Showing 2167 items matching max%20harris
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Federation University Art Collection
Work on paper - Printmaking - Linocut, 'Hen Party' by Max Coward, 1964
Max COWARD ( -1991) Born Ballarat Max Coward was training to be an art teacher at the Ballarat Technical Art School from 1937 to 1941. He enlisted in the A.I.F. and was a Naval Trainee at Flinders Naval Depot in 1941. During these years Max Coward was described as a cartoonist and illustrator, and was was attached to the Naval Intelligence Division in 1945, producing stories and drawings for the Navy newspaper Dit. His work was reproduced in the Christmas annual, HMAS Mk IV and the Army educational journal, Salt. He was a foundation staff member at the Burwood Teachers' College art department when it opened at Box Hill in 1954, transferring to the Burwood Campus in 1955. Upon his retirement he moved to Queensland to start a graphic arts consultancy. Coward was active as a printmaker during the 1970s. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition linocut by Max Coward. 'Hen Party' uses simplified forms reminiscent of the shapes gracing 'moderne' interiors of the 1950s and 1960s. The simplification of form and decorative pattern achieved through repetition shows the influence of Paul Klee's work and imagery. lls 'Hen Party' lower centre edition '8/28' lrs 'Max Coward 64' art, artwork, max coward, printmaking, alumni, hens, linoprint, linocut -
Federation University Art Collection
Work on paper - Printmaking - Linocut, [Sailing Ship] by Max Coward, c1937
Max COWARD Born Ballarat Maxwell (Max) Maurice Coward was training to be an art teacher at the Ballarat Technical Art School from 1937 to 1941. He enlisted in the A.I.F. and was a Naval Trainee at Flinders Naval Depot in 1941. During these years Max Coward was described as a cartoonist and illustrator, and was attached to the Naval Intelligence Division in 1945, producing stories and drawings for the Navy newspaper Dit. His work was reproduced in the Christmas annual, HMAS Mk IV and the Army educational journal, Salt. Coward was active as a printmaker in the 1960s and 1970s. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Llinocut showing a stylized sailing ship on the sea. This work was undertaken while Max Coward was a student of the Ballarat Junior Technical School.art, artwork, max coward, coward, alumni, sailing ship, boat, ballarat junior technical school -
Federation University Art Collection
Work on paper - Printmaking - Linocut, 'Family Group' by Max Coward, 1965
Max COWARD ( -1991) Born Ballarat Max Coward was training to be an art teacher at the Ballarat Technical Art School from 1937 to 1941. He enlisted in the A.I.F. and was a Naval Trainee at Flinders Naval Depot in 1941. During these years Max Coward was described as a cartoonist and illustrator, and was attached to the Naval Intelligence Division in 1945, producing stories and drawings for the Navy newspaper Dit. His work was reproduced in the Christmas annual, HMAS Mk IV and the Army educational journal, Salt. Coward was active as a printmaker in the 1970s. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition linocut print showing a family of birdslls 'Family Group; lc edition '27/32' lrs 'Max Coward 65'art, artwork, max coward, coward, alumni, birds, chicken -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Max Suter, 29 June 2000
Mr Max Sutor was born in South Australia. He first began his work as a marine engineer at the Mildura Irrigation Trusts, moving later to the Melbourne Harbour Trusts. After a number of years as an engineer, he moved into farming at Gippsland and joined the prison service several years after during the late 1960s. He was first stationed at Morwell River Prison in South Gippsland, transferring to McLeod Prison in 1972 and finally to Beechworth in 1974 as senior prison and stores officer. He would assist in the organisation, obtaining and distribution of food and medication to prisoners. The prison, at the time, was of medium security and held high security prisoners, with an estimated amount of 108 prisoners to 23 staff. Mr Suter showed a great push in showing humility towards prisoners, wanting to avoid animosity against them by never looking at their records to treat them equally. His choice of kind behaviour towards prisoners had clearly influenced their own, especially during manual labor. The prison had worked cooperatively with a local farm, having their prisoners assist in the farm work. Attitudes inevitably changed positively for several prisoners. Whilst he held no control over their actions at the farm, he still became well trusted and liked amongst the prisoners, as they would continue to go to him for assistance and questions. Mr Suter had also worked as an instigator of finding drugs within each prison he has worked within. This led him to study the variations, and being a member of the Parents and Citizens Association at the high school his children attended, as well as Community Service Director of a Rotary club, he wanted to educate parents in guidance for those unsure on how to conduct actions against such behaviours. From his first seminar, a police surgeon told him that three drug users were found by their parents. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Mr Max Suter's account on his time and experience as a senior prison officer at Beechworth Prison is historically and socially significant for the cultural heritage of the region. His recounts of his time working within the prison and out in local parent and community associations held a positive effect on the awareness and behaviours of the Beechworth area, and provides detailed information on the duties and complications working in a 20th century rural prison, as well as the lack of local awareness from adults with young influential children. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Max Suterlisten to what they say, beechworth, oral history, burke museum, max suter, beechworth prison, farming, drug awareness -
Federation University Historical Collection
Artwork - Cartoon, Cartoon drawn by Max Coward titled "You had better put your old clothes on, Dave, if you're coming out rabbitin'.", 1940
Ballarat School of Mines and Industries is a predecessor of Federation University.Black and white cartoon drawn by Max Coward published in the School of Mines Ballarat Students Magazine 1940.cartoon, max coward, ballarat school of mines, ballarat school of mines and industries -
Ringwood and District Historical Society
Flyer - Land Sale Brochure, Max Brown Real Estate, Double sided land sales brochure with map and landscape photographs regarding sale of 14 blocks of land comprising Thackray Wood, corner Cheong Street and Ruthven Way, Ringwood. Agent: Max Brown, Croydon, c.1977
Sales brochure regarding sale of 14 blocks of land comprising Thackray Wood, corner Cheong Street and Ruthven Way, Ringwood. Agent: Max Brown Real Estate, 53 Main Street Croydon. +Additional Keywords: Max Brown Real Estate, 53 Main Street Croydon. -
Federation University Historical Collection
Artwork - Cartoon, Max Coward, Cartoon drawn by Max Coward titled SMB Highlights, 1940
Ballarat School of Mines and Industries is a predecessor of Federation University.Black and white cartoon drawn by Max Coward in relation to School of Mines Ballarat published in the School of Mines Ballarat Students Magazine 1940.cartoon, max coward, ballarat school of mines, ballarat school of mines and industries, highlights -
Federation University Art Collection
Painting, 'Road to Tallangatta' by Max Middleton, 1956
Max MIDDLETON (1922-2013) Born Melbourne In a career spanning 60 years, Max Middleton is known as a 'plein air' landscape painter the artist loved to paint sunrises, aiming to capture what he saw on the spot in paint. Capturing the light was crucial to his artworks. Max Middleton studied Drawing at the National Gallery School under William Rowell in 1938, and painting under Harold Septimus Power in 1940. The first of Middleton's 68 professional exhibitions took place in 1946. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of a landscape near Tallangatta.art, artwork, max middleton, landscape, tallangatta, available, middleton, oil on canvas -
Federation University Art Collection
Work on paper - Printmaking - Linocut, [Motorcyclist] by Max Coward, c1937
Max COWARD ( -1991) Born Ballarat Maxwell (Max) Maurice Coward was training to be an art teacher at the Ballarat Technical Art School from 1937 to 1941. He enlisted in the A.I.F. and was a Naval Trainee at Flinders Naval Depot in 1941. During these years Max Coward was described as a cartoonist and illustrator, and was attached to the Naval Intelligence Division in 1945, producing stories and drawings for the Navy newspaper Dit. His work was reproduced in the Christmas annual, HMAS Mk IV and the Army educational journal, Salt. Coward was active as a printmaker in the 1970s. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Llinocut showing a cyclist on a motorbike.art, artwork, max coward, coward, alumni, motorbike, motorcyclist, cyclist, ballarat technical art school, motorcycle -
Greensborough Historical Society
Memoirs, Max's Memories by Max Spence, Montmorency, 1926o
