushed up base has pontil mark. Base is uneven. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth has cork seal. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Pushed up base has pontil mark. White discolouration in a narrow line down the body. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth has cork seal. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has a line with a long bump where shoulder meets body. Body tapers inwards to base. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth has cork seal, partly removed, with content remnants inside. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Base is uneven. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth is sealed, and has remnants of tape on outside. Tooled cork-top finish with ring below. Slightly bulged neck. Shoulder has some diagonal creases and a distinct line where shoulder meets body. Body tapers inwards to base. It has a bubble and diagonal crease lines. Base is uneven. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections, bubble in glass. Bottle has foul smelling contents inside. Mouth has hard capped cork seal with black, hard rubber capped stopper. Side of mouth has ship or mark. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has some diagonal creases and a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Base is uneven. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: SITTING PRETTY
Bendigo Advertiser '' The way we were'' from 2002. Sitting pretty: grade 6 pupils of Violet Street State School (No 877), date unknown. Back row: Russell Burton, John Absalom, Graeme Gibbs, Brian Leed, ? Holden, Brian Grendell, John Grose and ? Lock. Middle row: Billy Nabbs, ??, Neil Plimm, Ron Martin, Don Roberts, Jim Howarth, ??, Arthur Weston and ? Campbell. Front row: Rosemary Turley, Nola Grose, ??, Elizabeth Esposoto, Janice Lindrea, ??, ??, ??, ? Nankervis, ??, ?? And Jan Botrill. Seated: Bob Svanosio and Stan Speechley. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Document - BENDIGO SALEYARDS COLLECTION: TELEPHONE INDEX
Typed blue page titled Telephone Index. It has the name and number of various people and offices. Piece of white paper attached has the name , address and number of Norm Harris. Also two blank pages ruled into columns for Agents, Cows & Calves, Springing Heifers, Steers and Unjoined Heifers.bendigo, council, cattle markets, bendigo saleyards collection - telephone index, abbott mavis, adams jeff, allen geoff, ashby ann, bailey marilyn, bailey paul, barton bill, bentley barry, betts maurie, breen terry, bruhn kurt, bullen tracey, burton ray, cairns ross, cameron norm, campbell, colin, canfield carol, davison rod, eisfelder christine, elvey marg, erwin marg, flavell rod, frost ian, frost peter, gill robert, gillam stan, gladstone peter, green barry, griffith julie, guy linda, harvey glenn, hockings heather, holland kristine, huddle terry, ireland sandy, ivetic marko, johnson ian, kerr glen, lakey phil, leach sue, mace bernadette, maguire geoff, mccluskey neville, mckindley stan, mensforth jim, michelson alan, o'brien ray, oberin keith, phillips russell, plumkett debbie, powell cyril, power reg, preece john, pretty meryl, quigg jock, robson jackie, rogers ron, rosen andrew, shanahan peter, shurey mark, smart debbie, spedding christine, spence garry, standen peter, stannard janine, stewart david, stuart karen, telford sue, thomas michelle, thornton lorna, wallace ian, williams kaye, wilson john, wood craig, wrigley neal, yanner ken, young alan, young daryl, norm harris -
Bendigo Historical Society Inc.
