Part of the Cooper Collection.1. & 2. Two rank Insignia patches featuring the Australian Coat of Arms in green and gold. Background is dark khaki with cut edges.cooper collections, rank insignia, warrant officer class 1.

Handmade coat hanger accompanying baby clothes.A handmade baby coat hanger with floral padded, nylon quilted covering, lace lower edge and plastic covered steel hanging hook.Nilbaby clothes, handmade

Acquired when "Classweave Industries" closed down. Black and white photograph, mounted on grey board, embossed at edges. Photograph is a group portrait of men photographed on the steps of the Geelong City Hall6 6/87 B Marhall/ 3 McKillop St/ Phone 2071 Geelongtextile mills woollen mills, classweave industries pty ltd federal woollen mills ltd, textile mills, woollen mills

One of a series of postcards produced by Nu-color-vue. Shows W2 327 in Swanston St crossing Flinders St. The station building has the area above the clocks promoting Flinders Gate, a future project that occupied the former Princes Bridge station site. As well adverts for Mitchells Brushes, the Arts Centre fund raising, a five day east coast tour and Astoria Rent-a-carYields information about the appearance of Flinders Station building in the early 1970's and shows a busy or bustling intersection prior to the construction of the City Rail Loop.Postcard - Nu-color-Vue - Flinders St Station early 1970's - serrated edges of Flinders and Swanston St. ML 138swantson st, flinders st, w2 class, tram 327, nucolorvue, postcard, souvenir, trams, tramways

Postcard - image looking south in St Kilda Road, with the Shrine of Remembrance and BP House in the view. Tram W5 834 (East Malvern Darling Road Route 3).Demonstrates an iconic Melbourne image, St Kilda Road, the Shrine and a W class tram.Postcard colour - serrated edge, Nu-color-Vue - St Kilda Road, Shrine of RemembranceW5 834, ML 132,, Divided back.trams, tramways, shrine of remembrance, st kilda road, sw5 class tram, tram 834

Samuel Carson was a local farmer who in the late 1800's acquired land to the West of Warrnambool in the Farnham park estate and towards Tower Hill near Gorman's lane. By the time of his death on May 23, 1920 he left an amount of 11666 pounds. Apart from amounts left to individuals, he bequeathed one hundred pounds each to ten different orphanages, and homes for neglected children and the blind and leaving the remainder to charitable organisations at the discretion of his trustees.The donation of 3500 pounds in August 1922 was in the latter category. This plaque commemorates Samuel Carson's generosity to the newly refurbished Warrnambool Base Hospital. He left a son William who farmed at Yangery at the time of his father's death. This item is significant in that it links a local identity through his generous donation to the local hospital. It therefore has strong social,historical and interpretative value. His generosity is a significant part of the history of Warrnambool Base Hospital.Heavy rectangular cast brass plate with raised edge and text in capitals. Corners have rounded cutouts and there is a hole in each corner for attachment. The Samuel Carson Childrens' Ward.warrnambool, warrnambool base hospital, samuel carson, samuel carson warrnambool, childrens' ward warrnambool 1928

Envelope with crossed blacklines and containing small, printed flower arrangement, Posy of Red Roses, yours always, purple flower at bottom edge.flowers, envelope

