Showing 652 items
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Stawell Historical Society Inc
Memorabilia - Realia, c1860's
2 Hand Made Split Wood Roofing Shingles with Hand made nail. Old Post Telegraph Office stawell -
Whitehorse Historical Society Inc.
Functional object - Printers block
Square wooden block on which round metal plate nailed; metal plate bearing Nunawading Coat of ArmsCity of Nunawading 1945trades, printing -
Mont De Lancey
Functional object - Hoeseshoe, Unknown
An iron curved horseshoe with three square shaped holes on each side for nails to fasten to the bottom of the horse's hoof.horses, horse accessories, horseshoes -
Parks Victoria - Andersons Mill
Tool - Pattern, handle
Wood, cylindrical base, curved narrowing neck, sperical (approx) top; nail hammered diagionally through top. -
Bendigo Military Museum
Accessory - BAG, LIGHT HORSEMAN, LEATHER, C1914-1919
1.) Leather bag cylindrical shape with fixed ends and opening flap on side. There are two straps that hold the bag close. 2 brass rings on the rear side of the bag. Function- to be used to carry spare horse shoes. .2). Iron nails- these appea to be handmade,square shafted nails.australian light horse, leather bag, horse shoe nails -
Kiewa Valley Historical Society
Church Collection Receptacles, circa1900s
This church collection bag is quite unique in that it has three grip handles, not the usual two. Why three. It may represent the holy trinity of, the father,the son and the holy spirit. Historically this might be used to reinforce the holy trinity belief which at the time of this item's construction was under threat. The threat came from splinter Christian sects such as the Church Of Jesus Christ of the Latter-Day Saints which have a Godhead of a council of three deities and there are other christian religions of only one deity covering the father,the son and the holy spirit.This collection bag for offerings, was the main method available towards the upkeep of the church and its parish during this era. Broadcasting of religious services was not as prolific as in the late 1900s and into the 2000s. It was a time when visualisation of the support of religion(especially in rural ares) was an important social factor. The God "fearing" beliefs within society of this period, provided the strong moral fabric which permitted settlements that did not have a strong law enforcement section to prosper and develop without fear or "favour". The collection bag was, and is still, a physical endorsement of support towards the church and what it stands for. This was a time when it was a social requirement to be seen in the church building and supporting fellow parishioners. The ingrained Australian psyche of supporting anyone that needed help, was a result of this period.Church collection/donation bag. Simple construction of two round frames with three opposing handles nailed together to hold firm a small dark blue cloth pocket/bag. All fastened by nails to the handle/frame and the large pocket allows for a reasonable amount of coin or notes to be offered.religion, collection receptacles, christian offerings, church protocols -
Stawell Historical Society Inc
Realia, Copper Property Tag Borough of Stawell, 1941
Attached to Furniture in Borough Hall has Nail Hole, To Attach to Furniture Copper Furniture Tag from theBorough of StawellBorough Of Stawell 1941 No. 385 -
Flagstaff Hill Maritime Museum and Village
Tool - Sheathing hammer, Mid-to-late 20th century
A sheathing hammer is used for attaching the copper or Muntz sheathing to the outside of a vessel. The outside cover of the hull of a ship or boat is called sheathing. In previous centuries the sheathing was timber but on long voyages, the sea worms could eat through the timber and their holes would weaken the sheathing, sometimes causing the vessel to break up in the rough sea or if the ship was beached. Copper or Muntz sheathing was later used. It was effective but very expensive. In modern times the hulls of ships are iron. The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings. You can see Laurie’s inscription on the tool called a ‘bevel’. Laurie worked for Ports and Harbours, Melbourne, for over 50 years, beginning in the early 1960s. He and a fellow shipwright inscribed their names on a wheelhouse they built in 1965; the inscription was discovered many decades later during a repair of the plumbing. Many decades later Laurie worked on the Yarra moving barges up and down the river and was fondly given the title ‘Riverboat Man’ His interest in maritime history led him to volunteer with the Maritime Trust of Australia’s project to restore and preserve the historic WWII 1942 Corvette, the minesweeper HMAS Castlemaine, which is a sister ship to the HMAS Warrnambool J202. Laurie Dilks donated two handmade displays of some of his tools in the late 1970s to early-1980s. The varnished timber boards displayed the tools below together with brass plaques. During the upgrade of the Great Circle Gallery Laurie’s tools were transferred to the new display you see there today. He also donated tools to Queenscliffe Maritime Museum and Clunes Museum.The shipwright’s tools on display in the Great Circle Gallery are connected to the maritime history of Victoria through their past owner, user and donor, Laurie Dilks. Laurie began his career as a shipwright at Ports and Harbours in Melbourne in the mid-1900s, following in the wake of the skilled carpenters who have over many centuries used their craft to build and maintain marine vessels and their fittings.The sheathing hammer has a wooden handle and metal head. One side of the head has a long claw for removing nails with minimum damage to the surrounding surface. The other side has a wide, flat round head for hammering in the large nails used in shipbuilding. It once belonged to shipwright Laurie Dinks.flagstaff hill, warrnambool, great ocean road, shipwreck coast, maritime museum, maritime village, shipwright, carpenter, shipbuilding, ship repairs, hand tool, equipment, ship maintenance, cooper, tool, marine technology, sheathing hammer, hammer, shipwright's hammer, ship's sheathing, laurie dilks, l dilks, port and harbours melbourne -
Kiewa Valley Historical Society
Sign - "S.E.C./Danger"
Safety signs are important to warn people of dangers. The SEC constructed the Kiewa Hydro Electric Scheme and used appropriate signs for the safety of its workers and the public.The Kiewa Hydro Electric Scheme was constructed on the Bogong High Plains and included the town of Mt Beauty for accommodation etc. for its workers.White vertical print with red background on oval shaped tin sign. There is a hole at the top and bottom for attaching the sign with a nail.state electricity commission of victoria, safety sign -
Orbost & District Historical Society
Sampler, Ford, Mrs, late 1890's
This is a Victorian mourning sampler.This handwork is an example of the needlework skills of women in early settler families.Sampler of needlework with "sweet rest in heaven" . Simple geometric design and flowers. Gold and green carved ornate frame with nails.handcraft needlework hobbies -
Flagstaff Hill Maritime Museum and Village
Grinding Wheel
Grinding Wheel, with wood shaft through centre. Has nails in wood shaft to stop handle from pulling out.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, grinding wheel -
Bendigo Historical Society Inc.
