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Artwork, other (1265)
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Print (1657)
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Work on paper (2050)
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Gippsland Art Gallery
Print, Raphael (after), The Miraculous Draught of the Fishes, 1824
Donated from the estate of Dora Greenwall, 1975Engraving on India papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Painting - Painting - Old Town Hall Portland, Pauline Grayling, 1983
View of bluestone building with false columns decorating front of central structure. The building is situated on the side of a road, with red sand/gravel in front and low-lying greenery behind. Mounted in cream matt and framed in a wooden frame.Front: Old Town Hall, Portland (1863) Pauling Grayling 1983 (Black Ink) Back: Old Town Hall/Portland - $100 (Pauline Grayling/42 Greenwood Ave/Ringwood 870 7649 (black felt tip pen on sticker, upper right). -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Corrobboree on the Banks of the Murray, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Marysville & District Historical Society
Painting (Item) - Oil painting, Isaac Whitehead, A spring morning near Fernshaw 1880, 1880
A copy of an early oil painting of Fernshaw in Victoria.A copy of an early oil painting of Fernshaw in Victoria by Isaac Whitehead. Isaac Whitehead (1819–1881) was an Irish-Australian artist who worked in watercolour and pastel. He was also a picture framer and art promoter. It is believed that Isaaz Whitehead emigrated to Australia with his family in either 1853 or 1858. Isaac Whitehead died at his home 50 Punt Road, Prahran, Melbourne, on 21 April 1881. Isaac Whitehead had established himself as the foremost picture framer in Melbourne by 1860, known for his highly ornate frames with floral decorations. Among the clients of his framing business were Louis Buvelot, Nicholas Chevalier, and Eugene von Guérard. In his own paintings, he painted a number of scenes of the forests of Gippsland, Victoria. His work focused on the rich landscapes with trees and ferns, with a high degree of botanical detail. His work won him two medals and his work was posthumously exhibited at 1884 Victorian Jubilee Exhibition, the 1886 London Colonial and Indian Exhibition, and the 1888 Melbourne Centennial Intercolonial Exhibition. Fernshaw was a rural township 63 km northeast of Melbourne and 10 km northeast of Healesville. Situated on the Watts River, near where a log had fallen making a convenient crossing, Fernshaw was settled in the 1860s. It provided good country for orchards and berry growing. The location was at the foot of Blacks Spur, with Mounts Juliet and Mondah rising on either side, providing spectacular scenery. There were nearby fern gullies giving rise to the name – ‘shaw’ is old English for thicket or wood. By 1875 Fernshaw had a post office (1865), two hotels, a school (1871), and stores. It was famed for its beauty, attracting tourists. In 1886 the Melbourne and Metropolitan Board of Works began work on the Watts River water catchment scheme – later to become Maroondah – and the Board obtained approval for the catchment country to be reserved and kept free of settlement. This required the removal of the Fernshaw township, which was completed by about 1890.isaac whitehead, fernshaw, victoria, louis buvelot, nicholas chevalier, eugene von guerard, gippsland, victorian jubilee exhibition, london colonial and indian exhibition, melbourne centennial intercolonial exhibition, watts river, healesville, blacks spur, mount juliet, mount mondah -
Bendigo Historical Society Inc.
Painting - FORTUNA COLLECTION: WATERCOLOUR OF FORTUNA VILLA
Watercolour painting of Fortuna Villa. Lake in foreground, palm tree left hand side. Perspex sheet overlay with 'Fortuna' embellished in ornate font. Possibly used to develop promotional material for Department of Defence, Cartography section, then resident in Fortuna. Artist name on bottom right hand corner ' Bill Walls'bendigo, house, fortuna villa -
Latrobe Regional Gallery
Painting, DE KESSLER, Thomas b. 1925 Budapest, Hungary d. 2008 Melbourne, The Legions, 1967
Oil on boardSigned 'T de Kessler 1967' in lower right corner of painting. -
Bendigo Art Gallery
Painting, Albert Chevallier Tayler, Gentlemen, "the Queen", 1894
Signed and dated, l.r., brown oil, "A CHEVALIER TAYLER. 94". -
Bendigo Art Gallery
Painting, Thomas Benjamin Kennington, Homeless, 1890
Signed and dated, l.r., brown oil "T.B. Kennington. 1890" -
Horsham Regional Art Gallery
Painting, Arthur BAKER-CLACK, In Provence, n.d
Gift of Mack Jost, 1991 -
Federation University Historical Collection
Print - Images, Unbound Images from Withers' 'History of Ballarat', c1987
Copies of all images from the 1887 version of Withers' 'History of Ballarat'. The images include copies of the Eureka Stockade reward posters. mail coach, eureka graves, ballaarat old cemetery, mining registrar's office, reward posters, lake wendouree, bakery hill, madame berry gold mining company, ballarat from bath's hotel, quartz crushing, black hill, horse puddler, pennyweight flat, aborigines, creswick, withers, william b. withers, history of ballarat -
