Black and white photo of girls in costumes backstage during an Annual Demonstration. It could be the sugar plum fairies for a nutcracker routine. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of a group of girls in costumes backstage at a Legacy demonstration.junior legatees, demonstration, annual demonstration, girls classes, costumes

Black and white photo of girls backstage during an Annual Demonstration. Most of the line up are dressed as hunters and one is dressed as a fox. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of dancers in hunting outfits and one dressed as a fox backstage.junior legatees, demonstration, annual demonstration, girls classes, costumes

Names on a number of photographs a Dennys Simpson on Topsy. Carrs Plains -1a Peg, Barb, Dennys, Pat & Hubert -3a Dennys with pet lamb Denby -4a Dennys 4yrs Rollo 5 months -5a Dennys 4 Years -6a Hubert Dennys -7a Meg -9a Barbara with Meg -10a Rollo 10 Months. Picnic at Bolangum Ranges -11a Peg and Arthur Grossley -12a Rollo 11 Months -13a Rollo 19 months Jan 1925 -14a Barbara 15 years, Patricia 12 years, Edith 14 years -15a Mother Molly -16a Dad on Sport Series of 17 smallish B/W Family Photographs in brown cardboard albumBarbara Wettenhall with love from June

Made by the cousin of Brighton local Olga Black. The cousin gave her the doll in 1937, when Olga was around seven years old. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Handmade painted wooden bead doll representing a sailor. Cream coloured body and limbs and pink head. The body is made from one long oval bead and the limbs from small round beads.doll, child's toy, childhood, sailor, olga black

This waistcoat belonged to Olga Black, a long-time Brighton resident. Part of a Greek national costume, it was designed by Olga in the 1950s, with the silver cornelli work completed by a Collins Street workshop. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Black velvet waistcoat, decorated with silver cornelli work. Pale blue cotton lining. Fastens with hooks and eyes.greece, ithaca, migration, olga black

This top was made by Toula Mavrokefalos Black (nee Raftopoulos) as a teenager living in Romania. It was intended to be worn under suit jackets. Her daughter, Olga Black, is a longtime Brighton resident. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Long-sleeved top of cream georgette with high round neck. Front features three handmade rectagular lace panel inserts, surrounded with floral cross stitch embroidery in red, blue, black and greentoula mavrokefalos, toula black, olga black, migration, embroidery

Certificate is of the pledge that the brigade made to His Royal Highness the Duke of Edinburugh at a dinner that the Duke attended at the Ballarat Fire Station on 10th December 1867 during a royal visit to the district. White timber framed pledge from the Ballarat Fire Brigade to His Royal Highness the Duke of Edinburugh during his royal visit in December 1867. Pledge is on white paper with a coat of arms near the centre at the top of the page. Lettering is mainly in black ink with some red coloured letters being used. Certificate has a light brown coloured border around it with a hand drawn scrolled decorative edge made in gold colour. To His Royal Higness / The Duke of Edinburugh / May It Please Your Royal Highness / We Othe fficers and Members of the Ballaarat Fire Brigade, an institution based upon pure philanthropic / principles, our motto being "We Strive to Save" bear to approach your Royal / Highness with feelings of devotion and attachment, and deep felt gratitude to the Almighty, for this / opportunity of envicingour loyalty to Her Most Gracious Majesty Queen Victoria, your Royal / Mother: and, of tendering a hearty Firemans welcome to Your Royal Highness, in the land of our / adoption, and the good town of Ballaarat East, our residence. / We are deeply impressed with the great honor and importance of your Royal Higness's visit to the / Australian Colonies, and beg to express our fervent wishes for your Royal Highness's safe return / to our mother country. / We have the privilege and honor, to subscribe ourselves your Royal Higness's most obedient and humble / servants. / On behalf of the Brigade / Charles Dunn, Captain Carl Franz, Lieutenant / R. Geilhofer, Hon. Secretary / Ballaarat, December, 1867ballarat fire brigade, queen victoria, his royal higness, the duke of edinburugh, december 1867, 1867, captain charles dunn, captain dunn, lieutenant carl franz, lieutenant franz, honourary secretary r geilhofer, his royal highness the duke of edinburugh

