Showing 14921 items matching art
Artwork, other (1198) Ceramic (733) Decorative object (658) Drawing (4541) Mixed media (443) Painting (2339) Print (1638) Sculpture (382) Textile (1008) Work on paper (1981)-
Camberwell Historical Society
Drawing (series) - Architectural drawing, 1/68 Wattle Valley Road, Camberwell, 1998
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Wodonga & District Historical Society Inc
Decorative object - Black bead necklace, c1920s
This kind of beads was commonly worn by women in the early to mid 20th century. This string of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A short string of black beads of varied sizes. The beads are joined by metal hooks and has a hooked clasp.fashion accessory, decorative items, women's jewellery -
Swan Hill Regional Art Gallery
Painting, HANSEN, Lorraine, Ayers rock - early morning, 1986
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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 42 Stawell Street, Kew, 1988
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 42 Stawell Street, Kew by Margaret Picken.42 STAWELL ST., KEW / MARG. PICKEN '88 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 42 stawell street - kew (vic) -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Floral Design Scarf Clip from the Sarah Coventry Jewellery Range c. 1970s-1980s
As part of the Sarah Coventry collection, the scarf ring has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A silver toned Floral Design Scarf Clip from the Sarah Coventry Jewellery Range c. 1970s-1980s. Designed to hold scarves in place.No makers markssarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, scarf, scarf clip, scarves -
Swan Hill Regional Art Gallery
Painting, CROOKE, Ray, New Guinea landscape, 1971
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Federation University Art Collection
Work on paper - Printmaking - Screenprint, Modeen, Mary, Three Mothers: Infants by Mary Modeen, 1995
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed green screen print with three women standing in centre.artwork, art, mary modeen, modeen, screenprint, printmaking -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 10 Hunter Street, Kew, 1999
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 10 Hunter Street, Kew by Margaret Picken.10 HUNTER ST., KEW / MARGARET PICKEN ~99 / 'FLETCHER + PARKER'artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 10 hunter street - kew (vic). -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "Types of Electric Cars", c1939
Set of 15 drawings, blue prints, plus blue print covers bound into a book form titled "Types of Electric Cars" with the MMTB name in black ink on the top edge of the cover sheet. Secured with a cardboard cover strip and two brass clips. Contains the following drawings of a Outline of each tram, front elevation and internal seating arrangements. R2459 - Class W2 R3071 - class W3 R3812 - class W4 R4678 - class W5 R4646 - class SW2 R4771 - class SW6 - noted as "New car" on the drawing. R2462 - Class X R2463 - Class X1 R3080 - class X2 R2464 - class Y R2465 - class Y1 R3799 - Cable train - dummy and trailer Only the cover has been imaged. See the R drawing file for each tramcar. Two copies held.trams, tramways, drawings, w2 class, w3 class, w4 class, w5 class, sw6 class, sw5 class, x class, x1 class, x2 class, y class, y1 class, cable trams -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 78 Derby Street, Kew, 1993
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 78 Derby Street, Kew by Margaret Picken.78 DERBY ST., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 78 derby street -- kew (vic.) -
Swan Hill Regional Art Gallery
Drawing, SIBLEY, Andrew, Fred Williams, 1980
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Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), MMTB Head Office at 616 Little Collins St Melbourne, 18/03/1964 12:00:00 AM
Set of 8 drawings or prints, secured by two Arnos fasteners at the top of the layout of the MMTB Head Office at 616 Little Collins St Melbourne. Plans of Basement, Ground Floor, First Floor, Second Floor, Third Floor, Fourth Floor, Fifth Floor and Roof. Gives the layout of each floor, room name and the use of each room, along with the assigned user. Only the basement floor has been imaged.Each printed dated "18.3.64" in each bottom right hand corner in red ink.trams, tramways, mmtb, head office, plans, administration -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 13 Stratford Avenue, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 13 Stratford Avenue, Kew by Margaret Picken.13 STRADFORD AVE., KEW / MARGARET PICKEN ~92 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 13 stratford avenue -- kew (vic.) -
Wodonga & District Historical Society Inc
