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Beechworth RSL Sub-Branch
Uniform - Jacket, Battle Dress, Australian Government Clothing Factory, 1981
Issued as a uniform item post WWII until the late 1980s. It was also used parade dress until its replacement of a newly designed uniform made of polyester. This particular sample belonged to CPL K. Howe 3144504 whist in the Army Reserves 1982 to 2005The khaki battledress was standard uniform issued post world war two and used until the introduction of the polyester uniform in the late 1980s. This uniform belonged to CPL K. Howe, the donor providing good provenance. In conjunction with other items of militaria donated by the Howe family. Item can be to tell a story of multi generations of military service of the Howe familySingle breasted hip-height jacket in khaki fabric, fastened with five buttons down the centre of the chest. Two pleated breast pockets with triangular flaps fastened with two buttons. All buttons plastic and khaki green in colour. Jacket is fastened around the hips with a belt, attached on left hand side and buckled in a rectangular metal buckle on right hand side. Both left and right sleeves bear two patches, a double chevron and red rectangular patch rounded to follow the seam of the shoulder, with embroidered text. Navy lanyard looped around right shoulder, held in place by epaulet and tucked into right side pocket. Red patch reads "ROYAL AUSTRALIAN ENGINEERS" Internal left chest label reads "A.G.C.F./VIC. 1981/[broad arrow symbol]/6405.66.025.6408/SIZE OF CHEST/SIZE 99-102R/MACQUARIE 80/BATCH J/DRY CLEAN ONLY/CREASE UPPER/HALF OF/LAPELS ONLY/No. 3144504 [handwritten]/NAME/CPL K. HOWE [handwritten]"jacket, battledress jacket, battledress jacket khaki, royal engineers -
Woodend RSL
Webbing Anklet (Gaiter), 1953
This anklet dates to 1953 and may be associated with the Korean War (1950-1953). This anklet web is an example of Australian military uniform dating back to the mid twentieth century. Olive drab woven webbing anklet. The anklet is made of a rectangular strip of fabric which is straight along one edge and curved to fit an ankle along the other side. Outside of anklet: two buckles are stitched on with straps of woven cloth, one placed near the top of the anklet, one near the base. The opposite end of the anklet has two black leather straps which may be attached to buckles when worn. Leather straps are stitched on with black thread. Inside of anklet: lower third has a cotton, olive drab lining. Two leather attachments are stitched in along the edge of anklet to reinforce the curved seam.J.1953 VOG. 4024 S.2 Australian military marking of D (arrow) D. L (arrow) 18 anklet, web, military, army, way, fashion, outfit, uniform, gaiter. -
Melbourne Tram Museum
Newspaper, The Age, “No more tears, it's the trip of happiness”, 5/03/2019 12:00:00 AM
Newspaper clippings titled: “No more tears, it's the trip of happiness” Newspaper clipping from the Age 5/3/2019 Melbourne editor - Jewel Topsfield Dean Butler, creative lead at PTV's customer service division, has been lead designed of a new moquette to replace seat fabric on all trams, trains and buses in Victoria over the next 5 years. The moquette will come in 5 colours - blue for Metro trains, purple for v/Line trains, green for trams, and a darker colour being developed for buses. The fifth colour, bright orange will be used across the fleet for priority seating.trams, tramways, public transport, ptv, interiors, tramcars, railways -
Bendigo Historical Society Inc.
Clothing - SAGE COLOURED SILK LONG SLEEVED DRESS, 1880-1890's
Sage coloured silk long sleeved dress. One piece full length dress. Full length side panels from shoulder to hem. Front of bodice extends below waist line to form two points on either side of front opening. Front opening is fastened with twelve fabric buttons (1-5cm) and button holes. Small standup collar(3cm) fastened at throat with hook and eye. Bodice shaped with two darts on either side of front opening. Small ruched pocket on LHS of bodice at waist level. Long narrow fitted sleeves shaped at the elbow. Decorative cuffs at wrists of ruched frilling (8cm) with triangularturned flap on top edge at back of cuff. Back of dress has four panels. The two centre panels extend below waist to to two points. The centre skirt panel is attached under the centre two panels and is gathered by five deep pleats to form a bustle effect extending to a long train. Front centre panel has horizontal gathering with ruched frills in centre, and at sides. Side panels overlap front centre panel. Hemline has pleated frill above the hem which is finished with cord. Skirt is lined with an open weave, brown cotton fabric. Bodice is lined with brown polished cotton. Hand stitched and machine stitched.costume, female, sage coloured silk dress -
Bendigo Historical Society Inc.