The Daily Telegraph is a broadsheet newspaper published in London by Telegraph Media Group and distributed across the United Kingdom and internationally. This newspaper clipping was used by Marjorie Burton for fashion ideas. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class working church-going family. Her mother was a milliner who made many of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. Newspapers reflect the current social and fashion trends. This item is an example which reflects the women's clothing fashions of 1975.A page from the Daily Telegraph, Saturday August 16, 1975. it contains articles and advertisements for women's fashion.Bottom left hand corner of page 8 - illegible handwriting in blue pen.newspaper-article-fashion burton-marjorie

This book Gulliver's Travels was awarded to Margaret Jane McGowan as second prize for spelling. Margaret was one of the first enrolments to Clarendon Ladies' College at the age of 12. Margaret's father, Samuel, and mother, were personal friends of the Reverend Robert and Mrs. Kennedy. Margaret attended school in the same class as the Kennedy's eldest son Tom who was 11 at the time. Margaret's sister Edith was the 2nd enrolment to the college. Margaret resided at 15 Royal Terrace Webster Street, Ballarat. Her parents were employed as Carrier and forwarding agents. Margaret's married name became Steele. Archives also hold a second book prize awarded to Margaret (000127).Socially significant due to connection with first prize-giving ceremony for Clarendon Ladies' College.Red fabric cover with ornate black and gold embossed markings and borders; gold lettering on front cover and spine; embossed border on back cover; two coloured plates; 361p. Book plate inside front cover: CLARENDON LADIES' COLLEGE/BALLARAT/Second PRIZE/ Spelling/AWARDED TO/J McGowan/R KENNEDY PRINCIPAL/18TH December, 1879 Hand-written inscription on flyleaf: This book was a Prize/at the first Prize-giving/of the College/The College having been/ established/in 1878.margaret-j-mcgowan, elizabeth-kennedy, robert-kennedy, tom-kennedy, clarendon-ladies-college, spelling, book-prize

The card is written by Leonard James Kennedy Myers No 593 to his Mother on one half of the card, the other is signed by the 22 men. He signs of as “Jim” , refer cat No 5062.2P for his details. Names on the list as written; JLK Myers KIA, AE Madill, WH Myers, JD McNeil, MJ Nihill KIA, A Walker, JC Nihill, EJ Anson, JJ Scott KIA, SC Smith, TA McDonald KIA, JFD Walker, SA Parker, J Smith, FA McMurtree KIA, FJ Griffiths, CR Wright, WC Marshall, E Tracey KIA, AA Elliot, RE Marshall DOD, DT Ure.Photo post card B&W of the Troopship “Runic” showing troops lined up on the deck. A short letter on the back and signed by 22 men of B Coy 38th Bnphotographs, 38th bn, b coy, runic

The Storey Dance Orchestra was formed in the 1920s by Arthur Storey, playing voilin & banjo, sister Rita-saxaphone,Jean and brothers Bob and Ben. Later, their mother, also Jean, an accomplished pianist and supporter of the orchestra, filled the pianist role after Jean left home to further her career. The car in the photograph was paid for with orchestra earnings. Their music involvement enabled a large family to sustain the farm during the 1920s and 1930s. World-War-Two intervened, this saw the Storey Orchestra disperse, Bob joined Jean in Melbourne, where they continued their musical careers. Ben joined the war effort, leaving Arthur on the farm. Con Taylor played on with a local Dance Band.The photograph tells of the important part that music played in the social structure of families and the wider community, and provided another means of income in the depression years of the 1930s.B&W print of the Storey-Dance-Orchestra, 1937/38, Ben Storey-banjo, Jean Storey-piano, Bob Storey-saxaphone-clarinet, Con Taylor-saxaphone, Keith Baker-trumpet, Jack Proctor-drums. The car,a Ford Rego.No Vic 21695 Noneclothing, musical instruments, storey, men women, dance orchestra, 1937 38, motor vehicles

