Showing 383 items matching collaboration
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Robin Boyd Foundation
Letter, Erich Hofacker, Marchen und Fabelbuch to Robin Boyd, 20.05.1967
This is an invitation to Robin Boyd to contribute to a compilation of an 'International Fairy-Tale and Fable-Book' in collaboration with UNICEF in Paris and Cologne. Marchen und Fabelbuch are West German Publishers.Typewritten -
Federation University Historical Collection
Article - Compact Disc, Blue in the Nineties, 1999
Electronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom.Electronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom. Blue paper sleeve housed in yellow plastic case. CD printed black and blue.non-fictionElectronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom.university of ballarat, federation university, graphic design, drawing, research, hdr, mt helen, school of arts, hearing loss, deafness, loris button, ross morgan, amanda george -
Federation University Historical Collection
Article - Compact Disc, Blue in the Nineties, 1999
Electronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom.A collaboration between Loris Button (Lecturer in Drawing, Artworks), Ross Morgan (Tutor in Graphic Design/Multimedia, Design & visual concept) and Amanda George (Ceramics student, Research assistant).Electronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom. Blue paper sleeve housed in yellow plastic case. CD printed black and blue.non-fictionuniversity of ballarat, federation university, graphic design, drawing, research, hdr, mt helen, school of arts, hearing loss, deafness, loris button, ross morgan, amanda george -
NMIT (Northern Melbourne Institute of TAFE)
Folder - Sponsorship kit - NMIT, Northern Metropolitan College of TAFE. Advanced Certificate in Management Project Group, Sponsorship kit for the return of the Kingfisher Festival 1995, 1995
This kit is the result of a collaboration between the NMCOT Advanced Certificate in Management students and the organising committee of the CERES Return of the Kingfisher Festival. Students developed the sponsorship proposal and literature as a project for the course.A professional proposal giving students the opportunity to participate in real life situations.White folder containing 3 books of varying pages.ceres, return of the kingfisher festival, sponsorship proposals, merri creek, advanced certificate in management, nmit -
Whitehorse Historical Society Inc.
Article, Indigenous Art Trail, Sep 2023
A new walking trail has been created near Schwerkolt Cottage featuring indigenous art.non-fictionA new walking trail has been created near Schwerkolt Cottage featuring indigenous art.eastlink indigenous art trail, eastlink trail, mullum mullum creek, croydon hills men's shed -
Robin Boyd Foundation
Letter, Erich Hofacker, Marchen und Fabelbuch to Robin Boyd, 19.12.1967
This letter thanks Boyd for his charming story and illustrations (see D296), which will be published in autumn 1968 in an 'International Fairy-Tale and Fable-Book' in collaboration with UNICEF in Paris and Cologne. Marchen und Fabelbuch are West German Publishers.Typewritten -
Nillumbik Shire Council
Print (etching and photo polymer): Imants TILLERS (b.1967 Syd., AUS) in posthumous collaboration with George BALDESSIN (b.1939 Treviso ITA – d.1978 Melb., AUS), Imants Tillers, 'Unsaid + Nameless' from the 'Baldessin & Friends' commemorative folio, 1976; completed 2016
Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio -
Stawell Historical Society Inc
Book - Survey, War Related heritage in Victoria, August 2011
Survey - Overview, veterans heritage in context, survey data, Victorian war Memorials, Lost & Rescued heritage, ase studies, Community collaboration case studies, Resources for veterans heritage organizations Stawell pp 86-89 - Photos and Text.Soft Cover: Background; Sepia group of Soldiers. Colour Photo Strip: children in front of U.J. Army Nurses. War memorial Gates. etc.Dept Premier and Cabinet! Hi Val, with compliments, Cathy Nash -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Mystery Shrouds Our National Gallery, 1971
A brief history of the National Gallery of Australia, including the design competition, designs, location, collaboration of the chosen architect (Colin Madigan of Edwards, Madigan and Torzillo) with the gallery director, James Sweeney, approval by relevant statutory bodies, and the political upheaval that stalled progress.Original manuscript of an article published as ‘What’s become of our new gallery?' in "The Sunday Australian", 11.04.1971.Typewritten, (p/copy), quarto, 9 pagesnational gallery of australia, colin madigan, edwards, madigan and torzillo, james sweeney, art gallery design, canberra, robin boyd, manuscript -
Churchill Island Heritage Farm
Photograph of a pasture, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White landscape photograph of a pasture with trees running down towards the water on either side of the frame.Catalogue number written on reverse in pencil.photograph, churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of school group and tractor, <1975
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White photograph of a man in a tractor with a group of children gathered to one side. Caption: 'Carol Schulz digs the holes for these children to plant trees'Catalogue number in pencil on reversechurchill island, tractor, planting -
Churchill Island Heritage Farm
Photograph - Photograph of school planting group, <1975
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White Photograph of school group planting trees. Caption: 'June Morrish makes sure all the holes are used'churchill island, planting group, community activity, black and white -
Churchill Island Heritage Farm
Photograph of gum trees planted by school group, <1975
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White Photograph with irregular white border. Landscape view of paddock leading to water, with row of gum trees and fence running along the right hand side. Caption: 'This is a picture of the gum trees that the Grade 5/6 planted just near the house looking over Churchill Island'Catalogue number in pencil on reversechurchill island, landscape, planting -
