Showing 214 items matching tableware
-
Mont De Lancey
Tray, Thomas Otley & Son
From the home of Mr and Mrs W J Sebire c1890Large ornately engraved silver tray with 6.5cm patterned surround. Has footed knobs on base.1099 on back of tray RD 168922 Thomas Otley and Sontableware -
Mont De Lancey
Tablecloth
Tablecloth worked by Miss Charlotte Mc Kinstoy, from the home of Miss M. Burgi.White, silk supper cloth with a shadow embroidered, white floral pattern around the centre of the cloth, which is then surrounded by embroidery stitching, creating a hem.tableware -
Coal Creek Community Park & Museum
Tableware Set, Meakin, Alfred
Alfred Meakin 'Haven' pattern tableware set of 2 oval platters, 2 covered and 2 handled circular dishes and 1 gravy boat. Gravy boat with high handle and wide spout. White ground with gilt outline geometric and floral design in blue, green and yellow.Green glazed on base 'Alfred Meakin / England'. Indecipherable and then in black glaze 'Haven'. In gilt '9, 14, 18 & 12'. -
Orbost & District Historical Society
fruit stand, 1932 - 1960's
Australian metalware manufacturer, Phoenix Pty Ltd, made this electroplated nickel silverfruit stand as part of its new 'Imperial' range of tableware. The simple, geometric design is representative of the Art Deco style This simple design with the geometric pattern is representative of the Art Deco style that spread through Australia in the inter-war period and was common in both local and imported electroplated wares. A silver plated fruit stand in an art deco design. The bowl has cut out rectangular designs around its edge.On base - letter H inside a circle Imperial EPNS A Phoenix producttableware fruit-stand phoenix epns domestic -
Flagstaff Hill Maritime Museum and Village
Ceramic - Dish, Johnson Bros, Circa 1883 (very early Mark)
Johnson Brothers were a British tableware manufacturer and exporter that was noted for its early introduction of "semi-porcelain" tableware. It was among the most successful of the Staffordshire potteries which produced tableware, much of it exported from the 1890s through the 1960s. They were also important manufacturers of large bathroom ceramics. The company was founded in 1883, but from 1968 to 2015 it operated as a part of the Wedgwood Group. However, after the Wedgwood Group was acquired by Fiskars in 2015, the production of Johnson Brothers was discontinued. The company's name derives from the names of the company's founders. The four original "Johnson Brothers" were Alfred, Frederick, Henry, and Robert. Their father married the daughter of a master potter, Alfred Meakin. In 1883, Alfred and Frederick Johnson began production at defunct pottery, known as the Charles Street Works, that they had purchased at a bankruptcy sale in Hanley, Stoke-on-Trent. At first, they specialised in the manufacture of durable earthenware, which they called "White Granite". The success of this venture led to rapid expansion. In 1888, the Rev. Henry Johnson joined them, followed ten years later by a fourth brother, Robert Johnson. Having established a solid reputation producing basic "whiteware", the company developed a product known as "semi-porcelain", a range of pottery that had the characteristics of fine china, but the durability of ironstone ware. This kind of tableware soon became very popular in the United States due to its durability and low cost. In 1889, the Hanley pottery was opened, later the Alexander pottery, and in 1891 the Imperial Works Pottery. In 1896, the Trent Sanitary Works was opened for the production of non-tableware products, and Alfred Johnson left the business to establish his pottery. By 1898, Robert Johnson had relocated to New York City to manage Johnson Brothers' rapid expansion into the North American market. An item that gives a snapshot into the emerging market for tableware that was reasonably priced and serviceable. The company produced "whiteware" but the innervation of the pottery line called semi-porcelain changed the industry. This allowed potteries to produce fashionable pottery items that were affordable to all social classes of the time. Bowl white ceramic decorative with floral decoration around lip. On base, "Royal Ironside China, Johnson Bros England" & crest of lion and unicorn flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, bowl, china bowl, lion and unicorn crest, table ware, kitchen ware, white ware, johnson brothers -
Clunes Museum
Domestic object - KNIFE
Butter knife, Mother of pearl handle, blade engraved one side, serrated edge one sideMarked on blade illegible sticker marked "66"butter knife, tableware -
Heidelberg Golf Club
Functional object - Jug, Lewbury, Heidelberg Golf Club water jug, 1950s
Heidelberg Golf Club water jug Engraved metal jug"Heidelberg Golf Club" tableware, jugs -
Mont De Lancey
Functional object - Cutlery
A collection of miscellaneous silver cutlery EPSN plated. There are 15 large forks, 12 small forks, 6 knives, 15 soup spoons, 14 dessert spoons, 8 cake forks, 2 butter knives, 2 large serving spoons and 1 set of salad servers. Some have a triangular shape on the handle at the bottom, some are plain and others are decorative. tableware, cutlery -
Mont De Lancey
Decorative object - Cake stand, Unknown
