Showing 47 items matching number 19 set
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4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Book, Royal Australian Armoured Corps Notes for Wireless Instructors, 1950
... number 19 set... by the Regiment handbook wireless training procedures number 19 set Royal ...Handook of equipment and procedures previously used by the RegimentSoft covered book of notes for wireless instructors including the Wireless Set No 19, WT & RT procedure, security use of codes, field cabling etchandbook, wireless training, procedures, number 19 set -
Bendigo Military Museum
Award - MEDALS, RIBBON, Post WW1
John Holley No 1311 enlisted on 11.3.16 in D Coy 39th Batt AIF aged 24 years. Embarked for England 27.5.16. Transferred to the 8th Batt 15.9.16. Hospital with PUO 14.12.16. Hospital on 20.4.17 with sore feet. KIA France 16.4.18. PUO (Pyrexia unknown origin) Refer 2132.2P. .2) One star on a ribbon represented one son/husband lost in the War. John Holley had a younger brother Arthur who enlisted in WW11. Refer 2134..1) Medals, court mounted, set of (2) re J Holley. 1. War Medal 1914-19. 2. Victory Medal. .2) Mothers and Widows Ribbon, black length of ribbon with Rising Sun centre, under is "For Australia", at the top is a polished metal piece with a floral emblem, at the bottom is same metal piece with one brass 7 pronged star. Rear of the top plate is engraved with a number. .3) Small brownish coloured box that housed .2). ..1) "1311 Pte J Holley 8 BN A.I.F" .2) "32962"medals, military, history -
Kiewa Valley Historical Society
Photographs – SECV – Clover Power Station
The Junction Dam and Clover Dam Power Station, stages of the Kiewa Hydro-Electric Scheme, were needed to meet the increased power demands of the wartime industry in Victoria. Clover added 26 megawatts to the grid. Junction Dam was completed and ready to hold water by September 1943, but was emptied in December 1943 and not filled again until May 1944. Construction of Clover Power Station commenced in July 1941 and both turbines were in service by May 1945.Clover Power Station and Junction Dam were part of the Kiewa Hydro Electric Scheme constructed by the State Electricity Commission of Victoria.Set of 21 black and white photographs taken by the official SECV photographer who gave each photo a number prefixed by K (for Kiewa) K1367- 19 Nov 1943 The rotor for the generator K1368- 19 Nov 1943 Base of the generator K1377- 2 Dec 1943 Generator under construction K1380- 2 Dec 1943 Power Station under construction K1381- 2 Dec 1943 Generator being assembled K1386- 3 Dec 1943 Part of the generator K1389- 30 Dec 1943 Inlet pipe work K1391- 30 Dec 1943 Inside the power station K1392- 30 Dec 1943 Inlet pipe work K1396- 27 Jan 1944 Equipment in the power station K1410- 4 FGeb 1944 Unpacking equipment for the power station K1422- 16 Feb 1944 Generator being assembled K1425- 22 Feb 1944 Water way – power station K1433- no date Generator being assembled K1434- 3 Mar 1944 Constr5ucting the power station K1448- no date Generator inside the power station K1450- 17 Mar 1944 Clover Power station K1452- 17 Mar 1944 Looking down on the valve-water release from the power station K1456- 22 Mar 1944 ‘half Travel Opening- No 1 Relief Valve’ Overflow from the power station K1458- 22 Mar 1944 Outlet from the power station K1462- 22 Mar 1944 Inside the power station On the back- each photograph has a handwritten reference number starting with K and the date stamped or writtensecv; kiewa hydro electric scheme; clover power station; junction dam; bogong -
Kiewa Valley Historical Society
Photographs – SECV – Clover Power Station