The donors of the fur stole come from a local family in the Warrnambool area. They believe the fur stole is around 60 years old. The stole belonged to the donor’s mother, now deceased, who wore it to local balls and dances as an accessories and maybe for warmth too! The donors believe the fur could have been purchased in Melbourne or Toorak. The fur is likely to be from the Mustelidae family, which is the largest family of carnivorous mammals. They inhabit all continents except Australia and Antarctica. This species includes the weasel, badger, otter, marten, ferret, sable, mink, stoat (ermine) and wolverine. The fur is thick and dense close to the skin, indicating that it is the winter coat of the animal. This fur collar is representative of fashion accessories in Warrnambool and District in the 1940's - 1950'sFur stole, ladies; comprising two animals with heads and legs, stitched together to form a stole. The fur is believed to be the winter fur of animals from the mustel family and is not as soft as rabbit fur. The first head has only the nose, the second head has nose and eyes. The heads are dark brown, each animal has a dark brown stripe the length of its fawn coloured back. Tails are dark but not as dark as the head. The stole can be clasped together using a decorative knotted brown tie and hook, or by using the clip attached to the snout of the front animal. 1940-s - 1950s.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mustelidae fur stole, mustel fur, fur stole with body head and legs, fur stole made with animals, ladies clothing, fashion accessory of 1950’s, fashion of south west victoria

A collection of nine postcards donated by the Bass Coast Op Shop. Information on the back of No. 276-05. "Koala Bears were first seen by white explorers in the Blue Mountains, 1798. Early colonists from N.S.W. called it a "monkey bear". Koala means in Aboriginal "does not drink" or "no drink". They are slow-moving, tree-climbing, friendly marsupials with thick woolly fur coats, large ears and rubber nose. They live in gum trees and feed upon their leaves. Babies are born every two years, spending nine months in mother's pouch and then on her back for about six months, then leaving its parents and looking for a tree with comfortable branches."Nine coloured postcards of Phillip Island and wildlife. 276-01. Postcard showing four vintage vehicles displayed in the Len Lukey Memorial Museum & Gardens at the GP Race Track. 1. 1928 Austin Chummy. 2. 1926 Maxwell. 3. 1924 Model T Ford. 4. 1913 Model T Ford. 276-02. Postcard showing penguin in burrow possibly on egg/s 276-03. Postcard with two photographs of penguins coming up the beach at dusk. 276-04. Postcard with three photographs of penguins coming up the beach and people looking over the railing at them. 276-05. Postcard of a koala sitting on a branch. 276-06. Postcard of seals at Seal Rocks with man sitting on the rocks beside one. 276-07. Postcard with four photographs of koalas, penguins, Cowes Jetty and Cowes beach. 276-08. Postcard with three photographs of koalas, penguins and a seal. 276-09. Postcard with four photographs of penguins, koalas, seals and penguins.276-01. Len Lukey Memorial Museum & Gardens. Vehicle description as above in Physical Description. 276-02. Phillip Island, Victoria, Australia. On back: Australian Penguin Reserve, Phillip Island Victoria. 276-03. Australian Penguin Parade Phillip Island. 276-04. Penguins at Phillip Island, Victoria, Australia 276-05. On back: Full description of Koalas - see Historical Information below. 276-06. On back: Making friends at Seal Rocks, Phillip island, Vic. 276-07. Cowes Phillip Island. 276-08. Phillip Island Victoria 276-09. Greetings from Phillip Island. On back: Phillip Island, Victoria, Australia. Interesting aspects of this fascinating Island which gives shelter to some of Australia's unique fauna.wildlife - seals, wildlife - koala, wildlife - penguins, vintage cars, t model ford, len lukey musem, cowes beach, cowes pier, bass coast op shop

Friendly Societies were founded in the Australian Colonies in the mid-19th Century by immigrants from England who had been members in Societies which dated back to the 18th Century. Like all working people these immigrants experienced sickness, accidents, unemployment, death and burial. They needed help of like fellows to tide their families over these times. So they formed a branch of one of the Friendly Societies back in the mother country. The idea was to make fixed contributions to a fund and when they were off work they would receive a payment. When they died funeral benefits would be paid and the widow and children would be cared for. It was a form of local insurance for hard times. This book was used in a time of 'look after yourself' as the Colonial Governments did not provide pensions or benefits. This item reflects those times.A brown book with ablue spine. It contains pink paper copies of correspondence from M.U.I.O.O.F. (Manchester Unity Independent Order of Oddfellows)on front cover - handwritten in pen "M.U.I.O.O.F Orbost Branch"m.u.i.o.o.f. friendly-society manchester-unity