Kew Historical Society Inc
Print, View on the Yarra Near Dights Falls, Nineteenth Century
The original book plate reflects the colonial use of the River Yarra fro both recreation and industry.View on the Yarra Near Dights Falls. Reproduction of a book plate from an original wood engravingg, showing men and boys on the banks of the River Yarra. The activities represented include logging and fishing. Annotation on reverse: [Original] "Caption: View on the Yarra Near Dights Falls."yarra river, dights falls -
Swan Hill Regional Art Gallery
Painting, McDONALD, Wendy, Sandhill, evening with three clouds, 2011
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Gippsland Art Gallery
Print, Turner, J.M.W. (after), View of Orvieto, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Aura, 2001
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Dandenong/Cranbourne RSL Sub Branch
Print - ANZACS At War
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Federation University Art Collection
Painting - Artwork - Painting, 'Ghosts of the Murray' by Neville Bunning
Oil painting featuring the Murray River.painting, neville bunning, murray river, framing required, ghost -
Federation University Art Collection
Print - Printmaking - Etching, 'La Veronica' by Harry Halpern, 1965
Harry HALPEN This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching of a bullfighter. art, artwork, halpern, bullfighting, harry halpern, available -
Swan Hill Regional Art Gallery
Print, ROBINSON, John, The Track to Take, 1988
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Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Leonhard Adam, 1941 Arandora Star Monument, Tatura, Victoria, 1941
Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour painting of memorial carved in stone at Tatura internment Camp 3. Barracks in the backgroundLeonhard Adam. 1941, 'Arandora Star' Monument, Tatura, Victoriatatura, dunera, internee camps, illustrations, watercolour, arandora star -
Swan Hill Regional Art Gallery
Painting, GLEGHORN, Thomas, Landscape and Coast, No. 2, 1965
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Gippsland Art Gallery
Print, Watson, Judy, Untitled, 1986
Artworks Gallery Collection. Donated by Norman & Petah Creighton, 2018Lithograph on papergippsland, artwork, permanent collection -
Uniting Church Archives - Synod of Victoria
Print, Undated. C. 1890s
Rev. W. A. Quick (1820-1915) was a significant figure in Victorian Methodism. President of the Queen's College Council 1888-1908. Chairman of the Tasmanian District 1861-71. President of the Australian Conference, 1866.Black and white print on buff paper. Head & shoulders portrait of the Rev. William Abraham Quick."REV W.A.QUICK EX-PRESIDENT WESLEYAN CONFERENCE, VICTORIA, AUSTRALIA"methodist, wesleyan, rev w a quick, wesleyan conference, president of the wesleyan conference -
Gippsland Art Gallery
Print, Durrant, Ivan, Untitled, 1987
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Wald, Susan, Portrait of Professor Neil Carson AO, 1992
Donated by the artist, 2013Oil on canvasgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Waters, Pat, Triste, 2004
Donated from the estate of Di Webster, 2017Oil on canvasgippsland, artwork, permanent collection -
Bendigo Historical Society Inc.
Print - Photocopies of Cheques in the 1880s, abt 1970-1990s
The Commercial Bank of Australia was established in 1866. In Bendigo it was initially in Pall Mall but in 1875 a new building was designed by Vahland and Getzschmann in the Renaissance revival style and was erected at 11 View Point. In 1982 the CBA merged with the Bank of NSW to become Westpac.Photocopy of Cheques used in Bendigo in the 1880s. 20 assorted cheques on plain blue paper. Amounts on cheques vary - Commercial Bank of Australia - on the rear 'amounts in gold, notes, silver and copper to be listed. Purpose of these unknown.history, bendigo, cheques, commercial bank of australia -
Glenelg Shire Council Cultural Collection
Print, One Farm's History, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of four images of houses displayed in a vertical layout. The top image is a close view of a yellow wall, white door and green foliage. The next image shows a pink house with purple and yellow details, a white picket fence and several large trees. The third image is of a yellow house with a red roof, white wire fence and trees. The bottom image shows a pink brick house with brown roof.Front: 20/22 One Farm's History, Tyrendarra. Carmel Wallace 1984 Back: 48 -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Margaret Baskerville, Two children in country, c.1913
oil on boardmargaret baskerville, landscape, bush, children, farm, barn, fence, tree -
Bendigo Military Museum
Print - PRINT, FRAMED, Framed Print of "An Historical Record of the/Second World European World War"
Coloured framed print of "Historical record of the end of the 2nd European War", has Bendigo Business Adverts Print - black, blue, red print, illustrated with portraits and and flags; and Bendigo Business Advertisements. Frame - timber, mid brown and gold colour marbled effect paint with decorative edge. Glass front. Mount - off white colour cardboard.illustrations-prints, frame accessories; trades - carpentry, ww2, history