The Junction Dam and Clover Dam Power Station, stages of the Kiewa Hydro-Electric Scheme, were needed to meet the increased power demands of the wartime industry in Victoria. Clover added 26 megawatts to the grid. Junction Dam was completed and ready to hold water by September 1943, but was emptied in December 1943 and not filled again until May 1944. Construction of Clover Power Station commenced in July 1941 and both turbines were in service by May 1945Clover Power Station and Junction Dam were part of the Kiewa Hydro Electric Scheme constructed by the State Electricity Commission of VictoriaSet of 21 black and white photographs taken by the official SECV photographer who gave each photo a number prefixed by K (for Kiewa) K1463- 22 Mar 1944 Inside Clover Power Station K1464- 23 Mar 1944 Valve K1466- 23 Mar 1944 Fittings for the power station K1467- 23 Mar 1944 Valve K1472- 30 Mar 1944 Equipment being installed in Clover Power Station K1474- 31 Mar 1944 Equipment for the power station K1493- 19 April 1944 Transformer K1495- 28 April 1944 Part of the generator being installed K1514- 11 May 1944 Equipment in the power station K1563- 9 June 1944 Turbine under construction K1565- 22 June 1944 Shaft between turbine and generator K1567- 22 June 1944 Turbine in the power station K1568- 22 June 1944 Transformers K1570- 5 June 1944 Guide vane actuators K1574- 22 June 1944 Equipment in the power station K1567- 22 June 1944 Clover Power Station K1607- 14 Aug 1944 Equipment in the power station K1620- 27 Aug 1944 ‘Charles Tavare (?) Equipment in the power station K1626- 23 Aug 1944 Clover Power Station K1628- 23 Aug 1944 Clover Power Station K1629- 23 Aug 1944 Clover Power Station On the back- each photograph has a handwritten reference number starting with K and the date stamped or writtensecv; kiewa hydro electric scheme; clover power station; junction dam; bogong -
8th/13th Victorian Mounted Rifles Regimental Collection
Decorative object - plumes, 1915 circa
The 13th Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. The regiment took pride in their inauspicious number and adopted the nickname 'the Devil's Own' and wore a black ostrich plume in their hats. The regiment also obtained an unofficial badge featuring a dancing devil. A rare example of a plume worn in military headdress in World War One. It is well provenanced. in good condition and complete.Framed set of ostrich plumes in light black wooden frame with glass front."Original issue plumes as issued to 13 Light Horse Regt prior to the introduction of Emu plumes. Presented by 13 ALH (AIF) Assn"13th light horse, military, light horse, wwi -
National Wool Museum
Photograph - 02 Wilkin, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 03 Wendy, Nicole Marie, Women In Wool - Photographic Collection
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 04 Katelynn, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke KeoghVirtual Imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 05 Chloe, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 06 Tilly, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 07 Panels, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 08 Pinhole, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Book, Knitting, What to Make for Baby
This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book contains patterns for baby clothes and was written by Ella Allan who authored numerous patterns books from c.1917 through to the early 1930s.What to Make for / Baby / Designs in Knitting / and Crochet. / Dedicated to everyone who Loves / a Baby. / PART THREE / By ELLA ALLAN / Wholly set up and Printed in Australia by / E.H. GIBBS & SONS, Printers and Publishers, / 19 Niagara Lane, Melbourne.knitting handicrafts - history crochet, allan, ella, knitting, handicrafts - history, crochet -
National Wool Museum
Photograph - 01 Bendigo, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
8th/13th Victorian Mounted Rifles Regimental Collection