Clothing - PINK SILK PYJAMAS
Clothing. Deep V neckline, front and back, has a tapered tie, at the shoulder to 4.5 cm, and slanted at the lower edge of the tie. The V neckline has a fine binding finish as do the armholes, and the lower edge of the bodice. Shadow, and pulled thread embroidery, in a floral design, outlines the V neckline in the front. A tiny 10 cm x 10 cm heart shaped pocket is bound at the edges and sits at lower right front. A small dart, 1 cm x 6 cm long is below the armholes, on each side seam. Fabric is cut on the cross to add flair. A two cm x 60 cms tie attaches at each side seam, and would tie at the back. Clothing. Pyjama pants have a V shaped waistband 11 cm deep at front and back, below which is a small 1.5 cm wide pleat on either side of front and back. An 11 cm deep plackett on both side seams - on the left hand side two x 1 cm pearl buttons and buttonholes fasten the plackett. The two buttons on the right hand side are missing. A panel of shadow embroidery decorates the outside lower edge of the trouser leg. Fabric is woven with a floral design. Lower edge of legs are finished with a fine binding. 11 cm peak at waistband. Pants with hem 88 cms, width at ankles 64 cms.Silk and Rayon Made in Chinacostume, female, pink silk pyjamas (bodice) -
Bendigo Historical Society Inc.
Clothing - FULL LENGTH GREEN FLORAL DRESS WITH BLUE FRINGING - ALL HAND STITCHED
Long sleeves, with gathering at the elbow to allow movement. Finished at the wrist with two eleven cm deep frills, edged with two cm wide navy blue, cotton fringing. A four cm deep gathered frill edges the high round neckline, with a narrow piping finishing the neckline seam. Two panels at the front extend from the shoulders,to the peaked waistline. These are gathered at the shoulders, edged in navy blue fringing, and the waistline edge has the gathers alternately stitched together to form a hook and eye fasteners. A fine piping defines the peaked waistline. Bodice fully lined with cream cotton fabric. Armhole/sleeve seam finished with a fine piping.Skirt has been hand stitched into tight tiny pleats. Skirt is fully lined with cream linen, and is edged at the hemline, with one cm soft green braid. Centre front of skirt has a panel extending from the peak of the waistline, where it is 5.5cm wide to the hemline, where it is 20cm wide. This panel is edged in the navy blue fringing, and is attached to the skirt at approx 15-18 cms. Panel is fully lined with cream linen. At approx. 9-10cm spaces a 4cm fabric frill and an angled band of the navy fringing. This gives a ''ladder-like'' effect. Sleeves are bell shaped, and finished at the wrist with a 11.5cm and a 12.5cm frill, both finished with the navy fringing.costume, female, full length dress with blue fringing -
Bendigo Historical Society Inc.
Clothing - GOLD SILK VICTORIAN BODICE ( PART OF SET WITH 11400.76 AND 11400.976), Late 1800's
High round neckline finished with a 2 cm fine striped silk stand-up collar-(this is now severely damaged). One metal hook fastener at the neckline, but no loop remains, although thwere is some evidence of a hand stitched remnant of a loop. Eight rounded buttons (one missing) are bound with silk thread. Sleeves have a fine rouleau piping at shoulder. They are round in shape at the elbow, and finished with a flounce, which is trimmed with 2.5 cm band of contrasting, finely striped silk and a 5 cm wide silver silk braid, as in 11400.975 and 11400.976. A gathered frill and a band of striped ribbon trim the upper edge of the flounce. The striped ribbon, and silver braid trim the front panels, either side of the button opening, and a band of the striped ribbon and silver braid trim the lower edge of bodice.Bodice and sleeves are lined with cream polished cotton, while the lower front panels, which give a peplum type of effect, are lined with cream silk. Centre back panel has a fabric bow, trimmed with the darker striped fabric, and the silver braid bow is 13 cm wide, plus the 5 cm silver braid. Pleated tails of the bow are part of back bodice. An inside 2cm wide cotton tape, with metal hook, and hand stitched loop, fastens around the waistline. Garment is machine and hand stitched. Buttonholes are hand -stitched.costume, female, gold silk victorian bodice -
Bendigo Military Museum
Uniform - GREAT COAT, ARMY
