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Artwork, other (1261)
Ceramic (764)
Decorative object (711)
Drawing (4606)
Mixed media (515)
Painting (2476)
Print (1657)
Sculpture (402)
Textile (1393)
Work on paper (2041)
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Clunes Museum
Painting
Wooden framed watercolour of a scene of a house with a blue roof, a line of telegraph poles a mullock heap with a fence in the foreground, sheep in paddock.Nilwatercolour, artwork, landscape -
Whitehorse Historical Society Inc.
Painting - Illustration, Ian Armstrong 60 years - a survey, 2002
Advertisement for gallery showing of Ian Armstrong' paintings ('Fishermen - Airey's Inlet 1960' shown).Advertisement for gallery showing of Ian Armstrong' paintings ('Fishermen - Airey's Inlet 1960' shown).Advertisement for gallery showing of Ian Armstrong' paintings ('Fishermen - Airey's Inlet 1960' shown).painters, armstrong, ian (artist) -
Port Fairy Historical Society Museum and Archives
Painting - Painting, Watercolour, Jake McInnes' old home now Belfast Close
paintingcottage, building, home, house, belfast close, jake mcinnes -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 10 Martin Crescent, Glen Iris, 1988
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Pyrenees Shire Council
Painting, Anne Broidy, Beaufort Railway Station by Anne Briody
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture view of Beaufort Railway Station in watercoloursigned: A Briody (lower right) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 5/19 Grandview Terrace, Kew, 1994
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 5/19 Grandview Terrace, Kew by Margaret Picken.5/19 GRANDVIEW TCE., KEW / MARGARET PICKEN '94 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 5/19 grandview terrace -- kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 344 Burke Road, Glen Iris, 1991
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
National Wool Museum
Textile - Blanket, Eagley Woollen Mills, 1960s
Note from collector: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Queen sized brown, green and blue checked blanketEagley Blanket, Pure Woolblanket, blanket fever, wool, eagley woollen mills, victoria -
Moorabbin Air Museum
Mixed media (Item) - Rolls Royce Advertisement Disc, Rolls Royce Press Kit 2005
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Camberwell Historical Society
Drawing (series) - Architectural drawing, 9 Glyndon Road, Camberwell, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 5 Dunlop Avenue, Kew, 1993
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 5 Dunlop Avenue, Kew by Margaret Picken.5 DUNLOP AVE., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 5 dunlop avenue -- kew (vic.) -
Ballarat Tramway Museum
drawing - Illustration - Art work, Peter Gerasimon, "The Ballarat Tram in Melbourne", 1997
Yields information about the time when BTM tram 671 operated on the Melbourne City Circle and has a strong association with the artist Peter GerasimonPrinted art sheet / card featuring BTM tram 671 in Latrobe St Melbourne, 1996 while running on the City Circle at the Swanston St stop. Features the driver talking to a young man through the door. Artist - Peter Gerasimon and published by Helga Gerasimon, Gisborne. From the Melbourne Tram Series in 1997. Numbered 100/980. Work has artists details along the bottom edge under the illustration. Acquired with Reg Item 4455.trams, tramways, melbourne, btm, city circle, illustrations -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1/61 Westbrook Street, Kew East, 2002
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 1/61 Westbrook Street, Kew East by Margaret Picken.1/61 WESTBROOK ST., E KEW / M PICKEN (c) 2002 / FLETCHERSartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 1/61 westbrook street -- kew east (vic) -
Gippsland Art Gallery
Painting, Wald, Susan, Bloodied Beef + Beef, 2004
Donated by the artist, 2013Oil on rag papergippsland, artwork, permanent collection -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 24 Beatrice Street, Burwood, 1988
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 31 Carnegie Avenue, Kew, 1999
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 31 Carnegie Avenue, Kew by Margaret Picken.31 CARNEGIE AVE., KEW / MARGARET PICKEN ~99 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 31 carnegie avenue -- kew (vic.) -
Kew Historical Society Inc
Decorative object - Tablecloth
Lace tablecloth owned by a member of the Piesse family of Kew. Later owned by Margaret Hollis (nee Piesse) of Castlemaine.Square linen tablecloth bordered with a wide band of machine-made lace.tablecloths, lace -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Sir Thomas Bent, 1909
