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Artwork, other (1305)
Ceramic (768)
Decorative object (723)
Drawing (4628)
Mixed media (540)
Painting (2490)
Print (1672)
Sculpture (407)
Textile (1402)
Work on paper (2111)
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4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Print - Framed Print, Officer Prince of Wales's Light Horse Hussars 1870's, c 1960
40 x 220 mm coloured print of Officer of Prince of Wales's Light Horse Hussars set in glass fronted wooden frameJess 45 Property of 4/19 PWLH Officers' Mess Feb 96 Framed by Elan's Picture Framers 818-7801, 277-6969australian light horse, history, army officers -
Melbourne Legacy
Decorative object, Legacy Torch
A metal Legacy torch. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.Metal Legacy Torch with blue and red enamel, possibly aluminium.torch, logo -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Commemorative Pendant from the Sarah Coventry Jewellery Range c.1970s-1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the pendant has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery. A silver toned Sarah Coventry commemorative pendant, with a central design of the Australian continent sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, pendant, necklace, necklaces -
Great Stupa of Universal Compassion
Sculpture - Amitayus (Buddha of limitless life)
Amitayus, also called Amitabha, is the Buddha of Infinite Light, associated with longevity. He is holding in his hands a vessel containing the nectar of immortality. Amitayus is considered one of the Five Dhyani Buddhas in Mahayana Buddhism. Amitayus Buddha statue, wearing jewelled ornaments of a peaceful heavenly god according to the classical Indian system of divine aesthetics. tibetan buddhism, holy objects, buddhist art, statues -
Horsham Regional Art Gallery
Print, Irena SIBLEY, Fuschias, n.d
Donated through the Australian Government's Cultural Gifts Program by Katherine Littlewood, 2019hand coloured linocut on paper -
Swan Hill Regional Art Gallery
Print, O'DOHERTY, Chris (Reg Mombasa), Sheepwalk, 2015
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Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Porcelain figurine of a doctor holding a baby
Porcelain bisque figurine of a doctor holding a baby. The doctor is male, with brown hair and a moustache. He is wearing a white surgical gown and cap, with brown trouser cuffs and black shoes visible below the gown. The doctor is holding a baby by its ankles in his left hand, and is holding his right hand with the palm facing towards the baby. The baby is facing the doctor, head pointing towards the ground. The figure is supported by a plinth behind the right leg, and is standing on a flat, sandy coloured base.obstetrics -
Clunes Museum
Print, EARLY CLUNES
BLACK AND WHITE PHOTOGRAPHIC PRINTE IN BLACK WOODEN FRAME OF CHILDREN ON A ROAD WITH TOWN BUILDINGS OF CLUNES IN THE BACKGROUND. GOLD COLOURED METAL PLAQUE AFFIXED TO BOTTOM OF FRAME ON THE FRONTON PLAQUE: EARLY CLUNESclunes streetscape, southwest from cameron street -
Bendigo Military Museum
Print - PRINT, FRAMED WW1, Reader's Digest (Australia) Pty Limited, 2015
From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an original oil painting on canvas. Depicts a soldier leaning against a wall structure with a second soldier in more muted tones in the background within an earth trench. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "GEORGE COURTNEY BENSON (1886-1960) Infantryman c 1919-1920". GEORGE BENSON " Enlisted in the Australian Imperial Force in September 1914 with the 3rd Field Artillery Brigade". "Commissioned as an official artist in April 1918".framed accessories, prints, ww1, gallipoli, centenary -
Ballaarat Mechanics' Institute (BMI Ballarat)
Print - Photograph by Herb Richmond, Ballarat Botanical Gardens
Ballarat HistoryOld glossy printballarat, ballaraat, botanical, gardens -
Kew Historical Society Inc
Print, E. Reilly's Red Lion Family Hotel, Nineteenth Century
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white copy of a photo of E. Reilly's Red Lion [Family] Hotel, in Hawthorn.hotels -- hawthorn (vic.), red lion hotel -- hawthorn, e reilly -- publican -
Flagstaff Hill Maritime Museum and Village
Print - Portrait
Print, portrait of Queen Victoria wearing a blue dress and sash. Printed by Alf Cooke, Queens Printer, Leeds, UKflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Gippsland Art Gallery
Print, Duxbury, Lesley, Echo - 11 September 1821, 2017
Purchased, 2017Inkjet print and blind embossing on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Decorative object - Silk table runner embroidered with silver bullion, c.1860
When donated by Mrs Docherty in 1991 it was described as a Scottish sideboard runner dating from the 1860s.Embroidered textile formerly used as a table runner. When donated by Mrs Docherty in 1991 it was described as a Scottish sideboard runner dating from the 1860. The design and construction of the fabric is probably Indian in origin. It includes an extensive use of silver bullion on a cream silk ground to define the areas of abstract floral patterning. The warp or weft of the cream silk ground has disintegrated in sections.textiles - international, embroidery, table runners -
Mission to Seafarers Victoria
Decorative object - Stickers, c. 2000
two sample stickers showing the different forms of the Flying Angel Logo depicting the angel of the Revelation. The left hand logo is 20thC. the right hand logo the new logo for the Millenium post 2000 in the 21st Century.Illustrates the change from 'seamen' to more gender neutral 'seafarers'.Two stickers depicting two different graphic designs of the flying angel logo of the Mission to Seafarersflying angel, angel of the revelation, missions to seafarers, logo, mission to seamen, seamen's mission, pat dann, hastings mission -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture - sandstone, Junee Gurney et al, Quartet, 2002