In 1934, Victoria and Melbourne celebrated their centenaries. Realising how impossible it would be for the majority of Warrnambool residents to participate in the Victorian celebrations, the organising committee of the Warrnambool Centenary celebrations devised a week long comprehensive programme of activities including exhibitions, a pageant re-enactment at the breakwater and a mass children's display at the showgrounds. Sir Harold Gengoult Smith officially opened the Warrnambool Centenary Exhibition of Arts, Crafts, Antiques and Historical Relics. This booklet was designed and written in 1934 for the Warrnambool Centenary festivities by Frank H. Ford, Lava Street, Warrnambool. The souvenir booklet contains a brief history of Warrnambool, a map and description of Warrnambool and its facilities in 1934.The last three pages include a business directory which would be useful for research.A twenty page booklet printed on shiny paper. The front cover has a black and white photo of nine swimmers in the water (five male & four female) some with surfboards. There is a 4mm green line printed 12mm from the upper edge and a 3mm green line printed 6mm from the lower edge of the cover. There is green printing over the photograph on the front cover. On the rear cover there are two small black and white photographs of an aerial view of the city of Warrnambool and the Hopkins Falls in flood. The green line extend across the rear cover and are intersected by a perpendicular 4mm green line running from the upper to the lower edge 18mm to the left of the spine. Words are printed in black on the rear cover and the printer details are printed in green at the bottom edge.Front cover: Centenary Souvenir of Warrnambool Warrnambool Centenary Festivities 13th to 24th November 1934 Price 9d Rear Cover: Beautiful Warrnambool "City of the West" Victoria Australiawarrnambool, frank h. ford, foyle photos, a. wilkins photos, warrnambool centenary festivities 1934, warrnambool souvenir, warrnambool business directory

A clamp is a fastening device to hold or secure objects tightly together to prevent movement or separation through the application of inward pressure. The tool is for temporary use for positioning components during construction and wood working. There are many types of clamps available for many different purposes. Some are temporary, as used to position components while fixing them together, others are intended to be permanent. A C-clamp or G-clamp is a type of clamp device typically used to hold a wood or metal work piece, and often used in carpentry and welding. C-clamps or G-clamps are typically made of steel or cast iron, though smaller clamps may be made of pot metal. At the top of the "C" is usually a small flat edge. At the bottom is a threaded hole through which a large threaded screw protrudes. One end of this screw contains a flat edge of similar size to the one at the top of the frame, and the other end usually a small metal bar, perpendicular to the screw itself, which is used to gain leverage when tightening the clamp. When the clamp is completely closed, the flat end of the screw is in contact with the flat end on the frame. When the clamp is actually used, it is very rare that this occurs. Generally some other object or objects will be contained between the top and bottom flat edges. A steel ‘C’ or ‘G’ Clamp used to hold a wood or metal work piece, used in carpentry and welding.L.W.BANKtools, woodwork, metalwork, welding, carpentry, pioneers, market gardeners, early settlers, bank w.l., moorabbin, cheltenham, bentleigh, ormond

Jane Annois had a long involvement with Potters Cottage in Warrandyte, where she taught for many years. Potters Cottage was established in the late 1950s in Warrandyte as an artist co-operative. Founding members included Reg Preston, Phyl Dunn, Gus McLaren, Artur Halpern, Sylvia Halpern and Elsa Ardern. These talented artists had the ingenuity and foresight to create a teaching studio, gallery shop and restaurant to experiment, make, promote and sell predominantly domestic wares of the time. These activities helped financially sustain each member’s individual creative practice. Potters Cottage was influential in the development of contemporary ceramics, building and developing practices that experimented with traditional ceramic processes, raw materials and locally sourced clay. The group mentored and nurtured many interested in the art of ceramics, producing alumni and teachers such as Peter Laycock, John Dermer, Greg Daly and Jane Annois. Jane Annois is a ceramic artist who has lived and worked locally in Warrandyte for many years. She focuses primarily on exploring the art of Japanese raku, adapting the technique to develop the typical characteristics of crackle glazes and lustres, with contrasting areas of black. Jane also applies a fine slip called terrasigillata which gives soft, warm ochre colours. This technique was once used by the Greeks over 2000 years ago to seal and decorate their pots. She is also strongly onfluenced by the French potters, particularly in the style of terre vernissee, a decorative form of terracotta tableware. Three piece stoneware and raku fired ceramic sculpture. The first piece is a hollow, dome shaped object. It is orange (terracotta slip) in colour with a copper metallic band and a black edge on one side with a small yellow glazed rounded triangle and metallic strip of colour on the otherside. The second piece is shaped like a traditional vase. It is orange (terracotta slip) in colour with white crackle on the inside. It has a yellow slip edge with a dark glazed square on one side and on the other side a black thick edge that mirrors the contour of this shape. The third piece is shaped loosley in the form of the letter 'z'. It compliments the second piece with a yellow slip edge and black glazed square to its lower left side and top right as well as on its' other side a black thick edge that mirrors the contour of this shape. This piece has a very small skewed square opening at its' top. All three pieces have elements of crazing and variations of colour and lustre, caused by the raku process. 2006.52.1VA has the artist name/signature 'J. Annois' inscriped small (with fine point ceramic tool?) on the front of the piece, bottom right; 2006.52.2VA has the artist name 'Jane'? inscribed (unlegible - with fine point ceramic tool?) underneath; 2006.52.3VA has the artist name/signature 'Jane Annois' inscriped (with fine point ceramic tool?) inside its hollow form. evolution, raku, stoneware, terrasigillata, terracotta, glazes, slip, terre vernissee