Coat - Khaki colour wool fabric Great Coat. Double breasted with eight buttons. Collar which fastens with two metal hook and eye fasteners. Shoulder epaulettes with buttons. Back has top inverted pleat, below waist inverted pleat with lower vent with two button closure. Double half belt with three buttons back at waist. Thirteen gold colour plastic buttons with metal shank to interior brown colour plastic button. Buttons have raised emblem - crown and shield - This is an Officers Coat. Two inset front pockets with flap. Brown colour cotton sateen lining to coat with two concealed pockets. No manufacturers label.uniform, army, great coat -
Bendigo Military Museum
Award - BADGES & CITATION, Post 1953
4/400062 Lt. Roy Victor Milton. Lieutenant Milton's name and details appear on the Nominal Roll of 3rd Bn RAR for the Battle of Kapyong, 23-24 April, 1951, for which the Presidential Unit Citation was awarded. .1) On dark blue cardboard backing. Top, rectangular shape, blue fabric with gold metal edging, "United States Presidential Distinguished Unit Citation" Centre. "Combat Infantry Badge", metal, oval wreath shape with bayonet. Bottom. Medal set, mounted, set of (2) re R.V.Milton. 1. Korea Medal. 2. United Nations Service Medal with clasp "Korea". Replica not engraved. .2) Document describing the award of "The United States Presidential Distinguished Unit Citation to the 3rd Bn Royal Australian Regiment, battle of Kapyong April 1951". On the left in red square the badge of the RAR. On the right the unit citation award. .1) "4/400062 R.V MIlton"numismatics, medals-military, documents-citations, passchendaele barracks trust -
Flagstaff Hill Maritime Museum and Village
Surgical Kit, Matrick, 1921
This surgical kit of urethral silver sounds originally belonged to Dr T.F. Ryan of Nhill, Victoria, dated Dec. 1921. Urethral sounds are used by surgeons in diagnosis and treatment of urethral problems and come in various sizes and designs. This set contains two different designs. The kit was passed on to Dr W.R. Angus when he purchased Dr Ryan’s surgery in 1933, then donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons including eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served with the Australian Department of Defence as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine, administration, household equipment and clothing from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Surgical kit of Urethral Silver Sounds, comprising white cotton fabric roll with internal pockets for instruments and cotton tape for tying closed. Part of the W.R. Angus Collection, originally belonging to Dr. T.F. Ryan, 1921. Instruments in kit are 8 male urethral silver sounds, various sizes (3, 8, 9, 10, 11, 12, 14, 15). The 5 smaller gauge sounds have teardrop shaped handle, the 3 larger have thick disc shaped handles. Handwritten black ink script "Silver Sounds, Dr. T.F. Ryan, Dec 1921" Inside pockets have numbers in black ink from 1 to 15.Handwritten black ink script "Silver Sounds, Dr. T.F. Ryan, Dec 1921" Inside pockets have numbers in black ink from 1 to 15. 3 - “3”, “WEISS LONDON” 8 - “8”, “WEISS LONDON”, “B” 9 - “9”, “MAYER & MELTZER” 10 - “10”, “WEISS LONDON” 11 - “11” , “MAYER & MELTZER, LONDON & MELBOURNE” 12 - “12 – 15” “MATRICK LONDON” 14 - “11 – 14” 15 - “15 – 18”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr t.f. ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, medical treatment, medical history, medical education, medical text book, urethral silver sound, urethral sound, urethral treatment, urethral surgery, mayer & meltzer, weiss london, matrick london -
Warrnambool RSL Sub Branch
Jumper, Elegant Knitting Co, 1993
This jumper is part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This woolen jumper was presumably a winter addition to the DPCU.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Khaki ribbed knitted jumper with stitched Disruptive Pattern cotton elbow patches, rectangular in shape running the length of the forearm. Similar rectangular shaped patches on the left and right shoulder, bearing two epaulettes, stiched at one end and fastened with velcro and the other. The left upper arm carries a rectangular Disruptive Pattern patch with a seam down the centre, creating two long narrow pockets. Arm cuffs have external seam for approximately 100 mm from the end, indicating that the jumper may have been worn with cuffs folded over. Synthetic strip of green fabric on the interior collar behind a cream coloured label.Label on interior of collar reads: “ELEGANT KNITTING CO./PENRITH, N.S.W. 1993/(047) 32 2491/8405-66-134-9381/SIZE 115cm-125cm XL (broad arrow)/SERVICE No........./NAME.........../“ Reverse of label carries a series of care instructions including “Fasten shoulder straps before/washing/ 80% Wool 20% Nylon”camouflage, general purpose uniform, airforce, uniform, australian defence force -
Flagstaff Hill Maritime Museum and Village
