Black and white print of BTPS 14 stored at the Sebastopol offsite site store following its return from Melbourne in Feb. 1979 Australia Day Parade. Alongside is tram 661. Photographer unknown.Yields information about tram 14 stored at the Sebastopol offsite store during June 1979Black and white print on Kodak paper dated June 1979tramcars, tramways, ballarat, tram 14, btps, sebastopol, offsite store

Commencement of construction of the East tramline along Ryrie Street. Photographer is a few hundred metres east of the Moorabo9ol St. intersection facing east. The Geelong Theatre is on the right, opened in 1913 and facade preserved. 1922.Black and white print on paper.GRS710/25/1/7 and 55-7, written in pencil on the reverse. The number 1 within a circle written on the reverse in ink.geelong east tramway construction, geelong tramway east line commenced, geelong theatre

Three black & white photos of: Robert Henry Beddoe & family RH&FG Beddoe business premises and Beddoe wood yard on corner Horne St & Glenhuntly Rd Elsternwick. Photograph taken 18/04/1916 All photos have unattributed, undated notes on reversebeddoe robert henry, beddoe ella mary, beddoe charles crichton, beddoe tysae, beddoe archibald, beddoe fg, merchants, wood carters, glenhuntly road, elsternwick, wall geo, photographers, beddoe wood yard, horne street, carriers, coles store, young charles, beddoe francis george

This is a photo of a group of six men taken at Sorrento Back Beach February 1906.B/W photo of a group of six men in suits and hats.Printed on mounting: A. E. M'NICOL Written in biro across photo at bottom: TOP. Bill Eadie, Gus Ford, Tom Hamilton Bottom row Frank Millet, Jim Wilson, Terence O'Brieneadie, bill, ford, gus, hamilton, tom, millet, frank, wilson, jim, o'brien, terence, sorrento, m'nicol, a. e., photographers, clothing and dress, george evans collection

This is the 1940 Horse Show Committee taken at the Evans Street oval.B/W photo of 18 men in three rows posed in front of a marquee. Unmounted. Unidentifiedhorse show committee, 1940s, davies, bill, starkie, stan, mounsey, -, boardman, eric, marchant, g. l., horse shows, horses, photographers, evans street, sunbury, george evans collection

Black & white photos of WWI battle scenes in Europe. Seven Daily Mail battle pictures, black & white. Official war photos, Series VIII. No 57 Wounded. Tommy to Photographer: I'm not a German! No 58 Black Watch Pipers Playing to the Captors of Longueval. No 59 The Burial of two British Soldiers on the Battlefield. No 60 A Fag After a Fight. No 62 British Machine Gunners Wearing Gas Helmets. No 63 Tommy at Home in German Dugouts. No 64 A Big Mine Exploding.postcards - photographs, military history, passchendaele barracks trust

3 Black and White and 1 sepia photographs from Harry to Ruby Wilson. 23043-001 "WITH MUCH LOVE FROM HARRY" 23043-002 'To Ruby, my "Aussie" girlfriend, From Harry' (Taken by Charles Howell, Photographer, Blackpool and Belfast and dated 9 Sep 1930) 23043-003 "Father in Back Garden" 23043-004 "Height 5'7, Dark Hair, Blue Eyes' 'WIth Love, Harry'

black and white photo of those who recieved the 'queen long service and good conduct medal'. Left: fireman Jack Prendergast Centre: station officer Max Reeves Right: fireman Tom SandersonBlack and white Photographqueen long service and good conduct medal Left: fireman Jack Prendergast Centre: station officer Max Reeves Right: fireman Tom Sanderson LE DAWN STUDIOS the proffesional photographers, Wangaratta and Myrtleford (stamp)' 20cm wide - bottom centre red 'A' in a circle above a scibbled out 13 - bottom rightjack prendergast, max reeves, tom sanderson

Single page document. Crown at top. Titled INVESTITURE AT GOVERNMENT HOUSE, MELBOURNE NOTES FOR GUIDANCE Recipients may be accompanied by three relatives of friends. Because of the nature and length of the ceremony, it is not considered a suitable occasion for children under the age of six. Due to the large number of recipients on this occasion, it will not be possible for requests for additional guests to be met. Recipients and their guests will gain access to Government House by presenting their Entrée Cards at the Main Gate and on entering the Ballroom. Car parking space is available within the grounds. A ramp for wheel chair access is adjacent to the Ballroom Entrance. Recipients using wheelchairs are requested to advise us accordingly. Recipients and those accompanying them should arrive at the Ballroom Entrance of Government House at 10.00a.m. The dress for recipients is uniform, where appropriate, or lounge suit/day dress. Service personnel should consult their respective headquarters on dress. (Medals are not to be worn). Relatives and friends are requested to remain seated and not to applaud until the end of the ceremony. Recipients will be directed to the State Dining Room where they will remain until they receive their award from the Governor in the Ballroom. We suggest that personal items (bags, coats, etc) be left with a family member or left with a member of staff in the cloak room at the entrance to the Ballroom. Private photographs and videos may not be taken during the ceremony, but are permitted at other times. The media and an Official Photographer will be present on this occasion. Contact details for the Official Photographer will be included in the Investiture Booklet available on the day. At the conclusion of the Investiture, recipients and their guests are invited to join the Governor and Mrs Chernov for refreshments in the State Apartments. The function will conclude at approximately 1.00 pm. ***person, individual, peter ellis oam

