Showing 332 items
matching wool samples
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National Wool Museum
Sample, Wool
... Sample, Wool..." Sample, Wool ...Wool was made in dyeing workshop at Warrnambool TAFE College."Canna leaves/alum" "Canna leaves/alum mordant"handicrafts, south west college of tafe - textiles department, dyeing -
National Wool Museum
Sample, Wool
... Sample, Wool... department dyeing Wool dyed with onion skins Sample, Wool ...Made in dyeing class/workshop at Warnambool TAFE College.Wool dyed with onion skinshandicrafts, south west college of tafe - textiles department, dyeing -
National Wool Museum
Sample, Wool
... Sample, Wool... department dyeing Wool dyed with purple cabbage. Sample, Wool ...Made in dyeing class/workshop at Warnambool TAFE College.Wool dyed with purple cabbage.handicrafts, south west college of tafe - textiles department, dyeing -
National Wool Museum
Sample, Wool
... Sample, Wool... department dyeing Wool dyed with sugar gum leaves Sample, Wool ...Made in dyeing class/workshop at Warnambool TAFE College.Wool dyed with sugar gum leaveshandicrafts, south west college of tafe - textiles department, dyeing -
National Wool Museum
Textile - Yarn Display
Samples of woollen yarn mounted on a board. From the Collins Bros' Mill, used by textile designs for creating patterns and design for sale to the publicSample display. Numbered cards of woollen yarn mounted on a wood display board. The woollen yarn is multi-coloured. yarn production, collins bros mill pty ltd -
National Wool Museum
Sample, mohair
Mohair sample from pure bred English Angora Rabbit, from the Aztec Angora Rabbit Stud.Mohair sample from pure bred English Angora Rabbit, from the Aztec Angora Rabbit Stud.wool - superfine, clutterbuck, mrs deb - aztec angora rabbit stud gibbs -
National Wool Museum
Photograph
Depicts students of the Gordon Technical College wool classing course displaying their sample books, c.1920. This photo is possibly an old copy print of a photo which hangs at the Gordon.Gordon Technical College woolclassing students, c.1920-35.woolclassing, gordon technical college - woolclassing department -
National Wool Museum
Photograph
Photo depicts a 1945 Australian made Wilton loom used at Springvale, Victoria by Doug Glanville's Carpet Company. This loom was used to produce the carpet samples W1869 and W1870.Photograph of an Australian-made Wilton loom, c.1945, used by the Carpet Weaving Company, Springvale, Vic.carpet weaving company, carpet, wilton -
National Wool Museum
Book, Cloth sample, City & Guilds Exams 1914-1915 Patterns
Cloth sample book: "City & Guilds Exams 1914-1915 Patterns" has 35 grey and black cloth samples (1 space is blank). Pages entitled: "Range 1 & 2 Tropical Suitings" (5 samples); "Ranges 3 & 4 Suitings" (6 samples); "Range 5 Suitings" (3 samples)/ "Range 6 Vestings" (3 samples); "Range 7 & 8 Vestings" (7 samples); "Ranges 9 & 10 Trouserings" (5 samples); "Ranges 11 & 12 Trouserings" (6 samples);City & Guilds Exams 1914-1915 Patterns (ink)weaving textile industry textile design textile industry - education, weaving, textile industry, textile design, textile industry - education -
National Wool Museum
Slide
Slide of a carpet pattern dating from the mid to late 1950s.Carpet sample, c.1955-60.carpet -
National Wool Museum
Slide
Slide of a carpet pattern dating from the mid to late 1950s.Carpet sample, c.1955-60.carpet -
National Wool Museum
Slide
Slide of a carpet pattern dating from the mid to late 1950s.Carpet sample, c.1955-60.carpet -
National Wool Museum
Slide
Slide of a carpet pattern dating from the mid to late 1950s.Carpet sample, c.1955-60.carpet -
National Wool Museum
Slide
Slide of a carpet pattern dating from the mid to late 1950s.Carpet sample, c.1955-60.carpet -
National Wool Museum
Slide
Slide of a carpet pattern dating from the mid to late 1950s.Carpet sample, c.1955-60.carpet -
National Wool Museum
Slide
Slide of a carpet pattern dating from the mid to late 1950s.Carpet sample, c.1955-60.carpet -
Bendigo Historical Society Inc.
