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Federation University Historical Collection
Poster, Clunes Booktown, 2015, 2015
Federation University Australia was a major sponsor of Clunes Booktown. Green and orange poster advertising Clunes Booktown.clunes booktown, federation university australia, poster -
Federation University Historical Collection
Poster, Clunes Booktown Festival, May 2015, 2015
A book festival is held each year in Clunes known as "Clunes Booktown Festival. Guest speakers and authors feature during the two days. It is Australia's largest book trading event in the Southern Hemisphere's only Booktown.Coloured poster advertising the book festival in Clunes.Logos of sponsors at the bottom. Dates, cost, websiteclunes, booktown, festival, authors, guest speakers, trading event, southern hemisphere -
Federation University Historical Collection
Book, ResMag: FedUni Living, 2015, 2015
Soft covered magazine of FedUni Livingmount helen resident society, feduni living, colin marshall, kokoda, camp street, student residences, chris gulli, gippsland -
Ringwood and District Historical Society
Magazine, Weemala - The 2015 Norwood Secondary College Yearbook, 2015
Soft cover school magazine for Norwood Secondary College, North Ringwood, Victorianon-fiction -
Victorian Interpretive Projects Inc.
Photograph-Colour, Wild Dog Creek, Apollo Bay, 2015, 25/01/2015
Wild Dog Creek enters the sea at Apollo BayA number of colour photographs showing the mouth of Wild Dog Creek as it enters the sea at Apollo Bal, Victoria.apollo bay, sea, creek, river mouth, wold dog creek -
Victorian Interpretive Projects Inc.
Photograph - Colour, Ann Gervasoni, Melbourne Towards Parliament House, 2015, 04/02/2015
Spring Street is culturally important to Victoria and is associated with the central spine of the administration of the Government of Victoria, as well as being central to many of the state's major cultural institutions. It is also notable for its Victorian architecture including the landmarks Victorian Parliament House, the Old Treasury Building, the Windsor Hotel (also known as Duchess of Spring Street) and the Princess Theatre. (Wikipedia)A colour photograph of Melbourne taken from above, showing Parliament House is Spring Street, with Russell Street in the midground. melbourne, spring street, victorian partliament house, windsor hotel, russell street -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, William Buckley's Cave, Point Lonsdale, 2015, 15/03/2015
Six colour photographs of William Buckley's Cave at Point Lonsdale.william buckley, aborigines, wathaurong, wada wurrung, buckley, point lonsdale -
Victorian Interpretive Projects Inc.
photograph - colour, Paul Simon Memorial Hall, Ballarat East, 2015, 05/04/2015
The Ballarat Synagogue is the oldest Jewish Synagogue on mainland Australia. Paul Simon was a local member of the Ballarat Jewish Community.A colour photograph of a rendered building. It is the Paul Simon Memorial Hall associated with the Ballarat Synagogue.jew, syagogue, ballarat synagogue, jewish, worship, religion, paul simon -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Kathleen Gervasoni, St Alipius Presbytery, 2015, 05/04/2015
Traditionally a Catholic Priest lived in a presbytery which was close to the church.A colour photograph showing a detail of the entrance to St Alipius Presbytery, Ballarat East.catholic, presbytery, st alipius, ballarat east -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Kathleen Gervasoni, St Paul's, Ballarat East, 2015, 06/04/2015
Brick Church with bell tower.st paul's, ballarat east, church, religion -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, Barkly Street Uniting Church Baptisimal Font, 2015, 05/04/2015
Photograph of a white Baptisimal font at the Barkly Street Uniting Church.barkly street uniting church, barkly street wesleyan church, barkly street methodist church, baptism, baptisimal font, church, ballarat east -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Kathleen Gervasoni, Ballarat from St Paul's, Ballarat East, 2015, 05/04/2015
st paul's ballarat east, ballarat -
Victorian Interpretive Projects Inc.