Document - TOWN HALL, THE BENDIGO CHORAL SOCIETY, 13 Sep., 1922
Town Hall, The Bendigo Choral Society. Season 1922, 2nd Concert. Oval photo of Mr W C Frazier A.R.C.O. Conductor. Twenty = first Grand Concert. Town Hall, Bendigo. Wednesday, Sept. 13th, 1922. Artists: Madsame Elsie Davies. Miss May McGauchie, Miss Myrtle Knight, Mr L Bienvenu. Conductor: Mr W C Frazier, A.R.C.O. Pianiste: Miss Eileen Hains, A.T.C.L. Patron-His worship the Mayor (Cr. M G Giudice). President- Mr H M Leggo. Vice Presidents: Sir John Quick, Hon. Sternberg, M.L.C., Hon. Herbert Keck, M.L.C., Hon. R H S Abbott, M.L.C., Hon. D Smith, M.L.A., Mr A A Dunston, M.L.A., Cr. J H Curnow, Cr. J E Holland, Mr Oscar Flight, Mr E S Cahill, Dr. W J Long, Dr. O Penfold, Mr A L Bolton, O.B.E., Mr G E Bolton, Mr D Berriman, Mr Alf E Wallis, Mr J G Oliphant, Mr Arthur Whitehead, Mr W Watts, Mr A E Sayer, Mr William Wright, Mr Magnus Cohn, Mr Geo. Mackay, Mr Barkly Hyett, Mr A G Finister, Mr W E Bradshaw, Mr W J Campbell, From the performing members: Mr E H Collett, Mr A W McGibbony. Conductor: Mr W C Frazier, A.R.C.O. Sub-Conductor: Mr E A Miller. Pianiste: Miss Eileen Hains, A.T.C.L. Treasurer: Mr D H Holden. Librarians: Mr R J Duguid, Mr H Veale, Mr W Mansell, and Mr A Ditchburn. Auditor: Mr H T Bayton, A.A.I.S., L.I.C.A. Committee: Office Bearers, with Mesdames T Scott and Darvall, and Misses Colgan, Gail, Jamieson, Lethlean, and Messrs. Jeffery, McClure, H Cock, F J Walter and Wittscheibe. Including Tax: 2/6 Reserved, 1/6 Ordinary. Hon. Secs.: J Hudspeth, 85 Wills Street, Z S Martin, 66 McKenzie Street. Concert to commence at 8 pm. Programme Songs: The Dark-eyed Sailor, Just as the tide was flowing, Nelson's Gone a Sailing, The Radiant Morn of Spring, Una voce poco fa, Hullamzo Balaton, Morning Hymn, Awake, Sweet Love, Now is the Month of Maying,Brunhilde's Battle Cry, Cradle Song, The Three Fishers, Legende, To the Forest, I heard you go by, The Lilac Tree, Se, Sailing at Dawn, Song of the Sou'' Wester, The Little Admiral, Farwell. Words for some songs in program. Artists: Mr L Bienvenu, Ladies of the Choir, Madame Elsie Davies, Miss Myrtle Knight, Miss May McGauchie, Ladies of the Society, Choral Society. God Save The King. BIZET'S Garmen. Special Announcement. This popular and celebrated Opera will be given I its entirety at as early a date as possible. Vocal scores have specially cabled for from London. Mr Frazier would welcome the co-operation of the vocalists of our city in the performance of this charming Opera. Rehearsals commence next Tuesday at the Temperance Hall at 8pm, when it is hoped there will be a large response to his request. The public are reminded that the subscription to the Society is only 1/1/- per annum. Secretaries will be glad to give all information. Joint Hon. Secs.: J Hudspeth, 85 Will St., Z S Martin, 66 McKenzie St.Boltons Print, Bendigoprogram, theatre, town hall, town hall, the bendigo choral society. season 1922, 2nd concert. oval photo of mr w c frazier a.r.c.o. conductor. twenty = first grand concert. town hall, bendigo. wednesday, sept. 13th, 1922. artists: madsame elsie davies. miss may mcgauchie, miss myrtle knight, mr l bienvenu. conductor: mr w c frazier, a.r.c.o. pianiste: miss eileen hains, a.t.c.l. patron-his worship the mayor (cr. m g giudice). president- mr h m leggo. vice presidents: sir john quick, hon. sternberg, m.l.c., hon. herbert keck, m.l.c., hon. r h s abbott, m.l.c., hon. d smith, m.l.a., mr a a dunston, m.l.a., cr. j h