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Artwork, other (1266)
Ceramic (766)
Decorative object (716)
Drawing (4609)
Mixed media (521)
Painting (2481)
Print (1658)
Sculpture (402)
Textile (1395)
Work on paper (2054)
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Horsham Regional Art Gallery
Drawing, George COATES, Untitled (nude figure study), n.d
Gift of Mr and Mrs Laurence Scott Pendlebury, 1982pastel on paper -
Darebin Art Collection
Print - Nusra Latif Qureshi, Nusra Latif Qureshi, Island Dream I, 2004
print -
Gippsland Art Gallery
Sculpture, Woollard, John, Green Turned Red Gum Bowl, c.1991-94 c
Donated by the artist, 2017Forest Red Gumgippsland, artwork, permanent collection -
Kew Historical Society Inc
Textile - Household Textile, Table Runner, 1910 - 1950
White damask rectangular table runner with drawn thread work designs. table runners, household textiles, table linen -
Horsham Regional Art Gallery
Drawing, George COATES, Untitled (nude figure study), n.d
Gift of Mr and Mrs Laurence Scott Pendlebury, 1982graphite on paper -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1 Riverside Drive, Kew East, 1995
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 1 Riverside Drive, Kew East by Margaret Picken.1 RIVERSIDE DVE., KEW E / MARGARET PICKEN ~95 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 1 riverside drive -- kew east (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 18 Cole Avenue, Kew East, 1997
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 18 Cole Avenue, Kew East by Margaret Picken.18 COLE AVE., KEW E / MARGARET PICKEN ~ 97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 18 cole avenue -- kew east (vic.) -
Bendigo Historical Society Inc.
Painting - WATERCOLOUR JOHNSON'S REEF
Watercolour of the Johnson's reef goldmine comp. California Gully, Bendigo Victoria. On the foreground three water ponds and two sheds, several man are depicted some talking some working. At the centre main brick building with chimney, several houses on the background.bendigo, mining, johnson's reef -
Heidelberg Golf Club
Painting - Framed Painting, Joy Kirwan, Gum tree at Heidelberg Golf Club by Joy Kirwan, 1978
Oil painting of a lemon-scented gum at Heidelberg Golf Course, painted by Joy Kirwan. The corner of the old pro shop is on the right, the putting green in foreground.An original painting of part of the HGC groundsOil painting with timber frame Signed "Joy Kirwan"heidelberg golf club, joy kirwan, oil paintings -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 72 Fordham Avenue, Camberwell, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Whitehorse Historical Society Inc.
Textile - Doyley, not known
Made and used by Mrs Jean Ashcroft (nee Broad) originally from Galasheils ScotlandSquare hand crocheted doiley. Design of clover leaves in centre.manchester, table linen -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 40 Currajong Avenue, Camberwell, 1991
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Latrobe Regional Gallery
Print, COLEING, Tony b. 1942, Drawing for Sculpture, 1970
Two colour lithographSigned and dated 'Coleing 70' lower right corner of print. Edition 14/25 lower left corner of print. -
Australian Lace Guild - Victorian Branch
Textile - Carrickmacross, 19th Century
Fine muslin appliqued onto machine made net is decorated by hand with needlerun embroidery stitchesCarrickmacross lace collar. -
Darebin Art Collection
Painting - George Eustice, George Eustice, Rooftops, 2012
suburbs -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 58 Fairmont Avenue, Camberwell, 1998
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Federation University Art Collection
Sculpture - Bust, Greenhalgh, Victor, Dick Richards by Victor Greenhalgh
Victor GREENHALGH (1900-1983) Born Australia Victor Greenhalgh studied at at the Ballarat School of Mines, and was appointed to the staff in 1938. He was the commissioned sculptor for the King George V statue located in Ballarat's Sturt Street Gardens, as well as eight of the portrait busts of Australian Prime Ministers which line the "Avenue of Prime Ministers" in the Ballarat Botanical Gardens. From 1938 he taught at the Royal Melbourne Institute of Technology (RMIT). The bust of Dick Richards was Victor Greenhalgh's last work, and was cast after the sculptors death. It was donated to the Ballarat School of Mines by Victor Greenhalgh's wife Violet Greenhalgh (Hambly). Dick Richards and Victor Greenhalgh were brothers-in-law. Dick Richards was a member of Shackleton's ill-fated Trans-Antarctic Expedition, and was awarded the Albert Medal for his heroic contribution as a member of the Ross Sea Shore party. In 1972 the Albert Medal was exchanged for the more widely recognised George Cross. Speaking at the unveiling of the sculpture in Dick Richards said that on his return fro the expedition in 1917 he had little inclination for a sedentary or a teaching career. By the time he retired in 1958 he was not at all sorry that he had spent his life as a teacher. Victor Greenhalgh died in Queensland in 1983. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Bronze bust of Antarctic Explorer and former Principal of the Ballarat School of Mines, Richard W. Richards.art, artwork, dick richards, r.w. richards, richard w. richards, victor greenhalgh, antarctic explorer, alumni, violet greenhalgh, violet hambly, sculpture, staffmember, ballarat technical art school, school of mines ballarat -
Gippsland Art Gallery
Painting, Piggott, Owen, Coming Home, 1983
Purchased, 1983Gouachegippsland, artwork, permanent collection -
Darebin Art Collection
Painting - Mary Hammond, Mary Hammond, 99c, 1980
Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s. -
Darebin Art Collection
Painting - XISTO, XISTO, Sentimento Maka'as (Strong Feelings), 2009
arte moris -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Charles Douglas Richardson, Wild fruit, c.1901
marblewild fruit, female, figure, fruit, charles douglas richardson, sculpture, marble, c douglas richardson, cd richardson -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 8 Sunnyside Avenue, Camberwell, Unknown
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Gippsland Art Gallery
Painting, Jones-Roberts, Gareth, Landscape, c.1960
Donated by Charles Nodrum through the Australian Government Cultural Gifts Program, 2000Oil on boardgippsland, artwork, permanent collection -
Hawthorn Historical Society
Drawing - Property Illustration, 7 Mount Ida Avenue, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.7 MT IDA AVE, HAW E Margaret Picken ~95 WOODARDS - KEWartist - margaret picken 1950- -
Darebin Art Collection
Painting - Trevor Turbo Brown, Trevor Turbo Brown, Echidnas on the Move, 2004
echidnas -
Bendigo Historical Society Inc.
Textile - LACE NET CURTAIN
Textiles, beige lace net curtain,Rows of embroidered blue flowers and green leaves worked in net. Machine made lace net has geometric pattern of squares of diminishing sizes.6 cm border on each side of open square pattern with scalloped edges. Rod pocket casing along top. Bottom of curtain is finished with 5 cm fringing of 2 cm twisted card.textiles, domestic, curtaining -
Hawthorn Historical Society
Drawing - Property Illustration, 63 Morang Road, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.63 MORANG RD, HAWTHORN Margaret Picken 2000 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Ararat Gallery TAMA
Print, Nanette Bourke, Scarlet Banksia, 1988
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Bendigo Historical Society Inc.
Textile - MERLE BUSH COLLECTION: BLOUSE (GIRL GUIDES), 1933
Girl Guides' blouse with note attached. Note: 'gde blouse Pattern , old wearable still check if later one at 32 is not better'. Written with pencil on sleeve cuff: 'larger here'. From Bush Collection (Merle Bush). Refer to 1202.44 for pattern. 23/01/2020 not in folder 29 AV In clothing Collection Check locationAs abovecostume, children's uniforms, girl guides -
National Vietnam Veterans Museum (NVVM)
Print
Colour print of HMAS Sydney.hmas sydney