Showing 445 items
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Bendigo Historical Society Inc.
Clothing - WOMAN'S CREAM COLOURED LONG SLEEVED SILK BODICE
Clothing.Woman's cream coloured long sleeved silk bodice. High round neckline with 4 cm stand up collar. Semi-circular yoke front and back (13cm radius). Collar and yoke have embroidered net over silk fabric. Kimono cut long sleeves have cuffs of embroidered net over silk from shoulder to wrist along top of sleeve (33cm X 4 cm). Sleeves and front of bodice have all over vertical pin tucks. The front of the bodice has cotton tape ties stitched across from centre front to side seams at waist level gathering the fabric to form a peplum effect at the front. The tails of the cotton tapes tie across the back from the side seams. Full length front opening fastened with nine press-studs between collar and waist and a metal hook and eye at the waist. The back of the bodice has vertical pin tucks across the shoulders and below the yoke extending 9 cm below the yoke.costume, female, woman's cream coloured silk bodice -
Bendigo Historical Society Inc.
Clothing - TRIANGULAR COLLAR /YOKE
Clothing. Cream coloured unfinished collar or yoke. Triangular shaped piece with fabric borders and filled with strips of fabric (1cm wide). Stitched into a diagonal lattice pattern. The spaces between the lattice are filled with pink embroidered web patterns. The two short edges are trimmed with 3 cm lace with scalloped edge.costume, male, triangular collar/yoke -
Bendigo Historical Society Inc.
Clothing - GRAYDON COLLECTION: WOMEN'S BLACK LACE AND SATIN SKIRT, 1870 -1890
Clothing. Women's black lace and satin layered skirt. Straight calf length skirt with outer layer of embroidered fine net and an inner layer of black satin. Embroidered layer has pattern of scattered flowers with lower 30 cm of dense embroidered flowers. At centre front is a vertical strip of embroidered flowers (5 cm wide). Hemline has a zig zag pattern. Foldover satin waist band (1.5 cm) with two X .8 cm satin loops attached at front and back. Side seam below waistband has 24 cm opening but there is no opening in the waist band.costume, female, women's black lace and satin skirt -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CREAM SHOULDER SHAWL, Late 1800's early 1900's
Clothing. Very fine cream net, embroidered around outer edges, in a semi-abstract, floral design - 4 cm deep, and finished at the top with a small 3 mm diameter ''spot''. Overall the embroidered design is 5 cm deep. A second layer, ruched at the centre back neckline, folds down over the lower layer, giving a double embroidered effect. The top layer is embroidered in a '' flowing floral design '' design at the top edge. The shawl is shaped to a peak at the centre front.costume, female, cream shoulder shawl -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: EMBROIDERED AND LACE TRIMMED PILLOW CASES, Late 1800-1900's
Textiles. Large pieces of linen, 119 cm x 96 cm edged with a border, 8.5 cm deep of cotton lace, matching rthe lace of the bed-spread. This lace has a corded effect, outlining 'finger shapes' of floral pattern, alternating with an open chain stitch, looped effect. Like the bed-spread, the pillow case is embroidered with the initials in satin stitch and some cut work embroidery. A smaller rectangle of linen fabric is stitched to the back of the fabric, to hold a pillow in place,. Measuring 81 cms x 48 cms. This envelope is tied with three ties of cotton tape. It could be presumed that these pillow slips would be a decorative feature of the bed linen. As on the bed-spread, lavishly embroidered initials may be the initials of Caterina (Ina) Lamaro, who married Giovanni (Jack) Favaloro, or Caterina (Kitty) Lopes, who married Salvatore (Salve) Favaloro.textiles, domestic, two embroidered and lace pillow cases -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: TWO PILLOW CASES, LACE TRIMMED, Late 1800-1900's
Textiles. With the same lace edging as the pillow cases 11408.102, but no embroidered initial.These pillow cases, along with the bed-spread(11408.101) complete a delightful set. Measuring 119 cm x 96 cms, the pillow slips have an envelope 48 cms x 80 cms stitched to the back, to hold the pillow. This is tied with three sets of two cotton tapes. The same corded and floral lace, 10 cms deep edges the pillowslip.textiles, domestic, two lace trimmed pillow cases -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: EMBROIDERED LACE EDGED PAIR OF PILLOWCASES, Early 1900's
