Showing 4607 items
matching art
Artwork, other (1265)
Ceramic (766)
Decorative object (713)
Drawing (4607)
Mixed media (518)
Painting (2482)
Print (1657)
Sculpture (402)
Textile (1394)
Work on paper (2050)
-
Moorabbin Air Museum
Drawing (Item) - United Aircraft of Canada Fireseal Mounting Rings 3007900
-
Camberwell Historical Society
Drawing (series) - Architectural drawing, 126 Through Rd, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Moorabbin Air Museum
Drawing (Item) - Bensen Gyro Glider Plans
-
Swan Hill Regional Art Gallery
Drawing, SIBLEY, Andrew, Sigrid Thornton, 2000
-
Camberwell Historical Society
Drawing (series) - Architectural drawing, 127 High Street, Glen Iris, 1998
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Moorabbin Air Museum
Drawing (Item) - CAC CA-15 technical documents, CA-16 A62
Commonwealth Aircraft Corporation -
Ballarat Tramway Museum
Drawing, Electric Supply Co. of Vic (ESCo), "Arrangements of Troughing at ESCo Cooling Tower Ballarat", 4/12/1914 12:00:00 AM
Yields information about the cooling tower troughing arrangements within the cooling tower itself at the power station.Rolled blue print of the "Arrangements of Troughing at ESCo Cooling Tower Ballarat" showing how the various systems to pipe and pass air through the water falling onto timber hurdles was made. Gives dimensions and details of the timber and arrangements made. Date 4.12.1914.ballarat, power station, ballarat a power station, esco -
Hawthorn Historical Society
Drawing - Property Illustration, 76 Power Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.76 POWER ST, HAWTHORN Marg Picken `87 WOODARDS - C'WELLartist - margaret picken 1950- -
Stawell Historical Society Inc
Drawing, Mr D. Telford, Chaff Mill, Produce Dealer & Grocer in Main Street Stawell from the P.C. News Supplement 1888 -- Sketch
D. Telford Chaff Mill and D. Telford Produce Dealer & Grocer Main Street from P.C. News Supplement 1888stawell businesses -
Ballarat Tramway Museum
Drawing - MMTB Trackwork drawings, Melbourne and Metropolitan Tramways Board (MMTB)
Prepared by the MMTB for the design of pointwork or switches.Yields information on the design of trackwork.Set of two MMTB Drawings of Switches, points and turnout details .1 - P3738 - Diagrams of Switch Data - actual switch blades - dated 30-10-1926 .2 - P9312 - Lorains No. 3 Switch Spiral Transition - dated 5/6/1942.2 - dated stamped 5 July 1974trackwork, points, switches, mmtb, tramways -
Moorabbin Air Museum
Drawing (Item) - Royal Australian Navy Skyhawk markings, RAN Skyhawk Colour/Markings
Royal Australian Navy -
Melbourne Tram Museum
drawing - Folder, Melbourne & Metropolitan Tramways Board (MMTB), "Car Templates", c1920
Cardboard sheet - folded into half used to contain MMTB tram car templates or floor plans. Has "CAR TEMPLATES" written in ink on front and the number "R3432" written in blue pencil in the bottom left hand corner and two thumb holes cut in the front portion. See Reg Item 356 for the actual templates. Cover made from The Prahran and Malvern Tramways Trust timetable sheet giving the times for the first and last cars on each route for Weekdays and Sundays.trams, tramways, mmtb, pmtt, plans, drawings, timetables -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 396 Williamstown Road built environment - domestic, built environment - commercial, frank gordon real estate, williamstown road -
Melbourne Tram Museum
Drawing, Road Construction Authority(RCA), "St Georges Road - Merri Parade to Miller St - Rehabilitation of Tramway and Divided Road", Dec. 1988
Set of two comb bound drawings for the "St Georges Road - Merri Parade to Miller St - Rehabilitation of Tramway and Divided Road", stippled card covers, providing details of plans, drainage, cross sections, track locations for the reconstruction of the roadway. Prepared Dec. 1988, used 1989. 621.2 Second volume titled "Amended Cross Sections" Prepared by the Road Construction Authority - RCA - Road Design Group Team 2. See Reg item 2653 for reports prior to the work being undertaken.trams, tramways, st georges rd, thornbury, northcote, tramways, road works, construction -
Hawthorn Historical Society
