Showing 5721 items
matching art
Artwork, other (1304)
Ceramic (767)
Decorative object (722)
Drawing (4625)
Mixed media (535)
Painting (2488)
Print (1670)
Sculpture (406)
Textile (1400)
Work on paper (2105)
-
Darebin Art Collection
Painting - Lorraine Nelson, Lorraine Nelson, The Baby is Feeling Mother Earth, 2004
-
Flagstaff Hill Maritime Museum and Village
Painting - Watercolour, Alfred A Perry, Part of Maritime Museum, Flagstaff Hill. Warrnambool, 22-09-1979
This watercolour painting depicts a scene at Flagstaff Hill Maritime Village, showing some of the buildings and one of the vessels in the lake. The artist, Alfred A. Perry, lived in Victoria at the time of creating this painting. This painting is significant for its association with Flagstaff Hill Maritime Village. It shows a point in time, September 22nd, 1979, at which time the Ship's Chandler store was on the north of the lake. In 2022 the Ship's Chandler' is on the south of the lake and has been there for many years..Painting behind glass, framed in wood, black outline with watercolour. Depicting a scene of vessel at anchor on water, crane on wharf, buildings on track, valley and hills in background. Location is Flagstaff Hill Maritime Village. Artist is Alf Perry, painting dated 22-9-79.Signed "Alf Perry / 22-9-79" Handwritten on reverse "Alfred. A. Perry / 31 Vera St. / Bulleen / 850-3367"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, alf perry, watercolour, alfred perry, alfred a perry, flagstaff hill history, 1979, flagstaff hill village -
Federation University Art Collection
Work on paper - Silkscreen, Graeme Drendel, 'Enclosure with Keeper' by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Two objects hang from a timber structure.graeme drendel, printmaking, silkscreen -
Nillumbik Shire Council
Painting, Tara Stubley, Time for Clarity, 2020
I am naturally drawn to using bold colours in my work that I apply to the canvas with quite gestural marks using everything from brushes to my hands to create an image. For me the colour represents passion for all the beauty of nature and the movement of paint on the canvas is like the dance of life. The surrounding bushland of my home is the main focus of my paintings in which I spend a lot of time exploring and absorbing the many nuances of my subject. The work is an expression of the intimate relationship we have with nature, the human narrative we impose upon it and its ability to define us. This work, ‘Time for Clarity’ is about the positive impact COVID-19 has had on the environment, cleaner air, clearer skies and waters. It has opened the door to future possibilities, a glimpse of the ecological value of taking a more thoughtful and measured approach to the way we consume, it's slowed down time and given us a chance to be more introspective.This work was originally commissioned in 2020 by Nillumbik Shire Council for the exhibition 'Art in the time of COVID-19'. -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Barry Jones
Signed Irena Sibley in pencil lower right beneath print.bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Benalla Art Gallery
Painting, W. LISTER LISTER, Flowering gums, Not dated
Born: Manly, New South Wales, Australia 1859; Lived and worked: England 1884-1888; Died: Sydney, New South Wales, Australia 1943ImpressionismGift of Wooleen Pty. Ltd., 1980Treed path leading up to top of hill and building. Bronze brushed timber frame.Recto: Signed "W LISTER LISTER" in brown oil in l.r.c of composition; Not dated; Not titledpainting, trees, building, landscape, path -
Darebin Art Collection
Painting - Bill Beavan, Bill Beavan, Flying Ibis, 1979
-
Bass Coast Shire Council - Art Collection
Work on paper - Harmers Haven, Adrian Johnson
1991PastelSigned -
Darebin Art Collection
Painting - Phuong Ngo, 'Untitled No.1 (Racist Paintings)', 2020
Racist Paintings is a series of works that seek to unpack art history, eugenics, language, and colonialism through the use of hard-edge painting, colonial ethnography and orientalist ideologies. The works seek to do this by combining French colonial postcards from and of Vietnam, lines relating to key colonial structures, and the use of a limited Dulux colour pallet consisting of the colours ‘Pale Oriental’, ‘Oriental Bay’, ‘Oriental Rose’, ‘Oriental Princess’, ‘Oriental Blush’, ‘Oriental Blush Half’, and ‘Oriental Blush Quarter’. -
Moorabbin Air Museum
Work on paper (item) - The Development of Aerial Transport in Australia
-
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper, Victor Cobb, Evening Hampton, 1923
watercolourhampton, evening, beach, foreshore, landscape, victor cobb, coast, bayside, sand, shrub, tree -
Darebin Art Collection
Painting - Adam Nudelman, Adam Nudelman, Supporting the Truth, 2003
painting -
Wodonga & District Historical Society Inc
Decorative object - Gold toned hair clip from the Sarah Coventry jewellery range, c. 1970s -1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the hair clip has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned metal hair clip with a circular enamel inlay with a flower petal motif surrounded by five green dots."SARAH" - thought to be first used in 1951 on the back of the circular decorative element.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, hair clip, hair slide -
Wonga Park Community Cottage History Group
Work on paper - Newspaper cutting, Wonga Park: 17 Nov 1981 Lillydale and Yarra Valley Express: "Bushland future assured" re Acquisition of Yarra River frontage for State Park
-
Bass Coast Shire Council - Art Collection
Work on paper - Summer, Ramon Horsfield
Australia - 2000PastelSigned -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Stewart Handasyde, Hampton beach, c. 1914
Stewart Handasyde, Hampton beach c. 1914, oil on canvas, 65 x 131 cm. Bayside City Council Art and Heritage Collection. Donated by the Handasyde family, 2018.hampton, beach, bayside, water, figures, sand, bathers, coast, handasyde, stewart handasyde -
Federation University Art Collection
Work on paper - Photocollage, 'Being Ultra Light' by Rochelle Summerfield