Badge - Identity disc Schleibs
Frederick August Schleibs a 44 year old farmer of Wodonga enlisted in AIF 30 March 1916 and was allocated to 2nd Pioneer Battalion with regimental number 2972. En route to England he was hospitalised at Cape Town with injured knee. He was returned to Australia and discharged 27 October 1916. He reenlisted 21 February 1917 and sailed with 28th Reinforcements 8th Light Horse to Egypt. He returned to Australia following the war. Unusual to see a foreign coin used as an identity disc.Soldiers identify disc set connected by string; one aluminium and one a Portuguese 20 Reis coin. Both are stamped with information relating to 3383 Frederick Augustus Schleibs who served with 8th Australian Light Horse in World War One.On aluminium disc "A F Schleibs / 3383 / 8LH / CE", and on reverse "Wife / Wadonga / Vic / Aust". On coin "FAS / 3383 / CE"schleibs, light horse, 8th, world war one, wwi, aif, pioneer, wodonga -
Bendigo Military Museum
Photograph - Personnel and Equipment, Army Survey Regiment, Fortuna, Bendigo. c1979, c1979
This is a set of 23 photographs of cartographic, aero-triangulation and lithographic equipment, and personnel at the Army Survey Regiment, Fortuna, Bendigo circa 1979. Photos .8P to .23P were taken in Lithographic Squadron’s printing, Camera, proofing rooms and external buildings. Cartographic Squadron’s SGT Jim McDonald operated the Editwriter type setting machine, as shown in photo .2P for a couple years in a room on the top floor of Fortuna Villa. This is a set of 23 photographs of cartographic, aero-triangulation and lithographic equipment, and personnel at the Army Survey Regiment, Fortuna, Bendigo, c1979. Black and white photos are on photographic paper and mounted on manilla card. They were scanned at 300 dpi. .1) - Photo, black & white, c1979, Typesetting machine, ‘Editwriter’ Model 7500, SGT Jim McDonald. .2) - Photo, black & white, c1979, Processor Model ACP101 & dual disk module (attached to Editwriter). .3) - Photo, black & white, c1979, Duplicating machine, stencil process electric ‘Gestetner’. .4) - Photo, black & white, c1979, Comparator photogrammetric stecometer, modified ‘Carl Zeiss’, CPL Jack Elverd. .5) - Photo, black & white, c1979, Point transfer device ‘Wild PUG IV. .6) - Photo, black & white, c1979, Zoom transfer scope, stereo ‘Bausch & Lomb’ .7) - Photo, black & white, c1979, Stereoplotter analytical automatic, ‘APC/3-1’. .8) - Photo, black & white, c1979, Prophylaxis unit, ‘Densply/Cavtron’ .9) - Photo, black & white, c1979, Machine punch register (made by Bendigo Ordnance Factory). .10) - Photo, black & white, c1979, Plan printer 122cm (48”) wide. ‘Admel Bruning’ Model - 5003A. .11) - Photo, black & white, c1979, Metal halide printing lamp. ‘Violight 5000 HV’ .12) - Photo, black & white, c1979, Densitometer transmission or reflection, ‘Macbeth’ Model – TR 524 MD. .13) - Photo, black & white, c1979, Machine whirling vertical type ‘Payne VLW’. .14) - Photo, black & white, c1979, Densitometer reflection, ‘Macbeth’ Model – RD917. .15) - Photo, black & white, c1979, Densitometer reflection, 240V ‘Cosar’ .16) - Photo, black & white, c1979, Printer contact ‘Hohlux’ Model RP-II, LCPL Martin Van der Maele. .17) - Photo, black & white, c1979, Frame printing vacuum vertical. .18) - Photo, black & white, c1979, Frame printing vacuum flip top 91cm x 117cm. .19) - Photo, black & white, c1979, Printer reduction stereo plotter diapositive ‘Wild’ Model – U3A modified and U4A modified to U4A plus. .20) - Photo, black & white, c1979, Printing press offset rotary lithographic 3 colour ‘Ultra-MAN-III’ .21) to. 23) - Photo, black & white, c1979, Camera cartographic consolidated super 100 32” x 32”The three personnel appearing in this set are identified. Most items have a full description, NSN, serial number, and the Repairer’s name, address and phone details and contact name. Just the full description is documented.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr -
Port Melbourne Historical & Preservation Society
Photograph - Station Hotel, Sandridge, Roger Gould?, 1871
Photographed in 1872 by William PATERSON as one of a series for the Melbourne Exhibition of 1873; original mount hanging in Engineering Department at Port Melbourne Town Hall at 19-9-1994 but now in Port Phillip,City Collection. This set of original prints belonged to Town Clerk Syd ANDERSON, then to his daughter-in-law Phyllis ANDERSON (donor). Accompanied by list of captions, both hand written and typed (the latter a partial listing). Glossy print, copy of photo c1871 of early Station Hotel from the footbridge over the railway line, prior to extension of Bridge Street over the railway. Shows Presbyterian Church, carriages, a number of people, geese on the Railway Reserve.hotels, religion - presbyterian church, costume, transport - horse, parks and gardens, sydney sims anderson, town clerks, bridge street, railway reserve -
Ballarat Tramway Museum
Slide - 35mm slide/s - set of 13, Carolyn Dean, 24/09/1970 12:00:00 AM
Set of photographs of operations, including special tram, track work by SEC prior to the Bendigo system closing closing.Set of 13 Agfa slides, blue and white plastic base of Bendigo trams. Taken 24.9.1970 by Carolyn Dean. .1 - "5" - No. 7 at Golden Square terminus, with Golden Square Hotel in background. .2 - "6" - No. 7 passing SEC workmen replacing a broken joint, in McCrae St. Piece of rail alongside tram. .3 - "7" - No. 7 crossing No. 29 at start of double track with Hotel in background .4 - "8" - No. 29 running special at depot junction. .5 - "9" - No. 29 turning from Nolan into Bridge St. .6 - "10" - ditto, passing old loop .7 - "12" - ditto, turning from Caledonia into Thunder St .8 - "13" - ditto, southbound in Pall Mall near Bull St. .9 - "16" - ditto, crossing bridge into tram depot, with tram depot in background. .10 - "17" - ditto, entering depot. .11 - "18" - No. 26 entering the Eaglehawk terminus, High St. with Leo A Hughes photographer shop in background. .12 - "19" - No. 26 at terminus, showing "Quarry Hill", with High St in the background. .13 - "21" - No. 26 after leaving terminus, travelling in High St with shops n the background.Each slide has in corner a number in pencil and the first one the date of "24-9-70".tramways, trams, bendigo, tram 7, tram 29, tram 26 -
Ballarat Tramway Museum
Slide - 35mm slide/s - set of 5, 1970's
Series of five 35mm slides in a yellow colour "Peter Fox Collins St. Melbourne" cardboard mounts, of view of Bendigo trams. Each slide along the top edge has the details while the bottom edge, has a number in the details area. 2599.1 - No. 9420, No. 24 at Quarry Hill - photo at dusk, poor quality, has surface damage all over slide. 2599.2 - No. 9421, ditto 2599.3 - No. 10132, No. 19 in Bendigo Trust operation colours at intersection of McCrae St & Nolan St, some surface damage around the top and bottom edges. Has Gillies Pies roof advertisement. Tram has destination of North Bendigo. 2599.4 - No. 10133, No. 25, High St, south of Charing Cross - some surface damage around the top and bottom edges. Tram has roof advertisements for "Gas" and "Myers". Has destination of Joss House 2599.5 - No. 10134, No. 19, Pall Mall, some slight surface damage. Tram has destination of Golden Square and has a roof advertisement for Sandhurst Milk and one other company. In blue ink on each slide; number as above in bottom edge. 2599.1 and .2 - "No. 24 Quarry Hill" 2599.3 & .5 - "No. 19 Nth Bendigo" 2599.4 - "No. 25 Nth Bendigo"tramways, trams, bendigo, pall mall, bendigo trust, nolan st, tram 24, tram 19, tram 25 -