curnow, cr. j e holland, mr oscar flight, mr e s cahill, dr. w j long, dr. o penfold, mr a l bolton, o.b.e., mr g e bolton, mr d berriman, mr alf e wallis, mr j g oliphant, mr arthur whitehead, mr w watts, mr a e sayer, mr william wright, mr magnus cohn, mr geo. mackay, mr barkly hyett, mr a g finister, mr w e bradshaw, mr w j campbell, from the performing members: mr e h collett, mr a w mcgibbony. conductor: mr w c frazier, a.r.c.o. sub-conductor: mr e a miller. pianiste: miss eileen hains, a.t.c.l. treasurer: mr d h holden. librarians: mr r j duguid, mr h veale, mr w mansell, and mr a ditchburn. auditor: mr h t bayton, a.a.i.s., l.i.c.a. committee: office bearers, with mesdames t scott and darvall, and misses colgan, gail, jamieson, lethlean, and messrs. jeffery, mcclure, h cock, f j walter and wittscheibe. including tax: 2/6 reserved, 1/6 ordinary. programme songs: the dark-eyed sailor, just as the tide was flowing, nelson's gone a sailing, the radiant morn of spring, una voce poco fa, hullamzo balaton, morning hymn, awake, sweet love, now is the month of maying, brunhilde's battle cry, cradle song, the three fishers, legende, to the forest, i heard you go by, the lilac tree, se, sailing at dawn, song of the sou'' wester, the little admiral, farwell. words for some songs in program. artists: mr l bienvenu, ladies of the choir, elsie davies, myrtle knight, may mcgauchie, ladies of the society, choral society. bizet's garmen. special announcement. subscription to the society is only 1/1/- per annum. joint hon. secs.: j hudspeth, 85 will st., z s martin, z s martin -
Bendigo Historical Society Inc.
Document - TOWN HALL, THE BENDIGO CHORAL SOCIETY, 27 July, 1921
Town Hall, The Bendigo Choral Society. Season 1921, Second Concert. Seventh Grand Concert. Wednesday, July 27th, 1921. Artists: Miss Ivy Taylor, L.A.B. Miss Winnie Mayberry, Mr L Hattenbach. Conductor: Mr W C Frazier, A.R.C.O. Acting Conductor: Mr H W Gregory, L.T.C.L. Pianiste: Miss Eileen Hains, A.T.C.L. Patron: His Worship the Mayor (Cr. D Andrew. President: Mr H M Leggo. Vice presidents: Sir John Quick, Hon. D Smith, M.L.A., Cr. J H Curnow, Cr. J E Holland, Mr Oscar Flight, Mr E S Cahill, Dr. W J Long, Dr. O Penfold, Mr A L Bolton, O.B.E., Mr G E Bolton, Mr D Berriman, Mr Alf E Wallis, Mr J G Oliphant, Mr Arthur Whitehead, Mr W Watts, Mr A E Sayer, Mr William Wright, Mr Magnus Cohn, Mr R H S Abbott, Mr Geo. Mackay, Mr Barkley Hyett, Mr A G Finster, Mr W E Bradshaw, Mr W J Campbell. From the performing members: Mr E H Collett, Mr A W McGibbony. Conductor: Mr W C Frazier, A.R.C.O. Acting Conductor: Mr H W Gregory, L.T.C.L. Sub Conductor: Mr E A Miller. Pianiste: Miss Eileen Hains, A.T.C.L. Treasurer: Mr D H Holden. Librarians: Mr: Mr R J Duguid, Mr H Veale, Mr W Mansell, Mr A Ditchburn. Auditors: Mr H T Bayton, A.A.I.S., L.I.C.A., and Mr Harold Walker. Committee: Office Bearers, with Mesdames T Scott, Chisholm, and Misses Colgan, Gall Field, Lethlean, and Messrs Sleeman, Jeffery, McLure, Carwardine, F J Walker and Wittscheibe. Subscribers may book at Flights on and after July 21st. Box Plan opens at 10am. Holders of 2/6 tickets may also book without extra fee. Holder of 1/6 tickets may book by paying the difference (1/-) Admission: 2/6/ Reserved, 1/6 Ordinary: including Tax. Hon Sec. J Hudspeth (85Wills St.) Z S Martin (66 McKenzie St.) Programme. Concert to commence at 8pm. Doors closed during each item. God Save the King. Part Song: Hymn to Music, Weary Wind of the West, Vagabonds, Soft, Soft