Rochelle SUMMERFEILD Born Sydney, Australia This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artists Statement: I am based in Northern NSW. My art practice is deeply influenced by my connections and experiences with the rivers and habitat where I live. Through drawing, paint, collage and digital media my work explores human relationships with riparian environments. Every day I see the undeniable beauty of our rivers as well as the ecological suffering of these riparian landscapes. Historical practices of land clearing, water politics and weed infestation put tremendous pressure on the Australian ecology. Disrupting traditional art forms, I combine them with new technologies to reveal some of the complexities behind human relationships with nature. With bold collagist experimentation, I combine numerous mediums to expose the small revelations between media. These juxtapositions open up the possibilities of reinventing different ways of being with the natural environment. Like the layers in my work, the issues surrounding our riverine environments are multifaceted and complex and begin with individual choices. I want to direct people’s attention to our rivers, to love, appreciate and reconnect with the natural environment. Human experience with nature is a fundamental part of our sense of self, health and well-being as well as community connection. (https://rochellesummerfield.com/about/, accessed 10 June 2020)art, artwork, rochell summerfield, printmaking, print council of australia -
Friends of Ballarat Botanical Gardens History Group
Work on paper - "Haunt of Gordon's" Newspaper Article pre 1934, Cottage a Treasured Reminder: A Relic of the Sixties", pre 1934
The page gives unique information about Adam Lindsay Gordon and a picture of the Gordon Cottage in its original state.The heading and by-lines in the Ballarat Courier attest to the significance of the extract and picture: "Haunt of Gordon's. Cottage a Treasured Reminder, A Relic of the Sixties".There are three sections to the newspaper article and one picture in the centre of the page. 2 sections are on the lefthand side of the page and one section above the picture; all roughly cut out. There is the number 17 recorded on the lefthand side of the main heading. Some lines have been roughly underlined.Written in longhand, righthand corner is, Shopping area, Ballarat and underneath Courier.john garner, doctor, john garner collection, ballarat botanical gardens, friends of the ballarat botanical gardens, ballarat courier, adam lindsay gordon cottage, craig's hotel, bath lane, australian "horseman poet", livery stables, o'farell's horse bazaar, gardens, ballarat -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Waranga Basin 6.1.42
Painted by Leonhard Adam, an internee in Tatura.Original Painting depicting the camps, colours and changing conditions of the Australian landscape during the artists time in internment at Tatura.leonhard adam, waranga basin -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Jessie Constance Alicia Traill, Beach scene, early 20th century
This work depicts the coast at Black Rock. Figures in early 20th century outfits are dotted on the oxide rocky outcrops in the foreground and beyond the water the hazy Red Bluff cliff dominates the coast.Impressionismoil on canvasbeach, coast, figures, jessie traill, red bluff, bayside, black rock, bathers, port phillip bay, bay, water -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Brooch, Metal, 1943-1945
Else Oertel was a German internee in Camp 3A from 1940-1945. The penny-brooch is an example of the ingenuity of the internees in making use of anything at hand & repurposing it for much more than originally intended. Else's daughter, Else-Lore Hukins donated the item. Says Else-Lore of the brooch: "Jewellery was made out of available metals. Pennies made a bright brooch and especially interesting if it featured the current year it was given".Brooch fashioned from Australian 1943 penny. Penny has a safety pin soldered to the reverse, for use as a brooch.tatura, ww2, camp 3, internment, internee camps, numismatics, coins, costume, accessory, jewellery -
Bass Coast Shire Council - Robert Smith Collection
Work on paper - Untitled - Watch this space - c.1970's, Michael Atchison, 1970s
Australia 1933-2009Pen and ink -
Eltham District Historical Society Inc
Work on paper (Sub-Item) - Photograph, Eltham Town park
Colour photograph of Eltham Town Park showing duck pond and children's playground in the background. This photograph was taken soon after the council reclaimed the site from a tip and before it was named for Alistair Knox. eltham, diamond creek, eltham town park, alistair knox park, pond, playground -
Swan Hill Regional Art Gallery
Painting, PAYNE, Harold, Rose Pascali, c1987
-
Darebin Art Collection
Painting, Arthur Lock, Dry Country (Queensland), 1972
queensland, watercolour -
Latrobe Regional Gallery
Work on paper - Print, JONES, Timothy b. 1962 North Wales, arr. Australia 1984, Gippsland, 1985
Wood engravingSigned and dated bottom right beneath printed image, "Jones 85" Edition and title in lower left corner "A/P Gibsland" -
Kew Historical Society Inc
Decorative object - Lace doily
Lace doily owned by a member of the Piesse family of Kew. Later owned by Margaret Hollis (nee Piesse) of Castlemaine.Lace doilylace, doilies -
Bass Coast Shire Council - Robert Smith Collection
Work on paper - Portrait of Judah Waten 1936, Noel Counihan
Australia 1913 - 1986Black conte crayon on beige paperSigned and dated l.r: inscribed SCHIVEIK -
Federation University Historical Collection
Work on paper - Artwork - Print, J. Fisher, Bickart's Lino Cut Competition Second Prize Winner Artwork, 1940
Ballarat School of Mines and Industries is a predecessor of Federation University.Blue, Black, white and red artwork for the Bickart's Lino Cut Competition at School of Mines Ballarat published in the School of Mines Ballarat Students Magazine 1940. Second Prize - Section "C" - J. Fisher. Bickart's, The Modern and Practical Jewellers.ballarat school of mines, ballarat school of mines and industries, bickart's, lino cut, competition, bickart's lino cut competition, j. fisher -
Swan Hill Regional Art Gallery
Painting, NEVILLE, Eric, Woomelang railway station, 1997