Showing 69 items matching totems
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Melbourne Legacy
Photograph, Annual Demonstration 1963, 1963
A photo of a group of female junior legatees in sporting outfits entering the Annual Demonstration with a prop of a totem pole. There are 14 young girls and part of the audience is visible. Legacy clubs ran classes for junior legatees for many years such as gymnastics, swimming or dancing classes. It was part of providing for the children of their deceased comrades. The skills they learned were show cased in an annual demonstration usually at the Melbourne Town Hall. It appears to be photo taken professionally, as there are several photos of different classes (see 00862 - 00873) perhaps to record Legacy classes for promotion purposes. A note with the photo identifies two young ladies; "Kneeling at the front Michelle and Anne O'Connor.A record of a way Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of girls in sports outfits with the Legacy logo carrying a totem pole into a venue.Handwritten 'Legacy P2' in blue pen and 'Annual Demo 1963' in pencil.junior legatee, annual demonstration -
City of Ballarat
Artwork, other - Public Artwork, Diana Nikkelson, Goanna Ground by Diana Nikkelson, 2006
This is an Aboriginal artwork that depicts a Goanna Totem. Designed by Ballarat-based, Gunditjmara artist Aunty Diana Nikkelson, the design is inspired by the artist’s totem and is a tribute to the first artists of the region, the Wadawurrung people. It acknowledges Aboriginal survival and the dynamic regeneration of the Aboriginal art and culture in the region. The artwork is in-set to the basalt paving along Police Lane by a series of etched footsteps, which evolve from human footprints to goanna prints as viewers approach the rear of the Art Gallery of Ballarat. The artwork was originally located only outdoors and half of it was brought into the Art Gallery of Ballarat in 2011, when the former Federation Plaza was enclosed to form the Art Gallery of Ballarat's McCain Annexe. The artwork was created in 2006 as part of the cultural festival of the Commonwealth Games. The artwork is of cultural and aesthetic significance to the people of BallaratSand blasted petroglyph forms into bluestone on laneway surface. The carved inlay of the Goanna Totem design into the bluestone of Police Lane (beside Art Gallery of Ballarat) continues inside the building.goanna totem ballarat, goanna totem, diana nikkelson, aboriginal, dreaming, nikkelson, gunditjmara -
Nillumbik Shire Council
Public Art: Wayne ALFRED (b.1958 Alert Bay, British Columbia), Wayne Alfred C/- High Commision of Canada, Commonwealth Games Totem Pole, Location: Eltham Library Foyer, Panther Place, Eltham, 2006
Wayne Alfred is a member of the Namgis Tribe of the Kwakwaka'wakw people. As a master carver he has an extremely high level of carving skill and knowledge about his peoples cultural objects, customs, tribal stories and legends. The Totem Poles of the North Pacific Coast in British Columbia and Alaska are traditionally carved out of red or yellow cedar, which has a spiritual and practical purpose. The wood was known for its durability, its resistance to rotting and the inner bark was utilised in ropemaking, clothing, hats, baskets and so forth. The Kwakitul People consider the cedar tree to be among the most sacred of all things provided by the Creator. They believed the Cedar tree to be the axis of the world and a pathway to the upper world. The wood is shaped using implements such as adzes, axes, chisels, carving knives, and chainsaws. Misinterpreted as Gods and idols to be worshipped, totems usually serve six purposes, such as a house pillar for support, a memorial or mortuary pole to commemorate (and house) the deceased, a potlatch pole (used for important traditional indigenous celebrations), a ridicule pole used to shame and a heraldic or family crest pole. Characters and symbols on these totem poles usually display family crests, history, wealth, social rank, inheritance, and privilege, as well as animalistic imagery derived from native animals and mythological creatures. Their sequence are indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. In this work the 'thunderbird' is symbolic of power, strength and of ancestory. The Commonwealth Games Totem Pole was presented to the people of Nillumbik on behalf of the Canadian Government in recognition of Melbourne as the hosts of the Melbourne Commonwealth Games Team in 2006. Carved in cedar wood, this totem pole incorporates bold cuts and colours (such as red and green) offset by strong black. A relative degree of realism is used to depict the alligator located on the bottom of the pole, a man and a 'thunderbird'/eagle located on the top. With protuding element. No inscriptions. Bold cuts used to outline the characters and symbols as well as decorative and stylised features all over the pole. public art, kwakwaka'wakw, namgis, alfred, north pacific coast, british columbia, canada, totem pole, carved, commonwealth games, melbourne festival, cedar -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Untitled totemic design, Anonymous Aboriginal, 1950's
Anonymous Aboriginal - Pilbara regionUntitled totemic design - early 1950's -
Wangaratta Art Gallery
Textile, Gillian Bencke, This will not protect You, 2020
My work has always involved textiles. I began my art practice in the darkrooms of photography, but I often came back to textiles to expose my images on, with either cyanotype or daguerreotype processes. I love way textiles can be manipulated so quickly and how each piece of fabric can have a different feel and weight. I prefer to use old materials with an inherent history that I can repurpose and reinterpret, usually linen, cotton, silk and other natural fibers. My work has increasingly become about texture, an overload of visual complexity and the introduction of hard materials into the soft sculpture medium. Almost anything can be stitched into a piece and so far the inclusion of brass, bronze and copper as small components of the finished work has opened the boundaries of where my practice can go. I use stitches and beads and other things to ‘draw’ and make patterns on each work; I love the detail and the investment in each slow stitch it takes to reveal the final piece.Wangaratta Art Gallery CollectionA black, golden, white, and silver handsewn protection totem encased in a glass dome case.gillian bencke, textile -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, 'Bunjil' - Russell Petherbridge. 2012, 2012
'Hepburn Pool is a forgotten treasure which many visitors to Hepburn Springs would never be aware of. The owners of the Bellinzona Grange hotel explained that it was once the hotel pool and was built in the 1930's. You can find it behind this hotel, downhill at a street called The Pool Way. Steps and a ramp continue down to the pool itself and the secluded park around it. It was built into Spring Creek and became a competition pool for state swimming championships. A concrete weir separates a shallow children's pool from the main pool. You can still see the numbers of each lane painted on the walls at the deep end. There are plenty of seats and a barbeque area. A sign says this is a sacred aboriginal spot and you can certainly feel something magical about the place. I wouldn't suggest swimming in the former pool, it looks rather murky now.' Review of Hepburn Pool by 'Jolyon67' on 'Tripadvisor', 3 June 2015'The Bunji: The Bunjil sculpture emerged from discussions with local indigneous Elders, as a dreamtime totem to the Sacred Pool at Hepburn Springs. The original idea was to create the 3 totems of the area...the Bunjil, The Crow and The Bat. Russell applied for, a council grant of $3,000 to design, create and install the Bunjil Sculpture to overlook the pool and reflect its powerful image in the water.' Information provided by Russell Petherbridge, December 2015Large scale steel sculpture depicting 'Bunjil', the dreamtime totem of the Hepburn Pool, an eagle in flight.art, public art, sculpture, installation art, aboriginal art, site specific art, hepburn shire, hepburn shire public art collection, russell petherbridge, bunjil, hepburn, hepburn pool, aboriginal significance, steel sculpture -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 964
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting patterns for womens jumpers and cardigans.Think / warm thoughts / in Totem / Patons / Ladies' Totem, / Double Knit, Baroness, / Sea Urchin / Book 964 / 40cknitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history -
Wangaratta High School
WTS Yearbook -Geronimo, 1952
Cream yearbook with orange text reading GERONIMO WANGARATTA TECHNICAL SCHOOL MAGAZINE 1952. To the left of this text is a drawing of a red totem pole.GERONIMO WANGARATTA TECHNICAL SCHOOL MAGAZINE 1952 -
Yarra City Council
Artwork, other - Installation/Sculpture, Troy Innocent, Joel Collins, Indae Hwang, Yun Tae Nam, Drop Zone, 2011
'Drop Zone', is set in an imagined future where decreasing water availability has affected us more dramatically than anyone predicted. The water shortage has become so severe that we have to access water on a first-come first-serve basis, from military-like water ‘drop zones’, like this one, made from modified rain water tanks. These tanks function on three levels: Collected rain water causes the totem sculptures to rise and bloom; evaporation causes the totem sculptures to fall; and an anemometer (device that measures wind speed) drives a process that plays the tank like a giant drum, tuned by the amount of water contained within. This artwork envisions a future for Australia where the impact of decreasing water availability has had a more dramatic effect than any of the predictions. The shortage is so severe that military-like water ‘drop zones’, constructed of modified rainfall storage tanks have been established across the public parks of the City of Yarra for access on a first come, first serve basis. However, as the water is only replenished through rain catchment the tanks may only offer infrequent relief for the City of Yarra residents, standing as hollow reminders of the effects of inaction on the shaping of sustainable national water use.'Drop Zone' was one of three public art works installed in Yarra, in 2011, under the banner of The Environmental Public Arts Project which responded to key features of Council's Environment Strategy: 'Towards Local Sustainability 2008-2020.' The aims of this project included activating public spaces in new and creative ways through the creation of artworks which act as catalysts for further engagement and discussion around environmental themes and issues.Copyright the Artists. Ready-made corrugated water tanks arranged on a site. Situated within the tanks are small totemic sculptures that float on top of the water within the tank.Accompanying plaquesustainability, water, environment, climate change -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 708
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting patterns for mens and womens garments. The skirt modelled on the front cover and on page 13 is acknowledged as being a 'Kenneth Pirrie Creation'. Kenneth Pirrie was an Australian fashion designer from the 1960s who appears to have worked in Melbourne and Sydney.Patons / KNITTING / BOOK No. 708 / Latest young fashion - long / stockings or socks with / sweater to match in / TOTEM or TYROL / Two-of-a-kind sweaters, / for him and you, in TOTEM, / ARIEL and MOHAIR / A sweater or shift in TOTEM: / a man's cardigan in JET / 2'3 / PATONS . BEEHIVEknitting handicrafts - history, coats patons (australia) limited, pirrie, mr kenneth - kenneth pirrie creations, knitting, handicrafts - history -
Wangaratta High School
WTS Yearbook -Geronimo extracts, 1952
cream stapled pile of extracts from the 1952 yearbook magazine, showing a black and white totem pole to the left of the words GERONIMO WANGARATTA TECHNICAL SCHOOL 1952GERONIMO WANGARATTA TECHNICAL SCHOOL MAGAZINE 1952 -
Wangaratta High School
WTS Yearbook -Geronimo, 1953
Cream yearbook with red writing reading GERONIMO WANGARATTA TECHNICAL SCHOOL MAGAZINE 1953. To the right of the text is a drawing of a blue totem pole. The book is covered by plastic for protectionGERONIMO WANGARATTA TECHNICAL SCHOOL MAGAZINE 1953 -
National Wool Museum
Book, Crochet, Patons Book no. 943: the crochet club
Book produced by Coats Patons containing crochet patterns.THE / CROCHET / CLUB / Patons / BOOK 943 / TOTEM, BARONESS / DOUBLE KNIT, BLUEBELL / 40ccrochet, coats patons (australia) limited, patons and baldwins -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 546
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. Book was produced by Patons and Baldwins and contains knitting patterns for women's and girls garments.No. 546 Featuring PATONS TOTEM KNITTING WOOL / Patons / KNITTING BOOK / No. 546 / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. R.31
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Coats Patons and contains a compilation of knitting patterns for male garments. The patterns have been reprinted from earlier Patons books.Patons / R.31 / FAVOURITE DESIGNS FOR MEN / REPRINTED / TOTEM . JET . BLUEBELL / 30chandicrafts - history knitting, coats patons (australia) limited, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Book no. 468: Totem
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains ten knitting patterns for womens garments.PATONS / Book 468 / TOTEM / Ten Knitting Designs for Ladies / Recommended Price 85cknitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 609
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.No. 609 PATONS TOTEM KNITTING WOOL / Patons / KNITTING BOOK 609 / WITH T.V. DESIGNS / 2'-knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 579
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. Book produced by Patons and Baldwins and contains knitting patterns for mens garments.TOTEM . HIGHLAND SPORTS . CONFETTI FLECKS / No. 579 / Patons / KNITTING BOOK 579 / WITH T.V. DESIGNS / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 637
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains knitting patterns for mens garments.Patons JET and TOTEM / PATONS BOOK / No. 637 / Patons / KNITTING BOOK 637 / WITH T.V. DESIGNS / 2'3handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Book no. 845
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting patterns for womens garments.BOOK 845 / PRICE CODE K / Patons / Lady's Handknits in / TOTEM 8 PLY / PURE NEW WOOLknitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 481
This knitting pattern book was published by Patons and Baldwins and contains knitting patterns for womens garments.No. 481 / Patons / KNITTING / BOOK / No. 481 / Featuring / PATONS / TOTEM / KNITTING / WOOL / P&B / WOOLS / 1'6knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 665
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting patterns for womens garments.PATONS TYROL SPORTS or TOTEM KNITTING WOOL / PATONS BOOK / No. 665 / Patons / KNITTING BOOK 665 / WITH T.V. DESIGNS / 2'6knitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 677
This knitting pattern leaflet was published by Coats Patons and contains knitting patterns for mens garments.PATONS TYROL SPORTS or TOTEM KNITTING WOOL / PATONS BOOK / No. 677 / Patons / KNITTING BOOK 677 / WITH T.V. DESIGNS / 2'3knitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Classic Series no. 1
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting patterns for mens and womens raglan sleeved jumpers.Patons / CLASSIC / SERIES / 1 / THE RAGLAN / PULLOVER / V, Round, Polo, in / JET, BLUEBELL, / TOTEM, ARIEL, / PATONYLE, & / MOHAIR / 25c 2'6knitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 443
This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Patons and Baldwins and contains patterns in larger sizes for women.Patons / KNITTING BOOK / NO. 443 / LARGE FITTINGS / No. 443 / P&B / WOOLS / PATONS / TOTEM / BEEHIVE 4-PLY / AZALEA / 1'6knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
The Beechworth Burke Museum
Sculpture - Carving, c1977
Carving of a small female head made by a patient of Mayday Hills Asylum. The sculpture as been roughly hewn from a tree limb with multiple branches.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A limb of a tree roughly carved into the shape of a face, featuring a wide nose, protruding eyes, and flat mouth. On a limb section that extends above the head is a carving of a small totem-like face. Two small limb sections protruding from the back. Pen lines and figures on nose and ears.beechworth, burke museum, mayday hills asylum, sculpture, wood carving -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 504
Book produced by Patons and Baldwins and contains knitting patterns for womens garments. Sold by Foy and Gibson Pty Ltd, a Melbourne store.No. / 504 / Patons / KNITTING / BOOK / No. 504 / P&B / WOOLS / Featuring / PATONS / TOTEM / KNITTING / WOOL / 1'9 FOY & GIBSON PTY. LTD.handicrafts - history knitting, patons and baldwins (australia) ltd foy and gibson pty ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Classic Series no. 2
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting patterns for mens and womens raglan sleeved cardigans. The photos were taken at the Chateau Tahbilk winery at Nagambie in Victoria.Patons / CLASSIC / SERIES / 2 / CARDIGAN WITH / RAGLAN SLEEVES / High & Medium Button / with and without Collar / BLUEBELL, PAT- / ONYLE, TOTEM, / MOHAIR & JET / 25c 2'6knitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Classic Series no. 5
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting patterns for raglan sleeved jumpers for boys and girls.Patons / CLASSIC / SERIES / 5 / THE RAGLAN / PULLOVER / V, Round, Polo, in / JET, BLUEBELL, / MOHAIR, ARIEL, / HIGHLAND, SOFT / TOUCH, TOTEM, / & PATONYLE / 30 centsknitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 438
This knitting pattern leaflet was published by Patons and Baldwins and contains knitting patterns for mens garments. All the garments have been named after airplanes.No. / 438 / Patons KNITTING BOOK / No. 438 / PATONS / BEEHIVE 3-Ply TOTEM / HIGHLAND SPORTS PATONYLE / AZALEA DOUBLE QUICK / P&B / WOOLS / 1'9knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history