Wind, A Song of the Sea, Moonlight. Song: Jeanne d Arc, Ombra ma Fui, My Ships, Broken Vase. Cello Solo: Fantasie et Variationes Brilliante, Adagio, Gavotte, Berceuse Slave, Mazurka. Other Artists: Choral Society, Ladies of the Choral Society. God Save the King. Subscribers and Patrons will, we are sure, be equally gratified, with the Committee, at the great artistic success which the Society achieved in the colloboration with the Verbrugghen orchestra in the memorable performance of ''The Messiah.'' The great praise which Mr Verbrugghen bestowed on the tone quality of the vocalists and of their exceptionally clear enunciation and fine English was indeed very pleasing to all concerned, and was ample and full justification of Mr Frazier's methods and patient care in training the Choir in these particular points. Nor must Mr H W Gregory, the Acting Conductor's part be forgotten. He worked assiduously and earnestly, doing all possible to keep up the high standard of the Society's work. The programme presented to-night is also the result of his interpretation of the descriptive works of these modern composers, In bidding farewell to him at this Concert the Committee and members desire to express their thanks for the energy with which he has carried out the duties of Acting Conductor. We expect, at a very early date to the return of Mr W C Frazier to Bendigo. He is bringing, with him a choice of selection of the very latest and best of English and other part songs (both of the earlier composers and of the ultra-modern school) and patrons can look forward to a fine series of programmes. It is particularly cheering to inform you that, as a result of the visit of the Society to Castlemaine last year, a strong Choral Society has formed there with promises to . . . . . 4 pagesBolton Bros. Pty Ltd, Printcottage, miners, town hall, the bendigo choral society. season 1921, seconed concert. seventh grand concert. wednesday, july 27th, 1921. artists: miss ivy taylor, l.a.b. miss winnie mayberry, mr l hattenbach. conductor: mr w c frazier, a.r.c.o. acting conductor: mr h w gregory, l.t.c.l. pianiste: miss eileen hains, a.t.c.l. patron: his worship the mayor (cr. d andrew. president: mr h m leggo. vice presidents: sir john quick, hon. d smith, m.l.a., cr. j h curnow, cr. j e holland, mr oscar flight, mr e s cahill, dr. w j long, dr. o penfold, mr a l bolton, o.b.e., mr g e bolton, mr d berriman, mr alf e wallis, mr j g oliphant, mr arthur whithead, mr w watts, mr a e sayer, mr william wright, mr magnus cohn, mr r h s abbott, mr geo. mackay, mr barkley hyett, mr a g finister, mr w e bradshaw, mr w j campbell. from the performing members: mr e h collett, mr a w mcgibbony. conductor: mr w c frazier, a.r.c.o. acting conductor: mr h w gregory, l.t.c.l. sub conductor: mr e a miller. pianiste: miss eileen hains, a.t.c.l. treasurer: mr d h holden. librarians: mr: mr r j duguid, mr h veale, mr w mansell, mr a ditchburn. auditors: mr h t bayton, a.a.i.s., l.i.c.a., and mr harold walker. committee: office bearers, with mesdames t scott, chisholm, and misses colgan, gall field, lethlean, and messrs sleeman, jeffery, mclure, carwardine, f j walker and wittscheibe. subscribers may book at flights on and after july 21st. box plan opens at 10am. holders of 2/6 tickets may also book without extra fee. holder of 1/6 tickets may book by paying the difference (1/-) admission: 2/6/ reserved, 1/6 ordinary: including tax. hon sec. j hudspeth (85wills st.) z s martin (66 mckenzie