Showing 147 items matching myths
-
The Mrs Aeneas Gunn Memorial Library
Book, G. G. Harrap & co., ltd, The myths of Greece & Rome, 1938
... The myths of Greece & Rome ...Retelling of the principal myths of Greece and Rome, with commentary on their origins and significance, and including illustrations, genealogical map, and a glossary.Index, ill, p.300.non-fictionRetelling of the principal myths of Greece and Rome, with commentary on their origins and significance, and including illustrations, genealogical map, and a glossary. ancient rome, ancient greece -
The Mrs Aeneas Gunn Memorial Library
Book, George Harrap and Co, Myths of the Norsemen from the Eddas and Sagas, 1914
... Myths of the Norsemen from the Eddas and Sagas. ...Myths of the Norsemen from the Eddas and Sagas.Index, ill, p.360.non-fictionMyths of the Norsemen from the Eddas and Sagas.mythology - norse, scandinavia - history -
The Mrs Aeneas Gunn Memorial Library
Book, G.G. Harrap & Co, Myths of the Hindus & Buddhists, 1913
... Myths of the Hindus & Buddhists ...Great stories of the epics; deeds of Krishna, Shiva, taken from puranas, Vedas, folk tales, more.Index, ill, p.400.non-fictionGreat stories of the epics; deeds of Krishna, Shiva, taken from puranas, Vedas, folk tales, more.hindu mythology, buddhist mythology -
The Mrs Aeneas Gunn Memorial Library
Book, George G. Harrap & Co, Myths and legends of China, 1922
... Myths and legends of China ...The West's first encounters with the folk tales and myths of the East proved to be a heady experience, as they were based on an entirely different value system and worldview than those that are reflected in the Greek myths and most subsequent Western folk tales. In Myths and Legends of China, author E.T.C. Werner offers up a rich tapestry of Chinese folk narratives. A must-read for fans of world myths, fairy tales, and legends.Index, ill, p.453.non-fictionThe West's first encounters with the folk tales and myths of the East proved to be a heady experience, as they were based on an entirely different value system and worldview than those that are reflected in the Greek myths and most subsequent Western folk tales. In Myths and Legends of China, author E.T.C. Werner offers up a rich tapestry of Chinese folk narratives. A must-read for fans of world myths, fairy tales, and legends. mythology - chinese, legends - china -
Greensborough Historical Society
Book, New Life Publications, Before you came: mines, myths and memories of Diamond Creek. By John L Ryan, 1972c
... Before you came: mines, myths and memories of Diamond Creek ...A history of Diamond Creek from earliest records of white visitors (1836) to the 1970s. John Ryan was born in Diamond Creek and lived there all of his life.A detailed history and anecdotes of the Diamond Creek area and its early pioneers.55 pages. Soft cover, light brown with copy of early painting of Diamond Creek on front cover. Black and white illus. -
Victorian Aboriginal Corporation for Languages
Book, Aldo Massola, Bunjil's cave : legends and superstitions of the Aborigines of South-East Australia, 1968
... myths ...Stories from the Aboriginal people of South-East Australia. Includes Creation Stories, Myths and legends. Written in two sections, The myths and The Land Beyond the Sky. Includes location lists.Maps, b&w photographs, illustrationswotjobaluk, mara, kulin, kurnai, murray river, myths, legends, creation stories -
National Wool Museum
Book - Pattern Book, Cleckheaton Myth, Cleakheaton, 1980s - 1990s
Knitting pattern book with colour pages and black and white printed text. Contains 13 patterns for knitwear.front: [printed] Cleckheaton / Myth front: [handwritten] 3.95knitting, pattern, fashion, knitwear, cleckheaton -
Tennis Australia
Book, Circa 1978
Book: 'TENNIS: MYTH AND METHOD'. Hardcover with dustjacket. Copyrighted 1978. Materials: Ink, Paper, Cardboardtennis -
Tennis Australia
Book, Circa 1978
Book: 'TENNIS: MYTH AND METHOD'. Hardcover with dustjacket. Copyrighted 1978. Materials: Ink, Paper, Cardboardtennis -
Tarnagulla History Archive
News clipping: A Story Without Names, A Story Without Names, June 29, 1966
... myths ...Murray Comrie Collection. A page from People newspaper, of June 26, 1966 with article titled 'A Story Without Names' by Tom O'Mara. Describes a story (myth?) supposedly well-known in Tarnagulla. The story is about a child which was disfigured by her father who was being held in a lockup. He was said to have reached between the prison bars and bitten her face in retaliation for being betrayed to police by the child's mother. The author notes that no-one can verify the story or provide names of the participants. (A similar tale has been told elsewhere in which these events happened in Castlemaine Gaol). tarnagulla, lock up, lockup, crime, myths, stories -
