Showing 4904 items
matching art
Artwork, other (1304)
Ceramic (767)
Decorative object (722)
Drawing (4625)
Mixed media (535)
Painting (2488)
Print (1671)
Sculpture (406)
Textile (1400)
Work on paper (2105)
-
Glenelg Shire Council Cultural Collection
Print - Label - Henty: Ice Creamy Soda, n.d
(Previous collection, Exhibitions, Prizes, etc.) Displayed at History House. Used by Henty cordial company in Portland (?)Label with design of a ship of choppy waters in a roundel in upper right corner. Name of drink is in a white banner across lower centre.Front: (text on label includes brand name, flavour of drink, etc...) -
Charlton RSL Sub Branch
Decorative object - Shell casing, 6 pounder shell casing turned at top to form a rim
Metal shell casing from 6 pounder gun.6PE V 4 AP R AF 1932 -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Bligh Sand, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Benalla Aviation Museum and Men's Shed Inc.
Work on paper - Proposed Amendment to Manual of Management, MOM Amendment
-
Flagstaff Hill Maritime Museum and Village
Print - Vessel - Steamship, A.V. Gregory, SS Casino off Point Lonsdale, ca. 1899-1932
Print of a picture of the S.S. Casino, This print is from an original painting by the Australian marine artist A V Gregory (1867-1957), also known as Arthur Victor Gregory. Gregory lived and worked in South Melbourne. He took over the Gregory Studio owned by his father, George Frederick Gregory, painting actively between 1899 and 1932. He usually signed his works as ‘A V Gregory’. Some of his original works have been sold for thousands of dollars. The S.S. Casino was a passenger and freight steamer built in Dundee, Scotland, in 1882 for the Newcastle and Hunter River Steam Navigation Company of N.S.W. She weighed 425 tons gross with a length of 160.4 feet, beam of 24.1 feet and a depth of 10.2 feet. She had saloon accommodation for 35 people, a fore cabin for 25 more people, and she carried 300 tons of cargo. While on her delivery journey on May 30th 1882 the S.S. Casino called in at the Port of Warrnambool for coal ., narrowly escaping going ashore in gale force winds due to the quick action of the pilot. At that time, still at anchor, she impressed the directors of the Belfast and Koroit Steam Navigation Company so much that they bought her immediately; she was ideal for trade along the West Coast of Victoria. (The Belfast and Koroit Steam Navigation Company was first managed by Messers. Saltau and Osburne and after the passing of Mr. Osburne, by produce merchants Messers H. Sautau and Sons, who had a hay and corn store and shipping agency on the corner of Liebig and Koroit Streets in Warrnambool. ) The S.S. Casino became “the most famous steamer to operate in Victorian waters along the West Coast” by author Jack Loney. Captain Boyd was her first Master, followed by Captain Chapman, who stayed with her from 1890 until 1924. Captain W. Robertson followed for a short term, and then Captain Middleton then took command from 1925 - 1932. The S.S. Casino had several mishaps during her life. One was on 3rd January 1898 when she collided with the S.S. Flinders in Apollo Bay with minor damage. Another was on 24th October 1924 when she grounded on a reef at Point Hawdon near Grey River and most of her cargo (of Christmas goods) had to be dumped into the sea. Then in February 1929 she was ‘holed’ when she struck a submerged object as she entered Lady Bay, Warrnambool. On the morning of 10th July 1932, after attempting to berth at Apollo Bay jetty in heavy seas, Captain Middleton decided to take her out into the bay and wait until the seas abated. It was not realised that the anchor used to steady her as she manoeuvred to her berth had pierced her hull. She put about and headed for the beach but sank. Captain Middleton and nine others lost their lives; nine people were rescued including the two female passengers. Captain Middleton had been in charge of the S.S. Casino for seven years. He was the first ship’s Master to lose his life in a shipwreck in the West Coast trade. In the years following the turn of the century, the S.S. Casino remained the only regular trader with normal passenger accommodation along the West Coast. From 1882 she had made at least 2,500 voyages on the one run. Flagstaff Hill’s collection has a photograph of a