Leisure object - Doll, Reliable Toy Company Ltd, 1930s to 1940s
This dressed doll was owned by the daughter of Dr William Roy Angus and his wife Gladys when the family came to Warrnambool in the late 1930s. It is part of the W.R. Angus collection, donated by the family of Dr W R Angus, surgeon and oculist. The doll was donated with another dress and a blanket. The doll has features similar to, but an earlier model than, Reliable's 1940s model Cuddlekins doll, which has an entirely composite body. ReliableToy Company was founded in Toronto, Canada, by Solomon Samuels in 1920. Samuels was later joined by his two brothers. The company had a reputation for products of good quality. In 1922 the company began making their own dolls from composition, where previously the parts were made elsewhere and assembled by Reliable. The company stopped making Reliable dolls in 1995. The W R Angus Collection spans from 1885 to the mid-1900s and includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This doll is connected to the history of Warrnambool, as it was owned by the daughter of Dr W. R. Angus and his wife Gladys, and is part of the W.R. Angus Collection, which is important for still being located at the site connected to Doctor Angus, Warrnambool’s last Port Medical Officer. Dr Angus and his wife brought their young family to Warrnambool in 1939 and he remained a resident until his death in 1970. Early in his profession in the town of Nhill, Dr Angus assisted Dr Tom Ryan in his pioneering use of X-rays and in ocular surgery, and Dr Angus later inherited these items. The W.R. Angus Collection includes these medical instruments and other related equipment and is culturally and historically significant as an example of the medical practice of the late 19th to the mid-20th century. Other items in the collection relate to Dr Angus’ service in the Flying Doctor Service and the Army. The doll is also significant as an example of toys imported into Australia in the 1930s and 1940s and used by children in the Warrnambool community.Doll with moulded composition head, neck, arms and legs, all attached to a fabric body. The doll’s head has brown moulded curls. The facial features include an open mouth showing two top teeth, green eyes, and sleeping, closing eyelids with eyelashes. The doll has a crier inside that makes a sound when the doll is turned over. It is clothed in a knitted pink singlet, modern pink underwear, and a cream flannel short-sleeved dress with pink smocking and embroidery, and ties at the rear. There is a moulded inscription on the back of the doll’s head. The doll was made by Reliable Toy Company Ltd, Canada. The doll is part of the W.R. Angus Collection.On the back of the head “RELIABLE / CANADA”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, dr roy angus, dr ryan, warrnambool oculist, port medical officer, mira hospital nhill, toy, nhill hospital, doll, baby doll, composition doll, reliable toy company, canada, solomon samuels, child's toy, w.r. angus collection -
Bendigo Historical Society Inc.
Clothing - GIRL'S WHITE LONG SLEEVED WAISTED LINEN JACKET
Clothing. Girl's white long sleeved waisted linen jacket. Front opening jacket with 4 cm band from shoulder to waist forming V shaped neckline. Bodice of jacket has 8 cm vertical lace inserts next to the edge of the bands, continuing over the shoulders and down the back of the bodice to the waist. A 16 cm lace insert runs at right angles to the bodice inserts along the top of the kimono cut long sleeves. The sleeves have an 8.5 cm turned back fabric cuff. From the waistline is an ungathered skirt widening slightly at the hem. The front opening is fastened at the waist with one metal hook and cotton loop.Stitched in red cotton inside back of neck 2/4.costume, children's, girl's white waisted linen jacket -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LADIES FULL LENGTH BLACK SKIRT-DAMAGED, Late 1900's
Clothing. This garment has been severely damaged - the waistband has been removed, and a 45 cm diameter circle has been cut from the polished cotton lining. There is also fabric damage adjacent to the internal side pocket seam, velvet binding at hem, stiffened linen lines the inside at the hemline - 20 cm deep, and a narrow binding of black velvet encircles the lower hemline. While the waistband has been partly removed, the original two metal hooks, and three metal eyes are still in place. This garment is severely damaged, but it does still give insight into the inner construction of the garment. Ten ''gores'' or sections make up the circle of this skirt.costume, female, full length black skirt -
Bendigo Historical Society Inc.