Victorian Aboriginal Corporation for Languages
Book, C W Peck, Australian legends : tales handed down from the remotest times by the autocthonous inhabitants of our land : parts 1 and 2, 1925
Peck has collected a range of myths and legends from Aboriginal people, and also stories of the early pioneers in Australia.b&w illustrationscreation stories, myths and legends -
Flagstaff Hill Maritime Museum and Village
Book, The Queen of The Air
This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Queen of The Air Being a study of the Greek Myths of Cloud and Storm Authror: John Ruskin Publisher: George Allen Date: 1890 Label on spine cover with typed text PAT 398.36 RUS Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Servicewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, the queen of the air, john ruskin -
Victorian Aboriginal Corporation for Languages
Book, Rory O'Connor, The Kombumerri : Aboriginal people of the Gold Coast, 1992
Comprehensive book with coloured photos of the Kombumerri people and their traditional life in Queensland?s Gold Coast. Tells of white settlement, historic sites, flora and fauna, customs and myths, repression and land.colour photographs, b&w photographs, mapskombumerri, gold coast, queensland -
Unions Ballarat
Work on paper - Trade Unions in Australia (D.J. Spiers Collection)
Debunks long-held myths about aggressiveness of trade unionism. Essentially a book about what unions are and what they do.Relevance to anecdotal history of unions.Book. Dymo label, 'DJ SPIERS', attached to the front cover. Author's name and title.btlc, ballarat trades and labour council, industrial relations, unions -
The Beechworth Burke Museum
Animal specimen - Australaisn Bittern, Trustees of the Australian Museum, 1860-1880
... myths ...The Australaisn Bittern is a partly nocturnal bird who resides in costal and sub-coastal locations in south-west mainland Australia, south east Australia and Tasmania. They can be found in wetlands, swamps and among reeds. These birds are mostly brown and yellow in colour and with short legs and a stocky body. The "woomph" sound made by the Bittern late at night is thought to have been the origin of the traditional Aboriginal myth of the Bunyip. The Bunyip, like the Australasian Bittern, was believed to reside in reedy swamps. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Australaisn Bittern is a stocky bird with mainly yellow and brown colouring. This colouring makes the bird difficult to see in the dense, reedy vegetation it resides amongst in shallow freshwater wetlands. When threatened, the Australaisn Bittern will raise its bill skyward in a pose which helps it camouflage. This specimen has streaked yellow-brown feathers, a yellow bill and legs which are a yellow-green colour. It stands on a wooden platform.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, bunyip, myths, australaisn bittern, bittern -
The Beechworth Burke Museum
Animal specimen - Australasian Bittern, Trustees of the Australian Museum, 1860-1880
... myths ...The Australaisn Bittern is a partly nocturnal bird who resides in costal and sub-coastal locations in south-west mainland Australia, south east Australia and Tasmania. They can be found in wetlands, swamps and among reeds. These birds are mostly brown and yellow in colour and with short legs and a stocky body. The "woomph" sound made by the Bittern late at night is thought to have been the origin of the traditional Aboriginal myth of the Bunyip. The Bunyip, like the Australasian Bittern, was believed to reside in reedy swamps. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Australaisn Bittern is a stocky bird with mainly yellow and brown colouring. This colouring makes the bird difficult to see in the dense, reedy vegetation where it resides amongst the shallow freshwater wetlands. When threatened, the Australaisn Bittern will raise it's bill skyward in a pose which helps it to camouflage. This specimen has streaked yellow-brown feathers, a yellow bill and legs which are a yellow-green colour. It stands on a wooden platform.Paper tag: ...Bittern... [Catalogu]e, page 3...taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, bunyip, myths, australaisn bittern, bittern -
The Beechworth Burke Museum
Animal specimen - Australasian Bittern, Trustees of the Australian Museum, 1860-1880