Photograph of school swimming carnival held at Greensborough Pool circa 1960s. [Caption by Bruce McDowell: The boys on the edge of the pool are Neil McDowell (Left) and Lance Franklin. The blond girl behind them is Judy Banks, the blond boy sitting on the ground is Bruce Thomas and the girl leaning on the diving board is Denise Gaywood.]This Pool was demolished to make way for the Watermarc complex.Digital copy of black and white photograph.greensborough pool, watermarc

This device allows easy threading of needles with ease. Place the needle in the most suitable casing (either white or black edged) then wrap the thread along the base of the groove. Push the corresponding white knob across slowly and pull the thread that appears on the other side slowly until the shorter end appears, and the needle is threaded.Blue plastic rectangle with two insert tubes and two white push tabs, a leaflet of multilingual instructions and a needle'INFILA' in gold writing on the front 'INFILA A60 Automatico Automatic needle threader' in blue on the backassistive devices, ditta fenzo martinelli

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The male Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. The female is similar, but not as bright, with a whitish facial mask, no red on the wing, and a pale wing stripe. Old birds of both sexes may have orange underparts. Once common throughout many parts of eastern Australia, the Turquoise Parrot was formerly recorded from near Mackay in Queensland south to Melbourne until the 1880s, when its population suddenly crashed. It was even considered to be extinct by 1915, but populations recovered spectacularly over the next 20 years or so, and by the 1930s they were again recorded through much of their former range. Now the species can once more be seen in many parts of eastern and south-eastern Australia, though not quite as extensively as before. These birds are vulnerable in NSWThis specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. Old birds of both sexes may have orange underparts. This particular specimen is faded with some missing feathers. It is mounted on a wooden stand with a tag wrapped around its leg.Label: 80a. / Chesnutt-shouldered Grass Parakeet / See Catalogue, page 22.taxidermy, parrot, turquoise parrot, taxidermy bird, australian bird, burke museum, trustees of australia

Rectangular medical chart showing the upper part of the human body, skeleton, organs and blood circulation.The chart is made from printed paper on a fabric (?cotton) base and is attached with metal tacks to timber batons at each end . The timber batons are stained black. A strip of red cotton tape is attached to the mid-part of the upper baton and has been used to secure the chart when it is rolled up. Metal ring eyelets are screwed into either end of the upper baton and were used to hang the chart.The artists name 'J.Teck' is included on the lower edge on the front of the chart (LHS). The logo of the St John's Ambulance Association and the words 'ST JOHN'S GATE, LONDON E.C. 1' are printed on the lower edge of the chart (on the front of the chart at RHS). The words 'BLOOD CIRCULATION' are written in blue ink on the top margin of the chart on the reverse side.medical chart, human body, blood circulation, j. teck

