Showing 38 items matching gilding
-
Mission to Seafarers Victoria
Painting, (Dry dock), Late 20th C or early 21st Century
Maritime ArtLarge framed glazed landscape format painting depicting in foreground a rusty hull of a ship against a deep aqua blue sky. The hull appears to be in a dry dock with a stylized figure with a red top and blue pants looks down from the prow at the set of low buildings and yard in the foreground. Another ship appears to be moored behind the rusty hull but only the bridge of the ship is visible. At near right in foreground there appear to be two rounded graves or headstones.The frame is sharply beaded and with gilding. The painting has a window mount and is glazed with glass. Paint surface is thinly but intensley painted and seems to be gouache or watercolour on paper. Sealed at back with brown paper mostly intact and a corded hanging system.at lower right corner quadrant there seems to be a mainly rectangular ciphertankers, marine painting, artwork-paintings -
Coal Creek Community Park & Museum
Cup, Late 19th Century
This Victorian era china cup with gilded gold writing and decoration, along with the words " A Present", may have been given as a gift or, because of its small size, been a replica coffee cup for a child to play with.743.1 - Small white china cup, cylinder-shaped, gilded and glazed, with forefinger and thumb grip handle. Gilt decoration and lettering.Gilt Lettering in gold colour- "A Present" on front of coffee cup.cup, miniature, coffee, present, china, white, children, gift, gilding, handle, christening, victorian, font, printing, collectables, gold lettering -
Mission to Seafarers Victoria
Artwork, other - Crucifix, 1950-1970
The Lay Reader David Conolly was associated with the Mission for many years in particular working with trainee cadets and RAN Officers. Painted wood crucifix on a very thin backing support of hardboard. Style of the painting is that of icon artist of Russian/Greek/Byzantine style. An inscription on the reverse. Small steel hanging hook at top edge on reverse. The edges of the icon are painted red and the whole depiction is decorated with much gilding. The whole support is in the form of a t-shaped cross. The top section depicts a risen Christ at the centre surrounded by ten disciples or saints and the hand of God appears to be at the upper central edge. The Christ figure is flanked on the main cross piece by five archangels and Saint Peter. Flanking the torso of the crucified figure appear to be Maria and St Joan and on the right side Mary Magdalen, Mark (Saint?) and a centurion figure. Three small figures also featured in this section. At the lower right corner are two haloed male figures (unidentified).Front; above haloed head of the crucified figure U.C.; IHSNAZARE in gold on a red ground/ REXIVDEORV. Beneath the central panel again gold on red SEASIOANNES AND MARIA. On the other side of the central figure; MARIAMARK CENTURIU/ MAGDALEN...IACO/ BI. Hand-written inscription on reverse; "For/ all who enter/ this sacred space./ The gift of/ David Conolly/ sometime stipendiary Lay Reader/ in the Mission/ 1956-1958.david conolly, crucifix, icons, othodox, artwork -
Surrey Hills Historical Society Collection
Archive - Vertical file, Arkley family
Howard Arkley was born 5 May 1951 in Surrey Hills. His family lived at 72 Essex Road; the house has been demolished and replaced by units. He is widely recognised as the foremost painter of Australian suburbia.A vertical file of information relating to the Arkely family: 1. Handout from Ruth Arkley compiled for her talk to Surrey Hills Historical Society, (undated) including 8 copies of photos (1 page) and milestones in Howard Arkely's life (3 pages). 2. Timeline of Howard Arkley's life from National Gallery of Victoria website, 1951-1999 (6 pages). 3. Information re Howard Arkley from NGV website (4 pages). 4. Australia Post brochure ‘postjournal’ with article re the Howard Arkley stamp and his brother Rob, June/July 2003 (20 pages). 5. ‘A perverse delight in gilding the silly’, re ‘Howard Arkley and friends’ exhibition at TarraWarra Museum of Art, The Age, 15.1.2016 (1 page). 6. ‘The art of suburbia’ re exhibition at TarraWarra, The Age, 22.11.2016, compiled by Gabriella Coslovich. (Friends and collaborators recalled the influence he had on them. These include Callum Morton, Kathy Temin, Elizabeth Gower and John Nixon). (3 pages). howard arkley, tarrawarra museum of art, robert arkley -
Greensborough Historical Society
Folder, Iredale Family, 1878o
Contents: My story of the Iredales and old Greensborough by George Iredale; Family tree of George Iredale and Sarah Hurst; James Iredale and descendants; 1878 news article 'Shooting case at Greensborough'; funeral notice for James Iredale 1885; advertisement for staff Iredale & Co, Para Road Greensborough.History of the origins of this Greensborough family.20-page plastic binder, spiral bound, clear cover. Contains documents relating to the Iredale family.Collected by Greensborough Historical Society. Folder commenced 2012.iredale family, george arthur iredale, sarah hurst, james iredale, george gilding -
Greensborough Historical Society
Genealogical Document, My story of the Iredales and old Greensborough by George A Iredale, 06/04/2002
A family history written by George Arthur Iredale, mainly from recollections from his own life. He delves into the early days when the Iredales first arrived in Greensborough and expands his story with subsequent generations of the Iredale family.The Iredale family are Greensborough pioneers, in the area from the 1850s.18 typed pages.iredale family, george arthur iredale, sarah hurst, james iredale, george gilding -
Greensborough Historical Society
Genealogical Document, The Iredales of Greensborough by Noel Withers, 22/01/1823o
The origins of the Iredale family are traced from Huddersfield in Yorkshire to the arrival of James Iredale in Greensborough (circa 1858). An outline of the life and origins of a pioneer Greensborough family.4 typed pages.iredale family, george arthur iredale, emma gilding, james iredale, margaret sunderland -
Kiewa Valley Historical Society
Painting, Cattlemen of the Bogong High Plains, c1995
Leo Wimmer who lived locally was commissioned to do the painting for the Mt Beauty, S. K. Pearce Pty. Ltd., Supermarket as a display was wanted to fit against the blank walls opposite the cash registers (where the liquor store is now). His idea was to break up the parts in the painting and use these as large replicas painted on wood for the display. An official opening was held and Leo used the money earned to visit his homeland, Austria. Leo trained as a restorer of church art in Austria.This painting was commissioned for a Cattlemen's display behind the cash registers at the Mt Beauty S. K. Pearce Supermarket. Each part of the foreground was painted separately onto stand alone boards -the cattle, the hut, the grass and the Mt Beauty township. Leo Wimmer lived locally and was a professional frame conservator. Leo Wimmer specialised in gilding and worked at the National Gallery of Victoria and later the National Gallery of Australia (NGA Nov. 1981 - 1990) where he was responsible for conservation of gilded frames in the national collection. This involved crafting of missing pieces on period frames, conservation/restoration of gilded surfaces, crafting of period frames, and lecturing at galleries and institutions on gilding, wood carving, Australian frame history and crafting of period frames. Framed painting of Mt Bogong with cattle, Mt Beauty township and cattleman's hut in foreground.Circular watermark (illegible) on bottom right corner. "Wimmer / 1" is underneath the watermark.cattlemen; bogong high plains; s.k.pearce; mt beauty supermarket; leo wimmer;