... myths ...The Australaisn Bittern is a partly nocturnal bird who resides in costal and sub-coastal locations in south-west mainland Australia, south east Australia and Tasmania. They can be found in wetlands, swamps and among reeds. These birds are mostly brown and yellow in colour and with short legs and a stocky body. The "woomph" sound made by the Bittern late at night is thought to have been the origin of the traditional Aboriginal myth of the Bunyip. The Bunyip, like the Australasian Bittern, was believed to reside in reedy swamps. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Australaisn Bittern is a stocky bird stylised in a standing position with brown colouring. This colouring makes the bird difficult to see in the dense, reedy vegetation it resides amongst in shallow freshwater wetlands. When threatened, the Australaisn Bittern will raise its bill skyward in a pose which helps it camouflage. This specimen has streaked yellow-brown feathers, a yellow bill and legs which are a yellow-green colour. It stands on a wooden platform.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, bunyip, myths, australaisn bittern, bittern -
Victorian Aboriginal Corporation for Languages
Book, Robert Brough Smyth, The Aborigines of Victoria : with notes relating to the habits of the natives of other parts of Australia and Tasmania : compiled from various sources for the Government of Victoria by R. Brough Smyth : vol. 1, 1878
... myths ...Produced in two large volumes, Robert Brough Smyth has collected information on various tribes and their customs, as well as their physical and mental character; birth and education of children; marriage; death and burial of the dead; daily lives of the natives; food; diseases; dress and personal ornaments; weapons; implements and manufacturers; nets and fish hooks; methods of producing fire; canoes and myths. Smyth also devotes about two hundred pages to Aboriginal languages, as well as including details and customs of the aborigines in Tasmania. Complete with hundreds of sketches, the work is still a valuable resource not only for those with in an interest in aboriginal culture, but also those wanting to know the early history of Australia.maps, b&w illustrations, word listsrobert brough smyth, anthropology, aboriginal social life and customs, children, behaviour, death and burial customs, daily life, food, diseases, weapons, shields, boomerang, vessels, baskets, message sticks, stone tool technology, fire, canoes, myths, stories -
Women's Art Register
Book, Chritine Battersby, Gender and Genius. Towards a Feminist Aesthetics, 1989
... myths ...Using the writings of ancient and contemporary male philosophers the book interrogates ideas around narrow gender roles, and the creation of feminist aesthetic.Booknon-fictionUsing the writings of ancient and contemporary male philosophers the book interrogates ideas around narrow gender roles, and the creation of feminist aesthetic.myths, creativity, motherhood, psychoanalytic theory, prejudice -
Mission to Seafarers Victoria
Photograph - Framed montage
... myths ...Sailors have the custom of leaving a self portrait in the ports they have visited.These photographs show the importance of places like the Mission where seafarers can rest.Framed montage of passeports pictures and foreign bills.sailors, seamen, seafarers, traditions, myths -
Victorian Aboriginal Corporation for Languages
Folder, Vince Coulthard, Adnyamathanha art and dreaming : Aboriginal heritage of the Flinders and Gammon Ranges, 1989
Includes pamphlet on the interpretation of rock art in the Flinders Ranges - explanation of the symbols used; six sheets relating individual Flinders and Gammon Range myths - lost children, giant serpent, mistletoe bird, native orange, old woman/child/kangaroo, eagle/crow/magpie; composition of the AdnyamathanhaIllustrationsadnyamathanha, flinders ranges, gammon ranges -
Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: August 19, 2003
Around the Institute was a weekly program consisting of interviews around a specific topic, undertaken by host Corey Nassau. August 19: Myths of Vision – Ruth Nicholson, Otway FM radio show, dressage and ten pin bowling – Chad Kelly.royal victorian institute for the blind, radio shows -
Merri-bek City Council
Pigment inkjet print, Hayley Millar Baker, I Will Survive 5, 2020
Hayley Millar Baker is a Gunditjmara and Djabwurrung artist. Her series I Will Survive is about the cautionary tales and bush survival stories that Millar Baker heard as a child. Her Aboriginal and migrant parents and grandparents shared warnings, myths and ghost stories with her. As Millar Baker grew up, these stories evolved, becoming more emotionally charged with each retelling. As stories are retold, they are reformed and embellished, sometimes becoming more vivid and meaningful. In I Will Survive, Millar Baker inserts herself into the stories. Millar Baker says, ‘Recalling memories formed in my childhood and ruminating on these stories in adulthood, I can’t help but dissect my memory’s influences and influencers, and what roles my Aboriginal and migrant parents and grandparents played in feeding lessons and myths into my subconscious.’ -