Destination roll used to indicate to passengers the destination or route of the tram. At night the roll was back lit by two light bulbs fitted to the destination box on the tram. Item used in Geelong until 1956. Based on the hand written marking, used on bogie tram 39. See Reg Item 2906 and 9619 for a smaller side destination roll and 9618 for a roll fitted to a Pengelley-type tramcar.Yields information and demonstrates aspects about Geelong's destination rolls used in trams up to 1956 when the system closed.Destination roll - white lettering on black background - using black paint leaving the lettering transparent at night. Uses a book binders cloth. Top edge “R.E. Fluck” stamped in black ink – twice In pencil words “Dulux” – has been crossed out Alongside “B.A.L.M. Flat Black 18-3-52” and a set of initials “Off No. 39” all in pencil Bottom edge; Initials “R E F” in black pencil? – along outside of roll. tram, trams, geelong, destination roll, tram 39

Photos of the last Bourke St cable tram service to Northcote with crews and inspectors. Has a sign on the side regarding the Aquarium. Date of photograph 26-10-1940. Well known newspaper photograph - actual origin to be determined. .1 - another photo of the same event of the grip car itself. Photo from the Collection of the Department of Infrastructure now with the Public Records Office - image number H439. Note: this photo is now out of copyright and was not an original VR photograph, but one copied from another source and collected as their Heritage series. 2nd copy of .1 added 16/3/2021 and a 3rd copy ex Keith Kings added 18-7-2021Yields information about the last cable tram service to Northcote and marked the end of the cable tram system in Melbourne.Black and white photograph - copy prints.1 has Department of Infrastructure copy right stamp on rear and number "H 439" in ink on rear and "1-17" 2nd copy of .1 has "Latrobe The Aquarium cable tram" in ink on top edge, "1940" and "Brimson" along lower edge. 3rd copy of .1 has stamped TMSV Sales on rear.trams, tramways, closure, cable trams, northcote, bourke st

Port and Starboard channel markers are internationally recognised sea markers used in maritime pilotage to indicate the edge of a channel. This Port Phillip West Channel marker was built in 1955 and was run on acetylene, therefore requiring a platform and circular hut rather than the modern buoys or posts. It was painted green as it marked the starboard side of the channel. West Channel Marker, Grimes No. 5 Built 1955 Accetylene poweredchannel markers, west channel, port phillip, pile light

These items have no provenance but would be useful for display purposes. They are typical of the Victorian era displaying the romanticized beauty of children and young women. Flowers, gardens and pets were also displayed in this manner. This is all amply displayed in these two prints. Items were also quite readily and cheaply mass produced and thus available for many people to cheaply decorate their homes in the latest styles. Reproduction was possible and popular resulting in an enduring style which could be said to be eclectic The Victorian Era is named after the reigning monarch, of the second half of the 19th century Queen Victoria.This pair of prints has little provenance but being typical of the era will be useful for display. These are a matching pair of framed prints of a young boy and girl with a wide dark green border around the edge with a row of dots on the outside of the glass. The boy is holding posy of violets and the girl a fan. The edge is finished in a metal, possibly tin. Both are backed with heavy card. The glass on the girl frame is broken .There is a small metal chain from the girl frame.warrnambool

These two maps of the Kapong/ Hawkesdale area in Victoria show the original lands that belonged to the pioneer settler, Charles Hamilton MacKnight and the handwritten annotations that show the subsequent owners of these lands. Charles Hamilton Macknight (1819-1873) came to Australia from Scotland in 1841 and in 1842, with partners, James Irvine and William Campbell, established the property of Dunmore in Broadwater (24 kilometres from Hawkesdale). He was a prominent breeder of sheep, cattle and horses. Sections of his lands were acquired by the Baulch family and these maps were acquired from a member of the Baulch family, with Stanley Baulch being the possible annotator of the Kapong map. These maps are of interest as they show the properties that belonged to the pioneer settler, Charles Hamilton MacKnight and the subsequent division of these lands, some of these passing into the hands of the Baulch family. As the Kapong map also shows other original landowners, it will be a useful tool for researchers..1 This is a map of Kapong in the County of Villiers. It is on a rectangular-shaped piece of linen-backed paper with black printing and some handwritten annotations in red ink. It is crumpled at the edges. .2 This is a rectangular-shaped piece of paper showing a map of the Hawkesdale area. The printed material is in grid form in black, green and red. At the left bottom edge it has a mauve stamp. kapong, victoria, hawkesdale, victoria, dunmore estate, victoria, charles hamilton macknight, baulch family, western victoria, history of warrnambool

