Blue paper dated July 10th 1871. I hereby Certify that Alfred Skeats of Long Gully is able to follow his usual employment. Signed H. L. Atkinson. Also signed at the end by Alfred Skeats declaring himself off the Sick Funds of the Court. Printed by J. Brockley, Printer, Bridge Street, Sandhurst.societies, aof, correspondence, ancient order of foresters no. 3770 collection - medical certificate, court king of the forest, alfred skeats, h l atkinson

(i)'Rules and Agreement.' Typed and handwritten documents relating to loans by Mr. Henry Jones - a gold broker. (ii) Paperwork relating to business between Mr. Jones and Bendigo Tin Shop and Jackson's Buildings. (iii) Copy of a ' Bill of Sale from Henry Jones business which was at View Point, Sandhurst. (iv) Mortgage. Dated C1873.document, certificate, loans and sales, lydia chancellor, collection, business, sales, property, land sales, documents

Vinyl LP with black 'Design Records' label; Spectra Sonic Sound Jimmy Clanton & Bristow Hopper - TRACKS: Just a Dream, Angel Face, The Slave, Please Me, I Need to Be Loved, Love Has No Strings, Foolish Thing, Baby That's Love, Hate That Bear, Rolling Western Plains. Ref. DLP-176-A

Typed letter on Frank J. Every's letterhead. Date on pencil 7/12/39. The letter to employees advising about the adoption of a system of "Instruction Bulletins" to be issued to each member periodically. By this method of imparting personal instructions in the art of conduct of business, I am hopeful to attaining a high standard of service and efficiency in every department.business, retail, frank j.every's

Collection of 17 sundry newspaper cuttings (some re B. Watson, others aeronautical, plus 'others' - e.g. Scotts Hotel, Melbourne; Alan Shepherd, astronaut. From the Sun, Herald and Warrnambool Standard. Index of cuttings attached to paper Catalogue Sheet: Cuttings related to Basil Watson: c, h, I, n, q.print, persons

Game token, nineteenth century, brass imitation Spade Half Guinea. On short length of chain. Thin, with milled edge. On the obverse is a central effigy of King George facing right, surrounding legend "GEORGIUS I [?] DEI GRATIA"... On the reverse is a central shield. The legend is 'WCB. ET. CO. DG. REX F.O. B.I.R.M./1790".(As above)game token

Contents: God's lot : Moravians and missions "The most wretched and bleakest" : Moravian desire to work amongst the Australian Aborigines "Ein fauler Fleck" : Lake Boga, a putrid stain "I is done no more" : the first converts "Alles geht seinen schleppenden Gang" expansion, movement and sluggish progress "Every triumphant death" closure in a British colony.Maps, b&w illustrationsdjadja wurrung, dja dja wurrung, gunai, wati wati, wemba wemba, woi wurrung, wurundjeri, wotjobaluk, wergaia, wotjubalak, wotjibolik, wudjubalug, kulin nation, victorian history, moravian missions, colonisation, port phillip protectorate

Kodak Junior 1 Folding bellows camera and case - takes 620 film - with a Kodette 111 shutter. It is a simple with a B & I settings - no other adjustments.|View finder in cream bakelite - has film release button to release and a forward button to release the camera bellows. Back has red film number viewer on back.Kodak on upper lens|Kodette 111 shutter on lower lensphotography, cameras

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Peter Sculthorpe - Sun Music I - Irkanda IV; Dorian Le Gallienne - Sinfonietta. LP 33RPM Vinyl, Catalogue Number: S/FRAM 1, Paper packaging/cover, opens like a book, Plastic Sleeve, 1 Vinyl disc, cover notes by Roger Covell. The Melbourne Symphony Orchestra, Conductor John Hopkins.lp, sound recording

Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Photograph of SEC Bendigo tram 17 on the depot lead, Easter Monday (?) April 1949. Keith Kings No. C(a)(1) Scanning: i - image file, p - presentation file, b - back of photograph.Stamp in top left hand corner and handwritten number with "K.S. Kings No. C(a)(1) Copyright reserved". In blue ink "Bendigo / No.17 / Open bench car / Depot / 4/49".trams, tramways, bendigo, open bench tramcars, depot, tram 17