Photograph - Photograph - colour, Clare Kathleen Gervasoni, World War One Memorial Stained Glass Window, Former Barkly Street, Ballarat East, 2015, 05/04/2015
The World War One Memorial Stained glass windows in the Barkly Street Uniting Church resulted from a request made in 1919 by the Barkly Street Young Men's Club to be given permission to raise money to pay for the project. The window was designed by Fisher Co. Pty Ltd, and was unveiled by a former army chaplain - either Rev. J.A. Gaunt or Rev. Bladen on the 14th March 1920. The total cost of the windows was 171 pounds 10 shillings. The window cost 150pounds, the window was fixed into position for 15 pounds, and three wire screens cost 6 pounds 10 shillings.Digital Photographs of the World War One memorial stained glass windows in the Barkly Street Uniting Church, Ballarat East.Repousse World War One tablet: 1914-1919 For God, King and Country The windows above have been erected as a memorial to the heroic lads of this school and church who fell in the Great War. Brittain, H.O. Butcher, J.C. Cornish, H. R. MM (Richard) Eady, James Arthur Edmends, William H. Ferguson, F. Farrar, A.Z. Gist, C.H. Gates, Stanley C. Grave, Howard B. Hughes, Arthur W. Hughes, George A.C. Jones, William Stanley (Stan) Marshall, Robert R. McConnell, A.R. (Ralph) Muller, A.V. Polkinghorne, E.C. (Clifford) Ridgwell, Herbert R. Sansum, Arthur H. Smith, Alfred G. Tait, Robert E. Tait, Lawrence (Laurie) Veal, Thomas P. Vincent, Leslie A.barkly street uniting church, barkly steet methodist church, barkly street weseyan church, j.a. gaunt, bladen, stained glass, soldier, world war, world war one, mmm -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Kathleen Gervasoni, World War One Honour Roll in Barkly Street Uniting Church, 2015, 05/04/2015
Repousse World War One tablet: 1914-1919 For God, King and Country The windows above have been erected as a memorial to the heroic lads of this school and church who fell in the Great War. Brittain, H.O. Butcher, J.C. Cornish, H. R. MM Eady, Jas Edmends, W.H. Ferguson, F. Farrar, A.Z. Gist, C.H. Gates, S.C. Grave, H.B. Hughes, A.W. Hughes, G.A.C. Jones, Stan Marshall, R. McConnell, A.R. Muller, A.V. Polkinghorne, E.C. Ridgwell, H.R. Sansum, A.H. Smith, A.G. Tait, R.E. Tait, Laurie Veal, T.P. Vincent, L.A. World War Two tablet: This memorial tablet is dedicated to the memory of P. Sullivan, who fell and to those who enlisted in World War II.world war, world war one, world war two, p. sullivan, brittain, butcher, cornish, eady, edmends, ferguson, farrar, gist, gates, grave, hughes, jones, marshall, muller, polkinghorne, ridgwell, sansum, tait, veal, vincent, stained glass memorial, barkly street uniting church, mmm -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Kathleen Gervasoni, Interior of the Barkly Street Uniting Church, Ballarat East, 2015, 05/04/2015
Colour photographs of the interior at Barkly Street Uniting Church.church, barkly steet methodist church, barkly street uniting church -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Kathleen Gervasoni, Former Ballarat East Library, 2015, 05/04/2015
Colour photographs of a brick building which is the former Ballarat East Library.ballarat east library, ballarat east high school, ballarat school of mines -
Victorian Interpretive Projects Inc.
Photograph - Colour, Gaida Stevens, World War One Tunnel Entrance, Lone Pine, Gallipoli, 2015, 2015
Lone Pine was an action that featured one of the most famous assaults of the Gallipoli campaign. The attack was planned as a diversion for the Australian and New Zealand units that were to breakout from the Anzac perimeter by capturing the heights of Chunuk Bair and Hill 971. At 5.30 pm on 6 August 1915, the Australian artillery barrage lifted and from concealed trenches in no man’s land the 1st Australian Brigade charged towards the Turkish trenches. The troops paused on reaching the Turkish trenches, finding that many were covered by timber roofs. Some fired, bombed and bayoneted from above, some found their way inside and others ran on past to the open communications and support trenches behind. Others advanced as far as "the Cup" which was where Turkish support units were located and from where the Turks counter-attacked. By nightfall, most of the enemy front line was in Australian hands and outposts had been established in former Turkish communication trenches. The Australian Engineers dug a safe passage across no man’s land so that reinforcements could enter the captured positions without being exposed to Turkish fire. Having captured the Turkish trenches, the Australians now tried to hold what they had taken while the Turks desperately and determinedly tried to throw the Australians out. From nightfall on 6 August until the night of 9 August a fierce battle ensued underground in the complex maze of Turkish tunnels. The Australians succeeded in drawing the whole of the immediate Turkish reserve. Six Australian battalions suffered nearly 2,300 killed and wounded at Lone Pine. Seven Australians were awarded the Victoria Cross, the highest number ever awarded to an Australian division for one action.(http://www.awmlondon.gov.au/battles/lone-pine)Entrance to a tunnel at Lone Pine, Gallipoli. gallipoli, world war one, tunnel, mmm -
Victorian Interpretive Projects Inc.