Friendly Societies were founded in the Australian Colonies in the mid-19th Century by immigrants from England who had been members in Societies which dated back to the 18th Century. Like all working people these immigrants experienced sickness, accidents, unemployment, death and burial. They needed help of like fellows to tide their families over these times. So they formed a branch of one of the Friendly Societies back in the mother country. The idea was to make fixed contributions to a fund and when they were off work they would receive a payment. When they died funeral benefits would be paid and the widow and children would be cared for. It was a form of local insurance for hard times. This item was used in a time of 'look after yourself' as the Colonial Governments did not provide pensions or benefits. This item reflects those times.An account book for M.U.I.O.O.F. (Manchester Unity Independent Order of Oddfellows ). It has a dark blue fabric cover. It contains hand-written accounts.m.u.i.o.o.f. friendly-society accounts-book

Friendly Societies were founded in the Australian Colonies in the mid-19th Century by immigrants from England who had been members in Societies which dated back to the 18th Century. Like all working people these immigrants experienced sickness, accidents, unemployment, death and burial. They needed help of like fellows to tide their families over these times. So they formed a branch of one of the Friendly Societies back in the mother country. The idea was to make fixed contributions to a fund and when they were off work they would receive a payment. When they died funeral benefits would be paid and the widow and children would be cared for. It was a form of local insurance for hard times. This item was used in a time of 'look after yourself' as the Colonial Governments did not provide pensions or benefits and reflects those times.A very large cash book with a blue fabric cover , a brown spine and edges.

The British Empire Exhibition was opened by King George V on St George's Day, 23 April, 1924. Its official aim was "to stimulate trade, strengthen bonds that bind mother Country to her Sister States and Daughters, to bring into closer contact the one with each other, to enable all who owe allegiance to the British flag to meet on common ground and learn to know each other". The Exhibition was also the first occasion for which the British Post Office issued commemorative postage stamps Many souvenirs were made to commemorate the exhibition. This tea caddy, produced by Lipton's, includes the exhibition's official mark of the stylised lion designed by F. C. Herrick.This item is a souvenir of a historic event which took place in the first half of the 20th century.A Lipton's souvenir brass tea caddy from the British Empire Exhibition of 1924. The lid fits on to form a sphere. It has a knob on the top"Lipton" on bottom. "Lipton's souvenir tea caddy British Empire Exhibition 1924" on top. A lion on the side.souvenir container tea-caddy lipton-thomas british-empire-exhibition

This box was used by Lindsay Thomson's mother, Annie M. Thomson for the transport of hen eggs from Orbost to Melbourne by rail - C 1940's -1950's. The Bairnsdale-Orbost railway was opened in 1916 to serve the agricultural and timber industry. Because of the decline in traffic and heavy operating costs, the line was finally closed in August, 1987. Orbost Railway Station was opened on Monday 10 April 1916 as the terminus of the Orbost railway line, and closed in 1987. The station was located on the west side of the Snowy River despite the town of Orbost being on the east side of the river, in order to save on the costs of a bridge over the river, which at the time had highly variable levels. This item is associated with the history of the Orbost-Bairnsdale railway line and therefore reflects the role that the rail line played in the social and economic history of Orbost. A wooden box with two inside sections and a wooden lid which is secured on both ends by large nails/spikes which are fitted into a groove and are then turned. On front and back in black stencilled letters A M T O B container railway eggs