Textiles. Very fine linen, white in colour - (now a soft cream colour). A spoke-stitched hem stitched to join a decorative panel at the opening end. This panel forms two gracious curves, where the initials C F have been embroidered and decorated with a curvaceous three segment clover leaf. A 10 cm deep crochet frill finishes the curves. The initials C F may be those of Caterina Lamaro who married Giovanni Favaloro, or those of Caterina Lopes who married Salvatore Favaloro. A linen fabric ''envelope'' has been formed by folding the fabric, and stitching one side seam. Lace frill has been machine stitched to curved edge.textiles, domestic, pair of embroidered lace pillow cases -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BRACELET LENGTH BLACK SUEDE GLOVES EMBROIDERED, Late 1800's
Clothing. Black suede bracelet length gloves, embroidered with floral motifs in the Beauvais style of embroidery, and as stated inside the right glove, ''REAL BEAUVAIS POINT HAND MADE 927 6/14. Embroidery made with a hook. Fifteen tiny flowers in shades of blue, pink, red, green, are scattered across the top of the gloves.REAL BEAUVAIS POINT, HAND MADE 927 61/4 RIGHT GLOVE. MADE IN FRANCE 927,Left glove.costume accessories, female, bracelet length black suede gloves, beauvais is a french term for a form of tambour embroidery, which is decorative needlework technique using a hook. -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: EMBROIDERED LACE EDGED PAIR OF PILLOWCASES, Early 1900's
Textiles. Very fine linen fabric, white in colour, now a soft cream colour. A spoke-stitched hem joins a curved embroidered and lace trim decorative feature to the set. This panel forms two deep curves, where the initials CF are embroidered, and decorated with small daisy-like flowers and leaves. A 10 cm deep crochet frill is gathered and machine stitched along the curved edge. The initials CF may be the initials of Caterina Lamaro, who married Giovanni Favaloro or those of Caterina Lopes, who married Salvatore Favaloro.textiles, domestic, embroidered lace edged pr of pillowcases -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: BOLSTER PILLOW CASE WITH PIN-TUCKS AND BRODERIE TRIM, Early 1900's
Textiles. Fine linen fabric, white in colour. A 19 cm wide panel of fabric has been sewn to the top of the cover, and is edged on three sides with finely embroidered broderie anglaise featuring a circular, six petalled flower impression. A panel of the same broderie runs through the centre of the panel, and is bordered by a band of three pin-tucks on each side. An envelope of the linen fabric backs the bolster pillow.textiles, domestic, bolster pillow case with pintucks -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: VERY LARGE LINEN PILLOW COVER-LACE TRIMMED, Late 1800-1950's
Textiles. Very large cover, with an envelope to enclose the pillow, stitched on the underside, with cotton tape ties to enclose the pillow. Beautiful fine cotton broderie fabric (possibly Swiss cotton broderie anglaise) edges the pillow. Corners of the embroidered cotton have been mitred in an unusual way, with the excess fabric still evident, in a 'kite-shaped' manner, in each corner. The embroidered cotton edging features a scalloped edge, with circular, and floral design. A 6 cm deep hem outlines the linen fabric edge, showing the embroidery fabric to advantage.textiles, domestic, very large linen pillow cover -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: PIECE OF SILK FABRIC WITH LACE AND EMBROIDERED INSERT, 1920-30's
Textiles. This is a beautiful remnant of fine cream silk fabric, with a 3.5 cm deep band of cotton lace, woven with a floral design, stitched around the lower edge. A triangular shape above the lower edge, is formed by the insertion of a piece of 2 cm wide cotton lace, also with a floral design, folded and machine stitched as an insertion. The same lace is also inserted in a 9.5 cm high "frame" over an embroidered panel 7.5 cms x 6 cms wide, and featuring a delicate circular embroidered and cut-work floral design. (Perhaps this remnant of beautiful fabric was cut from the lower edge of a camisole, or a babies gown).textiles, domestic, piece of silk fabric with lace -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CAMISOLE, Late 1870-80's
Clothing. Fine white linen fabric. A .8 cm 'tuck' edged at top and bottom with a spoke-stitched border, marks the waistline. Below the waistline is a peplum, split at the centre front with 8 cm deep peaks. These peaks are repeated at the centre back. The peplum tapers to 7 cm deep at side seams. The camisole is trimmed at the top edge with a 4 cm deep band of cotton lace. The top edge of the linen fabric has a double row (off set) of cotton embroidered 'spots' 2 mm in diameter, and three rows of drawn thread work - one cm in width, 3.5 cm wide lace form the shoulder straps. The back opening fastens with six tiny 7cm pearl buttons, and hand-stitched button holes. The lower button fastens with a loop at the waistline 1880-90's. A 'fan' of pintucks, arched from 4 cm long at the ends, to 6 cm long at the centre, fans the midriff at the centre front, above the waistline - 28 tucks in total.costume, female, camisole. -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CAMISOLE, 1880-90's
