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Artwork, other (1263)
Ceramic (764)
Decorative object (711)
Drawing (4606)
Mixed media (515)
Painting (2476)
Print (1657)
Sculpture (402)
Textile (1393)
Work on paper (2044)
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Flagstaff Hill Maritime Museum and Village
Decorative object - Dish
Square shaped enamel dish, white with blue rim. Quite small. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Darebin Art Collection
Painting - Will Murray, Will Murray, Me, 2009
arts projects australia -
Swan Hill Regional Art Gallery
Painting, JOHNSON, Brian M, Swan Hill, 2008
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Bendigo Military Museum
Painting - PAINTING, FRAMED
Painting - oil painting on canvas, colour, by the artist StanThomas of a building “RSL HALL, EAGLEHAWK” Frame- black, colour painted timber frame with inner frame / mount white painted timber . No glass Hand painted on lower edge of painting “RSL HALL EAGLEHAWK / STAN THOMAS”illustrations-watercolours, societies-service clubs -
Orbost & District Historical Society
Painting, Cameron, Nell (Miss), 1890's - 1900's
Painted by Miss Nell cameron, daughter James and Jean (nee Moffat) Cameron.This painting has aesthetic significance and shows the skill and craftmanship of the women of the early settler families.A piece of rectangular tin curled on each end. Painted green background with white roses, yellow stamens and green and brown leaves.MRcameron-nell painting art tin -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Christmas Tree
Given to Acting Captain Austin Appleby by and internee. Used by the Appleby family for over 50 years. Originally sent out by the German Red Cross to POW's and internees in the Tatura area in 1943.Artificial Christmas tree on wooden stand decorated with bells, stars and candles, supplied to Camp 3 by the Red Cross. Inscription on original box: Weihnachtszweige Die "Goldenen Nuisse" sind gefult also knacken 15 stuch. Translation reads: Christmas branches. The "Golden Nuts" are filled, therefore crack (them). 15 pieces.christmas, appleby, red cross, camp 3, german pows, camp 3 tatura -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Water Colour, Lagerbild Germalt von Glunkler
The painting is of Camp 3 painted by internee Glunkler.Water colour of two huts with the windows open. Another hut is partially in the picture. An item of washing is hanging on a clothes line between two of the huts. A garden of red flowers in is the foreground and two gum tree are in the paddock behind a wire fence. Wooden frame behind glass with dark green matt.Glunkler 1942 -
Swan Hill Regional Art Gallery
Painting, TREVOR, James, Murray in flood, Swan Hill, 1894
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Ballarat Heritage Services
Painting - Artwork - Painting, M. Sardinia, [Townscape] by M. Sardinia
Framed watercolour of a townscapewatercolour, painting, townscape, m. sardinia -
Federation University Art Collection
Painting - Artwork, [Abstract Artwork]
Framed blue and yellow abstract painting. If you can assist with information on this artist or artwork please use the comment link below.human movement collection, abstract, available -
Clunes Museum
Ceramic - DECORATIVE CERAMIC
Ceramic poppy, red with black centre, hole in base to enable hangingpoppy, gallipoli -
Working Heritage Crown Land Collection
Decorative object - Wallpaper, Horticultural Hall wallpaper
Sample of wallpaper from the "North wall" of Horticultural Hall.Sample section of wallpaper from Horticultural Hall. Flora design of leaves, possibly for a frieze or cornice. Green, red and purple colours visible. wallpaper, horticultural hall -
Federation University Art Collection
Painting - Artwork - Painting, 'Procession Along the Todd River' by Wesley Pemberthy
Wesley PEMBERTHY (1920- ) Born Broken Hill, New South Wales Wesley Pemberthy spent his childhood in Adelaide, South Australia. As an adult he lived in Bendigo, Ballarat, Clunes, Creswick, Daylesford and Perth. While in Perth he studied at Perth Technical School (1933-1937), followed by studies under the tutorship of Norman Lindsay in New South Wales (1938-1941). After service during World War Two Wes Pemberthy became the first Rehabilitation student at the National Gallery School, Victoria, undertaking research into the techniques of the Old Masters. He was the winner of the Sulman Award in 1955. The Sulman Prize is awarded for the best subject painting, genre painting or mural project by an Australian artist.Framed painting showing a number of brightly dressed people in a treed landscape. artists, artwork, wes pemberthy, wesley pemberthy, aborigines, aboriginal -
Federation University Art Collection
Painting, Bonnie-Jean Whitlock, 'I'm inside a Tree' by Bonnie-Jean Whitlock, 2012
This work was selected by DVC Andy Smith from the 2012 University of Ballarat End of Year Exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a tree.art, artwork, whitlock, tree, bonnie-jean whitlock -
Wodonga & District Historical Society Inc
Decorative object - Bead and Snake bone necklace, Fred Walker, c1930
These beads were made by Fred Walker, then of Wodonga, during the Depression. He created them to make additional income when work was scarce. They were sold for 3 shillings per necklace. The snakes he caught were boiled to separate the flesh from the bones. After saturating the market in Wodonga, Fred and a friend took to the road. At one stage they travelled with live snakes which had been de-fanged and kept them alive with frogs until more necklaces were needed. He travelled much of the east coast of Australia until the economic conditions improved, when he settled in Melbourne. After the death of his wife in the mid 1970s, Fred took to the road again, resurrecting the making of snake jewellery as he travelled the countryside. These beads were purchased by Mrs. Lilian Black of Kergunyah, Victoria when Fred Walker visited her family farm in the 1930s.These beads demonstrate enterprising activities carried out by Australian people in order to survive during the Great Depression of the 1930s.A necklace made from black beads and treated snake bones. There are 5 coloured beads in the middle of the necklace.snake jewellery, the great depression, survival during the depression -