Black and white print of a donated negative. Print made 8/1998. Photo of SEC single trucker tram No. 17 at the depot in front of No. 1 road doors. Tram has large white triangles on the front dash panel. Photo taken 31.12.1958. High res scan of negative added 22/1/2020 as i.tramways, trams, depot, 17, ballarat, tram 17

Demonstrates the method of recording who built the tramcar body.Brass cast Builders' plate with raised letters on both sides - " J.M. JONES' SONS WEST TROY N.Y." Rounded on one corner. Has small lug on both sides on square end - window pull?? On lower edge, has two holes, countersunk on one side, See Tramways of North Sydney. - I. MacCowan 1990In pencil on non countersunk side "TRAM No. 15"tramways, trams, builders' plate, j.m. jones, ballarat??

Diggers & Mining. Diggers and miners. The same difficulties confront us when we try to discover the total number of diggers in Victoria for each year of the gold rush. The most acceptable figures for the total population engaged in all forms of gold-getting, i.e., diggers and miners - - - Markings: 48 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A First World War button inscribed ‘Our Day Nation & Honour’, and featuring an image of British nurse Edith Louisa Cavell, who died at the hands of a German firing squad in 1915. She became a heroic figure of sacrifice in World War I, and was used to increase military recruitment in Britain and win support for the war in the United States."Our Day / Nation & Honor"patriotic buttons, first world war (1914-18), badges

Used with British No.4 MK1 Infantry rifle. Issued to British soldiers in World War Two (WWII)British No.4 MK 2 bayonet with scabbard. The No. 4 Mk. II was a simplified version of the No. 4 Mk. I which had a distinctive cruciform blade. The Mk 2 bayonet did not require the milling cuts required to create the cruciform blade flutes. Blade length 203mm. The plain spike gave rise to the nickname 'pig-sticker'.world war two, wwii, bayonet, british

'The Australasian Journal of Pharmacy' Envelope addressed to Mr R A Anderson 133 Mackenzie Street, Bendigo, Vic 3550 containing documents relating to the consultation and repairs of the M. U. I. O. O. Hall at Eaglehawk in 1972 donated by R A Anderson Assistant Secretary Central Vic Branch National Trust. 10 documents in series.society, manchester unity independent order of odd fellows m.u.i.o.o.f., eaglehawk

Map. Shire of Strathfieldsaye, Locality Plan. Scale I inch=1 mile. Shire of Huntly, Shire of McIvor, City of Bendigo, Shire of Marong, Shire of Maldon, Shire of Metcalfe. Lake Eppalock. Mileage markers on some roads. Melbourne to Bendigo Railway Line, Big Hill Tunnel, Mt.Herbert 1596.Axedale Township, Strathfieldsaye Township.M.Higgs 21-8-1972map, bendigo, locality plan

Josh MUIR (1991-05 February 2022) Yorta Yorta/Gunditjmara/Barkinjl Born Ballarat, Victoria Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on Aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice. He was also a Telstra National Indigenous and Torres Strait Islander Youth Art Award winner. The Koorie Heritage Trust, the National Gallery of Australia, the National Gallery of Victoria, the Art Gallery of the Northern Territory and Federation University Australia all own his work. Digital output on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship

Black and white photograph - Grade 4A, 1955"Attached to photograph" Back Row- L to R: M Corin, T Seagren, I Weist, D Sjogren, I Simpson, B Steegstra, B Cain, N Miller, ? Fitzpatrick, P Hill, ?, G Frazer, B Short, T Coutes, B Stevenson, P White, ?. 2nd Row - L to R: M Johnson, R Harris, S Dorman, H Trout, ?, W Marriner, ?, F Hackett, ?, ?, ?, L Corbett, R Thompson, V Pincock, I Wilton, L Sumpter. 3rd Row - L to R: I Marshall, N Maclarty, C Pavey, F Lillywhite, E Dexter, S King, ?, M Milne, ?, H Boyle, ?, B Stewart, J Smalley, K Sterling, Olwyn Hayes, ?, ?, I Clarksen. Front Row - L to R: D Richards, B Bangay, A Byrne, B Cooper, D Bolton, J Forbes, R Jenkins, R Albert, R Galfred, ?. Teacher: Mr Smith