Clothing. Wide scooped neckline, edged with 1.5 cm deep cotton lace. The centre back opening is fastened with six tiny pearl shell buttons .8 cm in diameter- top button is fastened with a loop. 1.5 cm deep cotton lace trims the neckline and armholes. A .5 cm cotton braid trims the lower edge. Nine floral embroideries and pulled thread work 2.5 cm x 2.5 cm are spaced around the rounded front neckline. Below these embroideries on the left side breast, are embroidered the wearers initials-(M) MB. The owners initials are embroidered on the left front in a decorative manner, to compliment the floral embroidery. A lace ribbon, one cm wide at the waistline passes through 1.4 cm eyelets 2 cm apart. Between each set of eyelets, are groups of 4 cm long fine pintucks - 13 groups of two eyelets and 14 groups of pintucks.costume, female, wide scooped neckline camisole -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: NAVY BLUE VELVET EMBROIDERED BAG WITH BRASS FRAME, Late 1800-early 1900's
Clothing. Navy blue velvet, on a brass frame, with a 34 cm long brass chain. A ''push-button'' 1.2 cm diameter, fastens the bag. A decorative, oval brass loop is attached to the centre of the frame. The velvet fabric is tightly gathered onto the frame. One side panel of the bag is exquisitely embroidered in a ''corded'' floral design, in pink, blue and greens. The bag is lined with a smokey blue watermark silk, with a flat pocket on one side. The bag contains a smokey blue pouch 7.5 cm square, holding a bevelled edge mirror on one side, and a pouch on the other, a blue nylon comb, two metal hair pins and a 5.5 cm long hat pin. with a pearl bead at one end.costume accessories, female, navy blue velvet embroidered bag -
Bendigo Historical Society Inc.
Accessory - MAGGIE BARBER COLLECTION: 24CT GOLD PLATE MIRROR, 1890's
Object. Rectangular in shape, 15 cms x 10.5 cms mirror frame, with a 17 cms handle. The mirror has a bevelled edge, and is backed with a deep cream linen fabric embroidered in a fine silk floral-spray petit pomt embroidery. The frame is marked 24 ct. GPL (24ct gold plate). The handle adjoins the mirror with three graduated circles, and three more circles, graduated in diameter, form a small ''knob''at the lower edge.24ct Gold Platedomestic equipment, gold, 24ct gold plate hand mirror -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BLACK VELVET LONG SLEEVED JACKET, Late 1800's
Clothing. Twelve shaped panels form the body of the jacket, which is dramatically ''shaped in'' at the waistline, and flared out toward the hipline. Four black fabric covered buttons form the closure, with hand-stitched button holes, all ''hidden away'' under an overlay of the beaded velvet, of which the jacket is made. The long sleeves, narrow at the elbow, flair out to an embroidered and beaded cuff, 35 cm in circumference. Sleeves are gathered at the shoulderline, giving fullness, and featuring an elaborate ribbon, cord, and beaded embroidery. The embroidery is repeated around the revere collar, and on the right-hand side of the bodice, and the full length of the back of the garment, and around the hemline, and also trims the opening edge of the left-front bodice. Lined with black silk. It feels as if there is extra to support beaded areas.GEORGE STIRLING & SONS, THE RICHMONDcostume, female, black velvet long sleeved jacket -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CREAM SILK AND TULLE VICTORIAN EMBROIDERED BODICE, Layte 1800's - early 1900
Clothing. Beautiful deep cream silk bodice, fully lined with cream tulle/net. Elbow length sleeves have a semi-circle of embroidered silk, and an embroidered tulle ''flounce'', edged with cream cord - 17 cms long. The bodice has seven pin-tucks, angled from the shoulder to the waistline on each side of the front and back. Between the pin-tucks at centre front panel is an extensive cream silk, floral embroidery. A rounded neckline at front and back, is in-filled with embroidered tulle - small 1 cm diameter flowers, in a 3 cm diameter circle, defined by 12 small (3mm) embroidered circles. The tulle infill extends to a 7 cm high stand-up collar-supported by seven plastic ''bones''. The collar also features the same, circular, floral embroidery, and is also edged at the throat with cream cording. The bodice while in good condition, has been cut at the hemline, and a 10.5 cm strip of fabric has been added but unfinished. 18 metal hooks, and hand-stitched loops fasten the back of the bodice. Sleeves are an extension of the bodice.costume, female, cream silk and tulle bodice -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: FULL LENGTH LONG SLEEVED, BLACK BEADED DRESS, Late 1800's