Max Spence lived in the Briar Hill - Montmorency area from the late 1920's and recounts his memories of the people and places of the area.A personal record of memories of the 20th century in Montmorency, Briar Hill and Greensborough.5 x A4 pages, typed on 2 sides. Pages are numbered 1-13, but at 30/10/2011 pages 2-6 inclusive are missing.montmorency, greensborough, briar hill, max spence, spence family -
Orbost & District Historical Society
school book, 1943
this book was used by Max Gall when a student at Orbost Higher Elementary School. he was in Form 111 and the book was his poetry book.This item is representative of students' work in the 1940's and is useful for comparison in the development of education in Victoria.An exercise with a mottled brown cover - a St George exercise book - with a knight on a horse at the top. It has hand - written details ," Max Gall Form 111 O.H.S.Poetry"on front : " Max Gall Form 111 O.H.S.Poetry"education-orbost exercise-book-poetry gall-max -
Kiewa Valley Historical Society
Booklet - Max Lawrence, Max Lawrence - Sue Field interviewed Max for this story
Max Lawrence worked as a surveyor on the Kiewa Hydro Electric SchemeBooklet of 4 pages with Max's photo on the front and with a black plastic spine and black back cover.max lawrence, kiewa hydro electric scheme, surveyor -
Wodonga & District Historical Society Inc
Functional object - Baby Max Camera, Tougodo, 1950s
The Baby-Max is a Japanese subminiature camera popular in the 1950s and 1960s. It was often sold in a pack containing the camera, case and boxes of Kikufilm Panchromatic, a film specialised for toy cameras. Each film took ten 14x14mm images on 17.5mm paper backed roll. It was manufactured by Tougodo, a Japanese camera maker, active from 1930 to the early 1960s. The film with this camera has an expiry date of November 1962.This item is significant due to its popularity in the 1950s and demonstration of the evolution of camera technology.The Baby-Max is a Japanese subminiature camera. It has an elongated body with polygonal ends. The viewfinder is integrated in the top casing. There is a knob on the photographer's right to roll the film and there is a small fake knob on the left. The back is hinged to the right and locked by a sliding bar on the left. It contains a single uncovered window in the middle. The lens has a fixed focus and aperture, and has no markings. There is a lever to operate the shutter. The case is of brown faux leather. It is accompanied by a box of KIKUFILM.Around the central lens: "BABY-MAX / MADE IN JAPAN"baby max camera, cameras, cameras 1950 -
Heidelberg Golf Club
Photograph - Framed Photograph, Max Guille - Captain - 1985-1988, 1985
Max Guille, Heidelberg Golf Club Captain, 1985-1988. Max was made a Life Member in 1989.One of a set of framed portraits of Club Captains. Framed colour portrait, timber frame with dark green mount under non-reflective glass.Max Guille - Captain - 1985-1988hgc captains, max guille -
Heidelberg Golf Club
Photograph - Framed Photograph, Max McEvoy - President - 1973-1975, 1973
Max McEvoy, Heidelberg Golf Club President, 1973-1975. Max was also HGC President in 1979-1981.One of a set of framed portraits of Club PresidentsFramed colour portrait; timber frame with dark green mount under non-reflective glass.Max McEvoy - President - 1973-1975hgc presidents, max mcevoy -
Heidelberg Golf Club
Photograph - Framed Photograph, Max McEvoy - Captain - 1979-1981, 1979
Max McEvoy, Heidelberg Golf Club Captain, 1979-1981. Max was also HGC President 1973-1975.One of a set of framed portraits of Club Captains. Framed black and white portrait, timber frame with dark green mount under non-reflective glass.Max McEvoy - Captain - 1979-1981hgc captains, max mcevoy -
Tatura Irrigation & Wartime Camps Museum
Folio, Carl Max Bernard Assman, c. 1940
Records of Internee Carl Max Bernard Assman, naturalised Australian citizen of German birthBlack folio with printed matter in plastic sleeves.38 pages of photocopied documentsCarl Max Bernard Assmanww2 - camp 1, documents, reports, carl max bernard assman, naturalised australians -
Orbost & District Historical Society
C.D, Max & Jack Nixon Jarrahmond FARMING, first half 20th century
John Harding Nixon (Jack) was born in Orbost on July 16, 1905. He married Lydia May Trewin and had two boys, Max and Brian.He was a successful farmer, making the most of the land he owned, growing maize, seed and green beans and also dairying.This item is a pictorial record of early agriculture in the Orbost district.A disc of farming scenes of Max and Jack Nixon Snr on the Jarrahmond flats at Orbost.nixon-john-harding-jack agriculture jarrahmond -
Whitehorse Historical Society Inc.