Ballarat Heritage Services
Photograph - Colour, Flag of St Alipius', Ballarat East, 2004, 23/09/2004
"Centenary of Fnrst Mass at Ballarat Friday last marked the centenary of the arrival of the first priest and the celebration of the first Mass in Ballarat. The Rev. Patrick Dunne reached the diggings on October 17, and on Sunday, October 19, 1851, in a bark hut near Brown Hill, he celebrated Mass. Worshippers had to kneel on quartz gravel. The weather had been the worst experienced in Victoria for a number of years, and most of the creeks between Melbourne and Ballarat were flowing torrents, but Father Dunne (who came from the Coburg mission), carrying the barest necessities and the sacred vestments, set out for Ballarat on horseback. He had to ford and swim his horse across the creeks. When most of his congregation left for the Castlemaine diggings Father Dunne returned to Melbourne. In August, 1852, Rev. Matthew Downing became Ballarat's first resident priest. He built a large wooden structure with a canvas roof which served as a church, but later erected at the Gravel Pits the first permanent church. This church was the largest of any house of worship on any goldfield in the colony. It cost £ 100, contributed solely by Father Downing and his flock. Soon after he got the authorities to survey a large piece of land at the back of the township as a burial ground and procured a grant of £500 for fencing it. A grant of £250 was also obtained for the improvement of the chapel and fittings of a school, where Michael Campion Carey opened the first school. Rev. Patrick Smyth succeeded Father Downing, who was followed by Rev. P. Madden, who in 1857 began to plan the erection of St. Patrick's Church. The foundation stone of this was laid by Bishop Goold on February 12, 1858, and the church was opened for the first time on November 8, 1863." (Melbourne Advocate 25 October 1951)Two colour photographs showing the St Alipius' Catholic Church flag - a blue cross and border on white. st alipius, church, ballarat east, flag -
Melbourne Legacy
Slide, Operation Float 1961, 1961
A colour slide of children on a motor boat for Operation Float. Operation Float was an event run by Melbourne Legacy to take Junior legatees on an outing. It could have been to naval boats such as HMAS Cerberus or to a Yacht club. It gave the junior legatees the opportunity to see a naval boat in action, spend time on the water or try sailing. Part of a set of slides that are printed on Ektachrome and discoloured to a pink tinge. The year is possibly 1961 as one slide has the date on it. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of outings being organised for children.Colour slide of children on a motor boat in Kodak Ektachrome cardboard mount with yellow and blue print.Printed on front 'Made in USA' in blue ink. Embossed with slide number '19' in one corner. Printed on reverse "Kodak Ektachrome Transparency / Processed by Kodak" in blue ink.operation float, junior legatee outings -
Ballarat Tramway Museum
Slide - 35mm slide/s - set of 13, John Theodore, Sept. / Oct. 1974
Yields information about depot activities of the BTPS in commissioning No. 40 on the access track Sept. / Oct 1974.Set of 13 AGFA blue and white plastic mount 35mm slides of the first day that 40 operated on the access track - late September early October 1974. Fares Please! for Sept. 1974 says that the first tram under power was 27 on 19/9/1974. Slides in order number noted on the slide. .1 - 40 on the access track. .2 - crossing the level crossing towards the depot .3 - on the access track .4 - ditto .5 - celebrations - Richard Gilbert, Rolf Jinks, Graeme Jordan, Lindsay Bounds .6 - celebrations .7 at the depot .8 - celebrations - with Peter Rees as well. .9 - On the depot fan .10 - crossing the level crossing .11 - at the depot .12 - on the access track - note the white stop block behind the tram. .13 - at the depot.Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, btps, commissioning, depot, tram 40 -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Domestic object - Placemats Large (set of 93)