Artist unknown, Sir Thomas Bent 1909, oil on canvas, 29.5 x 24.5 cm. Bayside City Council Art and Heritage Collection.sir thomas bent, mayor, policitian, portrait, brighton, speaker, premier, councillor, land speculator, local government, member of lower house, mayor of brighton, premier of victoria -
Swan Hill Regional Art Gallery
Painting, FREEDMAN, David, Tyntynder Flats Channel 1, 2003
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Camberwell Historical Society
Drawing (series) - Architectural drawing, 28 Hortense Street, Glen Iris, 2001
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Villa Alba Museum
Decorative object - Wallpaper sample, Nursery Rhyme, c.1880–c.1900
A wallpaper sample donated to the collection by Frances Alexandra (Frankie) Derham (1894–1987). Derham was an Australian artist and educator. A lecturer in art at the Melbourne Kindergarten Training College (1928-64) , she later taught at the Associated Teacher Training Institution (1949-61). Her commitment to `child art’ developed after 1935 when she accepted an invitation from Margaret Lyttle to teach at Preshil school. Frances Derham's collection of nearly ten thousand children’s drawings and paintings was acquired by the Australian National Gallery in 1976. Her interest in art for and by children is reflected in her donation to the Villa Alba Museum of an important and rare collection of early wallpapers designed for children's rooms. Nursery wallpaper depicting children and sheep. "66490" stamped on back. Originally donated by Frances Derham. Originally donated by Frances Derham to Villa Alba Museum via Terry Lane..Verso: "66490"decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- children's, frances derham -
Horsham Regional Art Gallery
Mixed media, Kerrie LESTER, White water, 1978
Gift of the Georges Invitation Art Prize, 1978 -
Wodonga & District Historical Society Inc
Decorative object - Gold toned horse brooch from the Sarah Coventry Jewellery Range c.1970s-1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the brooch has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned brooch of a horse wearing a bridle "SARAH COV"/"CANADA"sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, horse, horse brooch -
Phillip Island and District Historical Society Inc.
Textile, Evening bag
Bag was owned by great grandmother x 2 of Judy Ford.HistoricalBlack silk evening bag with satin lining and thicker material lining on front side. Black ribbon strap. Embroidered with sprays of small white flowers made of material. Also bow of yellow ribbon. N/Aevening bag, judy ford, social life, -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 192 Pickles St built environment - domestic, frank gordon real estate, pickles street -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 3/1423 High Street, Glen Iris, 1987
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Churchill Island Heritage Farm
Painting - Oil Painting, Moonahs on Coast, 1924
Miss Minnie Laurence was a cousin of Albert E Ford whose mother was a Laurence. The Laurence family was friendly with the Amess family who owned Churchill Island until 1929. Minnie Laurence often visited the Amess family on Churchill Island. She gave this painting to Mr Albert E Ford and Marion Ford as a wedding present in 1925. Kenneth and Fay Morris were given the picture from Marion Ford (Ken's mother). They loved Churchill Island and requested to hang it there. Margaret Morris was the daughter of Kenneth Ford.Oil painting by Minnie Laurence titled Moonahs on Coast. It depicts the coastal setting of the moonah trees that grow on Churchill Island.moonah trees -
Hawthorn Historical Society
Drawing - Property Illustration, 52 Bell Street, Hawthorn, 1991
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 52 Bell Street, Hawthorn by Margaret Picken.52 Bell St, Haw E, Margaret Picken '91. Woodards - Hawthorn.artist - margaret picken 1950- -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 95 Walpole Street, Kew, 1991
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 95 Walpole Street, Kew by Margaret Picken.95 WALPOLE ST., KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 95 walpole street -- kew (vic.) -
Federation University Art Collection
Painting - Artwork, Tully, Allison, 'Menage Acqua' by Allison Tully, 2000
Allison TULLY Allison Tully was a Visual Art Student at Horsham TAFE under lecturers Ewen Ross (painting and prntmaking), Trevor Tagliabue (sculpture, life drawing and art history) and Tina Fitzgerald (textiles). Allison worked at the Horsham Art Gallery as an Education Officer. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A tryptich in blue. art, artwork, allison tully, horsham campus art collection