Clothing - MEN'S TROUSERS - MARONG MUNICIPAL BAND UNIFORM, 1980's - 1982
Clothing. Single knife pleat on either side of front waistband, 20 cms deep fly front, with plastic zip, and metal fastener on waistband. Also evidence of an internal front tab fastening with cotton stitched button hole, but button is missing. Two side pockets sewn into side seams, and two bound pockets on either side of back -all polyester or nylon fabric. Seven 1 cm belt loops around waistband. A 3 cm wide strip of red flannel is stitched from waistband to hem on the outer side of each leg. This is over laid with a 1.2cm wide gold metal thread, decorative weave braid.AGCF 1982 (Australian Government Clothing Factory).costume, male ceremonial, marong municipal band uniform trousers -
Bendigo Historical Society Inc.
Clothing - CHILD'S NIGHTDRESS, 1880-1900
Clothing. Child's white linen waisted nightdress. Scooped round neckline with casing and lace trim. V shaped broiderie lace insert below neckline with 2 cm fabric trim on each side. open at waist. Skirt tightly gathered into casing at waist. Skirt has inverted V shaped insert at centre front from waist to hem. Overlay on each side with decorative stitching. Item is trimmed with two rows of 1.5cm lace. Double layer cap sleeves of broiderie lace with scalloped edges.Centre back opening (33cm) fastened with cotton tape ties at neckline and waist. Fold over collars at back neckline (12cmX 4cm).costume, children's, child's nightdress -
Bendigo Historical Society Inc.
Book - BENDIGO ATHLETIC CLUB RECORD BOOK, 1894-1901
Ledger containing the Financial Records of the Bendigo Athletic Club from January 1st 1894 - 1901. Burgundy fabric covered covers with brown leather corners and spine. Marbled pattern on inside covers. Customized label on front for Bendigo Athletic Club. Headings include: Postage, Discounts, Gates, Grandstand, Salary, Commission, General Charges, Donations, Bonuses, Official Programs, Privileges, Percentages, Handicapping, Wages, Grounds, Interest, Banking, Account. Secretary J A Michelson 1895 - 1896, 1896-1897 recorded in the book. No other names recorded. Pages missing for first half of 1898. The front section of the ledger with alphabetic tabs has been resued as a recipe book.J A Michelsonclubs and associations, sport, bendigo athletic club -
Mont De Lancey
Book, Edith C. Kenyon, Eveline's Key-Note or In Harmony with Life, late 1800's
Victorian fiction with a moral slant for young women about life, growing up and relationships in an English village.Brown fabric hardcover book - Eveline's Key-Note by Edith C. Kenyon has an illustration in black. pink and green of two young women sitting on a garden seat with a girl lying on the grass next to them reading. In the background a couple are chatting. The top of the edges of the pages are gold. The Endeavour Library is written at the top in black lettering with the title in yellow underneath. The spine has the title, series and publisher initials at the bottom for The Sunday School Union, The frontispiece has a black and white illustration the same as is on the front cover. and there are five full page black and white illustrations throughout. The chapter heads have an Illuminated style decoration called a vignette. 192p.fictionVictorian fiction with a moral slant for young women about life, growing up and relationships in an English village. family life fiction, religious stories -
Mont De Lancey
Book, G. E Studdy et al, Bonzo's Annual, 1948
A vintage 1950's collection of Bonzo the dog stories for children with two tone coloured illustrations throughout the book. Bonzo has a lot of fun adventures. These Bonzo annuals were popular from 1935. They ceased publication during the war years and resumed afterwards.A vintage 1950's hardcover children's book with the title Bonzo's Annual printed at the top in green lettering on the front cover.There is a large coloured illustration of the dog Bonzo riding on a rocket above the town rooftops with a smiling full moon in the sky. It is bound on the left side with faded grey fabric tape. The back cover is plain grey coloured.The frontispiece illustration shows Bonzo on a swing attached by ropes to a giraffe's long neck with a monkey and two toucan birds looking on. The illustration is from the story 'Bonzo's Festival. The title page has the title, author, illustrator, publisher details and a coloured illustration of Bonzo as an artist at his easel. Pp. 92.fictionA vintage 1950's collection of Bonzo the dog stories for children with two tone coloured illustrations throughout the book. Bonzo has a lot of fun adventures. These Bonzo annuals were popular from 1935. They ceased publication during the war years and resumed afterwards.children's books, books, children's stories, dog stories, annuals -
Mont De Lancey
Domestic object - Material Storage Box