st.) programme. concert to commence at 8pm. doors closed during each item. god save the king. part song: hymn to music, weary wind of the west, vagabonds, soft, soft wind, a song of the sea, moonlight. song: jeanned arc, ombra ma fui, my ships, broken vase. cello solo: fantasie et variationes brilliante, adagio, gavotte, berceuse slave, mazurka. other artists: choral society, ladies of the choral society. god save the king. subscribers and patrons will, we are sure, be equally gratified, with the committee, at the great artistic success which the society achieved in the collobration with the verbrugghen orchestra in the memorable performance of ''the messiah.'' the great praise which mr vergrugghen bestowed on the tone quality of the vocalists and of their exceptionally clear enunciation and fine english was indeed very pleasing to all concerned, and was ample and full justification of mr frazier's methods and patient care in training the choir in these particular points. nor must mr h w gregory, the acting conductor's part be forgotten. he worked assidously and earnestly, to keep up the high standard of the society's work. the programme presented to-night is also the result of his interpretation of the descriptive works of these modern composers. in bidding farewell to him at this concert the committee and members desire to express their thanks for the energy with which he has carried out the duties of acting conductor. we expect, at a very early date to the return of mr w c frazier to bendigo. he is bringing, with him a choice of selection of the latest and best of english songs. as a result of the visit of the society to castlemaine, a choral society was formed -
Bendigo Historical Society Inc.
Document - TICKET - DONOR'S TICKET - THE BENDIGO CHORAL
Beige coloured ticket (No. 86 - 1923). Ticket cost £1-1-0. Ticket from 'The Bendigo Choral - (the rest of the ticket has been torn off). All office bearers named on the ticket. Dark blue printing on the ticket.document, ticket, the bendigo choral, cr m g giudice, h m leggo, sir john quick, col g hurry, hon j sternberg, hon r h s abbott, hon herbert keck, hon d smith, a a dunstan, cr j h curnow, oscar flight, e s cahill, dr w j long, dr o penfold, a l bolton, g e bolton, d berriman, alf e wallis, j g oliphant, arthur whitehead, w watts, a e sayer, william wright, magnus cohn, geo mackay, barkly hyett, a g finster, w e bradshaw, w j campbell, e h collett, a w mcgibbony, w c frazier, e a miller, miss eileen hains, d h holden, w mansell, e f granger, j morey, h t bayton, j hudspeth, z s martin -
Bendigo Historical Society Inc.
Document - EXTRACT FROM THE BENDIGO INDEPENDENT APRIL 16 1887: MYERS FAMILY/MYERS CREEK, 16th April, 1887
Extract from the Bendigo Independent April 16 1887 re Myers Family/Myers Creek. Titled The local dawn of civilization - A Pre-auriferous pioneer. Settlement by William and Thomas Myers. Story of settlement of area told by first wife of William Myers (Mrs Hayward). Recollection of Mrs Hayward's re the naming of Bendigo ( ('bendy-go'). Reference to Mr Campbell, Bullock Creek Hotel and Station; Mr John Catto (Loddon homestead); Mouat Bros (Yarraberb Station) M'Intyre (squatter of Kangaroo Flat and Big Hill) ; Buzza's Paddock (Myers' Flat). Mention of Superintendent Gilbert and Dr Backhaus.Bendigo Independentperson, individual, myers family, myers flat police station, buzz's paddock, bullock creek hotel and station, port phillip, myers creek. -
Bendigo Historical Society Inc.