Clothing. High stand-up embroidered net collar-close fitting to the neck, and fastening at the back with now 4 metal hooks and loops (one hook missing) and edged at top and bottom with tiny black beads. Five metal ''curved wires'' 7 cm long, are spaced around the up right ''collar'' (to hold in place). The embroidered net forms a V shaped panel at the centre front, and has 15 silk covered oval buttons .8 cm long, from throat to lower bodice. This panel is bordered by embroidered and beaded braid, 7 cm wide and giving a cross-over effect. Cotton tape inside waist 66 cm long fastens with two metal hooks and eyes.Under this lace cross-over, the bodice is shirred and pleated, to give fullness for movement. Pleats are ''caught-in'' at the waistline. An elbow length over-lay of sheer silk fabric, edged with the beaded braid. The sleeves are silk fabric to the elbow, and then narrow in to a three hook plackett at the wrist. This lower sleeve with a 2.5 cm lace frill, and a spotted tulle fabric, and ''dotted'' at the upper side with a double row of tiny black beads. A false tucked effect at opprox knee level at back of skirt. Back hemline extends to a small ''train''. Hemline is heavily weighted.costume, female, full length long sleeved black dress -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: SILK EMBROIDERED SHAWL, Late 1800's
Clothing. Cream silk shawl, with elaborate silk floral embroidery at each end, and finished with a 12 cm deep. silk hand-knotted fringe at each end. Edges are hand-rolled and hand- stitched. Single floral embroideries are spaced across the body of the shawl, in rows of three embroideries.costume, female, silk embroidered shawl -
Bendigo Historical Society Inc.
Textile - MAGGIE BARBER COLLECTION: PAIR OF EMBROIDERED NET DOYLEYS, Early 1900's
Textiles. Two doyleys, rectangular in shape, and made from net fabric. Outer edges are cut in a zig-zag shape - 2.5 cms long edges ^^. These edges are outlined by a double row of white corded thread. The doyleys are decorated with a large ''snow-flake'' shape in the centre-made with four rows of cording thread. This large ''snowflake'' has a smaller six pointed shape on each side, with a row of three smaller ''snowflakes'' at top and bottom of large snowflake.textiles, domestic, pair of embroidered net doyleys -
Bendigo Historical Society Inc.
Textile - MAGGIE BARBER COLLECTION: PAIR OF PINK ORGANZA DOYLEYS, Early 1900's
Textiles. Basically circular in shape, but cut and hemmed in a geometric 16 sided manner. Edges are cut and hemmed in a drawn fabric manner, and this is repeated in a decorative way, in the centre of the doyley, echoing the outer shape of the doyley. ''Spots'' are embroidered in white thread, as are small flowers and leaves, in an arching shape on each side of the central square.textiles, domestic, pair of pink organza doyleys -
Bendigo Historical Society Inc.
Textile - MAGGIE BARBER COLLECTION: OVAL DOYLEY WITH SPRAY OF FLOWERS ON NET, Early 1900's
Textiles. Oval in shape, with eight semi-circular scallops, outlined in .8 cm embroidered braid edging, This braid is looped in a circular fashion at the intersection of each scallop, to form a''flower shape'' 1.8 cm in diameter. A spray of flower and leaves-three stems, fills the centre.textiles, domestic, oval doyley with spray of flowers on net -
Bendigo Historical Society Inc.
Textile - MAGGIE BARBER COLLECTION: VERY FINE NET NEEDLE WEAVING EMBROIDERED DOYLEY, Early 1900's
Textiles. Oval in shape, with a scalloped edge trimmed with a fine picot edged braid. The floral ''needle weaving'' embroidery comprises two petalled flowers, with raised bulliow stitch embroidered centres. Leaves and buds on either side of the flowers are also fine examples of needle weaving. Eight tiny buds complete the centrepiece.textiles, domestic, needle weaving embroidered doyley -
Bendigo Historical Society Inc.
Clothing - Swimming costume
Ladies' Jantzen one piece woollen knit swimming costume with double panel below waist. Jantzen Regd. label stitched to inside left shoulder strap, Size 40. Made in Australia and features an embroidered logo of woman diving in red cap and costume. This logo also appears on front panel at left base. Straps cross over at the back.swimming costume, knitware, jantzen, ladies' wear -
Bendigo Historical Society Inc.
