Showing 10688 items matching art
Artwork, other (927) Ceramic (647) Decorative object (367) Drawing (3189) Mixed media (236) Painting (1913) Print (1376) Sculpture (308) Textile (723) Work on paper (1002)-
Friends of Ballarat Botanical Gardens History Group
Work on paper - Description of Pavilion, Statuary Building - Original Description, Courier, Saturday 4th August, 1888, 4/8/1888
Researched and copied by J.Garner from Ballarat Courier newspaper for project on statues in BallaratClear and very detailed description of the Gardens statuary pavilion and contractors employed1 copyNonejohn garner collection, garner, dr, statues, pavillion, original description, courier, ballarat botanical gardens, ballarat, gardens -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 59 Willow Grove, Kew East, 1989
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 59 Willow Grove, Kew East by Margaret Picken.59 WILLOW GVE., EAST KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 59 willow grove -- kew east (vic.) -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Untitled, Undated
Donated from the estate of Wemyss Struss, 2016Chalk on papergippsland, artwork, permanent collection -
Darebin Art Collection
Print - Tama Sharman, Tama Favell, Rarohenga, 2012
Tama Sharman's Rarohenga is a lino print that honours Daddy Mase, who has passed but remains a dearly loved elder in the Narm - Darebin trans/queer community.lino print -
Whitehorse Historical Society Inc.
Ceramic - Border Tile
See 359Border tile glazed with brown and white squares. Rounded on one end.(on back) 298ceramics, earthenware -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - 2589 Tenue de canicule [Paris l'Ete. 3], Honore Daumier
French 1808 - 1879LithographInitialled l.l in stone -
Whitehorse Historical Society Inc.
Ceramic - Border Tile
See 359Border tile glazed with light orange and dark orange geometric design cut into surface.676 (on back)ceramics, earthenware -
Vision Australia
Painting - Artwork, Portrait of Thomas Marks, 2001
Framed portrait of Thomas Marks who was President of the Association for the Advancement of the Blind 1900, 1935-1937. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Marks sits at a table, wearing black tails and pants, a white pleated dinner shirt and black evening dress bow-tie. One hand rests next to a cup and saucer, the other rests on his lap. Tom Marks was educated at the Royal Victorian Institute for the Blind. He was a founding member of the Association for the Advancement of the Blind (now Vision Australia) at its establishment in 1895. He went on to serve as President of organisation in 1900 and was later appointed as a part time paid secretary – an office he occupied from 1904 to 1927. He again served as President from 1935 to 1937 during which time he celebrated his 80th birthday. As the living conditions of many blind people were deplorable at this time – they were often confined to a room or shed without any social contacts – it was realized that support for blind persons was needed to serve as a refuge for the oppressed, a home for the indigent, a rest home for the sick and a convalescent home to provide both respite care and permanent accommodation. Mr Marks had a reputiation of having good contacts and being able to use people with more knowledge than himself. An able musician, Tom Marks was often employed in the homes of wealthy families. As a result he met Mr and Mrs Grimwade who were already supporters of Vision Australia. They organized a gymkhana to raise money for the nucleus of a building fund. From this time Tom Marks was involved in the finances of the centres at Brighton, Ballarat and Bendigo, which were the ultimate result of the fund. He was also part of a team that negotiated the financial agreement between the RVIB and Vision Australia over fund raising and the allocation of money, which lasted from 1930 to 1939. 1 art original in gold frameThe plaque at the base of the painting reads 'Mr Thomas Marks / President 1900, 1935-1937/ Association for Advancement of the Blind'. association for the advancement of the blind, thomas marks -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 9 Laver Street, Kew, 1996