Churchill Island Heritage Farm
Photograph of school planting group, <1975
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White Photograph with irregular white border of group of school children planting. View on Churchill Island overlooking the water. Caption: 'The children are planting gum trees near the coast overlooking the housing estate on Phillip Island'Catalogue number in pencil on reversechurchill island, planting group -
Churchill Island Heritage Farm
Photograph of school planting group, <1975
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area. Black and White Photograph with an irregular white border depicting a school planting group digging holes along a shoreline. Caption: 'The children are planting trees at Churchill Island'Catalogue number in pencil on reversechurchill island, planting group*, community activity -
Churchill Island Heritage Farm
Photograph of tree planting, <1975
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White Photograph with white border of a gum tree being planted. Closeup photograph of two children gathered around a hole. Caption: 'David Opitz and Katy Black planting a gum tree. About 800 trees were planted that day.'Catalogue number in pencil on reversechurchill island, planting group -
Churchill Island Heritage Farm
Photograph of Tractor, <1975
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White Photograph. Portrait orientation, showing tractor moving through an area covered with dirt. Trees framing the background and the sky is overexposedCatalogue number in pencil on reversechurchill island, tractor -
Churchill Island Heritage Farm
Photograph of tractor lifting cannon, <1975
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White photograph of a tractor lifting a cannon barrel suspended on chains over a ute.Catalogue number in pencil on reversechurchill island, cannon -
Churchill Island Heritage Farm
Photograph of tractor and cannon barrel, <1975
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White portrait photograph showing a tractor in the background and a cannon barrel n the middle of the photographCatalogue number in pencil on reversechurchill island, tractor, cannon -
Churchill Island Heritage Farm
Photograph - Photograph of volunteer in costume, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White portrait photograph of a volunteer in a white mob cap using the spinning wheel.Catalogue number in pencil on reversechurchill island, volunteer, costume -
Churchill Island Heritage Farm
Photograph of capturing koala from tree, <1975
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show conservation work from the Churchill Island precinct and the enormous amount of collaboration that went into the development of the heritage site.Black and White photograph with white border depicting two men in hard hats capturing a koala. White border.Catalogue number in pencil on reverse. Faded pencil on reverse: 'G. Jobling' Pencil on reverse 'grout coven' ?conservation, churchill island, koala -
Churchill Island Heritage Farm
Photograph of a man on a tractor spraying water, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and white photograph with white border. Shows a man on a tractor spraying water onto an orchard of trees.Catalogue number written in pencil on reverse. Stamp: "COPYRIGHT/FISHERIES & GAME DEPT./VIC/NEGATIVE SG358/INDEX" "01V" written in pen in cornerchurchill island, photograph, tractor -
Churchill Island Heritage Farm
Photograph of a barn and a paddock
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and white photograph showing a dilapidated barn and a field with a line of trees leading to the water.Catalogue number written in pencil on reverse. '4' written in pencil on reversechurchill island, photograph -
Churchill Island Heritage Farm
Photograph of Bridge to Churchill Island, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White Photograph of the bridge between Churchill Island and Phillip Island. Photograph is taken from Churchill Island and includes the mudflats and is at low tide.Catalogue number written on reverse in pencil.photograph, churchill island, bridge -
Churchill Island Heritage Farm
Photograph of landscape with wire fence, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White landscape photograph of a pasture on Churchill Island with a barbed wire fence in the foreground. In the background,the inlet between Phillip Island and Churchill Island can be seen.Catalogue number written on reverse in pencil.photograph, churchill island, bridge -
Churchill Island Heritage Farm
Photograph of pasture with cows, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White landscape photograph of a pasture on Churchill Island with a small herd of cows towards the left of the frame.Catalogue number written on reverse in pencil.photograph, churchill island, bridge -
Churchill Island Heritage Farm
Photograph of pasture, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White landscape photograph of a pasture on Churchill Island. A stand of trees occupies the left hand side of the background, and towards the right, the shoreline can be seen. A wire fence divides the fore and middlegroundCatalogue number written on reverse in pencil.photograph, churchill island -
Churchill Island Heritage Farm
Photograph of pasture, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White landscape photograph of a pasture on Churchill Island with water in the background.Catalogue number written on reverse in pencil.photograph, churchill island -
Churchill Island Heritage Farm
Photograph of a cow in a field, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White landscape photograph of a large cow with horns grazing in a pasture on Churchill Island with water in the background.Catalogue number written on reverse in pencil.photograph, churchill island -
Churchill Island Heritage Farm
Photograph of a pasture, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White landscape photograph of a pasture with a stand of trees on the right hand side.Catalogue number written on reverse in pencil.photograph, churchill island