Clothing - BLACK ONE PIECE LADIES BATHERS
Black one piece ladies bathers with bra inserts and skirt front. Square neckline. White embroidered chain pattern around neckline and on straps over shoulders.Tag on Inside seam, ''Made in England'' '' All Bri Nylon'' Palmers Swimwear''.costume, female, black one piece bathers -
Bendigo Historical Society Inc.
Clothing - WHITE COTTON GIRL'S NIGHTDRESS
Fine white cotton girl's night dress. Yoke at front and back. Full length back opening fastened with tie at neckline. Back yoke has three vertical pintucks on each side of opening. Front yoke has vertical pattern of pintucks and embroidered fabric with horizontal section at waist. Sleeveless nightdress overlays of embroidered fabric attached to sides of yoke to form cap sleeves over shoulders. U shaped neckline has casing with cotton tape tie. Gathered skirt attached below yokes. Finished with French seams. Lower edge of night dress trimmed with embroidered fabric with scalloped edge. Note in box with garment ''The child's nightgown is about 60 years old and was made by Mrs. Antoinette Catling for her eldest daughter''. Undated. Not attached. This is the most probable garment.costume, female, white cotton girl's nightdress -
Bendigo Historical Society Inc.
Clothing - BROWN STRIPED BODICE WITH LACE TRIM(PART OF TWO PIECE OUTFIT, 11400.743 AND .744
Long sleeved bodice of ''resilda'' fabric. Long sleeves gather into a 9cm deep cuff. Cuff has a 4cm wide band, which is embroidered with a silk braid and floral embroidery in dark olive and a deep cream. A 5cmdeep band of floral cotton lace, in deep cream, trimmed at the edge with the braiding, completes the cuff. The same lace forms a 6cm deep stand-up collar, which is edged in a narrow velvet band of brown velvet. The back and front yoke is edged on the sides, with the same embroidered net as the sleeves. Braiding in a loop design underlines the bib shape, and also decorates the shoulders and upper sleeves. Sleeves are joined at the elbows, and decorated with braid. Bodice is pleated at the lower centre front to from a V shaped fitted waist. Back has a double plackett opening-the inner having ten hook and eye fasteners, the outer having three hooks and three hand made loops (as well as nine hooks and hand made loops on the back lace yoke). This two piece outfit-bodice and skirt, was made by Laura's Mother iv 1908, and mostly by hand. She wore it to Mass in 1913. It was made of material called ''resilda''.costume, female, brown striped bodice with lace trim -
Bendigo Historical Society Inc.
Clothing - CREAM COLOURED WEDDING DRESS, 1911
Cream coloured taffeta wedding dress. Square yoke at front with spiral bead pattern and tassels of bead across lower edge of yoke. V shaped neckline at back with yoke and tassels. Short sleeves of double layer of net embroidered with flowers. Front and back of bodice of embroidered net. Neckline lined with 10cm cotton lace. Bodice fully lined with cotton fabric. Two vertical side panels of 5cm silk lace from shoulder to waist with triangular shaped tabs (12cm) extending to side seams. 5cm silk lace with 12cm triangular tabs across the waist at back of bodice. Taffeta floor length skirt 5cm lace with 12 cm triangular tabs extends from waist on LHS down to 3cm above hemline and extends across the front in a U shape to side on RHS and then across the back of the skirt in a U shape to the LHS. Triangular insert of embroidered net (45cm at hem) on LHS, from hem to 42 cm above hem. Centre back opening from neckline(25cm) fastened with seven metal hooks and eyes. Satin fabric belt with horizontal pin rtucks fastened with two metal hooks and eyes. Fabric circular buckle (5cm diameter). Lower edge of skirt lined with cotton fabric (14 cm wide). Semi-circular cotton padding stitched under arms.costume, female, cream coloured wedding dress -
Bendigo Historical Society Inc.
Textile - ACCESSORIES COLLECTION: LADIES CLUTCH STYLE HANDBAG
Textiles. Black clutch style handbag with strap ( 1.5 cm wide). Front fold over flap decorated with embroidered pattern of stripes and circles on black cotton fabric. Inside lined with black polished cotton. Two internal side pockets. Gold coloured metal press-stud fastener on front flap.Label stitched inside 'Made by Jack Eaton' Handbags Pty Ltd NSWtextiles, domestic, ladies clutch style handbag