‘Quartet’ is designed by the late Junee Gurney (1909-1984), who lived in Bayside for many years and was the wife of Alex Gurney, creator of the 'Bluey and Curley' cartoons. The work made posthumously based on her design and was carved by David Glyn Davies.Junee Gurney, Sculpted by David Glyn Davis, Quartet 2002, sandstone, 185 x 90 cm. Bayside City Council Art and Heritage Collection. Commissioned 2002Sandstone Public Art Commission located in Landcox Park, Brighton Eastsculpture, public art, landcox park, family, figures, junee gurney, david glyn davis, quartet -
Gippsland Art Gallery
Sculpture, Williams, Anthea, Channel Tunnel, 1996
Purchased, 1996Paint, Metal, Steelgippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, KENNEDY, Roy, Days of harmony on our mission, c2001
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Gippsland Art Gallery
Print, Eaton, John Bertram, Calm Evening, c.1932-40
Donated by Janina Green, 2018Photographic print on original backing cardgippsland, artwork, permanent collection -
Kew Historical Society Inc
Decorative object - Embroidered tray cloth
Embroidered tray cloth. Pink and yellow flowers in each corner. tray cloths, household textiles -
National Vietnam Veterans Museum (NVVM)
Print, Advance
A coloured print of four soliders in greens with helmets and SLR's advancing supported by a tank and an APCOn back of print - 02/6235336print, slr's, armoured personnel carrier -
Mission to Seafarers Victoria
Print - Digital collage, 586, Captured, 2011
"Art is the vehicule for communications far Beyond the confines of a space, while design is the aesthetic cradle in which messages are nurtured and processed." "A 586 rework of the iconic building that has withstood the redevelopment of the Melbourne Docklands and defied the odds. On display a large format print 700mm x 1400mm print. Also a limited run of smaller prints on archival paper also available to support Melbourne's first non-profit charitible organisation that is still self funded, ie. not government funded." During the Open House Melbourne 30-31 July 2011, the artist nicknamed "586" participated in one of the Norla Dome Project Space events sponsored by Bendigo Wealth. Made in Melbourne, 586 is an urban digital experimentalist who blends social narrative with found image creating messages that inspire social consciousness and free thought. Cast in a local foundry back in 1991, 586 was a number, amid hundreds of men working between the ladie and the furnace in a clock on - clock off automated industrious landscape. Legend tells of a time when correspondance to workers was addressed to their number, not their name. Disapproval spread rapidly and a revoit soon followed, eventually the power of the masses won out, but the demoralizing treatment of the worker would go on to shape 586's perception and became the catalyst for a personal protest against social imbalance. This print was on display and smaller prints were also sold to raised funds for the Mission.DigitalLarge digital print of a design that overlays various symbols ( 4 flying angels ), the sails of a sailing ship and contemporary cityscapes and seascapes. centrally features a full photograph of the Mission to seafarers building at 717 Flinders St. Melbourne. Mounted in a large black frame and glazed with perspex .mission to seafarers, flinders street, melbourne, windvane, dome, flying angel, sea, norla dome, bendigo wealth, artist 586, 2011, artwork-paintings, open house, norla dome project space -
Royal Australasian College of Surgeons Museum and Archives
Decorative object - Coffee set
A gift given to Gordon Wheeler, first secretary of RACS. Includes six coffee cups and saucers, milk jug/lid, sugar pot/lid and coffee pot. 18 pieces in totalCoffee set belonging to Gordon Wheeler .Includes six coffee cups and saucers, milk jug/lid, sugar pot/lid and coffee pot. 18 pieces in totalorange and green floral and leaf decorationssecretary, racs, retirement -
Glenelg Shire Council Cultural Collection
Print - Label - Henty: Lemon Delight, n.d
(Previous collection, Exhibitions, Prizes, etc.) Displayed at History House. Used by Henty cordial company in PortlandLabel with design of a ship of choppy waters in a roundel in upper right corner. Name of drink is in a white banner across lower centre.Front: (text on label includes brand name, flavour of drink, etc...) -
Lilydale RSL Sub Branch
Print - Portait, His Majesty King George V, 28 Febraury 1931
Photographic/Print of HM King George V in uniform of 2nd Btn King's Regt (Liverpool). King George V regimental oil painting - commissioned by 2nd Btn King's Regt (Liverpool) - One of three identical portraits King sat on 28 Feb 1931 - in gilt/timber frame. -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Penny Brooch, 1940's
Made from an Australian penny, 1940, by Adolf Woolf at Camp 3Kangaroo brooch, circular, copper colour with wire pin fastener at back. Australia Penny 1940. Small raised star on left and raised impression of Kangaroo in flight.brooch, kangaroo, woolf a, glockemann b, camp 3, ww2 camp 3, jewellery -
Gippsland Art Gallery
Print, Macpherson, Adelaide, Descending, 2017
Purchased, 2017Etching on papergippsland, artwork, permanent collection -
Ararat Gallery TAMA
Print, Nanette Bourke, The Growth of Tourism, 1988
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Flagstaff Hill Maritime Museum and Village
Decorative object - Ornament, ca. 19th century
This fine white unglazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was likely made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Fine unglazed white porcelain ornament, hollow inside. It is carved to represent a peasant girl and goat with a vase shaped like a tree stump in the background. The ornament has remnants of gold, red, brown and green paint. There is an inscription on the base."3943:warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, ornament, flagstaff hill, flagstaff hill maritime museum and village, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, germany, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, girl and goat, vase -
Latrobe Regional Gallery
Print, LAWSON, Sonia b. 1934 Darlington, United Kingdom, Girl Dreaming of Pony, 2001
ScreenprintSigned 'Sonia Lawson' lower right under printed image. Numbered XXIII (23), lower left corner under printed image.