Rectangular, beige, cloth-covered box with lid. It has a green, pink and red floral pattern overall. The lining and the inside of the lid is of a pale green fabric. A fine, pale green cord and knot braid decorates the edges of the lid. Inside the box there are: a)1 cream-coloured silk, handstitched bird pouch, with a gold-coloured patterned edging. The bird has 2 gold-coloured bead eyes. b) 1 square purple cloth perfume sachet containing rosemary. c) 1 small, glass-covered, coloured picture of a girl in a green and orange dress, with a pigeon on her shoulder. She is feding some birds and chickens.containers, storage boxes -
Upper Yarra Museum
Lamp, Tilley Lamp Company
http://en.wikipedia.org/wiki/File:Tilley-storm-lantern-X246-May- Tilley storm lantern, this model has been in production since 1964 The Tilley Lamp derives from John Tilley’s invention of the hydro-pneumatic blowpipe in 1813 in England. http://en.wikipedia.org/wiki/Kerosene_lamp#Pressure_lamp Pressure lamps are far more sophisticated than wick lamps and produce a much brighter light, although they can be quite complicated and fiddly to use. This type of lamp is commonly known in the UK as a "Tilley lamp", after a manufacturer of the same name, and in North America as a "Coleman lantern" for similar reasons. A kerosene blowtorch displaying the various aspects of the kerosene burnerA pressure lamp has a fuel tank at the bottom with a small pump to pressurise the kerosene. There is a narrow gap up to the top of the lamp, called a flue, and at the top of the lamp there is a burner (gas outlet). Directly underneath the burner is the mantle, a fabric bag coated with chemicals that incandesce when heated by the gas flame. The burner lamp is known for its brightness. It is so bright because of the amount of pressure that is placed onto the wick. This pressure allows a steady flow of the gasoline and a constant light Tilley Storm Pressure Lantern, model no x246 has a stainless steel base which is filled with kerosene, with a pump used to pressurize the kerosene vapor. Under the base is a sticker.On top is a black hood with vents which sits on the glass heat resistant shade. The glass shade has an etched label. It has a white and pink mantle on the central rod with a long shaped stainless steel handle, this folds down when not in use.Base - Sticker Tilley Lamp Model X246 Etched on glass shade Tilley, Durosil, ITI, Heat Resistant. Made in Englandlantern tilley pump pressure mantle kerosene methylated spirits stainless steel lamp kerosene lamp round glass cylinder -
Eltham District Historical Society Inc
Postcard - Photograph, Nucolorvue Productions Pty Ltd, greetings from Diamond Creek, n.d
Diamond Creek Bini Shell Community venue Built in 1979 in Diamond Creek opposite the hotel using a construction method invented by Dante Bini. A net of flexible steel rods were laid on the building’s circular base, on the top of a fabric bladder. Concrete was poured onto the mesh and a sealed cover laid over the concrete making a sandwich of cover, bladder and mesh. Compressed air was pumped into the bladder and the sandwich slowly began to rise and become a massive self-supporting dome. The inflation of the dome attracted crowds of onlookers many from various technical schools, VIPs and the famous football doctor, Donald Cordner. An opening night dinner was held to celebrate the construction and the Diamond Creek Bini Shell was used as a community venue for over ten years including for the Town Fair. The Shell was closed for safety reasons after a Bini Shell in another State had chunks of concrete fall off the dome due to a construction fault. At the Diamond Creek Town Fair in 1991 the demolition of the Bini Shell was an item on the Town Fair’s program. Information: Kevin Patterson, Nillumbik Historical Societybini shell, diamond creek community centre, nu-color-vue, postcard -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Manufactured Objects, adhesive surgical tape, 20thC
Surgical tape or medical tape is a type of pressure-sensitive adhesive tape used in medicine and first aid to hold a bandage or other dressing onto a wound. These tapes usually have a hypoallergenic adhesive which is designed to hold firmly onto skin, dressing materials, and underlying layers of tape, but to remove easily without damaging the skin. Surgical tape is often white because it contains zinc oxide, which is added to help prevent infections. In 1845, Dr. Horace Day made the first crude surgical tape. It was created by combining India rubber, pine gum, turpentine, litharge (a yellow lead oxide), and turpentine extract of cayenne pepper and then applying that mixture to strips of fabric. It was the first “rubber-based” adhesive tape called Leukoplast for the German company Beiersdorf AG. Larger scale manufacturing of similar medical tapes began in 1874 by Robert Wood Johnson and George Seaburg in East Orange, NJ. (Johnson & Johnson Pty). 1921, Earle Dickson, who bought cotton for Johnson & Johnson, fixed a piece of gauze to some cloth backed tape and the first Band-Aid ® was invented. A roll of white adhesive surgical tape on a metal reel width 2cmaround wheel: ADHESIVE TAPE MANUFACTURED / MINDS MAKES REPAIRS Symbol of a butterfly in centre medical dressings, early settlers, moorabbin, cheltenham. bentleigh, johnson & johnson pty ltd, adhesive surgical tape, -