Mother Earth was created by modernist era sculptor George Allen. It is located in the western median strip at the intersection of Sturt and Raglan Streets. Made from Hawksbury stone on a granite base, the sculptor has created a female figure as the centrepiece, with two reliefs figures at the front and rear depicting a miner and a farmer. The work was created in commemoration of Mr Frank Pinkerton, an esteemed local lawyer in Ballarat. George Allen won the commission to design and execute the Pinkerton Statue in open competition in 1949. The statue is a significant work of one of Victoria's leading sculptors of the mid twentieth century, and controversy at the time surrounding its installation reflects the general attitude of the period to progressive public sculpture.Mother Earth was classified as regionally significant by the National Trust in 2003. The statement of significance below ha been provided by the National Trust, Victoria: The Pinkerton Statue by George Allen is of a simplified female figure which symbolises 'Earth', with smaller figures representing Mining and Agriculture carved in bas-relief at its base. The statue is carved in Hawkesbury Freestone and mounted on a granite plinth. It is located in a prominent position in central Ballarat. The statue in commemoration of Mr. Frank Pinkerton, an esteemed local lawyer, erected in Ballarat in 1952 is significant for aesthetic and social reasons at a Regional level. The statue is a significant example of the work of one of Victoria's leading sculptors of the mid twentieth century, and the controversy at the time surrounding its installation reflects the general attitude of the period to progressive public sculptures. George Allen won the commission to design and execute the Pinkerton Statue in open competition in 1949 against a large group of his peers. Following this. Allen was again successful in another major competition to design the National War Memorial for the Forecourt of the Shrine of Remembrance in Melbourne in 1951. Allen chose to work in a 'symbolic' manner using simplified forms with little detail, and relying on the strength of composition, 'boldness of statement' and the consideration of material for impact. Because of its lack of realism the Pinkerton Statue engendered much controversy, particularly within the popular press at the time, although it was generally appreciated in artistic circles. Allen had travelled extensively in Europe in the late 1930's, but his work mainly reflected influences from early modem sculptors in the United Kingdom such as Frank Dobson and Eric Gill. The Pinkerton Statue was the first example of modem sculpture to be erected in Ballarat and is an excellent example Allen's own work and the changing artistic culture of the period. Allen himself said that it reflected the "spirit of the time". A large Hawkesbury Freestone statue of a female figure and smaller figures representing Mining and Agriculture carved in bas-relief at its base. The statue is mounted on a granite plinth.CENTRAL FIGURE EARTH EMERGING FROM RELIEF FIGURES REPRESENTING THE INDUSTRIES OF MINING AND AGRICULTURE.pinkerton, mother earth

The Lake Bolac Music Club was begun in 1950. The first meeting was held on 12/10/1950, 30 members being present. Office Bearers were Henry Clarke (Pres.), Mrs R Critten (Sec.), Mrs L Hucker (Treas.), Committee: Mr G Rance, Mrs L Wills, Mrs Leitman, Mr J Moreton, Mr AE McIntyre (Auditor). The 21st birthday of the club was celebrated with a performance of "My Fair Lady" on 1st & 2nd Oct., 1971. Shown in the Ascot scene, L-R: Joan Moreton, Christina Peters, Jan Facey and Amy Wills (Mrs Eynesford-Hill, Freddy's mother).lake bolac music club, "my fair lady", claeke, critten, facey, hucker, leitman, mcintrye, moreton, peters, rance, wills.

Ivy May Madden is seated at the front, possibly aged around 8 years, with her mother Ethel Child (nee Madden) standing behind her. The other two girls are unknown at this stage. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Ivy married Henry William Burgess (1906 – 1968) in 1944.Sepia coloured photograph showing a woman and three young girls posed in a bush setting.ivy may child, ivy child, ethel madden, ethel child

Photos of the Melbourne Junior Legacy Annual Demonstration at the Melbourne Town Hall in September 1963. They include a scene of a canoe with junior legatees dressed as Native Americans. There are ballerinas dancing, and children marching and making formations. Also gymnastics demonstrations. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. A record of a Junior Legacy Demonstration.Black and white photo x 33 of the Annual Demonstration in 1963.junior legatee, annual demonstration, costumes, ballerinas

This photo provides just one example of the beautiful costumes worn by Junior Legacy girls for Legacy's Annual Demonstrations at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional.A record of a Junior Legacy Demonstration. This photograph serves as photographic evidence of the work that the Legacy Wives' Association and Junior Legacy Mothers' Club produced over the years.Black and white photo of two people upon a stage dressed in traditional Native American attire.Stamped on the back of the photo: "This photograph is with / The Compliments of The... / MINISTRY OF TOURISM / GOVERNMENT OF VICTORIA / PLEASE ACKNOWLEDGE / PHOTO: MICHAEL CHESHIRE"junior legatee, annual demonstration, costumes