Black, plastic covered place mats with silver embossed 4/19 PWLH Regiment badge in centre. Number reduced to 93 after 2 stolen.place mat, formal dinner, messes -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s set of 2, Harvey Studios, 19/09/1971 12:00:00 AM
Yields information about the closure of the SEC operated Ballarat tram system and the people involved.Set of two photographs of the last tram leaving the Borough of Sebastopol where the tram keys were handed over to to Cr. J. Chisholm , at the town boundary. Cr. N. Donald, Mr. L. J. Denmead (behind Lew Walker), L. Walker, Cr. Walker, Mrs. Chisholm and Mrs Donald. Photo taken 19/9/1971. For The Courier newspaper photographs of the event see Reg Item 3335.On rear is the Photography stamp - "N.L. Harvey & Son - Photographers - 131 Sturt St, Ballarat" with phone numbertrams, tramways, closure, sebastopol, last tram, city of ballaarat, borough of sebastopol, closure, tram 40 -
Ballarat Tramway Museum
Photograph - Colour Photograph/s - set of 13, Lloyd Rogers, 30/04/1989 12:00:00 AM
Yields information about the appearance of the operation of BTPS tram No. 661 in Melbourne on a tour.Set of 13 colour prints of BTPS / BTM tram No. 661 in Melbourne on a BTPS tour 30-4-1989. All photos by Lloyd Rogers, on AGFA paper. All have a photo number on rear and captions - see images 14 to 19. .1 - At Sth Melbourne Beach terminus. .2 - MMTB Paying fares dated Dec. 1968 in four languages inside tram. .3 - 661 and 878 at Brunswick Depot .4 - Y612 partly derailed at Brunswick .5 - 661, 8789 and 612 at Brunswick .6 - 661 at Batman Avenue .7 - Batman Avenue .8 - from the window looking forwards - reserved track. .9 - at South Melbourne Beach terminus with Bleak House in the background and an Advert for Swan Premium beer. .10 - ditto with Vopas Centre building in the background and an advert advertising Volvo motor cars - Swedish Lifesavers. .11 - ditto .12 - interior view of tram .13 - At Batman Ave with the shop on the railway side in the view.See images i14 to i19 for rear of photos.trams, tramways, melbourne, batman ave, brunswick depot, south melbourne beach, tram 661, tram 612, tram 878 -
Ballarat Tramway Museum
document - Correspondence, Electric Supply Co. of Vic (ESCo), Jul. 1927
Set of two letters and a newspaper cutting between Mr. P. J. Pringle of ESCo Ballarat and Mr. D. Murdoch, General Manager of the TB Melbourne regarding the controversy with the SEC regarding the possible takeover by the SEC of the Ballarat and Bendigo power supplies and the trams. 1973.1 - Letter from ESCo to TB dated 19/7/1927 and received by TB 21/7/1927 forwarding some cuttings regarding the matter (see Reg. Item 1973.3 and 1974.). On ESCo letterhead. 1972.2 - Carbon copy of letter from TB to ESCo, on pink paper dated 21/7/1927 regarding the matter. 1972.3 - Newspaper clipping from The Courier, 13/6/1927 titled "Future Electricity Supplies / Yallourn or the Company? / Ballarat and Bendigo Confer" Contains a statement from Mr. P. Pringle and reports on the conference held between Ballarat and Bendigo Councillors in Ballarat on previous Saturday afternoon. On top of the pink sheet written in pencil is the file number "22/1/2" and on the newspaper clipping, 1972.3 "Courier 13/6/27".tram, trams, sec, esco, mmtb, takeover, power supply -
Ballarat Tramway Museum
Newspaper - Newspaper Clipping, Circular, 7/03/1979 12:00:00 AM