One pair of Canvas Gaiters 1940 USA type pattern. 1 & 2. Made of canvas, Jungle Green colour. There is a webbing strap that holds the gaiters to the boot. The strap has black metal fittings. One edge has black metal eyelets, the other edge has black metal hooks. There is a cotton bootlace fitted to hold gaiters shut.ww2, gaiters, uniform, usa

.1) Medallion round brass or copper. front has the king, around edge is "For King and Country 1916". Rear has a floral wreath with the word "Anzac" centre. Around edge is "Dept of Education Vic, Lest we foreget 25 April 15". .2) Small piece of red white and blue ribbon attached with a pin. .3) Same as .1)medallions, anzac, education

1987: taken over by "Howard Smith UK Ltd" at Hull (GBR) Christening Plate from 'Australia Star'Formerly part of the collection of Howard Smith Ltd.Circular china glazed, cast ceramic christening plate commemorating the christening of 'Australia Star'. A brown and black coloured stencilled image of the ship, it's weight and other text also stencilled onto the front. Blue text is printed around the image. Edges of plate are shaped and feature a gilt edging. Raised decorative moulding is cast into the edges of the plate.1986Christening/ SHI/ AUSTRALIA STAR/ (HULL NO. 1048)/ 95000 DWT/ CRUDE/PRODUCT TANKER/ SEPTEMBER 2, 1986/ HAL INVESTMENTS (SINGAPORE) PTE. LIMITED/ SAMSUNG SHIPBUILDING & HEAVY INDUSTRIES CO., LTD

Cream silk child's cape. Hand-crocheted lace edging around side and bottom edges. Hand-crocheted lace insert between two sections of pintucking, edged with embroidery. Main body of cape gathered onto plain yoke. Silk binding around neck. Garment Measures: Width at yoke: 30, Width at hem: 215, H: 50

A collection of photographs depicting numerous people. Some have been taken by studios such as Lovewell & Co, Hider, Jordan and Daniel Clarke of Warrnambool. Most of the photos are unnamed but of those that are there is a Thom Wickham, E. M. Fleming, Henry and Stanly Frisch. There are also a number of photographs depicting land clearing and wood cutting also a couple of cards, one happy New year and Glaedelig Jul( Danish Merry Christmas)An album typical of the era with local family connections as well as work by local photographersBrown leather cover with gold figure work over embossing on the front with possibly the letter,”C”. The back cover is entirely embossed. Edges of metal clasp are on front and back cover but clasp part is missing. Gold edges to pages, which are all heavy card. Front inside page has pink briar roses with “Album” on card inserted through it.Jan 17th 1888. To Morris from H Bambrick?warrnambool, warrnambool photographers, lovewell & co, jordan photographers, daniel clarke, thom wickham, e m fleming, henry frisch, stanley frisch

White fine cotton lawn waist apron. Pentagon shaped bib with spoke stitched hems on four sides. Waistband with ties attached, Skirt has two pleats on each side. Spoke stitched hems on sides and lower edge. Lower edge has spoke stitched detailing of two rectangular shapes, and a centre peak. Old box 160.costume accessories, female, waist apron.

Textiles. Possibly Brussells linen lace. Oval in shape, very fine net is overlaid with a floral design of linen lace. A spray of 16 x 1.5 cm diameter flowers, and 1.0 cm leaves are attached. Clusters of the flowers edge the net, with fillers of filligree type lace. Outer edge has a scalloped effect of linen woven lace.textiles, domestic, net and lace oval doyley