This photo provides just one example of the beautiful costumes worn by Junior Legacy girls for Legacy's Annual Demonstrations at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional.This photograph is of historical and social significance as it serves as photographic evidence of the work that the Legacy Wives' Association and Junior Legacy Mothers' Club produced over the years.Black and white photo of a ballerina dancing upon a stage. Other members of the troupe can be seen in the background.Stamped "This photograph is compliments of the / Ministry of Tourism / Government of Victoria / please acknowledge Photo: Michael Cheshire" in grey ink on reverse.junior legatee, annual demonstration, costumes, ballerinas, dancing

This book is a replica of a booklet printed in the United Kingdom. In 1848, when it was published in London as a guide to prospective emigrants, 23,904 people left the United Kingdom for the Australian colonies and New Zealand. In 1847, with the failure of potato crops threatening famine in Ireland and growing political unrest at home, the British Government had once again encouraged emigration by offering free passage to candidates of 'good character'. Immigration, particularly by the labouring classes, was intended to relieve both the overburdened Mother Country and the colonies which had acute labour shortages. The booklet gives some history of each colony as well as the sale of lands, mines and mining, produce, the price of living, wages and, generally, the situation. The emigrant's friend, or authentic guide to South Australia including Sydney: Port Phillip, or Australia Felix: Western Australia, or Swan River Colony: New South Wales: Van Dieman's Land: and New Zealand. Reprint. Reader's Digest Services Pty Limited; Surrey Hills (NSW); 1974. 40 p. Soft cover. australia; colonies; settlement; nsw; port phillip; western australia; south australia; van dieman's land; new zealand; emigration; immigration;

The original owner of the evening bag was Elizabeth (Betty) McGregor. The bag was a gift from her husband, Ian McGregor (Managing Director of Ingersoll Rand), during a trip to Europe. The bag was purchased in Burlington Arcade, London in 1955. An accompanying photograph shows Betty, in attendance at a Captain's cocktail party with the evening bag on her arm. Betty was the best friend of the my mother, and not having children of their own, Betty and Ian were very good to my sister and I. Betty gifted the bag to me in 1983. As a Kew resident, it gives me much pleasure to pass on this evening bag to the Fashion & Design collection of the Kew Historical Society. (Kate Reeve, 2022)Small brass evening bag, covered with black silk and rhinestones. The box is of a flattened cylindrical shape with a looped handle. The lid of the bag is hinged on one side and contains a mirror on its interior. Inside the evening bag is a small black silk purse attached to the bag with a brass chainNilfashion & design - 1950s, accessories, evening bags

Frances Charlotte Le Couteur (born c1893) taught at both Chatham and Canterbury Primary Schools and at the Salvation Army in Guildford Road. She lived in Guildford Road for part of her life and taught music. She was on the staff of Chatham Primary when it opened in August 1927. She taught at Canterbury Primary for 20 years. She retired to live in Inala Village. Obituary: Frances Charlotte Le Couteur, of Inala Village died on June 17th, 1986. Loving wife of Norman (dec.), loved mother of Frank (dec.), and Boyce and grandmother of Ann, Sally and Guy. Great grandmother to Peter, James and Annabel. Date of photo is approximate.Black and white photo of Mrs Frances Le Couteur seated with a group of 10 children and a Salvation Army officer at the Salvation Army citadel in Guildford Road, Surrey Hills.salvation army, children, music, religion, mrs frances lecouteur

A colour slide of children at Harelands in the 1960s in the dining room doing their homework, helped by Legatees. It is similar to a black and white photo at 02542. Harelands was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of legatees helping children at Harelands.Colour slide of children doing homework in a dining room in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' and '10' in red ink. Faint print mark with slide date 'Se???M' Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, harelands

A colour slide of the front of Blamey House, Burke Road Kew, from the driveway in 1970. There 10 slides from the same roll of film, some are marked 'Blamey 1970'. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children of deceased servicemen.Colour slide of Blamey House and a grey car viewed from the driveway in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' in yellow ink. Printed with slide date 'Feb70M3' and slide number '7' in black ink. Handwritten '4' and 'Blamey 1970' in blue ink. Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, blamey house