portrait of Captain Chapman, , a ship model of the S.S. Casino that shows both forms of power under which she sailed, steam and sail. The ship is painted green and flies three flags. The inscription across the case of the ship model, incorrectly dated, tells the sad story of the wreck of the ship and the loss of lives on July 10th 1932 at Apollo Bay. A print in the Collection shows S.S. Casino underway in the heavy sea off Point Lonsdale, another two photographs show her at the Port of Warrnambool, leaving from the Breakwater in Lady Bay and another identifies the S.S. Casino as a ship from the Belfast and Koroit Steam Navigation Company. (Belfast is the original name for the township of Port Fairy).This print of the S.S. Casino is of significance for its association with the coastal trader S.S. Casino. The wreck of the S.S. Casino is considered an important part of Victorian and Australian cultural heritage and as such has been declared and protected as an Historic Shipwreck under State and Commonwealth Law in the Commonwealth Historic Shipwrecks Act (1976). The detailed image of the vessel depicted in this print shows one of the many sail and steam vessels painted by the renowned Victorian marine artist A V Gregory, whose original works are highly valued today by marine collectors.Print with hand-painted watercolour highlights depicting the port side steamship SS Casinounderway in a heavy sea, merchant flag flying at the stern. Mounted in a decorative wooden frame behind glass. The original painting was by A V Gregory. The title of the picture is repeated in handwritten words on the matte below the artist's signature on the print.Signed "A V Gregory" Hand painted title "SS Casino off Point Lonsdale"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, newcastle and hunter river steam navigation company, belfast and koroit steam navigation company, h. sautau and sons, s.s. casino, west coast trader s.s. casino, victorian coastal trader, captain boyd, captain w. robertson, captain chapman, captain middleton, apollo bay shipwreck, s.s. casino at lady bay warrnambool, saltau and osburne, a v gregory, arthur victor gregory, melbourne artist -
Darebin Art Collection
Sculpture - Yhonnie Scarce, Yhonnie Scarce, N0000, N2359, N2351, N2402, 2013
glass -
Ringwood and District Historical Society
Print, Tribute to Allan Ballard Carter MBE (1924-2006) in the Yarra Valley Grammar , Kalinda Road, Ringwood, magazine
Allan Carter, Richard Carter's Father was a prominent business man and resident of Ringwood . The article describes how he was intrumental in obtaining the land for the school as one of the Formative Committee members. Also a member of the school's first Council and then the Chairman of the Building Fund. Richard Carter followed in his Father's footsteps in the Real Estate business. He was also the President of the Ringwood Historical Society for many years.Grey page with text and photographs torn from the school magazine. No date -
Greensborough Historical Society
Print, Greensborough 1889 / Arthur Elliott, 1889_
Mounted print of "Greensborough 1889 painted by Arthur Elliott". Shows Main Street Greensborough with the Methodist Church in upper right corner, Lower Park and bluestone bridge in foreground.A view of rural Greensborough 1889.Print of painting, mounted on masonite.main street greensborough, arthur elliott -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Sandstone Maps of Australia, 1940
2x hand carved sandstone maps of Australia with space for penny in one & metal kangaroo in other. 1. Space for penny in centre. Markings for state boundaries. Creamy coloured stone. 2. Metal (copper?) kangaroo in centre. Pink tinged stone.1. Tatura 1940 2. 1940 Taturatatura;, handcrafts, carving -
Federation University Bookplate Collection
Work on paper - Bookplate, EX LIBRIS UNICORNIS TRAKAI HISTORY MUSEUM
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Two medieval figures holding banners on bridge against castle. Trumpets to left and banners with words Ex Libris Unicornis on left banner and Trakai History Museum on right banner. triangular impress into bridge mid-lower centre of image.Trakai L-1 A/P T Alexaidrocha 2020.trakai history museum, keith wingrove memorial trust, australian bookplate design awards 2021, tatiana -
Bendigo Historical Society Inc.