An early black and white photograph of the Big Tree in Cambarville in Victoria.An early black and white photograph of the Big Tree in Cambarville in Victoria. It was, at one stage, known to be the tallest hardwood tree in the world standing at 92 meters (301ft, 6 inches). However, it was reduced to 84 meters by a wind storm in 1959. It is a mountain ash. There is a walking track through the forest that will take you to the Big Tree. This postcard was published by Valentine Publishing Co. Pty. Ltd. as a souvenir of Marysville.VALENTINE'S/ POST/ CARD A GENUINE PHOTOGRAPH Dear Mother & Dad I received your letter and/ was glad to know everything is OK at home./ The weather is still pretty good. Today is dull/ with a drop of rain every now & then but not enough/ to stop you from going out. Tomorrow we are going/ to the Eildon Weir so we are hoping it stays fine./ Had a letter from Mrs Thompson. She says Alison is/ doing fine. She has been playing with Judy/ You didnt way whether you were coming up here or/ not but I doubt whether you will get in after next/ week as it is the school holidays. Cumberland House/ seems to be very nice + it is on the main road let me/ know by return post & Ill see what I can do for you./ I think the tariff seems to be the same. Well dear thats all for/ now as I want to send a card to Auntie Love Ethel & Clarriebig tree, mountain ash, cambarville, victoria, valentine publishing co, postcard, souvenir

Part of a collection of photographs donated by Bruce Bennett. Photographs from collections of: David Johnson, I Mannix, Legg, Charlie Blackney, Des Chilcott, Ted Walton, Len Bagley and Brian Davis.233-20. Black & White photograph of a postcard. The Pier Hotel and house set in paddock and surrounded by large trees and reserve at San Remo, Victoria. 233-21. Black & White photograph of a photograph. Bentons Guesthouse, San Remo, Victoria. 233-22. Black & White photograph of a photograph. Herbie Kirkland or Clive Fox?? on barge at Newhaven, showing cray caufs lined up on jetty in the background. 233-23. Black & White photograph of a photograph. San Remo Hotel. 233-24. Black & White photograph of a photograph. Breakwater at San Remo circa 1940 with family on the beach (Bert Blackney & Violet) and people swimming. Wooden groyne in foreground. 233-25. Black & White photograph of a photograph. Building the slip at Newhaven, Phillip Island. 233-26. Black & White photograph of a photograph. House in the distance at Rhyll built by Johnson. Dan Patience lived there till 1950's then Ted Walton. 233-27. Black & White photograph of a photograph. San Remo to Newhaven, Phillip Island punt with 3 cars on board. 233-28. Black & White photograph of a photograph. San Remo jetty showing boats and sheds. Ivan Hayhow boat. 233-29. Black & White photograph of a photograph. Sailing boat on Westernport with Phillip Island Suspension bridge behind.233-20 The Rose Series P700. Pier Hotel, from the reserve, San Remo, Victoriahotels, pier hotel san remo victoria, san remo hotel victoria, bentons guesthouse san remo, guesthouses, san remo to newhaven barge, phillip island barge, newhaven barge, san remo beach, newhaven slip phillip island, rhyll phillip island, san remo punt, san remo jetty, phillip island suspension bridge, sailing boats, bruce bennett

Jasper Lewis Bolton's daughter, Jo Petrovic, supplied this information on her father's role as a stretcher bearer in World War I. Jasper Bolton moved to Briar Hill in the inter-war period.3 pages, 2 web articles and personal recollection.world war 1 project, jasper lewis bolton

Illustrated information sheets on the State Insignia of Victoria. Contents: Armorial ensign, The State flag, Floral emblem, Faunal emblem I (helmeted honey eater), Faunal emblem 2 (Leadbeaters possum).An official description of each of the insignia of the state of Victoria.5 x A3 sheets in blue A4 folder.victoria, insignia, state emblems