Showing 5222 items
matching art
Artwork, other (1261)
Ceramic (764)
Decorative object (705)
Drawing (4606)
Mixed media (515)
Painting (2476)
Print (1654)
Sculpture (402)
Textile (1393)
Work on paper (2041)
-
Federation University Art Collection
Work on paper - Printmaking - monoprint, Irwin, Robert, "Untitled" by Robert Irwin, 1965
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition printSigned Robert Irwin lower left 78/ 131. 65 on lower right.art, artwork, printmaking, monoprint, available -
Federation University Art Collection
Work on paper - Artwork - Printmaking, 'Homage' by Geoffrey Ricardo, 2005
GEOFFREY RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Traveled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, National Students Art Prize) Worked in private studios in Gaucin, Spain and New York, USA 1994-95 Master of Fine Arts, Monash University, Melbourne 1995 Guest Lecturer, Victorian College of the Arts, Melbourne Traveled to Europe and America 1996 Guest Lecturer, Royal Melbourne Institute of Technology, Melbourne 1990-98 Sessional Lecturer, Monash University, Melbourne 1998 Traveled to America and Mexico 2001-05 Sessional Lecturer, The Victorian College of the Arts, Melbourne 2003-10 Printmaking Workshops, Warrnambool TAFE, Warrnambool, VIC 2004 Traveled to Europe, Mexico and Cuba 2005 Lecturer, National Art School (Summer School), Sydney Sessional Lecturer, Monash University, Melbourne Lecturer, Institution of Koorie Education, Deakin University, Geelong, VIC This aquatint is one of a limited edition of 30 and was printed by Gunnell/Leighfield at Chrysalis Publishing. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.artwork, geoffrey ricardo, kangaroo, aquatint, printmaking, etching -
Wodonga & District Historical Society Inc
Decorative object - Linked necklace, c1883
This unusual jewellery set belonged to the family of Mrs. Jean Raper of Wodonga. It is part of an extensive collection of jewellery items which belonged primarily to her mother and grandmother.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A set of 40 closed loops forming a chain and featuring a locket like pendant. This item is made from a light material similar to tortoise shell. The central pendant has been carved with a cross and a criss-cross pattern as well as initials and a date. It is held together with a metal pin which is probably not part of the original piece.On central pendant front: "AMM" on reverse side: "14 Jan 1883"fashion accessory, women's jewellery -
Horsham Regional Art Gallery
Painting, Alex LYALL, Inside out (black), 1998
Purchased through the Horsham Art Gallery Trust Fund with the assistance of Bruce Chamberlain AM, 1999diptych -
Ballarat Heritage Services
Painting, Millie Okai, Painting by Millie Okai, c2019
Millie OKAI Country: AnanguPainting on canvasaboriginal, millie okai -
Friends of Ballarat Botanical Gardens History Group
Work on paper - James Oddie, Benefactor. the Ballarat Courier, April 21, 1890, Ballarat Philanthropists, April, 1890
James Oddie had returned from travels abroad and gave a speech at the Ballarat Art Gallery concerning the pleasure and importance of being a benefactor during one's lifetime in the light of Christian beliefs.The article indicates the esteem in which Oddie was held and notwithstanding other benefactors' contributions to Ballarat. Even if they were not as wealthy, their contributions were not forgotten.Two pages of small black and white print in columns.Bottom of the page, "Courier" is written in blue birojames oddie, benefactor, ballarat art gallery, ballarat botanical gardens, the ballarat courier, thomas stoddart, james russel thomson, frederick moses claxton, wealthy citizens, christian example, ballarat star, ballarat courier, john garner collection, gardens, ballarat, oddie -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Jack, Kenneth, "Glasshouse Mountains, Queensland" by Kenneth Jack, 1961
Kenneth JACK AM MBE RWS, (5 October 1924 – 10 June 2006) Australian watercolour artist Kenneth Jack who specialised in painting the images of an almost forgotten outback life; old mine workings, abandoned ghost towns, decaying farm buildings. He became a professional painter at the age of 39 after giving up his job as senior instructor at the Caulfield Institute of Technology. In 1977 he was elected to The Royal Watercolour Society and in 1982 was awarded the MBE, and the Order of Australia (AM) followed in 1987. Framed three block linocut depicting the Glasshouse Mountains in the Australian State Queensland. Donated through the Australian Gifts Programme by Katherine Littlewood.21/32artwork, artist, kenneth jack, printmaking, glasshouse mountains, queensland, available, linocut -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Boronia pilosa, Pultenaea subalpina, Boronia latipinna), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. This framed work is considered by him to be the most significant botanically. Boronia pilosa – Hairy boronia. [Wikipedia says it’s a plant in the citrus family Rutaceae and is endemic to south-eastern Australia MH] Pultenaea subalpina - Rosy Bush-pea. Grampians endemic listed as endangered and only found on the tops of Mt William, Major Mitchell Plateau and Mt Rosea - named for the Rosy Bush-pea that grows on its top! This is the only rose-coloured bush pea in the entire genus, which occurs right across Australia!! We have plants ready to plant in the WAMA endemic garden! Boronia latipinna - Grampians Boronia. Grampians endemic only found