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 9 Laver Street, Kew by Margaret Picken.9 LAVER ST., KEW / MARGARET PICKEN '96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 9 laver street -- kew (vic.) -
Ballarat Heritage Services
Painting - Artwork - Painting, Capriccio #11 by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
Kew Historical Society Inc
Decorative object, Birds of Australia, 1950s
One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Linen table cloth with printed images of birds of Australia with a two-tone green borderlisa sylvan, household linen, table cloths, australiana, australian birds -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 48 Harp Road, Kew, 1993
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 48 Harp Road, Kew by Margaret Picken.48 HARP RD., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 48 harp road - kew (vic) -
Wangaratta Art Gallery
Painting, Barry Walsh, The Kelly Gang, unknown
Barry Walsh The Armour “From the Lives of the Kelly Gang” is a comprehensive series of works. It captures the very emotion and spirit that evolved during Barry’s sensitive study of the persecution and injustices imposed upon common people by British Authority during the early Australian colonial days. “The Lives of the Kelly Gang” is the story of four very highly spirited young Australian men who could have been accredited to great things had they not settled on the wrong side of the law. Actions of the four boys surrounding the bank robberies led me to believe they were quite gentlemanly, incredibly cunning and humorous with a high respect for women. But the shootings at Stringy Bark Creek sealed their fate. Relishing in the fact that they had become famous for their pursuits enjoying the notoriety and sharing the money they stole with everybody around them, appearing very carefree and talented, to some extent I found empathy with their plight. Their evangelistic crusade can only be viewed as misguided. However, the story is still relevant to youth today. Guns are beautiful instruments which symbolize authority, but have enormous consequences when emotions rule their control. As a devout Australian citizen enjoying the fruits of our rich and colourful past, I proudly present “The Armour” as a sample of “From the Lives of the Kelly Gang” as a statement reflecting how far we have come along the road of democratic justice and parliamentary progress.Rural City of Wangaratta CollectionA 5 panel piece depicting the armour worn by the Kelly gang.wangaratta art gallery, barry walsh, kelly gang, painting, armour -
Churchill Island Heritage Farm
Ceramic - Cream Jug, c. 1950
This cream jug would have been used to hold cream for table use. This chintz transfer ware was made from 1930 until the 1980’s. The Rose time pattern was introduced in 1931. The Lord Nelson ware was made by Elijah Cotton, ceramic makers of Staffordshire, England.Ornate cream jug with large curved lip and generous handle with scrolling. Lord Nelson Ware, 'Rose time' series with purple and orange roses with green leaves on cream coloured background. Antique design. Matches milk pitcher 0288 china, lord nelson ware, amess house -
Gippsland Art Gallery
Painting, Voigt, David John, Valla Beach, Sand Ridge, 1982
Purchased, 1982Watercolour and pencil on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Sculpture, Woollard, John, Red Gum Bowl, 1983
Purchased with the assistance of the Crafts Board of the Australia Council, 1983Red Gum burlgippsland, artwork, permanent collection -
Gippsland Art Gallery
Sculpture, Budgeree Glass [Nick Mount & Tony Hanning], Stemmed Wine Glass, c.1981
Artworks Gallery Collection. Donated by Norman & Petah Creighton, 2018Glassgippsland, artwork, permanent collection -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Untitled, Undated
Donated from the estate of Wemyss Struss, 2016Oil pastel on papergippsland, artwork, permanent collection -
Robin Boyd Foundation
Drawing - Architectural, Arnold House
Project: Arnold House, Kangaroo Ground, Warrandyte from office of Romberg and Boyd. "Box 78/1"Sketch, Pencil (Copy), Drawing No 4, Paper type A1 -
Kew Historical Society Inc
Print, Hebert Joseph Chambers, Sydney, 1962
Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenn’th [sic] Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by Bailey as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.Small copy of an original photograph of Herbert Joseph Chambers, a member of the male staff of the Kew Mental Hospital, standing between two unidentified men at Circular Quay, Sydney. The donor believes his father, Herbery Chambers, was in Sydney attending a conference in 1962."Nursing Conference Sydney 1962 / Unknown | Herbert Chambers | Unknown"herbert joseph chambers, kew mental hospital -
Federation University Australia Art Collection
Ceramic, [Untitled] by Ino Kyoshi, c1982
Ino KIYOSHI (b 1946, Kyoto Japan, d. 2008) Worked in Australia from 1973–76 and 1978–2008 Ino Kiyoshi was to a family that has been involved in the production of pottery for some 160 years. Working in the family studio while studying at the Kyoto School of Arts and Crafts, he completed his diploma of Ceramic Art in 1969. He then attended the KyotoTechnical School for a post-graduate course in glazing. then lectured in ceramics at the KyotoTechnical School. Following in the footsteps of the famous Japanese potter, Shoji Hamada who had visited Australia in 1965, Kiyoshi Ino visited Sydney in 1973, where he worked with Japanese potter Shigeo Shiga). Kiyoshi took up an appointment as Visiting Lecturer in Ceramics at the Gippsland Institute of Technical Education, Churchill, Victoria, from 1974 to 1976 and returned there as Assistant to the Senior Lecturer in Ceramics in 1979. He ceased teaching at the Gippsland Institute in 1988. Ino was involved in the establishment of a space for artists in the old butter factory at the nearby township of Yinnar and in 1982 the Yinnar Art Resource Collective, commonly known as Yinnar ARC, was established. Ino has exhibited extensively throughout Australia. Gift of the artist, 1982impressed seal for Kiyoshi Ino on baseceramics, shikuhu ino, jan feder memorial ceramics collection, gippsland campus, yinnar, yinnar art resource collective -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - 2678 Le tourniquet, Honore Daumier
French 1808 - 1879LithographInitialled l.l in stone -
Eltham District Historical Society Inc
Work on paper - Article, 9th Eltham Town Jazz & Blues Heritage Festival Success!, [2009]
Article by Howard Chant published in theEltham Town Community News [2009] page 13 ASlso miscellaneous advertising material opposite page (12) [reverse side of article on Judge Book Village] advertising, bunnings, eltham chambver of commerce and indiustry, eltham town jazz blues heritage festival, howard chant, la zanyas, machan indian restaurant, steve herbert mp -
Federation University Australia Art Collection
Ceramic, Lidded Porcelain Pot by Warren Arthur, c1983
Arthur WARREN (1958- ) Born Yallourn, Victoria Arthur Warren attended Gippsland Institute of Advanced Education from 1977 to 1979. He later returned as a visiting lecturer. After graduating Arthur Warren trained with Victor Greenaway for six and a half years, before establishing Amesfield Pottery in Upper Beaconsfield in 1986. Lidded poecelain Potwarren arthur, ceramics, jan feder memorial ceramics collection, gippsland campus, alumni, victor greenaway, amesfield pottery -
Federation University Australia Art Collection
Ceramic, Tea Set by Ursula Nowicki, c1986
Ursula NOWICKIA woodfired stoneware Teapot, sugar bowl and milk jug.UN on baseursula nowicki, ceramics, jan feder memorial ceramics collection, jan feder, gippsland campus -
Gippsland Art Gallery
Painting, Young, Richard, Warrigal Creek, 2019
Donated by the artist, 2019Acrylic, Canvasgippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, BOWEN, Dean, Child with a Comb, 1998
-
Robin Boyd Foundation
Drawing - Architectural, Robin Boyd, 290 Walsh Street South Yarra, 1958
Project: House for Mr and Mrs Robin Boyd, 290 Walsh Street South Yarra drawn by Robin Boyd of Robin Boyd, Grounds Romberg & Boyd.Working Drawing, Colour copy, very faded. -
Gippsland Art Gallery
Print, Waters, Pat, Birth, 1997
Purchased, 1997Monotype on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 89 Kilby Road, Kew East, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 89 Kilby Road, Kew East by Margaret Picken.89 KILBY RD., KEW / MARGARET PICKEN '98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 89 kilby road -- kew east (vic.)