Accessory - SILVER FINGER NAIL BUFFER
Silver Finger nail Buffer part of Manicure set / label atached 'DI.461.1' / Hallmarks: Anchor , Lion & O.personal effects, manicure, nail buffer, hallmarks anchor , lion & o -
Anglesea and District Historical Society
Wringer, The American Wringer Co, 1888 onwards
Hand operated wringer; timber frame with metal fittings; timber handle; 2 top screws; scattered nail holesCentre: FALCON / LOOSEN TOP SCREWS / WHEN NOT IN USE / IMPROVED PAT'D . . . Sides: EXTRA / HIGH GRADE / WARRANTED / TRADE / MARK . . . Flap: HORSE SHOE BRAND / CLOTHES WRINGER / WARRANTED 3 YEARS FOR FAMILY USE Underside of Flap: THIS WRINGER HAS WARRANTED RUBBER / ROLLS / VULCANIZED TO THE SHAFTS / PUT A LITTLE OIL OR LARD ON THE BEARINGS / BEFORE USING AND LOOSEN TOP SCREWS / WHEN THE WRINGER IS NOT IN USEwringer, mangle, laundry -
Parks Victoria - Days Mill and Farm
Document - Dance list
Local dances were held in the Mill buildings. This is one of two lists that survive from that time inside the mill. Handmade on property.Two pieces of cardboard nailed to the south wall. The sign contains a handwritten list of various dances. (see inscriptions for details)"QUADRILLE ALBERTS / WALTZ WALTZ / LANCERS QUADRILLE / SCHOTTISCH BARNDANCE / ALBERTS LANCERS / BARN DANCE WALTZ / WALTZ COTTN ROYAL IRISH / HIGH SCHOT VARSOVEINNA / ROYAL IRISH SPANISH WALTZ / LANCERS [copper plate] AULD LANG SYNE / POLKA"dancing, social gatherings -
Mont De Lancey
Peg Tool
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Peg Tool for shoe-making. Metal tool with leather handle, pointed one end and round disc on other end.bootmaking tools -
Mont De Lancey
Hole Punch and Button Eyelet Pliers
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.A metal hole punch, and metal button eyelet pliers, both used for shoe-making.AMG Darholeybootmaking tools -
Mont De Lancey
Legging
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Handmade leather legging with 4 metal clips.boot covers, leggings -
Mont De Lancey
Lasts
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.2 x wooden Lasts (Adult size) with metal screws. 1 x cast iron Last (Child size) with holes in base and a removable elevated top.Wooden: Size 6 (80) Cast Iron: Size 9 Dbootmaking tools, boot lasts -
Mont De Lancey
Last
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast Iron Last on a four-footed base/stand. Last is removable from stand, and can be moved into different positions on top of the stand.bootmaking tools, boot lasts -
Mont De Lancey
Last
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast iron double-ended Lap Last.bootmaking tools, boot lasts -
Mont De Lancey
Bootmaker's Repair Stand
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Wooden bookmaker's repair stand, opens slightly at one end. Two pieces of wood connected by two screws.bootmaking tools -
Mont De Lancey
Heel and Sole Cutters, Mobbs & Lewis
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast Iron pieces - 1 Heel cutter and 1 Sole cutter.bootmaking tools -
Mont De Lancey
Circular Welt Cutter, Wandin Thomas Sebire JP
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast iron Welt Cutter with a wooden handle. -
Mont De Lancey
Seat Breaker
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast iron Seat Breaker with a wooden handle. -
Mont De Lancey
Fudge Wheel
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast iron Fudge Wheel with a wooden handle. -
Mont De Lancey
Foot Measure/Ruler
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Wooden, folding, foot measure/ruler with brass clasps.bootmaking tools, measures, rulers -
Mont De Lancey
Hammer and 2 Knives/Cutters
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast iron hammer with a wooden handle. Larger Cutter/knife, cast iron with a wooden handle. Smaller Cutter/knife, cast-iron with a wooden handleHammer: "London" Larger knife: "Pettys Sheffield".bootmaking tools, hammers, cutting tools -
Mont De Lancey
Bootmaking Equipment
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast iron Heel plate. Miscellaneous Sole plates. Hobnails and a tin of wooden sprigs.bootmaking tools, nails -
Mont De Lancey
Heel Shave and 2 Heels
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast Iron Heel Shave. 1 larger Leather heel piece. 1 smaller Leather heel piece.bootmaking tools, shaves -
Mont De Lancey
Bootmaking Equipment, Wandin Thomas Sebire JP
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Handmade Waxed Thread attached to pig bristles, for boot stitching .bootmaking tools, thread waxers, threads