Decorative object - Gold toned rope chain from the Sarah Coventry jewellery range, c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the gold chain has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned metal rope chain from the Sarah Coventry jewellery range, with a small rhombus-shaped attachment at the clasp which has the Sarah Coventry mark on it. "SARAH COV" - stamped on the small rhombus-shaped attachment at the clasp. This maker's mark is thought to be first used in 1953.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, gold chains, sargem -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Campfire Gathering, Meeting Place Cloak, 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). The circle and diamond pattern are ancient symbols used by Wadawurrung people dating pre-colonisation on possum skin and kangaroo skin cloaks, other artefacts like spear heads (carved), wooden shields, stone tools and caves were painted with blood, ochre and bound with grass tree sap, black wattle tree sap and kangaroo fats. The diamond pattern was a strong design used by men on shields and women on baskets and adornments. Shields were taken from the tree in the colder months when the tree was cold as the wood came off cleaner. Ochre colours of red, white, yellow and charcoal were often used to colour in and decorate the skin side of possum skin cloaks, wooden shields, spear heads, baskets and some coolamon bowls.The design for this cloak has been simplified from the original artefact design.Cloak with black and white diamond and circle design on outer cloak and coral and white line pattern within lining. Trimming is solid black. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung, first nations, cloak -
Moorabbin Air Museum
Drawing (Item) - Skyhawk Service Identification Numbers Drawing No. AMR/Skyhawk 1-1
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Federation University Art Collection
Painting - Artwork, [Flowers]
Asian SchoolAsian School scroll featuring flowers. flora, asian, gippsland campus, churchill, asian school, flowers -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 20 Moorhead Street, Camberwell, Unknown
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Vision Australia
Painting - Artwork, Portrait of John Moule, 2003
Framed portrait of John Moule who was President of the Vision Australia Foundation, from 1992-1999. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Moule is standing with his arm on a dresser, and holds a pair of glasses. He is dressed in a navy blue suit, with a blue kercheif in his breast pocket,, a white collared shirt and a blue, white and black striped tie. On his lapel is a small gold badge. The plaque at the base of the painting reads 'Mr John A. Moule AM / President 1992-1999 / Vision Australia Foundation'. 1 art original in old gold frameThe plaque at the base of the painting reads 'Mr John A. Moule AM / President 1992-1999 / Vision Australia Foundation'.vision australia, john moule -
Churchill Island Heritage Farm
Textile - Lace Trim
This is a machine made copy of a bobbin lace featuring ‘spiders’ and double picots on the edge. It appears to be cotton and would be a pretty trim on a mob cap, a fichu or children’s clothing. It is quite narrow and was most likely made on the Barmen machine which was developed in the 1890s in Germany from a braiding machine Its bobbins imitate the movements of the bobbins of a hand-made lace maker and it makes perfect copies of torchon and the simpler hand-made laces. It can only make one width at a time and does not have the pattern potential of the Leavers machineThe Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Machine made bobbin lace trim with double picots, slightly ivory in colourjanet amess lace collection, lace, churchill island, amess, machine -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Porcelain figurine of an obstetrician holding a baby
George Zoltan Lefton, a Hungarian immigrant who came to the United States in 1939, was the driving force behind Lefton China. Although he began his career in clothing and sportswear, his porcelain collecting interest led to the formation of the Lefton Company in 1940. Headquartered in Chicago, the company was a wholesale and marketer of ceramic goods. After the bombing of Pearl Harbor on December 7, 1941, Lefton helped his friend Nunome, a Japanese American, board up his business to avoid looting. When the war ended, Nunome introduced Lefton to Japanese ceramic manufacturers during the Japanese occupation. Lefton was one of the first American businessmen to work with these manufacturers. (WorthPoint)Porcelain figurine of a doctor holding a baby. The doctor has black hair, is of male appearance, and is dressed in surgical attire, consisting of a short sleeved white surgical gown and cap, brown trousers and black and white shoes. There is a glove protruding from the pocket of the gown at the left hip. The doctor is holding a baby by its ankles in his left hand, and is holding his right hand against the baby's bottom. The baby is crying. The figure is seated on the edge of a stool, and standing on a brown coloured base. There is a copyright symbol (a c inside a circle) printed on the underside of the base of the statue, along with the text 'geo.z.Lefton/THE O.B.' Sticker attached to underside of base reads 'Lefton/TRADE MARK/EXCLUSIVES/JAPAN'.obstetrics -
Federation University Art Collection
Painting - Oil on masonite, 'Flowers' by Neville Bunning
Neville BUNNING (1902-1990) Neville Bunning taught Ceramics at the Ballarat School of Mines. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of a vase of flowers.art, artwork, neville bunning, flowers, oil painting, available, ballarat school of mines, flora, still life -
Warrnambool and District Historical Society Inc.