Churchill Island Heritage Farm
Clothing - Strip, Seal Fur
After European settlement in 1788 Australian Fur Seals were hunted intensively from 1798 until 1825 for meat, oil and their skins. The growing Industrial Revolution called out for oil which was readily sourced from seals along with their valuable fur. Indigenous people had been sustainably harvesting seals for their meat and their skins .and the European sealers often coerced or kidnapped Aboriginal women for their knowledge of hunting seals. After 1825 the seal population had been decimated and therefore the hunt was no longer economically viable, but it wasn’t until 1923 that the Australian Government legislated to stop the hunting of seals altogether. In the time of the Amess family residence on Churchill Island it was perfectly legitimate to shoot any seal that interfered with fishing or was unlucky enough to come ashore on the Island. Furs were tanned and lined with fine fabrics to create items of apparel because seal fur has a soft velvety feel when stroked in the direction of growth. This strip appears to be around 22 inches in length and would be suitable to use as a belt for a tiny waisted lady or girl or it could have been used as a collar.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess womenA narrow strip of brown seal fur with grey backingjane, amess, janet, frances, seal, fur, churchill island -
Churchill Island Heritage Farm
Clothing - Seal Fur Stole, c. late 1800s
Lined with brown silk 189.5 x 13.3cm After European settlement in 1788 Australian Fur Seals were hunted intensively from 1798 until 1825 for meat, oil and their skins. The growing Industrial Revolution called out for oil which was readily sourced from seals along with their valuable fur. Indigenous people had been sustainably harvesting seals for their meat and their skins .and the European sealers often coerced or kidnapped Aboriginal women for their knowledge of hunting seals. After 1825 the seal population had been decimated and therefore the hunt was no longer economically viable, but it wasn’t until 1923 that the Australian Government legislated to stop the hunting of seals altogether. In the time of the Amess family residence on Churchill Island it was perfectly legitimate to shoot any seal that interfered with fishing and furs were tanned and lined with fine fabrics to create items of apparel. Seal fur has a soft velvety feel when stroked in the direction of growth. This stole being quite narrow compared with the length would have been wrapped a few times around the shoulders and being lined with silk would have felt quite luxurious. This seal fur stole was owned by Janet Amess (nee Straughan), wife to Samuel Amess and owner of the Churchill Island Farm from 1872 - 1929. She passed this item through the generations until it reached the donor, Unity.Band of seal fur backed and trimmed with brown silk.seal, fur, janet, frances, jane, amess, churchill island, clothing, 19th century, stole, fashion -
National Wool Museum
Work on paper - Women's Official Occasions Uniform Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Official Occasions Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The Official Uniform was used for both travel and official functions. This included a tailored blazer and trouser/skirt set (all water repellent) by Fletcher Jones in pure olive green faille fabric by Foster Valley, a cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, a printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy.8116.1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a green skirt and green woollen vest over a yellow button up shirt with printed neck tie. Three smaller drawings on the left side of the page show the details of the vest, necktie and shirt. 8116.2 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a black skirt and printed scoop neck, button up blouse, cinched at the waist with a black belt. Around the central drawing are smaller drawings showing the details of the skirt, belt and shoes. 8116.3 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a black skirt and black blazer with detailed striping across the right front and right arm. There is a small detailed drawing of the blazer to the right of the main figure which includes the design of a scarf. 8116.4 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a green skirt, a yellow printed, sleeveless shirt, yellow gloves, along with a matching headband and scarf.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
National Wool Museum