Federation University Art Collection
Painting - Artwork, [Untitled]
artwork, artist, gippsland campus, churchill -
Horsham Regional Art Gallery
Painting, Julian ASHTON, Study of a woman's head, c.1890
Gift of Beverly Brown in memory of her father Dr Joseph Brown AO OBE, 2015 -
Wangaratta Art Gallery
Painting, Ailsa Seargent, The Junction, 1969
Rural City of Wangaratta Collection.A rural river landscape painted in blues, greens and browns.wangaratta art gallery, ailsa seargent, painting, landscape, river -
Swan Hill Regional Art Gallery
Painting, MACKAY, Mal, Brunswick Town Hall – A blues concert with lights, 1969
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Darebin Art Collection
Painting - Barry Dickins, Barry Dickins, Running Out of Time, 2005
painting -
Glenelg Shire Council Cultural Collection
Painting - Painting (Henty Street Casterton), Untitled, 1995
The watercolour painting depicts a street scene with a grass hill in the background. The street forms the centre of the foreground and features a row of buildings and cars on both sides of the street. Long shadows extend from the buildings and trees with yellow leaves frame both edges of the work. Across the middle of the work green trees are used to separate the street from the hill in the background. The large grass hill features an outlined shape (Scout symbol) on the side and a building surrounded by trees on top. The work is mounted and framed in a brown and gold frame with glass.Front: Mervyn Hill/95 Back: Framing by W.D. & C.M. Davis RMB 1256 Casterton 3311 Phone (055) 75 3290 -
Tatura Irrigation & Wartime Camps Museum
Painting - Oil Painting, Flowers, 1942
The flowers in this painting were grown and tended to with love by Hans Beck in Tatura Camp 3.A glass vase containing orange, white and yellow flowers. The vase half filled with water and is sitting on a wooden table. The background is a mustard colour. The painting has a gold frame and with linen matt.C Rippertstill life, oil painting, flowers -
Bendigo Historical Society Inc.
Decorative object - PLASTER STATUE OF BOY
Ornamental plaster statue titled 'Like Papa' of a boy in cap & large boots, hands in pockets with pipe in his mouth, cream in colour with tan highlights.ornaments, plaster, statue -
Numurkah & District Historical Society
Painting - Man in a boat painting
Original colour painting by Tom Howard of a man in a boat, dragging a net. Painting in a wooden frame without glass -
Whitehorse Historical Society Inc.
Ceramic - Border Tile
See 359Orange glazed border tile with pattern of diamonds within squares of green'479'ceramics, earthenware -
Bendigo Historical Society Inc.
Decorative object - HAND PAINTED CHINA PLATE
Hand painted china plate with grapes and vines in autumn tones and gilt edging.Zena ( Cohn)domestic equipment, table setting, plate -
Port Fairy Historical Society Museum and Archives
Decorative object - Painting, F. I. Endeavour
For many years this painting hung in the offices of the Belfast & Koroit Steam Navigation Company in Port Fairy. It was painted by Arthur Victor Gregory (1867-1957), a water colourist and marine artist. It depicts the Fisheries Investigation Ship Endeavour, a trawler built to the specifications of the Commonwealth Government in 1909 to assist in identifying new fishing grounds in the seas around Australia. The Endeavour was lost in December 1914 between Macquarie Island and Hobart with the loss of all twenty-one men on board, including Harald Dannevig, the Commonwealth Director of Fisheries.A Painting of a forgotten ship and crew that were forerunners of investigating the reserves of fish in our oceans.A painting of the F. I. Endeavour in a wooden frame. Scroll work on frame.Front - The F. I. Endeavour crossing Bass's Straits A. V. Gregory 10 Reverse - Regal Patronage ?.8.1854 Arthur V. Gregory Marine ? Arthur V. Gregoryship, fishing, scientific, belfast & koroit steam navigation company, endeavour, macquarie island, hobart, harald dannevig -
Wangaratta Art Gallery
Painting, John Colin Angus, North East Pastoral, 1984
Rural City of Wangaratta CollectionA pastoral landscape painting in oil using a tonal colour palette of greens, blues, browns and yellows.J. Colin Angus/ 84/ (bottom left corner)wangaratta art gallery, j colin angus, john colin angus, painting, landscape, pastoral -
Flagstaff Hill Maritime Museum and Village
Ceramic - Stoneware Bottle, Dundas Pottery, Late 1800s to early 1900s
This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. DUNDAS POTTERY WORKS - The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837 when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a speciality of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide.This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. This bottle is historically significant for its connection with the well-known stoneware manufacturers, Dundas Pottery of Glasgow, Scotland. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, salt glazed stoneware, beige, sealed with cork and wax, discolouration on upper part. Inscription stamped near base.Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, shipwreck artefact, stoneware, ironstone pottery, bottle, port dundas pottery, glasgow, antique bottle, william johnstone -
Bendigo Historical Society Inc.
Decorative object - PLASTER LIONS
Two plaster ornaments of Lions in a lying down pose with front feet extended, painted with a bronze like finish and sitting on a rectangular base.ornaments, plaster, statue