Drawing - Property Illustration, 290 Riversdale Road, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.290 RIVERSDALE RD HAWTHORN Margaret Picken ~97 WOODARDS - BALWYNartist - margaret picken 1950- -
Latrobe Regional Gallery
Drawing, BELLANY, John b. 1942, Port Seton d. 2013, Untitled, 1983
Charcoal on paperSigned and dated 'Bellany '83' in lower right corner of drawing. -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 20 Edward Street, Kew, 1996
This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 20 Edward Street, Kew by Margaret Picken.20 EDWARD ST., KEW / MARGARET PICKEN ~96 / WOODARDSartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 20 edward street -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 18 Carson Street, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Carson Street, Kew by Margaret Picken.18 CARSON ST., KEW / MARGARET PICKEN ~92/ WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 carson street -- kew (vic.) -
Hawthorn Historical Society
Drawing - Property Illustration, 95 Illawarra Road, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.95 ILLAWARRA ROAD, HAWTHORN Margaret Picken ~92 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Glenelg Shire Council Cultural Collection
Drawing, Noel Jones, Laneway, 1971
NoneView of a lanway. The laneway begins lower centre of image and recedes into image, halting 1/3 into the image. It is flanked by a high wooden fence on the right and a low wooden pole fence on the left. Behind fence on the right is the top of the wall and the roof of a house. One the left there is a house on a slight hill, rising above the road. There are houses in the background, with power poles and antennae visible above the roof lines. Mounted in black matt. Framed in silver frame with glass.Front: NWJones 71/ (lower left, black felt tip pen) Back: "Laneway" N.W. Jones 31 Linden St Box Hill Sth $25.00 (centre, black felt-tip pen) -
Moorabbin Air Museum
Drawing (Item) - Nomad Paint Scheme USCS N-00-932
-
Latrobe Regional Gallery
Drawing, BELLANY, John b. 1942, Port Seton d. 2013, Untitled, 1983
Charcoal on paperSigned and dated 'Bellany '83' in lower right corner of drawing. -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 4 First Avenue, Kew, 1989
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 4 First Avenue, Kew by Margaret Picken.4 FIRST AVE., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 4 first avenue - kew (vic). -
Hawthorn Historical Society
Drawing - Property Illustration, 12 Mount Ida Avenue, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.12 MT IDA AVE, HAW Margaret Picken ~99 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Latrobe Regional Gallery
Drawing, BELLANY, John b. 1942, Port Seton d. 2013, Lower Plenty Gorge, 1983
Pastel on paperTitled, signed and dated 'Lower Plenty Gorge Bellany '83' in lower right corner of drawing. -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth Carriage Museum IV, c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'worth / Marcuse Reverse: B6 / Beechworth Nostalgia / BW - 07 (crossed out)ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 276 Cotham Road, Kew, 1989
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 276 Cotham Road, Kew by Margaret Picken.276 COTHAM RD., KEW / MARGARET PICKEN '89 / WOODARDS ~KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 276 cotham road - kew (vic.) -
Hawthorn Historical Society
Drawing - Property Illustration, 34 Harts Parade, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 167x167 Inscription: 34 HARTS PDE, HAWTHORN Margaret Picken ~90 WOODARDS - HAWTHORN34 HARTS PDE, HAWTHORN Margaret Picken ~90 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Moorabbin Air Museum
Drawing - Item List for 89686D - Arial Assembly; Item List for 89744 Brake Sub-Assembly; Item List for 89791B - Top Steady Anchorage Assembly; Item List for 89696B - Arial, Flange Assembly, Weapons Research Establishment
-
Hawthorn Historical Society
Drawing - Property Illustration, 8 Auburn Parade, Hawthorn East, 1997
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 8 Auburn Parade, Hawthorn East by Margaret Picken.8 Auburn Parade, Haw E, Margaret Picken '97. Woodards - Hawthornartist - margaret picken 1950-