Set of sheets with small newspaper clippings and a circular advertising the Ballarat Tourist Tramway operational details and fares collected by Paul Nicholson on behalf of the BTPS. 3725.1 - series of four number A4 BTPS letterhead with cuttings from The Age and other sources - dated Jan. 1978 to May 1980 pasted onto the A4 sheets with handwritten notes about date and source. 3725.1 - RACV Touring Bulletin - Volume 19, Number 4 - foolscap, double side duplicated sheets, with a blue banner on the front. Dated Wed. 7/3/1979, with items about 25 Years of Moomba, Tourist Tramway - Ballarat, giving dates, time and fares, Highland Gathering, Melbourne Tattoo and the Pioneer Country Sound and Wheels Festival - Swan Hill.tram, trams, btps, advertisements, publicity, racv -
Melbourne Tram Museum
Ephemera - Timetable, Melbourne & Metropolitan Tramways Board (MMTB), Set of 29 MMTB tram timetables, Jul. 1969
Set of 29 MMTB tram timetables, folded sheets, 4 fold, providing timetables for specific routes, day of week giving information on tram times at the terminus, sections and fares, running times. Some signed by W. J. Richards as Acting Traffic Manager, or R. C. Drummond as Traffic Manager. Route Numbers not given on cover, generally given on inside. Where a All night service was applicable, shown as well. .1 - Burwood - City - 9/1962 .2 - Camberwell - City - 9/1962 .3 - Carnegie - City - 6/1962 .4 - Domain Rd - City - 10/1962 .5 - East Brighton - City - 6/1962 .6 - East Coburg - city - 9/1962 .7 - East Malvern - Darling Rd - City 27/5/1962 .8 - East Preston - City - 11/1962 .9 - Essendon Aerodrome - City - July 1962 .10 - Essendon (Matthews Ave) - City - 7/1962 .11 - Glen Iris - City - 8/1962 .12 - Hawthorn - Spencer St - 7/1962 .13 - Kew Cotham Rd - St Kilda Beach - 8/1962 .14 - Malvern Burke Rd - City - 8/1962 .15 - Mont Albert - City - 7/1962 .16 - Moreland - City - 9/1962 .17 - number not used. .18 - North Balwyn - Spencer St - 7/1962 .19 - North Coburg - City - 6/1962 - has Sunday only Fawkner Railway station service on rear - 6/1962 .20 - North Richmond - Prahran and St Kilda Beach - 7/1962 .21 - Northcote (via St Georges Rd) - City - 7/1962 .22 - Prahran - City - 7/1962 .23 - South Melbourne and St Kilda Beach - City - 6/1962 .24 - St Kilda Beach - City - - 9/1962 .25 - Toorak - City - 8/1962 .26 - Wattle Park - Elgar Rd - City - 9/1962 .27 - West Maribyrnong - City - 7/1962 .28 - West Preston - City - 6/1962 .29 - West Coburg - City - 10/1962Some have "Robert Wilson" stamp on the covers.trams, tramways, timetables, tickets, fares, mmtb, all night services -
Melbourne Tram Museum
Ephemera - Ticket, Melbourne & Metropolitan Tramways Board (MMTB), "Employee's Pass", 1970's?
Set of three MMTB Employee's Pass, or Employees Pass, allowing for one trip by an employee - required the month and date to be nipped. Not numbered. .1 and .2 - grey card, green ink - both used on the same day - April 30 .3 - dark grey card, purple ink - Sept. 19 See also Reg item 949 and 2599 for another examples.trams, tramways, tickets, employees pass, drivers, crews, mmtb -
Melbourne Tram Museum
Document - Report, Melbourne & Metropolitan Tramways Board (MMTB), "MMTB Passenger Shelters as at", c1978
Set of 3 Reports and one photograph, titled "MMTB Passenger Shelters as at" .1 - 16 foolscap pages, dated 1/4/1979, listing the route, route number intersection, tram stop, identification number, and type. Includes bus routes. .2 - ditto, 17 pages, dated 8/10/1979, prepared by R. G. Vanselow .3 - similar 8 pages, with hand written notes and giving drawing numbers. .4 - colour photograph of modular steel and glass type at stop 19, possibly St Kilda Road. Stop 19 in St Kilda Road was at Toorak Road, but the building is not there on Google Earth. Stop 19 on Flemington Road is at Abbotsford St (a Service Station) and Stop 19 Royal Parade is at College Crescent.trams, tramways, tram stops, tram shelters, bus routes