Allan Charles Quinn was a member of the Merchant Navy from aged 16 as well as being a trained photographer. This photograph was taken during his travels through America whilst still being associated with the Merchant Navy.This photograph captures the New York skyline of 1949 in very clear detail. This photograph is part of a larger collection, know as the Allan Charles Quinn collection, which provides a photographic autobiography of the life of an individual seafarerBlack and white photograph of Manhattan and Hudson River showing skyscrapers in the background with other buildings and general cityscape in foreground.Blue handwritten ink on reverse of photograph "10-9-49".photographs, mission-to-seafarers, seamen, hudson-river, skyscrapers, new-york, allan-charles-quinn, manhattan, skyline, cityscape

Allan Charles Quinn was a member of the Merchant Navy from aged 16 as well as being a trained photographer. This photograph was taken during his travels through America whilst still being associated with the Merchant Navy.This photograph of the Empire State building is a part of the Allan Charles Quinn Collection which is a photographic autobiography of the life of an individual seafarer.Black and white photograph of the Empire State Building, New York, taken from street level looking towards the top of the building.Handwritten in blue ink on reverse of photograph: "EMPIRE STATE/ 5-10-49".seamen, america, fifth-avenue, allan charles quinn, merchant navy, new york, skyscraper

The young woman is Clare Eltze. The building is the shop and home of Gilbert Rogers, a resident guide and photographer. The back of the photo records that it was an "everything place". The third copy of the photo is on display under the glass on the table in the History Room.The photo shows a young woman sitting on kerosine tins outside a building (shop). behind her are blackboards with chalk writing advertising Kodak films developing and printing, various items for sale, Horses for hire, houses to let and railway information.people, eltze, buildings, shops

Looking north from the corner of Bridge street The photo was possibly taken by John Henry Clark of Clark Bros Photographers who operated from 25 Thompson Street, Windsor near Prahan 1894-1914.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image (x2) 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, main road, gas lamp, street lamp, horse drawn vehicles, bakery, old bakery cottage, shillinglaw cottage, shillinglaw trees, clark bros. photo

Presentation at RVIB to unknown man with three other men either shaking hands or presenting the award. From the camera and camera bag held by the awardee, most likely a photographer who has done work for RVIB.B/W copy of negativesE:602royal victorian institute for the blind

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

The photograph shows Ballarat No. 11, with the destination of Lydiard St North mid to late 1950s. Location unable to be determined. A lady with a straw basket can be seen inside the tram. A bogie tram is behind. Photographer unknown. Yields information about tram 11 in the mid to late 1950s.Black and white print - plain back. Two copies held.tramcars, tramways, tram 11

The photograph shows SEC Ballarat tram No. 33 (Gardens via Drummond St North) and No. 12 (Mt Pleasant) crossing each other in Wendouree Parade, mid 1950s with tail lights installed. Photographer unknown.Yields information about tram 33 tram 12 during the mid 1950s in Wendoure Parade.Black and white print with plain back.tramcars, tram 33, wendouree parade, tram 12

The photograph shows Geelong tram No. 40 inbound in Brougham St with the SEC-operated power station and tram depot behind. Another tram can be seen in the distance. Photo by an unknown photographer on 14-1-1954.Yields information Geelong tram services in Brougham St.Black and white photograph with details on rear.In ink "40 on Beach line Geelong 14-1-54" and number '1042" in ink.tramways, trams, geelong, brougham st, tram 40

Photograph shows SECV Ballarat tram 43, another bogie and a single trucker at the Mt Pleasant terminus. The tram has an auxiliary board, but unreadable. Received in an envelope dated 5-4-1958, photographer not known.Yields information about tram 43 and the Mt Pleasant terminus.Colour print on Agfa paper.tramcars, trams, tram 43, mt pleasant

Tram tracks being laid in Ryrie St., just west of the Moorabool intersection. Tracks curving towards the photographer are for the turn to join the South Route, 1911. This connection was removed in 1922. The tower with clockface is the Post Office.Yields information into the early streetscape of Geelong's Ryrie St., and tram track development.Black and white print on paper8-8 written in pencil on the back of the photographgeelong tramtrack laying, ryrie street streetscapoe 1911, geelong post office clock tower

Photographer William Hall operated from 114 Brunswick Street from 1875 through 1886. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1875-1886, sarah aldous (nee shillinglaw 1854-1925), william hall photographer 114 brunswick street, 1875

Photographer William Hall operated from 114 Brunswick Street from 1875 through 1886. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1875-1886, sarah aldous (nee shillinglaw 1854-1925), william hall photographer 114 brunswick street, 1875

Photographers Yeoman & Co operated briefly from 107 Swan Street Richmond from 1890 to 1891. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1890, florence may aldous, percival john aldous, shillinglaw baby, unknown, yeoman & co photographer 107 swan st richmond

Photographers Yeoman & Co operated briefly from 107 Swan Street Richmond from 1890 to 1891. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1890, shillinglaw baby, unknown, yeoman & co photographer 107 swan st richmond

Photographers Yeoman & Co operated briefly from 107 Swan Street Richmond from 1890 to 1891. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1890, shillinglaw baby, unknown, yeoman & co photographer 107 swan st richmond

Photographer Ezra Goulter operated from 23 Chapel St. Prahran between 1878-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 2, unknown, 1878-1890, 1885, goulter photographer chapel st prahan, shillinglaw baby

This photograph shows Ina Warren with Jack warren, Linda Warren and Cora Lynn. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A black / white photograph of a woman with three small children sitting in a pumpkin on water . There are small flags (Australian and British) at each end. On the pumpkin is "HMAS ORBOST".pumpkins-orbost warren-helena-photographer

This photograph shows Percy De Forest and his brother, Alfred of McLeod Street, Orbost. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,Two black / white photograohs of two small children sitting in a large pumpkin on water.on front - An Orbost Pumpkinpumpkins-orbost de-forest warren-helena-photography