Belonged to great great Granddaughter of Henry SebireRound glass cake stand with fluted base. Has frosted leaf design on top.cake stands, tableware -
Mont De Lancey
Decorative object - Cake dish
Wedding present to Dorothy and Karl Adamson in 1936.Oval silver cake dish with patterned edge. Has decorative handle.baskets, tableware -
Mont De Lancey
Textile - Table protector
Dark green velvet table protector with fringed edge.table protector, tableware -
Mont De Lancey
Serviette ring
Japanese lacquer serviette ring. Black with gold/red lady design.serviette rings, tableware -
Mont De Lancey
Glass cruet set (part of)
Part of a cruet set consisting of two square, cut glass bottles with square pattern, one with pierced silver top, the other with hinged, silver lid, spoon missing. Also, a small glass bottle with glass stopper.Nonetableware, cruet sets -
Mont De Lancey
Table Cover, 19th C
Square table cover with heavy cotton, plain orange centre piece with a 12 cm. wide border in rust-coloured velvet with braid and tassels. Also included are 2 extra pieces of velvet border.table linen., tableware -
Mont De Lancey
Cup and saucer
Oriental style floral cup and saucer with gold trim.cups and saucers, tableware -
Mont De Lancey
Cup and saucer
Fine china floral cup and saucer with gold trim. Cup has three gold coloured feet.Fine china made in Japan on base of cup and saucer.tableware, cups and saucers -
Mont De Lancey
Cup and saucer
Given to Neville Lord as an infant in 1908Miniature china cup and saucer, hand painted scene of four figures in a garden setting with gold trim.cups and saucers, tableware -
Mont De Lancey
Silver service
Wedding gift to Annette and Neville Lord from Mr and Mrs William J Sebire 3rd March 1934Six piece silver service - "Hecla plate" with tray, teapot, hot water jug coffee pot, sugar basin and milk jug. tableware, tea and coffee sets -
Mont De Lancey
Doily
White linen heart shaped doily, with crocheted edge and floral design in centre. doilies, tableware -
Mont De Lancey
Cake stand
Ruby glass footed cake stand with clear fluted edge. Victorian era.cake stands, tableware -
Mont De Lancey
Spoon holder
Used by Miss Helen GibsonSilver spoon holder with embossing and handle.spoons, tableware -
Mont De Lancey
Functional object - Child's Silver Mug, Derby Silver Company, Unknown
In 1872 the Derby Silver Company began production in Derby, Connecticut U.S.A. The company made bathroom-related items, clocks, tableware, flatware, candlesticks and more objects made of silver, silver plate and more. In 1898 the company became a division of the International Silver Company with headquarters in Meriden.CT. It closed down in 1933.A small child's silver plated antique Derby Silver Company cup with a large embossed floral pattern on one side. At the top of the rim is a fine dotted pattern all around it. It has an ornate decorative handle. Underneath is the Makers Mark in a circle with an anchor and crown. Above this circle is stamped: Made in U.S. America.A floral pattern is embossed on one side. On the bootom us stamped : ' Made in U.S America' above a circle Makers Mark 'Derby Silver Company with an anchor and a crown. 1 1/2'silverware, silver plate, mugs, christening mugs -
Flagstaff Hill Maritime Museum and Village
Ceramic - Chamber Pot, 1912
In the 19th and early 20th centuries, J. & G. Meakin were important, large-scale producers of good quality, ironstone tableware (‘White Granite’ ware) that met a ready market in the United States, South America, Australia, and other traditional British markets. By the 1890s the company was one of the world’s largest earthenware manufacturers. Although export teaware and tableware was the factory’s staple commodity, Meakin also manufactured toilet ware, kitchen ware and a wide range of fancy earthenware. The company was amongst the first British pottery firms to experiment with modernist designs associated with the art deco period. The Moderne' range was introduced in 1929 consisting of an angular shape decorated design with geometric patterns and often highlighted with silver or gold. This range remained in production through the 1930s. Post 1945 the company introduced the streamlined Studio shape (1953) and Horizon shape (1955) both heavily influenced by the Russell Wright ‘American Modern’ tableware. In 1964 a new Studio shape was released with tall streamlined coffee pots used as the background for many contemporary patterns now associated with the 1950s and 1960s. Designs by Jessie Tate and Eve Midwinter, some originally found on Midwinter shapes, also appear on 1970s Studio ware. The Studio range was one of Meakin’s most successful and continued in production until the late-1970s. The enormous range of floral, geometric, and abstract designs make Studio Ware collectible in its own right. In the 1970s and 1980s as part of the Wedgwood Group Meakin produced contemporary products under the ‘Bull in a China Shop’ and ‘Creative Tableware’ names. ‘Sol’ (c.1912-1963), ‘Studio’ (1953 on) and ‘Royal Staffordshire’ (post 1968) were important J. & G. Meakin Ltd trade names. Meakin marks are numerous, but all include the J. & G. Meakin name. The significance of this item and pottery generally is that often earthenware is portrayed as being a landmark in the evolution of humanity. This is because these items are the few things from the past that have survived in a tangible form. Pottery is an important functional part of society and it has a critical role to play as it helps archaeologists to date other artefacts of the same time period. Also, the decorations on pottery have told much about the beliefs, lifestyles and lives of the people who bought them and used them. In other words it gives us today a snapshot of society from the past and how people used these items in their daily lives, their likes as well as societal and design trends. Earthenware white glazed ironstoneJ & G Meakin Hanley England stamped to base, with white flora designwarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pottery, earthenware, iron stone, alfred meakin, james meakin, george meakin, earthenware manufactures, chamber pot -
Flagstaff Hill Maritime Museum and Village
Ceramic - Chamber Pot, J & G Meakin, Early to mid 20th century
In the 19th and early 20th centuries, J. & G. Meakin were important, large-scale producers of good quality, ironstone tableware (‘White Granite’ ware) that met a ready market in the United States, South America, Australia, and other traditional British markets. By the 1890s the company was one of the world’s largest earthenware manufacturers. Although export teaware and tableware was the factory’s staple commodity, Meakin also manufactured toilet ware, kitchenware and a wide range of fancy earthenware. The company was amongst the first British pottery firms to experiment with modernist designs associated with the art deco period. The Moderne' range was introduced in 1929 consisting of an angular shape decorated design with geometric patterns and often highlighted with silver or gold. This range remained in production through the 1930s. Post 1945 the company introduced the streamlined Studio shape (1953) and Horizon shape (1955) both heavily influenced by the Russell Wright ‘American Modern’ tableware. In 1964 a new Studio shape was released with tall streamlined coffee pots used as the background for many contemporary patterns now associated with the 1950s and 1960s. Designs by Jessie Tate and Eve Midwinter, some originally found on Midwinter shapes, also appear on 1970s Studio ware. The Studio range was one of Meakin’s most successful and continued in production until the late-1970s. The enormous range of floral, geometric, and abstract designs make Studio Ware collectible in its own right. In the 1970s and 1980s as part of the Wedgwood Group Meakin produced contemporary products under the 'Bull in a China Shop' and 'Creative Tableware' names. 'Sol' (c.1912-1963), 'Studio' (1953 on) and 'Royal Staffordshire' (post-1968) were important J. & G. Meakin Ltd trade names. Meakin marks are numerous, but all include the J. & G. Meakin name. The significance of this item and pottery generally is that often earthenware is portrayed as being a landmark in the evolution of humanity. This is because these items are the few things from the past that have survived in a tangible form. Pottery is an important functional part of society and it has a critical role to play as it helps archaeologists to date other artefacts of the same time period. Also, the decorations on pottery have told much about the beliefs, lifestyles and lives of the people who bought them and used them. In other words it gives us today a snapshot of society from the past and how people used these items in their daily lives, their likes as well as societal and design trends. Chamber pot ceramic white with handle at side and decoration around top. Unclearwarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, champer pot, personal hygiene, personal item, ceramic pot, domestic object -
Mont De Lancey
Domestic object - Drinking Glasses, 1984
Souvenir glassware to commemorate Back to Wandin Nth March 9th to 12th 1984A pair of memorial heavy based gold trimmed drinking glasses with gold lettering to commemorate Back to Wandin March 9th to 12th 1984 with a gold wheelbarrow at the top. There is also a General Store Wandin Nth gold inscription with a gold printed picture of the store above.Back to Wandin March 9th to 12th 1984 with a gold wheelbarrow. Also, General Store Wandin Nth with a picture of the store in gold.glassware, memorial glasses, tableware -
Mont De Lancey
Domestic object - Tablecloth
Square, white damask tablecloth, with leaf design and a spoke stiched edge.tableware, table linen, household textiles -
Mont De Lancey
Decorative object - Serving platter
Wedding present to Dorothy and Karl Adamson in 1936.Oval shaped silver serving platter with decorative edge. (Lid is missing)plates, serving dishes, tableware -
Mont De Lancey
Functional object - Sugar Bowl, Unknown
Cut glass sugar bowl, with a diamond pattern. It has a lid with a large round knob and two glass sugar spoons.sugar bowls, sugar containers, tableware -
Mont De Lancey
Functional object - Cup and saucer, Royal Albert, c1920's
From the home of Mrs. Nell Sebire, 2nd wife of Thomas.Fine china floral cup, saucer and plate with gold trim with daffodils and green leaf design. Three piece set."Royal Albert bone china England friendship series of 12 daffodil'.cups and saucers, tableware, drinking cups -
Mont De Lancey
Textile - Tray cloth, Unknown
White oval large linen tray cloth, with embroidered flowers and scalloped edge.table linen, tableware, tray cloths