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Artwork, other (1294)
Ceramic (766)
Decorative object (719)
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Mixed media (529)
Painting (2485)
Print (1665)
Sculpture (406)
Textile (1396)
Work on paper (2085)
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Friends of Ballarat Botanical Gardens History Group
Work on paper - John Young McDonald, History Presentation, Will and Assets, John Young McDonald, Benefactor to Ballarat, Victoria
john garner collection, ballarat botanical gardens, gardens, ballarat, john young mcdonald, mcdonald, benefactor -
Latrobe Regional Gallery
Print, SZILAGYI, Sophia b. 1973 Melbourne, Where Shadows Lie, 2005
Pigment inkjet print (diptych)Signed and dated 'Sophia Szilagyi 2005' lower right under printed image. Titled 'Where Shadows Lie' centred under printed image. Edition 35/40, numbered lower left corner under printed image. -
Gippsland Art Gallery
Print, Waters, Louisa, Sentiments from Briagolong Correspondent 1888, 2015
Donated by the artist, 2015Silkscreen print on papergippsland, artwork, permanent collection -
Bendigo Historical Society Inc.
Decorative object - ELEPHANT ORNAMENT
Ornamental container made from a coconut shell, heavily carved sitting on top of 3 ebonised Elephants, topped with a removable lid with an Elephant handle.ornaments, wood, container -
Villa Alba Museum
Decorative object - Nursery wallpaper sample, Children at play
A wallpaper sample donated to the collection by Frances Alexandra (Frankie) Derham (1894–1987). Derham was an Australian artist and educator. A lecturer in art at the Melbourne Kindergarten Training College (1928-64) , she later taught at the Associated Teacher Training Institution (1949-61). Her commitment to `child art’ developed after 1935 when she accepted an invitation from Margaret Lyttle to teach at Preshil school.Frances Derham's collection of nearly ten thousand children’s drawings and paintings was acquired by the Australian National Gallery in 1976. Her interest in art for and by children is reflected in her donation to the Villa Alba Museum of an important and rare collection of early wallpapers designed for children's rooms. Originally donated by Frances Derham to Villa Alba Museum via Terry Lane..decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- children's, frances derham -
Federation University Art Collection
Work on paper - Printmaking - Monoprint, Jacono, Dianne, 'En Closure' by Dianne Jacono, 1998
Dianne JACONO Dianne Jacono completed a Master of Arts (Fine Arts) at Federation University in 2001. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition monoprint. art, artwork, dianne jacono, printmaking, monoprint -
Bass Coast Shire Council - Art Collection
Work on paper - The Wheeler, Noel Counihan
AustraliaLinocutSigned -
Federation University Bookplate Collection
Work on paper - Bookplate, Ex Libris Tereshchenkov Nikita
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Jigsaw of personality images flanked by an angel and a devil with a bearded psychologist seated upper right.6/25 L-1 "Psychology" I Kozub 2020irena kozub, nikita tereshchenkov, australian bookplate design awards 2021 -
Darebin Art Collection
Work on paper - John Borrack, Rock Pools, Ormiston Gorge, 1998
"John Borrack is a maverick, free thinker and master craftsman. Best known for his lyrically structured paintings, Borrack’s sensitive interpretation of the Australian landscape balances the needs of technique and theory with clarity of emotional expression. While working predominantly in watercolour and gouache, over recent years, he has exhibited his oil paintings more frequently revealing an effortless ability to move from one medium to the other. Represented in numerous collections including National Gallery of Victoria, Queensland Art Gallery, regional galleries, municipal councils, universities and leading corporate collections, this retrospective captures the haunting, evocative quality of Borrack's work spanning the last four decades." -
Glenelg Shire Council Cultural Collection
Decorative object - Doily, n.d
Doily, rectangular, off white cotton, crochet. Central star, several rows of open work, filet crocheted apples, fancy border, -
Federation University Historical Collection
Work on paper - Fashion Illustration and Commercial Art, Alice Watson, Ballarat Technical Art School folio of Alice Watson, 1931,1932 and 1933
Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. These works include commercial art, advertising and catalogue illustrations as well as figure construction and fashion-plate designs. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. Commercial artA folio of Fashion Drawing by Edith Alice Watson of the Ballarat Technical Art School. .1) Two women dressed in fashionable clothing- lhs tan ensemble and hat; rhs fuschia ensemble with black and white accessories plus fur stole. Signed lrs A.Watson. 1933. .26) The image with three women wearing a hats. This appears to be an example of ticket writing. Signed lrs "A Watson- 2nd term. 1932." .35) The image with a woman wearing a hat appears to be an example of ticket writing. Signed lrs "A Watson--11th-7-32." .23) female figure drawing. Signed lrs A.Watson. 1st Term. 1932 .21) female figure drawing. Signed lrs A.Watson. 2nd Term. 1932 .17) drawing of lips, side view. Signed lrs A. Watson. 1931 .18) drawing of lips,three-quarter view. Signed lrs A. Watson .37) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)alice watson, ballarat technical art school, art, drawing, figure drawing, alumni, costume drawing, fashion drawing, ticket writing, 1930's fashion, indian ink, edith alice watson, figure construction, advertising, commercial art -
Geelong Gallery
Print - Beautiful courtesan with flower fan, EISHO, Chokosai, 1790
Hand coloured woodblock with mica -
Federation University Bookplate Collection
Work on paper - Bookplate, morgan's book
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. Loosely bordered image of hydrangea and book with lower case title of morgan's book.Pencilled beneath image, Mary Keepkeith wingrove memorial trust, australian bookplate design awards 2020, mary keep, hydrangea, book, bookplate -
Working Heritage Crown Land Collection
Decorative object - Mint Iron object
Cast iron decorative architectural objecthistoric building, architecture, archaeology -
Kew Historical Society Inc
Decorative object - 'Advance Australia' crocheted doily, 1890s
The Fashion, Textiles & Design Collection includes a number of examples of household or domestic textiles dating from the Nineteenth and Twentieth centuries. Some had a purely functional role while others were essentially decorative. These textiles were mass-produced or handmade, and sometimes including elements of both. Many were constructed of, or include elements of, lacework, tatting, embroidery or crochet. Donated throughout the Society’s history by members or residents of Kew, the provenance of many items is now unknown, however they remain in the Collection to illustrate the social history of the Australian home.White crocheted doily incorporating the motto of the Australian Natives Association and a pictorial representation of an emblem that would become the Commonwealth Coat of Arms.doilies - patriotic, doilies - symbolic, soft furnishings, australian natives association, advance australia -
Federation University Art Collection
Work on paper - Artwork - Printmaking, 'Poinsettia' by Richard Spare
Richard SPARE (1951- ) Born and lives England Richard John Spare studied at Maidstone College of Art (1971-1974). Primarily a printmaker who draws directly onto copper plate before creating a dryplate etching which is then hand coloured.Framed limited hand coloured drypoint of three red flowers. flowers, poinsettia, printmaking, richard scarce, available -
Hymettus Cottage & Garden
Work on paper - Book, Eureka and Beyond: Monty Miller his own story
non-fictioneureka stockade, ballarat, monty miller -
Wodonga & District Historical Society Inc
Decorative object - Gold toned cable chain necklace with an oval pendant from the Sarah Coventry jewellery range, c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned metal cable chain necklace with an oval pendant and a faceted green/brown glass setting."© SARAH COV" - thought to be first used in 1953 is on the lower back surface.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, pendant -
Flagstaff Hill Maritime Museum and Village
Decorative object - Starch, Robert Harper & Co, ca. 1890 to 1940
Starch is used during the laundry process to give fabric a feeling of stiffness. It is used often for linen, shirts and blouses. This box still has the remnants of starch inside it.Starch was used by many households in the late 19th and the 20th century to give linen and uniformsa firm feeling.Box: cardboard rectangular box, blue and white with star graphic. Contents inside. "The Silver Star Starch" Robert Harper and Co Ltd . "The Silver Star Starch" "Robert Harper &O Co."flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, shipwreck-coast, starch, silver star starch, blue star, robert harper and co ltd ., laundry, laundering, washing, bed linen, table linen, decorative linen -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Plaster Cast Study, c.1929-33