Document - GIRTON COLLEGE PRESENTING ANYTHING GOES, CAPITAL THEATRE BENDIGO, 27 August, 1991
Girton College Presenting Anything Goes, Capital Theatre Bendigo. a/ Flyer: 1.30pm Saturday 31st August 1991. $3.00 Bookings 42 4877. b/ Girton College Presents ''Anything Goes!'' 27th, 28th August, Capital Theatre, Bendigo. The Plot. Cast: John Elder, Genevieve Gilbert, Scott Williams, Amber McDonald, Brendon Marshall, Kaye Porter, Lok Thornton, Anna Ledwich, Jason Burns, Simon Evans, Sarah Tweed, Amelia Doble, Jane Phillips, Linden Whiting, David Pearse, Jenni Rosen, Nick Evans. Girls: Louisa Dalley, Caroline Davey, Allisa Gullan, Adam Middlemis, Alistair Hampton, Jarrod Harris, Adrian Currie, Mark Tierney, Ben Brown, James Brook, Georgia Laughton, Carolyn Macdonald, Lachlan King, Luke Tracey, Sally Branson, Michael Elphinstone, Natalie Lawson, Tanya Kairn, Matthew Evans, Sally Thorn, Emma Chuck, Natalie Davey, Geraldine Carney, Henry Chan, Rossetti Luk, Kelly Chuck, Corinne McAlpine, Tania Ray, Sally Morris, Rachel Roberts. Dancers: Rachel Campbell, Alisa Gullan, Kate Harris, Carolyn Macdonald, Rachel Millar, Jane Phillips, Carlie Sutton, Linden Whiting, Lisa Owen, Kim Davis. Sound: Bronwyn Letts, Anthea Moncrieff. Technical Lighting Spot: Davydd Griffiths, Matthew Whiting. Backstage: Emma Goulding, Dallas Anson, Sarah Carlile, Alix Osborn, Matthew Williams, Michael Porter, Kasie Watson, Alexandra Hocking, Nerida Clark, Lisa Bibby, Sher Anson, Emma Toon, Mandi Smith. Production Mrs R Pedersen, Mr R Cooke, Matthew Tilling, Michael Chittick, Mrs K Branson, Mrs A Leech with year 9 Design Students. Mr L Young, Mrs R Pederson, Mrs J Whiting, Brenda Macdonald, Pam Sutton, Mrs S Draffin, Kara Draffin, Miss M Somerville, Mr S Jackson, Mrs S Neale, Adelle Middlemis, Moira Christie, Wendy McKinlay, Shona Christie, Mrs V Jackman. Orchestra: Mr R Cooke, Maria Ciancio, Grant Welling, Susannah Breaden, Meredith Cox, Kylie Smith, Jane Davies, Jeremy Breaden, Mal Hausler, Norm Gray, Kevin Kieley, Neil Bassett, Kevin Simmonds, Betty Higgs, John Snowdon, Peter Stewart. We gratefully acknowledge the assistance of: Keith Macdonald, Macdonald's Spring Gully Nursery. Graham & Irene Keogh, Limerick Tavern. Ashman's Formal Hire. Program produced by Ms S Albion. Program designed by Jason Williams, Lok Thornton and Matt Robinson. Graphics by Broughton Snell and Amber McDonald. C & d/Tickets no.s K8 & K9, Girton College Presents Anything Goes! 7.30pm, Wednesday 28th August 1991 at the Capital Theatre Bendigo Adult $6 Conc. $3.entertainment, theatre, anything goes, girton college presenting anything goes, capital theatre bendigo. a/ flyer: 1.30pm 31st august 1991. $3.00 bookings 42 4877. b/ girton college presents ''anything goes!'' 27th, 28th 1991, capital theatre, bendigo. the plot. cast: john elder, genevieve gilbert, scott williams, amber mcdonald, brendon marshall, kaye porter, lok thornton, anna ledwich, jason burns, simon evans, sarah tweed, amelia doble, jane phillips, linden whiting, david pearse, jenni rosen, nick evans. girls: louisa dalley, caroline davey, allisa gullan, adam middlemis, alistair hampton, jarrod harris, adrian currie, mark tierney, ben brown, james brook, georgia laughton, carolyn macdonald, lachlan king, luke tracey, sally branson, michael elphinstone, natalie lawson, tanya kairn, matthew evans, sally thorn, emma chuck, natalie davey, geraldine carney, henry chan, rossetti luk, kelly chuck, corinne mcalpine, tania ray, sally morris, rachel roberts. dancers: rachel