Document - Shade Card, 2003
... Bendigo Woolen Mills Shade Card (With samples of different... company that sold its wool both domestically and internationally ...The Bendigo Woollen Mills were initially designed as a mail order company that sold its wool both domestically and internationally. The mill uses first cross merino wool from Australia that is then sent to China for scouring before returning to Bendigo for grading, dying and spinning. It now includes factory shop sales to the public.Bendigo Woolen Mills Shade Card (With samples of different coloured wool, pattern selections which were available at the Factory Shop Order Form.history, bendigo, merle lummis collection, bendigo woolen mills -
National Wool Museum
Quilt, Light on Dark
This quilt was exhibited as part of the 'solo exhibition' component of the Expressions 2002: the Wool Quilt Prize exhibition. Paull exhibited 9 quilts in this series along with samples for the 'touch table'Woollen quilt made from grey army blankets and backed with hessian. Golden sheep motif attached with red wool on verso of quiltquilting, blankets -
National Wool Museum
Sample, blanket
Blanket sample from Collins Bros Mill.FF8088weaving, collins bros mill pty ltd -
National Wool Museum
Book, cloth sample, Physician Standard Shades Spring 1933 Collins Bros Pty. Ltd. Geelong
Part of Collins Bros collection. -
National Wool Museum
Book, cloth sample, Collins Bros. Pty. Ltd. Woollen Manufacturers Geelong Shades for Slipper Socking and Scrim Felts
Cloth sample book entitled "Collins Bros. Pty. Ltd. Woollen Manufacturers Geelong Shades for Slipper Socking and Scrim Felts" contains numerous coloured felt samples within two covers.Collins Bros. Pty. Ltd. Woollen Manufacturers Geelong Shades for Slipper Socking and Scrim Feltscollins bros mill pty ltd, felting -
National Wool Museum
Journal, Dennys, Lascelles Limited 1857-1957 Annual Wool Report and Centenary Review, 1957
"Dennys, Lascelles Limited 1857-1957 Annual Wool Report and Centenary Review". Apart from the annual report, this booklet also contains a brief history of Dennys, Lascelles Limited from its founding in 1857 up to 1957. A copy of both the ‘Dennys Lascelles Limited 1857-1957: Annual Wool Report & Centenary Review’ & ‘Staff Reunion Souvenir Programme, 1988’ was donated to the museum in 2021. These were duplicate items so only their story was retained in addition to the image of Rita located in Multimedia. “Enclose two items which may be of interest to add to your collection. They belonged to my mother, Rita Sedgwick (nee Glenn), who died earlier this year in April. She worked for Dennys Lascelles in two separate periods. First as a young girl, who had finished her schooling, at Morongo Presbyterian ladies College, having been sent as boarder there by her parents from their farm at Mathoura (just north of Echuca). This period was from 1942 — 1947. It was her second job out of school having worked first at the then Geelong Telephone Exchange. She would commute daily to work on a bicycle from where she was then living in Drumcondra. She had the front office role of receptionist and telephonist driving an old manual switchboard. The old front desk was her domain. She departed in 1947, shortly after she was married in late 1946. She spoke fondly of her times at the company as a young girl in her late teens and early twenties. Her second stint was much later, but again as the front-desk telephonist and receptionist commencing in 1972, ending 11 years later in 1983. This was a period when Sir Henry Bolte was on the Board, Don Urqhuart was MD, Ray Hobson was General Manger, Cliff Bone the company Secretary, Peter Keys the CFO and Jim Hay was also on the Executive team. While there were some 25 years between her periods of service, she welcomed the chance to re-join the company. Again, it was a time of hard work, and good friends. The busy times were the wool auctions, when the Firm would be visited by representatives of the big Japanese trading houses such as Mitsui, and Kanematsu. The Chief Auctioneer, Mr. Reeves (I can't recall his first name), would hold court at the now demolished Geelong Wool Exchange — I saw him in action once — what a sight. The huge show floors in the Denny's building would be full of open bales and samples for the buyers to inspect, and for mum days would start at 0800, and finish at 1800 or later. In quieter times over summer, it was reported that the empty show floor would provide an excellent arena for the more enthusiastic cricketers to get in a bit of practise with a tennis ball at lunch and after closing time! Dennys was a full-service firm for wool growers, with branches all over the Western Districts as far afield as Mt Gambier, but through Timboon, Warrnambool, and the like, as I am sure you are aware. She also saw the merger