artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

FavaloroA length of cream coloured linen fabric.favaloro, fabric

Gouache, watercolour and ink on paper, aluminium strip borderSigned vertically lower right corner in comp in composition "Suggett"

Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Black leather cover with the title in gold lettering and a gilt stamped border decorating the outer edge of the front cover. The spine is also decorated in gold along with the title and the volume number. Back cover is blind stamped with publisher's logo gold stamped in centre. Inside the rear cover is the binder's stamp of W. Detmold, a Melbourne bookbinder.non-fictionA history of Victoria from the time of the discovery of Australia through until 1888.melbourne, victoria, exploration, settlement, john batman, john pascoe fawkner, pioneers, colonisation, aboriginals, discovery of gold, democracy, burke and wills, agriculture, manufacturing, literature, art, music, drama, education, science, churches, history, ballarat, eureka

Eolo Paul Bottaro is a Melbourne-born artist of Italian heritage who divides his time between Sicily and Australia. He has always worked across multiple mediums, including painting, sculpture, drawing and printmaking. In his oeuvre, mythology and urban life occupy the same space, as he adapts ancient tales often sourced from art history to create contemporary narratives. Each of his finely rendered oils, sculptures and works on paper has the capacity to send the viewer on an imaginative and intellectual journey to decode their meaning. By enacting ancient stories in familiar urban surroundings, the artist alludes to the enduring relevance of myth to express human experience. Alongside his interest in myth and place, considerable attention is dedicated to that ephemeral quality that keeps the eye and spirit engaged – beauty. Not in a cliché sense of a gorgeous face or body represented in paint, but a beauty that resides in both the fine details rendered, and his overarching compositions that sync with natural geometry (such as the golden mean) to create a pleasing visual harmony.melbourne

Digitised video (1.82GB). Duration: 38 minutes. Recorded September, 2019. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presentation: DNA testing is a very important tool for the family historian. It can help to verify your family tree and provide helpful clues to inform the future direction of your research. It can also sometimes help to break down those long-standing brick walls. In this talk, Peter Fry unravels the mystery of family ties using DNA.

Drawing - No. A3549 - titled "Esplanade loop St Kilda - Alteration to Barrier Gates and Additional Posts", shows buildings on the site, Candy corner, Kiosk, tram tracks, proposed fencing and gates, signed by Chief Engineer D Eakins on 30/4/1956. Has a hand date stamp of 7 Apr 1956 on rear noting the date printed.trams, tramways, st kilda, candy corner, turning loops

Warren Lane completed a Diploma of Arts in Visual Arts with distinction in 2008 at NMIT. He has exhibited in local and national art prizes including the Darebin Art Show (winner, 2008 and People’s Choice award 2010 and 2011) the Casella Art Prize (winner, 2009) and the Bald Archy Prize (winner, 2013). Lane’s work is held in public and private collections in Australia and China including City of Darebin, City of Yarra, Attorney General’s Collection, Fad Gallery, and Anhui University (China).painting

Englis - Australian 1818 - 1880Lithograph

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily, white round crocheted work with flower motif in centre and scalloped edge. From the Chamberlain Dale Lees Collection. flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, needlework, crochet, handmade, craft, manchester, linen, haberdashery

shipwrecks & rescuesMERLAN wreck c1949Wreck of the MERLAN & its crew rescue c1949Reverse " NIL ".historical references

Made by the City of Port Melbourne for the demonstrations before and after the forced amalgamation by the Jeff Kennett State Government of the City of Port Melbourne with the Cities of South Melbourne and St Kilda to form the City of Port Phillip. First demonstation was against the City of Melbourne Act which excised 42% of Port Melbourne's rate base (Fishermens Bend) and so laid the groundwork for amalgamation afterwards because Port Melbourne could not survive on the remaining rates. Refer to Pat Grainger, Liana and David ThompsonWhite cardboard attached to a wooden stick with hand lettered anti-amalgamation slogan in black. "Are You Deaf Jeff?"public action campaigns, amalgamation, local government - city of port melbourne

This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 39 Earl Street, Kew by Margaret Picken.89 EARL ST., KEW / MARG PICKEN '87artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 89 earl street -- kew (vic.)

Watercolour painting of Catalina Flying Boat - Attached to rear of frame is a short history of the Catalina Flying Boat together with the service history of Owen and and his younger brother Roy MORTIMER who both served in the Royal Australian Air Force in the South West Pacific area during WW2 Developed as a naval patrol aircraft, the Consolidated PBY Catalina was a widely exported flying boat during World War II. Over the course of the conflict it served with a number of different nations in a variety of roles. In the Royal Australian Air Force, PBYs and PB2Bs (a variant built by Boeing in Canada) served as multi role bombers and scouts, the type eventually earning great renown among Australian aircrews. The motto of the Catalina squadrons was "The First and Furthest." Gold painted embossed metal frame with cream coloured mount containing watercolour painting of plane on waterCatalina Flying Boat Royal Australian Air Force catalina flying boat, raaf, mortimer, ww2

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High Street in Wodonga, but a new warehouse was built in Melbourne Road later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the bracelet has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A silver toned bracelet with multiple connected chains"(c)SARAHCOV" on clasp sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, bracelet

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Hilda was a member of The Embroiderers Guild U.K., a teacher and Judge. She prepared study material and embroidered items for the British Home Industries. Hilda worked on the WW1 tapestry depicting Women's War Work, displayed in the Imperial War Museum. An Annual Prize is awarded in her name for Silk Shading, by a First Year Apprentice at the Royal School of Needlework, London.One of eight stitch samplers worked on coarse counted thread or woven linen. Demonstrating a variety of techniques and embellishments.Hilda Watson Milford Surrey Label on backsampler, embroidery

White silk handkerchief with newspaper headlines and stories related to the surrender of Japan on 2 September 1945.World War 2White silk handkerchief with screen prints in green of newspaper articles of surrender by Japanese 2 September 1945.as abovemilitary history, army, costume accessories, male

Made by refugees in a camp in northern Thailand.Deep green poplin with a white geometric labyrinth design in appliqué and tiny orange running stitches between rows.embroidery, mats, applique, 1960-80, surface stitchery, laos

Mountainous landscape in pastel. Framed in varnished brown wooden frame with glassSticker "29"landscape, pastel drawing

A framed coloured painting of HMAS Parramatta in the foreground and another ship in the background at sea.hmas parramatta, cerberus collection, painting