campbell, alisa gullan, kate harris, carolyn macdonald, rachel millar, jane phillips, carlie sutton, linden whiting, lisa owen, kim davis. sound: bronwyn letts, anthea moncrieff. technical lighting spot: davydd griffiths, matthew whiting. backstage: emma goulding, dallas anson, sarah carlile, alix osborn, matthew williams, michael porter, kasie watson, alexandra hocking, nerida clark, lisa bibby, sher anson, emma toon, mandi smith. production mrs r pedersen, mr r cooke, matthew tilling, michael chittick, mrs k branson, mrs a leech with year 9 design students. mr l young, mrs r pederson, mrs j whiting, brenda macdonald, pam sutton, mrs s draffin, kara draffin, miss m somerville, mr s jackson, mrs s neale, adelle middlemis, moira christie, wendy mckinlay, shona christie, mrs v jackman. orchestra: mr r cooke, maria ciancio, grant welling, susannah breaden, meredith cox, kylie smith, jane davies, jeremy breaden, mal hausler, norm gray, kevin kieley, neil bassett, kevin simmonds, betty higgs, john snowdon, peter stewart. we gratefully acknowledge the assistance of: keith macdonald, macdonald's spring gully nursery. graham & irene keogh, limerick tavern. ashman's formal hire. program produced by ms s albion. program by jason williams, lok thornton and matt robinson. graphics by broughton snell and amber mcdonald. c & d/tickets no.s k8 & k9, 7.30pm, 28th august 1991 adult $6 conc. $3. -
Bendigo Historical Society Inc.
Document - MANUSCRIPT: THE ''HISTORY OF OLD INGLEWOOD'' (NO ACTUAL TITLE)
Thirty paged manuscript re the ''History of old Inglewood'' (No actual title or stated author. The 'Preface' (last page) states that in 1961 the town would celebrate its centenary and, also, that it lost its official identity (amalgamation with the Shire of Korong). Comprises:Introduction; Aboriginal life and early history of interaction with settlers; Major Mitchell exploration in area (''Yarrayne'' as name given for the Loddon; Mt Korong - aboriginal ''Barrabungale''); Pioneers on the Loddon - land tenure (Order of Council 1847), ref to Simson (Donald Campbell; Hector Norman); Charlotte Plains (run); John Catto (of Loddon) and John Catto (of Berlin); William Allen; Alexander Moffat Allen; Mr Sellars; 1852 gold rush to Mt Korong (surface); 1859 discovery of gold at Inglewood ( A J Thompson, T Thompson, T Harvey); detail of gold mining in Inglewood; Borough of Inglewood (1863); growth of the town - hotels, banks, newspapers; 1863 fire in township; fire brigade at Inglewood; selection of land; the ''Land Convention''; the ''Duffy Act''; land selection; 'modern' developments in Inglewood(rail, gas); Jack Donaldson - runner 100 yds sprint title; armed services involvement of Inglewood (WW1 & WW2); government departments.inglewood, history, early history, lodden, mt korong, donald campbell, hector norman, inglewood fire brigade, duffy act, jack donaldson, alexander moffat, john catto, major mitchell, ww1, ww2. aboriginal life, order of council 1947. -
Bendigo Historical Society Inc.
Document - NATIONAL TRUST COLLECTION: CAMPBELL AND CONNOLLY BUILDING, 1986
Campbell and Connolly Building Appeal heard on 5/2/1986 Black and white photo Floor plan Plan of proposed shop renovation Letter to Mr John Hogan from Laurie Wilson re appeal Bendigo Advertiser article 6/2/1986 re change to building Collection of letters and forms relating to the appeal. Appeal concerns were the erection of verandah replacement and replacement of existing windows and doors.bendigo, buildings -
Bendigo Historical Society Inc.