Decorative object - HAT PIN HOLDER
China hat pin holder with black and white retriever dog, base of green grass & brown logs with six holes for hat pins.costume accessories, hat accessories, hat pin holder -
Federation University Bookplate Collection
Work on paper - Bookplate, bronwyn vost her book
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for International bookplate designers and graphic artists.Goanna on pole forming left border of plate with graving tools lower right framed in loose black border on three sides with MK in block.Signed in pencil beneath block Mary Keep.goanna, gravure -
Benalla Art Gallery
Print, Ethel SPOWERS, Swings, 1932
Born: Melbourne, Victoria, Australia 1890; Died: 1947ModernismBennett Bequest, 2000 Figures depicting children on swings. Gold painted wooden frame.Recto: Signed and dated "E.L.Spowers - 1932" in grey ink l.r.c of composition; Titled "Swings - 21/50" in grey ink l.l.c.print, japanese tissue paper, children, playing, swings, linocut, australian art -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Letter Opener, 1940's
Made by POW's at camp 13.Ornate carved wooden letter opener. Hand turned.N0 13 POW Group Murchison Australiakevin clarke, wooden letter opener, internment camp woodwork -
Kew Historical Society Inc
Decorative object - 'Advance Australia' crocheted doily, 1890s
The Fashion, Textiles & Design Collection includes a number of examples of household or domestic textiles dating from the Nineteenth and Twentieth centuries. Some had a purely functional role while others were essentially decorative. These textiles were mass-produced or handmade, and sometimes including elements of both. Many were constructed of, or include elements of, lacework, tatting, embroidery or crochet. Donated throughout the Society’s history by members or residents of Kew, the provenance of many items is now unknown, however they remain in the Collection to illustrate the social history of the Australian home.White crocheted doily incorporating the motto of the Australian Natives Association and a pictorial representation of an emblem that would become the Commonwealth Coat of Arms.doilies - patriotic, doilies - symbolic, soft furnishings, australian natives association, advance australia -
Federation University Bookplate Collection
Work on paper - Bookplate, EX LIBRIS MM
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for International bookplate designers and graphic artists. -
Federation University Historical Collection
Print, Ballarat School of MInes, Lydiard Street South, 1919
Image of the Ballarat School of MInes Lydiard Street buildings.ballarat school of mines, a building, administration building, ballarat technical art school, lydiard street south -
Ballarat Heritage Services
Work on paper, Bede TANGUTALUM, Yam, 1991
Bede TANGUTALUM (1952- ) Wurrumiyanga (Nguiu), Bathurst Island Tiwi People Bede Tungutalum works across a range of media, including carved and painted wooden sculpture,printmaking and painting. Tungutalum learned carving from his father, the well-known sculptor Gabriel Tungutalum, and was taught how to cut woodblocks for printing while attending Xavier Boys School at Nguiu. He refined and developed these techniques in the late 1960s and early 1970s. His earliest prints date from the late 1960s. In 1969, with fellow Tiwi artist Giovanni Tipungwuti, Bede Tungutalum established Tiwi Design, an art centre dedicated to the production of hand-printed fabrics featuring traditional Indigenous designs.Framed lithograph depicting yams, printed in colour inks, from multiple stonesbede tangutalum, tiwi, wurrumiyanga, bathurst island, tiwi design, yam, aboriginal -
Horsham Regional Art Gallery
Print, John OLSEN, Blue fish, 1978
Gift of the Davidson family in memory of Jean Davidson, 2022etching on paper -
Federation University Art Collection
Work on paper - Printmaking, McDermott, Vivienne, 'The Apple' by Vivienne McDermott, 2007
Vivienne McDERMOTT Working primarily in printmaking, drawing, mixed media and found/recycled object sculpture Vivienne McDermott lecturerf in Printmaking and Drawing at Ballarat University in 2000-2010 and collaborated with arts group Ratartat on public and community arts projects has taken her to many places throughout Australia. Her subjects include the Australian landscape, local characters and wildlife, the human condition and landscape. Now based in the Western Kimberley region of Australia Vivienne McDermott was Artist in Residence at Wulungarra Community School in 2012 -2013, and exhibits annually in Australia and New York City. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract FigurativeFramed drypoint etching on Fabriano paper.vivienne mcdermott, mcdermott, apple, fruit, alumni, printmaking, available, drypoint, etching -