Photograph - Colour, Dedication of the Navigators Avenue of Honour, 2015, 19/04/2015
Navigators is a Victorian town near Ballarat.A panaramic photograph showing the crowd before the ceremony to open the Navigators Avenue of Honour. world war one, world war, avenue of honour, mmm -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, St Paul's Ballarat, from the Coles Carpark, 2015, 05/2015
Colour photograph of Ballarat looking towards St Paul's church and spire. The horizon viewline allows a clear view of the St Paul's belltower.st paul's ballarat east -
Victorian Interpretive Projects Inc.
Photograph - Colour, Stained Glass Windows at St Peter's Catholic Church, Daylesford, 2015, 14/06/2015
"ST. PETER'S CHURCH, DAYLESFORD Last Sunday his Grace the Archbishop confirmed a large number of children at St. Peter's Church, Daylesford. His Grace was assisted by Rev. J. J. Malone, P.P. The congregation included a large number of worshipers from outside districts. A short address delivered by the Archbishop was attentively listened to, and many were the expressions of congratulation extended to his Grace upon his recovery from the indisposition which had incapacitated him from active work recently. At the conclusion of Confirmation the children were treated to refreshments on the lawn in front of the presbytery A large number of parishioners dined with Fr. Malone, and the Archbishop renewed former acquaintanceships. In the evening a mission was opened by the Rev. J. O'Brien and Rev. J. Brown, of the Redemptorist Order. The mission will be concluded on Sunday next. The exercises have been well attended. The interior of this beautiful Gothic church has recently undergone complete decoration, and one of the features that have, received special attention is the stained-glass. The windows consist of eight- two-light with trefoil piece of tracery, and in each is designed one of the following figures:—St, Francis of Assisi, St. Francis Xavier, St. Augustine, St. Monica, St. Stanislaus, St. Aloysius, Our Lady, St. Joseph, St. Patrick, St. Bridget, St. Agnes, 'St. Rose of Lima, St. Ignatius, St. Vincent de Paul, St. Alplionsus Liguori, St. Thomas Aquinas. The figures are set, in medallions formed with richly designed Gothic ornament in the form of crockets surmounted by a cross and crown, while in the tracery immediately above the windows is a monogram of the names of the saints. The figures are richly coloured in glorious antique glass, with the ornamental detail in lovely mellow tones of old gold and pale yellow stains. The whole effect is rich and at the same time restrained in colour. At the base of each window is written the name of the donor. The whole of the work was designed and executed by Messrs. Brooks, Robinson and Co. limited, at their stained-glass studios, Elizabeth-street, Melbourne. The scheme is an original treatment, but at the same time strictly orthodox and Gothic in style. One feature of the work which must be apparent to those who are interested in stained-glass decoration is the maximum effect obtained with a minimum of expenditure." (Melbourne Advocate, 4 December 1909) A number of coloured photographs of the stained glass windows from the interior of St Peter's Catholic Church, Daylesford. The photographs were taken on the day of the 150th anniversary celebrations.brooks, robinson and co, stained glass, st peter's daylesford, church, daylesford, st alplionsus liguori, st thomas aquinas, religion, st agnes, st rose -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, St Peter's Catholic Church, Daylesford, 2015, 14/06/2015
"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon -
Victorian Interpretive Projects Inc.
Photograph - Colour, Corindhap Avenue of Honour, 2015, 23/08/2015
"The Corindhap Avenue of Honour, located on Colac-Ballarat Road, was planted to commemorate those who served in the First World War. The avenue was planted on the 15th September 1917 as a mark of admiration for the men of Corindhap who had left to fight in the Great War." (Ballarat Courier, 19th September 1917) A number of colour photographs showing trees from the Corindhap Avenue of Honour. The trees are not in good condition, and one has fallen over. corindhap, corindhap avenue of honour, avenue of honour, world war one -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Stained Glass Window in St John's, Colac, 2015, 23/08/2015
St John's Anglican Church was dedicated to St John the Evangelist. The current church replaces an earlier building and was constructed from plans prepared by Henderson and Davidson and was opened on 8 May 1870, and was consecrated on 18 April 1882. Stained Glass Window recognizing the Australian Commonwealth Military Forces, and the death of Lieutenant Benjamin Meredith who was killed in action at Beersheba.To the Glory of God in loving memory or our dear parents John jenner Meredith - Born 29th Nov 1929 Died 30th March 1914. Margaret Meredit - Born 14th Jan 1843 Died 16th August 1915 and our dear brother Lt Benjamin P.G. Meredith Born 9th July 1882 killed in action at Beersheeba 31st Oct 1917. Erected by Annie F.T. and Charlie Meredithst john's colac, colac, john jenner meredith, margaret meredith, benjamin meredith, annie meredith, charles meredith, world war one, beersheeba -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, World War One Honour Board at St John's Anglican Church, Colac, 2015, 23/08/2015