Photograph, Max Grant
On awards night for the combined repertory groups of Victoria, the Mitcham Repertory Group donated the Max Grant Perpetual Trophy for 'best actor in a comedy'. In 2002 a plaque was installed by the Nunawading Arts Council, acknowledging the contributions of Max Grant, Albert Brown,Hazel Mourney, Noel Browne and Joan Abbott as members of the Nunawading Arts Council.Black & white studio-type photograph of Max Grant in collar and tie. His name is adhered to right upper corner.mitcham repertory group, grant, max -
Eltham District Historical Society Inc
Book, We will remember them : an illustrated account of Eltham RSL Sub-Branch Inc., 1919-2001 / Max Dimmack, 2002
From its origins in 1919 to formation in 1927 of the RSSAILA to 1946 when veterans initiated re-forming a local RSL sub-branch, Eltham sub-branch has grown, with its interesting history enriched with much anecdotal material, photos, and personalities. Includes Nominal Roll of Eltham RSL Sub-Branch Members ( as at 31 December 2001), Eltham Districts Residents who died in the Two World Wars, reference, index of People. Paperback; 112 p. : .ill., ports. ; 21 cm.ISBN 1876615168eltham, eltham rsl sub-branch -
Heidelberg Golf Club
Photograph - Framed Photograph, Heidelberg Golf Club, Max Guille - Life member 1989, 1989
Max Guille was made a Life Member of Heidelberg Golf Club in 1989. He was HGC Club Champion 8 times between 1961-1971; Foursomes Champion 7 times between 1962-1975; Victorian Champion of Champions 1965; and HGC Captain 1985-1988.One of a set of framed portraits of Life MembersFramed black and white portrait, black plastic frame with whiten mount under glass. Annotations on mount."Max Guille -Life Member -1989" and annotationshgc captains, max guille, life members -
Federation University Art Collection
Painting, 'Portrait of Mr Max Hopper, Director 1870-83 ' by John Scurry, 1986
John SCURRY (26 August 1947- ) Born Melbourne, Victoria John Scurry studied at the Prahran College of Advanced Education, graduating with a Diploma of Art and Design in 1969. In 1971 he gained a Trained Tertiary Certificate from Hawthorn Institute of Education. From 1973 to 1976 Scurry was a Full time Senior Tutor in the Printmaking Department of the Preston Institute of Technology, becoming Acting Head of the Department in 1976. Working as a Lecturer in the Drawing Department of Prahran College of Advanced Education he then became a Lecturer in Printmaking from 1977 to 1978. In 1979 he began teaching as Full time Lecturer in Printmaking at the Victoria College of the Arts, where in the following years he was Senior Lecturer in Charge of Printmaking in the Faculty of Art and Design (1982-1991, Head of Printmaking School of Art (1991-2003) and Senior Lecturer (2003-2007) before retiring to focus his time on his own work. Max Hopper was Director at the Gippsland Institute of Advanced Education from 1979 to 1983.Framed academic portrait of Max Hopper, director at Gippsland from 1970-1983.signed and dated lower left "Scurry '86"artwork, artist, academic portrait, max hopper, john scurry, gippsland campus, churchill -
Melton City Libraries
Photograph, Bruce and Max Myers with Edna (Butler) Missen, Unknown
Childhood photograph of Bruce and Max Myers with Edna (Butler) Missenlocal identities -
Heidelberg Theatre Company Inc..