Merri-bek City Council
Pigment inkjet print, Hayley Millar Baker, I Will Survive 2, 2020
Hayley Millar Baker is a Gunditjmara and Djabwurrung artist. Her series I Will Survive is about the cautionary tales and bush survival stories that Millar Baker heard as a child. Her Aboriginal and migrant parents and grandparents shared warnings, myths, and ghost stories with her. As Millar Baker grew up, these stories evolved, becoming more emotionally charged with each retelling. As stories are retold, they are reformed and embellished, sometimes becoming more vivid and meaningful. In I Will Survive, Millar Baker inserts herself into the stories. Millar Baker says, ‘Recalling memories formed in my childhood and ruminating on these stories in adulthood, I can’t help but dissect my memory’s influences and influencers, and what roles my Aboriginal and migrant parents and grandparents played in feeding lessons and myths into my subconscious.’ -
Federation University Historical Collection
Booklet, Ballarat School of Mines Student's Magazine, Fourth Term, 1902
Table of contents: Editorial, A new system of sinking shafts, Steam turbines, The Gulf stream myth, Science notes, Western sketches, Science in song, Students' Excursion to Melbourne, Out of the jaws of death, Ballarat scientific and literary society, Signs of the times, Past students, News and notes, Correspondence, Sports.Pale brown booklet of 16 pagesballarat school of mines, students' magazine, w. t. gill, sidney smith, ohe jay, o. e. jager, gilbert mcintyre, w. davey, w. t. atherton, e. p. johnson, gulf stream myth, ballarat scientific and literary society -
Churchill Island Heritage Farm
Book, "Rebel Down Under When the 'Shenandoah' shook Melbourne, 1863" by Cyril Pearl, 1970
This book published in 1970 details the events surrounding the visit of the American gunship, the Shenandoah, to Melbourne in 1863. There has long been a myth that the Churchill Island cannon originated from this ship, although this is not true. Regardless, the previous owner of Churchill Island, Samuel Amess, entertained the crew of the Shenandoah while it was docked.This book was collected in order to provide context for the story which - at the time of its acquisition - was believed to be true.Blue plastic covered dust jacket. 200pp. 8 black and white illustrations. Diane Tillen (?) 1973shenandoah, confederate, american civil war, melbourne, samuel amess -
Melbourne Tram Museum
Pamphlet, Metropolitan Transport Forum, "The economics of transport - Smarter Transport - Better Cities", c2010
Pamphlet - 3 fold A4 on recycled paper, titled "The economics of transport - Smarter Transport - Better Cities", outlining in a series of Monographs on public transport in Melbourne, Sydney, Infrastructure investment, economics, transport projects, fares, mass transit projects. Provides a forum overview. preface by Ross Garnaut, transport expenditure compared to other cities and transport myths.trams, tramways, public transport, melbourne, finances, fares, proposals, management, economics -
Robin Boyd Foundation
Audio - CD, Robin Boyd
This is Boyer lecture 5 of 'Artificial Australia' by Robin Boyd. 'Artificial Australia' consisted of five lectures given by Robin Boyd in 1967 on the Australian Broadcasting Commission radio. The lectures were (1) Creative Man in a Frontier Society, (2) The Architecture of Ideas, (3) Integrity in the Artificial Object, (4) The Environmental Arts in Australia. (5) The Australian Myth in the Modern World. Sanyo CDboyer lecture, artificial australia, robin boyd -
Federation University Art Collection
Painting, James Gleeson, 'Bellerophon Entreats the Aid of Poseidon' by James Gleeson, 1956 /1959
James GLEESON (21 November 1915-20 October 2008) Born Hornsby, Sydney, New South Wales The paintings of James Gleeson reveal powerful and complex relationships between the human psyche and human experience - between myth and reality. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Australian Surrealismartwork, art, james gleeson, surrealism, australian surrealism -
Australian Commando Association - Victoria
Book, Deadly Secrets: the Singapore Raids 1942-45
Deadly Secrets tells the engrossing true story of the Allied raids launched on Singapore in World War II. Laying many myths to rest, military historian Lynette Ramsay Silver, the author of The Bridge At Parit Sulong, outlines Operation Jaywick, which used a stolen Japanese fishing boat, renamed Krait, to attack Singapore Harbour. It also discusses the more ambitious raid; Operation Rimau.Soft Cover without Dust Jacket – 464 pagesworld war ii, ww2, australian commandos, australian special operations, operation jaywick, operation rimau