"It has been decided by the managing body of St. John's Church of England to erect a war memorial to commemorate the thirty brave men of the congregation who have given their lives at the front, and the 98 men whom they expect to welcome home again. The memorial will cost from £250 to £300 to complete in its entirety, and active steps have been taken to raise the amount amongst the members and adherents of the church. ... The sanctuary panels will be placed on each side of the altar, and will become the permanent Honor Roll by having the names of the soldiers and nurses who enlisted from the congregation inscribed thereon.The whole scheme when completed will be a noble monument to the loyalty, response to duty, and self-sacrifice of the members of the church who enlisted, and will in years to come remind the worshippers of the response of the young members of the congregation to the call of our Empire in her great need. (Camperdown Chronicle, 20 March 1919) LocationPhotograph of a timber World War One Honour Board at St John's Anglican Church, Colac. Plaster 'Station of the Cross' on either side of the honour board are by Mattei brothers. st john's colac, colac, world war one, world war one honour board, mattei brothers -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Stained Glass Windows in St John's Anglican Church, Colac, 2015, 23/08/2015
The stained glass windows are a memorial to parishioners who served during World War Two.Colour photographs of two stained glass windows by Alan Sumner in St John's Anglican Church, Colac.st john's anglican church colac, colac, stained glass, alan sumner, world war two -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, St Alipius' School, Ballarat East, 2015, 05/04/2015
Three colour photographs of St Alipius' School, Ballarat East.st alipius', catholic, education, school -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, View or Ballarat from St Paul's Ballarat, 2015, 05/04/2015
St Paul's way is located on Bakery Hill, in the vicinity of the Ballarat Reform League Monster Meetings of 11 and 29 November 1854.Colour photograph looking down on the City of Ballarat from the high vantage point of St Paul's Anglican Church, St Paul's Way, Ballarat East. st paul's bakery hill, bakery hill, ballarat east, religion, ballarat reform league, eureka stockade -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, St Paul's, Bakery Hill, Ballarat East, 2015, 05/04/2015
St Paul's was an early church on the Ballarat Goldfields. Built on Bakery Hill, it is situated close to the site of the Ballarat Reform League Monster Meetings. Colour photograph of a brick church with bell tower. It is St Paul's Anglican Church, Bakery Hill, Ballarat East.st paul's anglican church, bakery hill, ballarat east, religion -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Mount Franklin From Franklinford Cemetery, 2015, 25/10/2015
The Mt Franklin Aboriginal Protectorate was in the shadow of Mt Franklin. Edward Stone Parker, the Assistant Protector of Aborigines in charge of the Mt Franklin Protectorate is buried in the Mt franklin Cemetery, along with a number of the Aboriginal people from the protectorate.Two images showing the pine covered Mount Franklin from Mount Franklin Cemetery.mount franklin, mt franklin, mt franklin aboriginal protectorate, edward stone parker, e.s. parker, mount franklin protectorate -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Koroit War Memorial, 2015, 25/12/2015
The bulk of World War One soldiers from Koroit were Protestant. It was a traumatic and divisive time for the Koroit Community based on religion, which was put behind them after the conclusion of the war. The Koroit War Memorial was not built until 1928. HONOR AVENUE AT KOROIT. Last year one side of Albert-street, Koroit was planted with plane trees, with strong guards, in honor of the men who had gone to the front from Koroit and district. The trees were planted rather late in the season, but fortunately there were only two failures, and the remainder are now higher than the guards. This year, the committee appointed decided to do the work earlier, and the King's birthday was set apart for it. On Saturday afternoon, states our correspondent; a lot of the preliminary work was done and on Monday some 30 residents assembled and went to work and by tea time the whole of the 52 trees and the guards were finished. There are 52 trees on each side of the street planted at intervals of 15 yards so that the avenue is about 800 yards long, running from the Botanical Gardens to the Lake Bank, and in a few years, when the trees are well grown, there will the a magnificent avenue. The weather was beautiful, and during the afternoon number of ladies were present. The ladies brought baskets of good things, and afternoon tea was provided at Mr. W. J. Stevenson's residence, which is situated about mid-way in the avenue. A suggestion has been made that the name of the street should be changed to "Anzac Avenue."' (Warrnambool Standard, 6 June 1918.) The Koroit War Memorial on the edge of the Koroit Botanical Gardens.world war one, world war two, world war, koroit, koroit war memorial, koroit botanical gardens, cenotaph