Memorabilia - Program Photos Newsletter Articles, The tender trap by Max Shulman and Robert Paul Smith directed by David Connor
The tender trap by Max Shulman and Robert Paul Smith directed by David Connor1963, 76, city of heidelberg repertory group, heidelberg theatre company inc, directed by david connor -
Whitehorse Historical Society Inc.
Photograph, Thompson, Max, 20/05/1979 12:00:00 AM
Black & white photo of Max Thompson, Norm Carter and Keith Harding (Mayor of Nunawading)thompson, max, carter, norman, harding, keith, cox, george -
Supreme Court of Victoria Library
Portrait, Justice Sir Thomas a'Beckett
The Argus reports that “In 1916 the members of the bar took the opportunity afforded by his [a’Beckett’s] 80th birthday, and the completion of 30 years on the bench to present to the judges of the Supreme Court, with his permission a portrait of himself, to be placed in line with portraits of other judges in the Supreme Court library. The portrait which depicts Sir Thomas a’Beckett in his robes, was an excellent piece of work of Mr Max Meldrum. The unveiling was made the occasion of a little demonstration at which some congratulatory speeches were made." Sir Thomas a'Beckett arrive in Melbourne as a teenager with his parents in 1851. His uncle was the former Chief Justice, his father a well known solicitor. At the Bar Sir Thomas mainly worked in the Equity jurisdiction, which he took as a specialisation with him to the bench. This is an early work of Meldrum, he won the Archibald prize for portraiture in 1939 and 1940.The portrait is of interest for whom it portrays and as the early work of a well known artist.A full length portrait in oils of Justice Sir Thomas a'Beckett. Sir Thomas is seated, his feet placed on a plush red foot stool. He is dressed in his red judicial robes with white fur trimming and black trousers and a full bottomed wing. Justice a’Beckett has a white beard and moustache, he was 80 years of age when this portrait was painted. In his hand he holds a rolled document. At his elbow, there are books upon a table. He sits in a fine carved wood and leather chair, in the background a gold frame is just visible. A line in the canvas indicates that the size of the painting was expanded. The frame is gold with a gum leaf motif.Max Meldrum 1916a beckett, max meldrum, judge -
Kew Historical Society Inc
Photograph, Alma Figuerola and Max Meldrum, 1940s
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola and fellow artist John Farmer, admiring what may be Max Meldrum's painting 'Chair'. The photograph is from the Alma Figuerola photograph album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Eltham District Historical Society Inc
Photograph, Portrait by Max Meldrum
Black and white photograph of newspaper article on Portrait by Max Meldrum at Athenaeum Gallery Melbourne, Meldrum with group of visitorspainters, max meldrum, athenaeum gallery -
Whitehorse Historical Society Inc.
Article, Max Grant, 2000
Obituary to Max Grant, theatre director, he established Mitcham Repertory Group. He died 22 September 2000.grant, max, mitcham repertory group, nunawading arts council, boilers society of victoria -
National Vietnam Veterans Museum (NVVM)
Document, Letter regarding Max Rhodes, 2018
Letter sent to NVVM by Doug Brown re a Nasho he worked with named Max Rhodes, who was killed in Vietnam.vietnam veterans - biographies, vietnam war, 1961 - 1975, personal narratives