on the higher peaks of the central Grampians ranges - listed endangered. NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife art, wildflowers, Marianne Wehl, Marianna Wehl, Flower paint, Botany, works on paper, von Mueller, Baron von Mueller, Ferdinand von Mueller, Henrietta D'Alton, WAM, Wild Art Museum Australia, Wildlife Art Museum AustraliaGift of Barbara Crick in memory of Marjorie and Lachlan McLennanThree small paintings of pink wildflowers mounted together in original frame. The central image is an oval, flanked by two rectangular images. The frame is probably original – smooth gloss olive green simulating wood or bamboo. It has a new backing paper.Each image LL ' MW' (underlined), central image has signature obscured by oval vignetted matt. On the reverse side it is marked in black felt pen, “McLennan 106 Bennet Rd (4)” This refers to preparation (rematting / framing?) for exhibiting at Horsham Art Gallery in 1981.wildflowers, flowers -
Bialik College
Work on paper (Item) - The Survivor, 2010 performance diaries
In 2010 Bialik VCE Drama students created and partook in a theatre production of 'The Survivor'. Work was completed by a range of students, primarily Shanee Sommer and Kira Zeldin. visual and performing arts, theatre production, student work -
Latrobe Regional Gallery
Painting, LINCOLN, Kevin b. 1941 Hobart, Tasmania, Untitled, Not dated
Oil on canvasSigned top left corner of work. -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Pavilion Plan and Lease Offer, Ballarat Botanical Gardens, Wendouree Parade
john garner collection, ballarat botanical gardens, gardens, ballarat, pavilion, lease -
Gippsland Art Gallery
Work on Paper, Lincoln, Kevin, Lindenow Flats - Gippsland VIC II, 2003
Donated by the artist through the Australian Government Cultural Gifts Program, 2004Watercolour and charcoal on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Ragless, Max, Peak Hill, c.1950s
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Watercolour on paper on boardgippsland, artwork, permanent collection -
Vision Australia
Painting - Artwork, F.R. Fowler, Sydney Industrial Blind Institution, 1976
This oil painting of the Sydney Industrial Blind Institution (later Royal Blind Society of New South Wales) at William Street was painted by F.R. Fowler in 1976. It was inspired by an original etching. The building was erected between 1876 and 1879 and was designed by Edmund Blacket. It was funded through a generous bequest by John William Wood. The Institution provided the first employment training in NSW for people who were blind or vision impaired.Oil painting in wooden frame with nameplate at baseThe Sydney Industrial Blind Institution 1879sydney industrial blind institution, f.r. fowler -
City of Whittlesea Art Collection
Painting - Gouache & Watercolour on Saunders Paper on board, John Borrack, Mernda Plains, Landscape, 1995
The expression of the spirit of a place which in landscape painting is aesthetically more important than a literal topographical recording, can really only be achieved after a lifetime's experience of an area one has constantly observed, painted and loved for its innate characteristics. I gaze across the red gum plains of the Mernda landscape from my studio and witness them in all seasons and moods. Such a painting as this, free of all inhibitions of literal transcription are done relying purely on memory impressions. These are often inspired by a particular season or day, but the content of the work is a total of past experience and observations that lie in one's mind. The staccato quality of tree forms against vast horizontal spaces, the open colour planes and marks that define forms, the calligraphy and tonal resonance of the work, all find their origins in direct observations of nature that remain with me. Experience has taught me that the more direct and less complicated one can express an idea in watercolour and gouache, the more significant and vital the work will be. Occasionally one succeeds and manages a complete statement without recourse to reworking or additions. This painting typifies the direction in which my major work started to move in the late 1980's. Part of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrackmernda -
Horsham Regional Art Gallery
Painting, William ROWELL, Still life, n.d
Gift of Mack Jost, 1991oil on canvas -
City of Whittlesea Art Collection
Painting - Watercolour & gouache on Fabriano paper mounted on board, John Borrack, Cravens Road, Mernda, 1987
“Like "Red Gums, Hunters Lane", this painting is a deliberate attempt to infuse some new qualities into my work of that period, particularly in the painting of local subject matter. The heightened chroma and simplification of forms accentuated by a more rhythmic quality, endow the picture with a decorative characteristic which places it outside the category of the picturesque. Such colour harmonies, despite the heightened intensities, particularly in the road, do nevertheless exist, and it is the artist's prerogative to select and emphasize these certain qualities in his quest for expression. Unlike oil painting, watercolour and gouache can be unforgiving media, and once a commitment is made to the initial marks and washes on the paper, one must employ a certain deftness of touch to develop the work and retain the initial freshness. Some technical planning before painting is essential.” John BorrackPart of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrackmernda -
Old Colonists' Association of Ballarat Inc.