Swan Hill Regional Art Gallery
Print, MacQUEEN, Mary McCartney, Zoo imagery, 1967
-
Geelong Gallery
Print - The visit of Dr Syntax to the Widow Hopefull at York, ROWLANDSON, Thomas, 1820
Hand coloured aquatint -
Federation University Art Collection
Work on paper - Printmaking - Screenprint, Leach-Jones Alun, 'No 2 Untitled' by Alun-Leach Jones, 1967
Alun LEACH-JONES (1937 - 24 December 2017) Born Maghull, Lancashire, United Kingdom Arrived Australia 1960 Alun Leach-Jones is recognised as one of Australia's leading abstract colour painters. He spent his childhood in the Welsh village of Glasfryn, Denbighshire. At the age of 14 he started a three year apprenticeship with the Solicitors Law Society, Liverpool illuminating manuscripts and hand copying legal documents. While working with the law society Leach-Jones studied painting and drawing in the evenings at the Liverpool College of Art between the years 1955-57. He immigrated to Australia in 1960, settling in Adelaide and attending the South Australian School of Art, after which he travelled and exhibited throughout Australia and abroad. In 1966 Leach-Jones celebrated Noumenon series was shown with Australian Galleries in Melbourne and he was immediately recognised as being part of what was then labelled as ‘the New Abstraction’ in Australian art. Later in 1968 his work was included in the influential exhibition "The Field" held at the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed screenprint.art, artwork, printmaking, alun leach-jones, abstract colour, south australian school of art -
Federation University Art Collection
Print - Etching, 'Docklands Melbourne' by Jimmy Pasakos, 2015
James PASAKOS (13 December 1967- ) Jimmy Pasakos graduated with a Bachelor of Fine Arts majoring in Printmaking from Caulfield Institute of Technology (1986-1988); Postgraduate studies majoring in Printmaking at CIT (later Monash University) in 1989, and between 1991-93 he pursued a Masters of Fine Arts at Monash University majoring in Printmaking and Drawing. Pasakos is Art Lecturer at the Arts Academy, Federation University Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition etching on paperEditioned, signed and dated in pencil bottom edge '2/36 Docklands Melbourne J Pasakos '15'james pasakos, etching, melbourne, parallel prints, printmaking, docklands -
Alfred Hospital Nurses League - Nursing Archive
Work on paper - provenance document relevant to 2024007.006.01, 2012
historical provenance of item 202407.006.01The document gives item 202407.006.01 historical contextblack spine and back, clear plastic folder with 8 printed pages, 2 photographs, one plastic sleeve with photographnillouisa mann, michaelis family history, wooden maltese cross box -
Gippsland Art Gallery
Sculpture, Free, Ken, Woman with Longitude, 2011
Purchased with the assistance of Brian and Raynor Castles, 2012Forest Red Gum (Eucalyptus Tereticornis)gippsland, artwork, permanent collection -
Moorabbin Air Museum
Print (Item) - Tamed Fury Print
-
Warrnambool RSL Sub Branch
Work on paper - New Book released in Japan, a Reaction, 'Glorious memories' of death railway
A response to a perceived 'revisionist' history of Japanese military history released in Japan which includes a Japanese version of treatment of POW's in WW2shows attitudes in Australia and Japan 20 years after WW2 in response to a new Japanese bookSingle page from Sun NewspaperHand written on bottom Right: Currant (sic) Affairs. Am DGjapan. ww2 . revisionist history -
Uniting Church Archives - Synod of Victoria
Print - Photograph, 1951-1953
Born 1893. Died 1967. First parish NYAH, 1922 - 1932 at Geelong Yarra St. 1936 - 1959 professor of theology, Queens College. 1959 retired. Rep to WCC 1937 + 1948 and to World Methodist Con 1937. Presiednt Australian Council of Churches, 1952 - 1953. (See Australian Dict. of Biography entry).Oval black and white, oval, head & shoulders studio photographic print portrait of Rev. G. Calvert Barber in clerical dress. He looking to his left. The print is a page that has been removed from a publication."REV. G. CALVERT BARBER, M.A., B.D., PH.D. PRESIDENT-GENERAL"rev g clavert barber methodist minister, president australian council of churches, rev g calvert barber professor of theology queens college university of melbourne, george calvert barber methodist minister, world council of churches, australian council of churches -
Latrobe Regional Gallery
Print, LANCELEY, Colin b. 1938 Dunedin, New Zealand, The Empire Builder, 1978
LithographSigned 'Lanceley 78' in lower right of printed image. Edition 63/70, and title 'The Empire Builder' in lower left corner of print.