Donated from the estate of Wemyss Struss, 2016Charcoal on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Apollo Killing the Python, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Wodonga & District Historical Society Inc
Decorative object - Gold toned chain from the Sarah Coventry jewellery range, c. 1970s -1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the gold toned chain has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned metal chain from the Sarah Coventry jewellery range with two circular elements and two swirling decorative elements, and a small rhombus-shaped attachment near the clasp with the Sarah Coventry mark stamped on it.. "SARAH COV / MADE IN / CANADA" - The 'SARAH COV' mark is thought to be first used in 1953.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, gold chains -
Ringwood RSL Sub-Branch
Work on paper - Books, Soldiers service and pay book
Paper booklet and records of serviceG.F.Jones army records -
Swan Hill Regional Art Gallery
Print, WAINBURRANGA, Paddy Fordham, Yalk Yalk woman, 2003
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University of Melbourne, Burnley Campus Archives
Work on paper (Item) - Win Smales Collection, Win Smales Collection - Examination papers, Lecture notes
win smales, examination papers, burnley gardens, plant pathology, school of primary agriculture and horticulture -
National Wool Museum
Work on paper - Women's Official Occasions Uniform Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Official Occasions Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The Official Uniform was used for both travel and official functions. This included a tailored blazer and trouser/skirt set (all water repellent) by Fletcher Jones in pure olive green faille fabric by Foster Valley, a cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, a printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy.8116.1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a green skirt and green woollen vest over a yellow button up shirt with printed neck tie. Three smaller drawings on the left side of the page show the details of the vest, necktie and shirt. 8116.2 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a black skirt and printed scoop neck, button up blouse, cinched at the waist with a black belt. Around the central drawing are smaller drawings showing the details of the skirt, belt and shoes. 8116.3 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a black skirt and black blazer with detailed striping across the right front and right arm. There is a small detailed drawing of the blazer to the right of the main figure which includes the design of a scarf. 8116.4 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a green skirt, a yellow printed, sleeveless shirt, yellow gloves, along with a matching headband and scarf.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
Ringwood and District Historical Society
Work on paper, Two receipts from AM Ibbotson (both 1931) and one from Alexanders men's & boy's wear (1955)
Paper receiptsAM Ibbotson, Whitehorse Road, Ringwood - artifical manures, sprays, feeds, oils, and other farming needs. Alexanders men's & boy's wear of Ringwood (Murray Place) -
Hymettus Cottage & Garden
Work on paper - Book, Brande's Dictionary of Science and Literature
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Bendigo Military Museum
Print - PRINT, FRAMED WW1, Reader's Digest (Australia) Pty Limited, 2015
From information book- "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No 7300.Framed print. Print - colour print on paper. Copy of a "chromolithograph on canvas" poster. Depicts a strong soldier wearing a slouch hat standing astride a 3D land area and peninsula. "The soldier has raised his hands to his mouth". Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink, "RECRUITING POSTER, A Call from the Dardanelles, 1915". Details on poster. "A CALL FROM THE DARDANELLES/ "COO-EE"/ Won't YOU come? "/ ENLIST NOW/ Issued by Authority of THE DEFENCE DEPARTMENT OF COMMONWEALTH - S.T. LEIGH & CO. LTD, LITHOGRAPHIC PRINTERS, SYDNEY".framed accessories, pprints, ww1, gallipoli, centenary -
Glenelg Shire Council Cultural Collection
Decorative object - Calendar - 1899, c. 1899
White cockatoo shaped cardboard calendar with fold out wings; months of the year on feathers. Calendar for 1899. Cockatoo sitting on branch, chain around one leg. 'Pretty Polly' written on branch and 'Calendar for 1899' written on cockatoo's food bowl.calendar, 1800s, cockatoo