Painting - Image, T. Stanton Bowman, R.U. Nicholls, c1907
Robert Uriah Nicholls was born in Devonshire, England, and arrived in Victoria in 1853 on the Banker's Daughter, and Ballarat in 1854. He ran R.U. Nicholls & Co., nurserymen in Doveton Street North, Ballarat. He was a member of the Ballarat Horticultural Society for 51 years, and was President of the Old Colonists' Association in 1907. Robert Nicholls died in 1910, and is buried at the Ballaarat New Cemetery.Portrait of R.U. Nicholls, President of the Old Colonists' Association in 1907old colonists' association ballarat, stanton bowman, t. stanton bowman, r.u. nicholls, robert uriah nicholls -
Bendigo Art Gallery
Work on paper, Robert BUGG, Macedon Foothills, c.1930
watercolour, work on paper, macedon, macedon ranges, central goldfields, victoria, australian artist, landscape, mountain -
Federation University Art Collection
Work on paper - Printmaking - Woodcut, Kobal, Mark, 'Face the Future II' by Mark Kobal, 2005
My recent series of woodcuts and lithographs show predominantly interior views with solitary figures depicting fragments of everyday life and domesticity. The prints explore psychological aspects relating to interpersonal relationships; intimacy and detachment; the mundane repetition of daily television gatherings, and subtle gestures which aim to evoke a variety of moods and gestures.Mark KOBAL This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed woodcut of a short haired person looking towards darkness. art, artwork, mark kobal, printmaking, pca print commission 2005, pca, available -
Lauriston Girls’ School (incorporating Lauriston Museum and Gallery)
Painting, Portrait of Miss Margaret Irving Founder & Headmistress 1931-1956
The portrait was commissioned by the Old Lauristonian Association and painted by W.B. McInnes in 1932. It was exhibited in the Australian Art Exhibition, November 1932, and entered for the Archibald Prize in 1933. The inscription reads "Miss Margaret Irving Founder and headmistress 1901-1933". Size 1000mm x 800mm. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Portrait of Miss Margaret Irving Founder & Headmistress 1901-1933 Miss Margaret Irving Founder & Headmistress 1901-1933 -
Clunes Museum
Painting, David Williams, 2003
Timber framed collage of historic Clunes painted in watercolourshistoric clunes, watercolour, artist -
Stawell Historical Society Inc
Painting, Early Settlers Home by Artist Val Potter -- Water Colour
Early Settlers Home – Water Colour Painting Artist Val Potterstawell -
Latrobe Regional Gallery
Work on paper - Print, TAYLOR, James b. 1941, Negative Yellow, 1973
Paper relief printSigned and dated lower right beneath composition "J. Taylor 1973" Edition and title inscribed in lower left below print, 2/25 "Negative Yellow" -
Darebin Art Collection
Painting - Warren Lane, Warren Lane, Australian National Anthem Verse Two Lines 5 and 6 (Qasim), 2014
national anthem -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Michael Turner
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students. printmaking, australian bookplate design award, keith wingrove memorial trust, drawing, computer -
Clunes Museum
Painting - OIL PAINTING, AUDREY CRAWFORD
OIL PAINTING OF A BANK BUILDING IN A BROWN WOODEN FRAME WRITING ON TOP OF THE BUILDING "GOLD OFFICE BANK AUSTRALIA"ON BACK PRINTED: "VANGUARD i CANVAS PANEL SIZE 8X10 ARTIST (IN INK) AUDREY CRAWFORD - DATE ILLEGIBLE"audrey crawford, joice patterson, oelpainting -
Kew Historical Society Inc
Work on paper, Joy Stewart, 7. Churches, 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.7. Churches. A Handcoloured cartoon created by the artist Joy Stewart as a template for the seventh of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "CHURCHES. Religion has played an important part in the lives of Kew residents. The churches established schools and caring institutions." Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart -
Horsham Regional Art Gallery
Painting, Phyl WATERHOUSE, In the studio, n.d
Mack Jost Bequest, 2001oil on board -
Kew Historical Society Inc
Work on paper, Joy Stewart, Holy Trinity [Church], Kew, c. 1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 'Holy Trinity, Kew' by the artist Joy Stewart. [Holy Trinity Anglican Church is in High Street, Kew]Inscription: "Holy Trinity, Kew". Signed lower right: "JStewart".joy stewart, holy trinity (kew), high street (kew)