Photograph - HOUSE IN PRINCES STREET, CAMPBELLS CREEK
Black and white photo taken circa 1907 at Princes Street, Campbells Creek (Rantar's Gully). Sparnon house built 1862, demolished circa 1910, original home of John Sparnon and wife Bessie Peters Sparnon (nee Tyack/Teague). At this time (1907) Stow's were living there. Left to right: Joe Stow, stepson of Joe Stow and wife Kate (nee Sparnon). Annie Stow, daughter of Joe Stow and wife Kate (nee Sparnon). Unknown. Bessie Stow of Joe Stow and wife Kate (nee Sparnon). ''Jinny'' Jane Peters Stow of Joe Stow and wife Kate (nee Sparnon) born 1900. (Cliff) Arthur Clifford Gray son of Fred Gray and Kate (nee Teague) on bike. Out of the photo on the damaged paert probably Willam Stow eldest son of Joe and Kate. the photo was copied by Jim Goodwin.house, private, campbells creek -
Bendigo Historical Society Inc.
Photograph - BENDIGO SCHOOLS COLLECTION: BENDIGO HIGH SCHOOL 1951
Black and white photograph of Bendigo High School 1951 Prefects. Back row left to right: Laurie Douglas, Ian O'Halloran, Howard Schleiger, John Dobble, Fred Dobble, Roger Bodinnar, Barry Smith. Front row: Coral Campbell, Marie Emerson, Nance West, Wendy Eskdale, Rupert Crocker (head master) Nance Stevens, Gay Young, Hilary Anderson.school, history, bendigo high school -
Bendigo Historical Society Inc.
Photograph - VAL CAMPBELL COLLECTION: PHOTOGRAPH OF SWIMMERS AT CENTRAL DISTRICT CHAMPIONSHIPS MARYBOROUGH, 2008
PHOTOGRAPH OF Swimmers at 2008 Central District Championships Maryborough with Shield Monaghan Shield L/R Coach Tony Rodda, Josh Dundas, James Hampson, Kane Johns, Sean Jefferies, Rebecca Holmes, Tess Swift, Brooke Howes, Stephanie Goode, Zoe Schnider, Ella Williams, Jayde Robinson, Olivia Arandt, Ruby Williamsrecreations, sports, swimming -
Bendigo Historical Society Inc.
Photograph - VAL CAMPBELL COLLECTION: PHOTOGRAPH OF THREE MEDALISTS AT THE 2008 COUNTRIES SWIMMING PORTLAND, 2008
... 1st Kayne Johns 200.57 Photograph VAL CAMPBELL COLLECTION ...PHOTOGRAPH OF three men at the 2008 Countries Swimming Portland, one wering a medal On Front: 2008 Countries Portland Kayne Johns Mens 16-17 f/s 1st 54.08 100m Mens 16-17b/k 1st 102.41 100m Mens 16-17 fly 1st 59.46 200m I/M Mens 16-17 1st 216.94 200m Open f/s 200.57 2nd On Rear: 2008 Country Championships Portland Mens 16-17 100m Freestyle 1st Kayne Johns 54.08 Mens 16-17 100m LC Backstroke 1st Kayne Johns 102.41 Mens 16-17 100m LC Butterfly 1st Kayne Johns 59.46 Mens 16-17 200m LC IM 1st Kayne Johns 216.94 Mens 16-17 200mFreestyle 1st Kayne Johns 200.57recreations, sports, swimming -
Bendigo Historical Society Inc.
Photograph - VAL CAMPBELL COLLECTION: PHOTOGRAPH OF THREE MEN JACOB LOWRY CHRIS GEYER (COACH) AND KAYNE JOHNS BENDDIGO EAST CLUB NATIONALS 2007, 2007
... Geyer (Coach) Kayne Johns Photograph VAL CAMPBELL COLLECTION ...PHOTOGRAPH OF three men Jacob (coach) Chris Geyer and kayne johns benddigo east club nationals 2007 On Rear: Bendigo East Club Nationals 2997 Jacob Lowry (Left) Chris Geyer (Coach) Kayne Johnsrecreations, sports, swimming