of Dennys and Strachan to create DSM, and later the amalgamation with AML&F to create Dennys AML (I think). She saw the change from the old manual switch board to the then latest of PABX technologies and was part of the team the relocated from the original offices to the new address on the south side of Brougham Street. Along with the shift from the large show floor-based sales of the past. She retired from fulltime work in mid-1983, again with fond memories and friendships that lasted a lifetime. I found these two items among her things recently, and felt that given her connection to the industry, and the place in which the Museum now resides you may like to add them to the collection. I hope you can find a home for them, and that they might add a little to the story that the wool museum now houses and curates.” "Dennys, Lascelles Limited Annual Wool Report and Centenary Review, August 1957". Apart from the annual report, this booklet also contains a brief history of Dennys, Lascelles Limited from its founding in 1857 up to 1957.Dennys, Lascelles Limited Annual Wool Report and Centenary Review, August 1957wool brokering, wool growing, dennys, lascelles limited -
National Wool Museum
Sample, wool, Samples representative of the official standards of the United States for grades of wool
... Sample, wool... of the United States for grades of wool. Samples representative ...Box of samples representative of the official standards of the United States for grades of wool, obtained from USA Department of Agriculture.Box of samples representative of the official standards of the United States for grades of wool.T-83 NOVEMBER 15....65 Elroy M Pople IN CHARGE LIVESTOCK DIVISION WOOL LABORATORYwool measurement, woolclassing objective measurement, usa: dept of agriculture port phillip mills pty ltd, wool - measurement, woolclassing - objective measurement -
National Wool Museum
Sample, wool, Samples representative of the official standards of the United States for grades of wool top
... Sample, wool... DIVISION WOOL LABORATORY Box of samples representative ...Box of samples representative of the official standards of the United States for grades of wool top, obtained from USA Department of Agriculture.Box of samples representative of the official standards of the United States for grades of wool top.T-19 APRIL 7.. 66 Elroy M Pople IN CHARGE LIVESTOCK DIVISION WOOL LABORATORYwool measurement, woolclassing objective measurement, usa: dept of agriculture port phillip mills pty ltd, wool - measurement, woolclassing - objective measurement -
National Wool Museum
Block
Block on which cloth samples are cut. -
National Wool Museum
Cloth Sample Cutter
The cutter is placed over finished cloth, inserted block is pressed down to flatten any wrinkles and the needed sample is optain by tapping cutter top with a wooden mallet. The sample is then weighed to ascertain whether the processes have produced the desired result.textile design, collins bros mill pty ltd -
National Wool Museum
Cloth Sample Cutter
The cutter is placed over finished cloth, inserted block is pressed down to flatten any wrinkles and the needed sample is optain by tapping cutter top with a wooden mallet. The sample is then weighed to ascertain whether the processes have produced the desired result.textile design, collins bros mill pty ltd -
National Wool Museum
Cloth Sample Cutter
The cutter is placed over finished cloth, inserted block is pressed down to flatten any wrinkles and the needed sample is optain by tapping cutter top with a wooden mallet. The sample is then weighed to ascertain whether the processes have produced the desired result.textile design, collins bros mill pty ltd -
National Wool Museum
Cloth Sample Cutter
The cutter is placed over finished cloth, inserted block is pressed down to flatten any wrinkles and the needed sample is optain by tapping cutter top with a wooden mallet. The sample is then weighed to ascertain whether the processes have produced the desired result.textile design, collins bros mill pty ltd -
National Wool Museum
Uniform - 1992 Barcelona Olympic Games Women's Official Occasions Floral Scoop Neck Blouse, Wendy Powitt, c. 1992
About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8124.1 - The blouse is cream with an Australian floral design inspired by the work of artist Margaret Preston. The blouse has a scoop neck, cream buttons and small triangular cut outs on the sleeves. The shoulder seam runs to the points of the triangle and another across the back of the shoulders to create a rounded design. 8124.2 - Floral print fabric sample, this sample is cut in the shape of the front panel of the blouse but is unsewn. 8124.3 - Floral fabric sample. 8124.4 - Floral fabric sample. 8124.5 - Floral fabric sample.BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform