National Gallery of Australia dates similar nursery rhyme series work to c.1978
Charles Blackman received an O.B.E for services to visual arts in 1977.
Blackman, born 12 August 1928 in Sydney, left school at 13 and worked as an illustrator with The Sun newspaper while attending night classes at East Sydney Technical College (1943–46) though was principally self-taught. He was later awarded an honorary doctorate. He came to notice following his move to Melbourne in the mid-1940s, where he became friends with Joy Hester, John Perceval and Laurence Hope as well as gaining the support of critic and art patron John Reed. His work met critical acclaim through his early Schoolgirl and Alice series, the latter Blackman's conception of Lewis Carroll's most famous character. For some time while painting the Alice series, Blackman worked as a cook at a café run by art dealer Georges Mora and his wife, fellow artist Mirka Mora.
In 1959 he was a signatory to the Antipodean Manifesto, a statement protesting against the dominance of abstract expressionism. The manifesto's adherents have been dubbed the Antipodeans Group.
Blackman's own work is associated with dreamlike images tinged with mystery and foreboding. In 1960 he and his family lived in London after Blackman won a Helena Rubenstein travelling scholarship, settling in Sydney upon his return five and a half years later. In 1970 he moved to Paris, when awarded an atelier studio in the Cité internationale des arts. He lived there for a year at the same time as John Coburn, and subsequently returned often, as Paris was for him a lasting source of inspiration.
After 27 years of marriage, Blackman divorced his wife Barbara in 1978, largely because of his alcoholism. He married the young artist Genevieve de Couvreur, a 19-year-old friend of his children. She divorced him after eight years, as his alcoholism grew deeper, and in 1989 he married a third wife, Victoria Bower, whom he also later divorced. He had six children, Auguste, Christabel, Barnaby, Beatrice, Felix and Axiom, most of them artists and musicians in their own right
Rectangular framed etching featuring nursery rhyme characters. At lower left, a cat is sitting on a stool while playing the violin, with a dog and a spoon to the right of it. A large cow is in the air above them. The cow has a dish above it and a crescent moon below it. Grass-like lines run along the bottom edge of the picture. Four leaf-like shapes float around the image. Blonde timber frame, white mount.
Inscriptions & markings
l.l.c. - "13/20"
lower centre - "HI DIDDLE DIDDLE THE CAT AND THE FIDDLE"
l.r.c. - "CHARLES BLACKMAN"