Textile - Wallpaper, Wallpaper fragment 1854, c1854
Wallpaper fragment from an early workman's cottage in Weller St, Geelong West built in 1854. This property was refurbished following its sale in the early 1990s. Over time many layers of wallpaper had been pasted to the original paper. The wallpaper was damp and hanging off the walls. It was removed to reveal packing case 'slats' on the stud wall. When the skirting board was removed the original wallpaper was revealed. Although not a Warrnambool artefact, the Weller St property was owned by a local resident. It shows the wallpaper design of the period and the manner in which wallpaper was attached in the mid 19th century.Wallpaper fragment with maroon flowers and olive green leaves on a bone-coloured background mounted on hessian backinggeelong west, weller st, workman's cottage, interior decoration, wallpapers -
Melbourne Tram Museum
Drawing, John Prideaux, "Southbank Depot", c2000
Hand make sketch on a AMWU yellow A4 sheet of paper advertising a protest meeting, with a sketch of Southbank depot, showing a simplified track layout, Jeff's shed, building layout, car parks and the City Link Freeway over.trams, tramways, southbank depot, depots, unions -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 1588 High Street, Glen Iris, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Glenelg Shire Council Cultural Collection
Painting, Frank Werther, Dead Wattles, 1962
CEMA Art Collection Winner of 1962 Portland Artists' Society Prize for the category Painting. Included in the 1999 "Salvage" Exhibition at CEMA Arts Centre.The painting depicts several trees on a multi-coloured ground with mountains in the background. The trees in the foreground are linear and completed in shades of browns and pinks. The work has a white, gold and blue hand-painted frame with exposed canvas.Front: Werther '62 (bottom right, brown paint) Back: PORTLAND "DEAD WATTLES" 40 GNS FRANK WERTHER COTTLES BRIDGE VIC per MAYNE NICKLESS (white chalk) Red sticker: 32 Yellow sticker: 1962cema, portland artists society -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2/66 Tennyson Street, Kew, 1994
This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 2/66 Tennyson Street, Kew by Margaret Picken.2/66 TENNYSON ST., KEW / MARGARET PICKEN '94 / WOODARDS ~ KEWartist -- margaret picken 1950-, 2/66 tennyson street -- kew (vic.), property illustrations — buildings — kew (vic.) -
Federation University Art Collection
Painting - Oil on masonite, 'The Hungry Bird' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a bird.artwork, art, neville bunning, bird, available -
Otway Districts Historical Society
Textile - Quilt, Mrs Perkins, empty, c. 1903
The Otways Quilt is believed to have originated with the Perkins family, landholders in the Beech Forest area. Some of the names or initials on the quilt have been tentatively identified with other farmimg families in the same district.A rectangular quilt hand embroidered in white on 20 square panels, with the names or initlals of settlers in the Otway district, and surrounded with an edging of floral embroidery. It is made of polished cotton backed with cotton sheeting.quilt, beech forest, otway, needlework, perkins -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Melinda Daniels, Cerberus - winter's afternoon, 1981
cerberus, winter, afternoon, hmvs cerberus, black rock, breakwater, boat, ship, port phillip bay, warship, navy