Work on paper - Officials' Uniform Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The Official Uniform was used for both travel and official functions. This included a tailored blazer and trouser/skirt set (all water repellent) by Fletcher Jones in pure olive green faille fabric by Foster Valley, a cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, a printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy.8122.1 - A laminated A3 sketchbook page depicting a design for the Men's 1992 Barcelona Olympics Australian Official's Uniform. The main drawing shows the design for blue suit pants and blazer with six gold buttons, a yellow shirt and a red, green, yellow and cream striped tie. To the left of the main image are four smaller detail drawings of the belt buckle, gold bottons, blazer and shoes. 8122.2 - A laminated A3 sketchbook page depicting a design for the Women's 1992 Barcelona Olympics Australian Official's Uniform. The main drawing shows the design for a blue elbow length, square necked blazer with gold buttons on both the front of the jacket and sleeves paired with a blue pencil skirt and a red, green, yellow and cream shirt. To the right of the main drawing are four smaller detail drawings showing the pattern for a scarf, the striped shirt, the blazer and the shoes. 1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
Parks Victoria - Gabo Island Lightstation
Telephone
Telephones x 3 (GILS 0001, 0038, 0070; attached fixtures) There are three, black Bakelite, wall mounted, crank handle telephones across the lightstation; one in the former assistant keeper’s quarters, and two in the former head keeper’s quarters. The phone has instructions for its use on the crank dial. Two have acoiled handset cord, which dates the phone to just after 1949 when these came into use. The third has a smooth cord and must pre date 1949 (GILS 0070). Another much older wallmounted phone remains in the lighthouse (GILS 0041; attached fixture; see above 6.1). The four telephones at Gabo Island formed an intercom system that facilitated communication between the lighthouse and lightstation buildings. They demonstrate the necessity for employing various methods of communication in a remotely located lighthouse as well as communication between the lightstation buildings. Telephones of the same wall mounted, crank dial type remain at Cape Otway and Point Hicks As fixtures, the telephones belong to the building fabric and are included in the existing listing of the Gabo Island Lightstation in the Victorian Heritage Register (H1773). These intact items of equipment have first level contributory significance for their historic value and provenance.Black bakelite telephone, wall mounted with reciever/ handset on spiral cord attached to the body of the phone. There is a crank handle attached to the front of the telephone.On dial under crank handle. Outer perimeter of circular LABEL,"TO CALL:-TURN HANDLE & LIFT HANDSET / WHEN FINISHED PEPLACE HANDSET & TURN HANDLE" -
Bendigo Military Museum
Accessory - SEWING KIT - ARMY, Australian Defence Industries, 1. 2007 - 2. 2011
1. & 2. DPCU (Disruptive Pattern Camouflage Uniform) Sewing kit plus an extra cover. Colours - light to dark green through to mid to dark brown. Cotton/Polyester fabric with metal press stud flap closer and black colour woven tape. Rectangular shape with two pockets - rolls up to store. 1. Contents of sewing kit, four reels of cotton/polyester thread, colours white, khaki, dark and lighter green, nine plastic buttons, four dark green, two light brown, three white. Two safety pins and one metal thimble. Eight silver metal sewing needles. 1. & 2. Manufacturers stamp inside top flap.Manufacturers information - black ink stamp. 1. "CLAYTONS/ NSW ^ 2007/ NSN 8315 66 134 9185/ Name/ Service No." 2. "SIRWAY 2011/ NSN 8315-66-184-9185/ NAME/ PM KEYS NO".accessory, army, sewing kit -
Shepparton RSL Sub Branch
Uniform, Hat, Pre 1952
This hat was part of a RAAF uniform and likely dates to the Second World War due to the style of crown. Hats such as these are often misshapen at the crown due to the use of earmuff-style headphones worn by aircrew during the Second World. Navy peaked cap in cotton with beige topstitching along crown. Black cotton grosgrain ribbon band. Black leather chin strap buttoned to left and right with black metal button carrying image of crown atop eagle. Centre of hat carries embroidered patch with crown in gold-coloured metal and red fabric with red and green additions mimicking jewels. Crown sits above two metal shapes, an eagle with arms outstretched and laurel branches. Two eyelets on left and right side of the cap, bronze on interior and painted black on exterior. Interior of cap brim is green plastic or patent leather now cracked. Interior of hat cotton is dark cotton with quilted top.second world war, royal australian air force, raaf, r.a.a.f., flying, uniform, world war ii, world war two, world war 2